Isabelle Demers Plays "The Shrovetide Fair" from Petrushka

"There is no shortage of organists who make their instruments roar; and while her power was never in question, 
Demers made the instrument sing.” (Peter Reed, Classical Source.com, England, 2016) 

With playing described as having “bracing virtuosity” (Chicago Classical Review) and being “fearless and extraordinary” (Amarillo-Globe News), organist Isabelle Demers has enraptured critics, presenters, and audience members around the globe for her entrancing performances. Her 2010 recital for the joint International Society of Organbuilders-American Institute of Organbuilders convention so enchanted the audience that she “left the entire congress in an atmosphere of ‘Demers fever’.” That same year, her recital at the national convention of the American Guild of Organists, in Washington, D.C., was received with great acclaim not only by critics, who deemed it “one of the most outstanding events of the convention” (The American Organist), but also by the standing-room-only audience, which called her back to the stage five times.

She has appeared in recital at the cathedrals of Cologne and Regensburg (Germany), the ElbPhilharmonie (Hamburg), St. Paul’s Cathedral, Westminster Cathedral, Westminster Abbey, and the Royal Festival Hall (London), the Royal Opera House of Muscat (Oman), Melbourne Town Hall (Australia), Auckland Town Hall (New Zealand), as well as major universities and concert halls in the United States, among them Davies Hall (San Francisco), Disney Hall (Los Angeles), the Kimmel Center (Philadelphia), the Wanamaker Organ (Philadelphia), Yale University, the Eastman School of Music, Benaroya Hall (Seattle), Spivey Hall (Georgia), and the Spreckels Pavilion (San Diego).

Ms. Demers is in continual demand by her fellow colleagues as witnessed by repeat performances for regional and national conventions of the American Guild of Organists (Minneapolis, 2008; Washington D.C., 2010; Hartford, 2013; Austin, 2013; Indianapolis, 2015; Houston, 2016), the joint convention of the American Institute of Organ Builders and International Society of Organbuilders (Montréal, 2010), the Royal Canadian College of Organists (Toronto, 2009; Kingston, Ontario, 2016), and the Organ Historical Society (Vermont, 2013 and Minnesota, 2017).

Her debut recording on Acis label was met with critical acclaim. On a recent broadcast of Pipedreams, radio host Michael Barone featured the Fugue from Reger's Opus 73, describing it as "a masterful score, here masterfully played," and Isabelle Demers as, “definitely a talent to watch, to hear.” The RSCM's Church Music Quarterly awarded the “exciting, expressive and successful” recording its highest recommendation for its “profound and searching” performances. Fanfare Magazine proclaimed the “superbly produced” and “clear, tightly focused” recording as a “brilliantly played program.” Her second disc, featuring the organ works of Rachel Laurin, was released in June 2011, and her recording of Max Reger’s Seven Chorale-Fantasias in November 2012. Her fourth CD, Bach, Bull, and Bombardes (Pro Organo), was released in May 2013, and includes works of Bach, Bull, Reger, Widor, Tremblay, Mendelssohn, Daveluy, and Thalben-Ball. She also appears as solo organ accompanist in a recording of Maurice Duruflé’s Requiem with the Baylor University Choir, recorded at Duruflé’s church, St. Étienne-du-Mont, in Paris. Her latest CD, recorded at Chicago’s Rockefeller Chapel, was released in January 2020, and includes works of Reger, Laurin, Dupré, Mendelssohn, Tchaikovsky, and Macmillan. 

A native of Québec and a doctoral graduate of the Juilliard School, Dr. Demers is the newly-appointed Associate Professor of Organ at McGill University (Montréal, Québec). She was formerly the Joyce Bowden Chair in Organ and Head of the Organ Program at Baylor University (Waco, Texas). 

Isabelle Demers is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC. 
www.concertartists.com
E-mail:  [email protected]
Phone: 860/560-7800
10 Abbott Lane, Dearborn, MI 48120-1001

Isabelle Demers plays three of Charles-Valentin Alkan's Douze Études pour les pieds seulement: #3, Fughetta. Moderato;  #11, Adagio; #5, Moderato.

This was recorded at Temple Church in London (UK) on September 22, 2019. The organ is a Harrison & Harrison from 1923. 

The video is courtesy Fugue State Films, www.fuguestatefilms.co.uk 

Also visit Ms Demers' artist spotlight: https://www.thediapason.com/artists/isabelle-demers

Isabelle Demers is represented by Phillip Truckenbrod Concert Artists, https://www.concertartists.com/ 

Michael Hey plays Grand Chœur Dialogué  by Eugène Gigout at Saint Patick’s Cathedral, New York City.

Geo. Kilgen & Son
Gallery Organ – Opus 5918 (1930); rev. Peragallo (1993)
Chancel Organ – Opus 3920 (1928); rev. Peragallo (1993)
Electro-pneumatic action, twin five-manual drawknob consoles; 207 registers, 116 stops, 142 ranks. 

In 2023, Michael Hey was appointed director of music and organist of the historic Marble Collegiate Church in Manhattan. Founded in 1628, it is the oldest church congregation in New York State. He also serves as assistant music director at Park Avenue Synagogue on Manhattan’s Upper East Side.

Prior to his appointment at Marble Collegiate Church, Michael Hey served as associate director of music and organist of Saint Patrick’s Cathedral in New York City from 2015–2023, where one of his first major tasks was to perform for the first U.S. visit of Pope Francis. From 2010–2015, he was assistant organist at Fifth Avenue Presbyterian Church.

Not exclusively a solo organist, Michael enjoys a varied career that includes collaborations with other musicians, solo piano recitals, improvising, and transcribing works. He is a proponent of new works for organ and has premiered a number of compositions. He performs works and arrangements for violin and organ with violinist Christiana Liberis in the Hey-Liberis duo.

A native of Milwaukee, Wisconsin, Michael graduated from the accelerated five-year degree program at The Juilliard School, where he received both his Bachelor of Music and Master of Music degrees in organ performance under Paul Jacobs.

Michael Hey is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC. 
www.concertartists.com

Damin Spritzer plays Marche Triomphale: Ite missa est, by René Louis Becker. This is from her recital at the Cathedral of St. Philip, Atlanta, Georgia, February 20, 2022.

Aeolian-Skinner Opus 1399, four manuals, 96 ranks. 
https://www.cathedralatl.org/worship/music/organs/cathedral/

Dr. Damin Spritzer is Area Chair and Associate Professor of Organ at the University of Oklahoma and Interim Director of Music and Organist for St. Thomas More University Parish in Norman. She continues to work with the Cathedral Church of Saint Matthew in Dallas as Artist-in-Residence for Cathedral Arts. Formerly Adjunct Professor at the University of North Texas teaching Organ Literature and Sacred Music, she is active in the Dallas and Oklahoma City Chapters of the American Guild of Organists and serves on committees for the Organ Historical Society, the Association of Anglican Musicians, and Organlive Media Foundation. She received her doctorate from the University of North Texas, her Master of Music from the Eastman School of Music, and her Bachelor of Music from the Oberlin Conservatory of Music.

See her artist spotlight at https://www.thediapason.com/artists/damin-spritzer-0

Damin Spritzer is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC. www.concertartists.com 

Johann Vexo plays Danse macabre by Camille Saint-Saëns, recorded at the First Presbyterian Church, Philadelphia.

Johann Vexo is Professor of Organ at the Conservatory as well as the Superior Music Academy in Strasbourg. He has performed extensively throughout Europe, the United States, Canada, Mexico, Australia, New Zealand, and Russia. He has appeared as a featured artist in numerous international music festivals and organ series in cities such as Atlanta, Auckland, Chicago, Dallas, Geneva, Los Angeles, Melbourne, Montréal, Munich, New York, Porto, Saint Petersburg, San Francisco, Seattle, and Vienna. His performances have been in notable venues such as the Basilica of the National Shrine of the Immaculate Conception in Washington D.C., the Wanamaker Organ in Philadelphia, Westminster Abbey in London, the Kultur- und Kongresszentrum Luzern, St. Mary’s Cathedral in Sydney, the Moscow Conservatory, and the Metropolitan Cathedral in Mexico City. He has also performed with various orchestras and musical ensembles.

Johann Vexo has made several recordings of French classical and German romantic music on historic French organs. His most recent recording, performed on the great organ of Notre Dame Cathedral, Paris, was released on the JAV label. He has over 50 performance videos featured on YouTube.

Johann Vexo is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC. 
www.concertartists.com 
E-mail:  [email protected] 
Phone: 860-560-7800 
10 Abbott Lane, Dearborn, MI 48120-1001