Isabelle Demers

Johann Vexo plays Danse macabre by Camille Saint-Saëns, recorded at the First Presbyterian Church, Philadelphia.

Johann Vexo is Professor of Organ at the Conservatory as well as the Superior Music Academy in Strasbourg. He has performed extensively throughout Europe, the United States, Canada, Mexico, Australia, New Zealand, and Russia. He has appeared as a featured artist in numerous international music festivals and organ series in cities such as Atlanta, Auckland, Chicago, Dallas, Geneva, Los Angeles, Melbourne, Montréal, Munich, New York, Porto, Saint Petersburg, San Francisco, Seattle, and Vienna. His performances have been in notable venues such as the Basilica of the National Shrine of the Immaculate Conception in Washington D.C., the Wanamaker Organ in Philadelphia, Westminster Abbey in London, the Kultur- und Kongresszentrum Luzern, St. Mary’s Cathedral in Sydney, the Moscow Conservatory, and the Metropolitan Cathedral in Mexico City. He has also performed with various orchestras and musical ensembles.

Johann Vexo has made several recordings of French classical and German romantic music on historic French organs. His most recent recording, performed on the great organ of Notre Dame Cathedral, Paris, was released on the JAV label. He has over 50 performance videos featured on YouTube.

Johann Vexo is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC. 
www.concertartists.com 
E-mail:  [email protected] 
Phone: 860-560-7800 
10 Abbott Lane, Dearborn, MI 48120-1001

"She presented herself as a communicative player with no shortage of imaginative ideas, with
fingers fully capable of backing them up, and with feet which are not just nimble on the pedals, 
but every bit as expressively articulate as her fingers." (Michael Dervan, The Irish Times)

Hailed by The New York Times as “splendid,” and “one of New York's finest organists,” Renée Anne Louprette maintains an international career as organ recitalist, collaborative artist, conductor, and teacher, and is director of the National Competition in Organ Improvisation. She is associated with several distinguished music programs in the New York City area, having served as Associate Director of Music at the Church of St. Ignatius Loyola, Associate Director of Music and the Arts at Trinity Wall Street, Organist and Associate Director at the Unitarian Church of All Souls, and Director of Music at the Church of Notre Dame.

Ms. Louprette is a U.S.-Romanian Fulbright Scholar who spent the Fall 2022 season in Brașov, Transylvania, completing research on historic Romanian pipe organs. She is Assistant Professor of Music and College Organist at Bard College and a member of the faculty of Bard College Conservatory, where she directs the Bard Baroque Ensemble and leads an annual Bach cantata series. She has directed the organ program at Mason Gross School of the Arts, Rutgers University since 2013 and is a former faculty member at the Manhattan School of Music, The Hartt School of the University of Hartford, and the John J. Cali School of Music of Montclair State University. 

Ms. Louprette’s European festival recital appearances include Internationaler Orgelsommer, Stuttgart, Germany; Magadino, Switzerland; In Tempore Organi, Italy; Ghent and Hasselt, Belgium; Copenhagen and Aarhus, Denmark; Uppsala and Lund cathedrals, Sweden; Bordeaux Cathedral and Toulouse Les Orgues, France, and Organ Nights in Brașov, Romania. In 2018, she made her solo debuts at the Royal Festival Hall in London and the Cathedral of Notre Dame in Paris. She has performed throughout the United Kingdom and Ireland, including at Westminster Abbey and the Temple Church in London, St. Giles Cathedral Edinburgh and Dunblane Cathedral (Scotland), Galway Cathedral and Dún Laoghaire (Ireland). 

Her recording of J. S. Bach’s "Great Eighteen Chorales" on the Metzler organ of Trinity College, Cambridge, England, was named a classical music Critics' Choice 2014 by The New York Times. “Une voix française | A French Voice”—her recording of 20th-century French organ repertoire on the Mander organ of St. Ignatius Loyola in New York—received top reviews in British journals Choir & Organ and Organists’ Review and the Dutch journal Orgelniews. Her current recording of Bach’s Clavier-Übung III performed on the Craighead-Saunders organ of Christ Church, Rochester, New York, is scheduled for release in 2023. 

As a collaborative keyboardist, Ms. Louprette has performed with the Queensland Symphony Orchestra in Brisbane, Australia, the Mostly Mozart Festival Orchestra, the American Brass Quintet, Voices of Ascension, Clarion Music Society, American Symphony Orchestra, Los Angeles Dance Project, The Dessoff Choirs, Oratorio Society of New York, and Piffaro, among many other ensembles. She has partnered with traditional Irish musician Ivan Goff, with whom she debuted at Walt Disney Concert Hall in Los Angeles presenting the world premiere of a new work for uilleann pipes and organ by Eve Beglarian, commissioned for the Louprette-Goff duo by the Los Angeles Philharmonic. The duo released their album “Bright Vision” to critical acclaim in 2019. The 2021-2022 season featured a join recital in Cluj-Napoca with Romanian saxophonist Zoltán Réman, concerto debuts with The Orchestra Now at the Bard Music Festival “Nadia Boulanger and her World” and with the Auburn Symphony Orchestra at Benaroya Hall in Seattle for the national convention of the American Guild of Organists. 

Ms. Louprette has conducted performances by professional choirs in the greater New York City area accompanied by members of Orchestra of St. Luke’s, Trinity Baroque Orchestra, and the Orchestra of St. Ignatius Loyola, including the acclaimed U.S. premiere of John Tavener’s Requiem as co-conductor with Kent Tritle. She was selected as a conducting fellow of the Mostly Modern Festival in 2019, premiering several new works with the New York-based American Modern Ensemble. 

Renée Anne Louprette holds a Master of Music degree in conducting from Bard College Conservatory, a Bachelor of Music degree summa cum laude in piano performance and Graduate Professional Diploma in organ performance from The Hartt School, University of Hartford. She was awarded a Premier Prix - mention très bien from the Conservatoire National de Région de Toulouse, France and a Diplôme Supérieur in organ performance from the Centre d’Études Supérieures de Musique et de Danse de Toulouse where she studied with Michel Bouvard and Jan Willem Jansen (interpretation) and Philippe Lefebvre (improvisation). She completed additional studies in organ with Dame Gillian Weir, James David Christie, and Guy Bovet.

Renée Anne Louprette is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC. 
www.concertartists.com
E-mail:  [email protected]
Phone: 860-560-7800
10 Abbott Lane, Dearborn, MI 48120-1001

Bryan Anderson 

2023 First Prize Winner of the Longwood Gardens International Organ Competition

The exceedingly great level of musicality, the fearlessness of his performance, and the exacting technical prowess exhibited by Bryan Anderson compelled the jury of the 2023 Longwood Gardens International Organ Competition to name him, out of 10 stellar competitors, the First Prize Winner of this illustrious event, where he received the $40,000 Pierre S. DuPont Prize (the largest cash prize of any competitive organ event). The Diapason, which named Bryan to its “20 under 30” Class of 2017, has called his playing “brilliant;” Classical Voice of North Carolina has described his playing as “simply first class.”

In the 2023 Longwood Gardens International Organ Competition, Bryan also received the Philadelphia AGO Chapter Prize for the best performance of a prescribed work by the judges. He also took prizes at the 2021 Canadian International Organ Competition and the 2019 Longwood Gardens International Organ Competition, and is a past first-prize winner of the Albert Schweitzer Organ Competition. Bryan has performed at national and regional conventions of the American Guild of Organists and the Organ Historical Society and has been featured numerous times on American Public Media's Pipedreams. He appeared on the album Pipedreams Premieres, vol. 3, performing music of Henry Martin alongside Isabelle Demers, Stephen Tharp, and Ken Cowan. Bryan has completed nearly one dozen original orchestral transcriptions, including works by Duruflé, Alkan, Debussy, and Dave Brubeck, and enjoys utilizing these arrangements in recitals.

In addition to solo work, Bryan enjoys an active performance life as a musical collaborator. As a continuo artist at the organ and harpsichord, Bryan is a regular performer with the early-music groups Harmonia Stellarum Houston and the Oklahoma Bach Choir, and has also appeared recently with Mercury Chamber Orchestra, Houston Grand Opera, Kentucky Baroque Trumpets, and the viols of Les Touches. Bryan is also an experienced collaborative pianist and chamber musician, with many years of work as an instrumental and choral accompanist, including as the current concert accompanist for the Houston Children’s' Chorus. In the realm of orchestral music, Bryan has performed in works such as Strauss' Eine Alpensinfonie, Copland's Appalachian Spring, Poulenc's Organ Concerto, Saint-Säens' Organ Symphony, and the chamber orchestration of the Duruflé Requiem. He is also one of the few current organists to tackle large oratorio repertoire at the organ without orchestra, having performed works such as Poulenc's Gloria and Mendelssohn's complete Elijah score alone in choral performances.

Bryan is employed as Director of Music at Saint Thomas’ Episcopal Church and School in Houston, Texas, where he trains all ages of choirs from elementary ages through adults, oversees eight sung services per week, and organizes a concert season of guest artists and in-house ensembles. He serves as Co-Manager of the RSCM Gulf Coast choral residency program and has also worked as the Preparatory Choir Director for the Houston Children’s’ Chorus. He previously held positions at St. Paul’s United Methodist Church in Houston; Wells Cathedral in Somerset, England; and St. Mark’s Episcopal Church and Tenth Presbyterian Church, both in Philadelphia. He also served as an assistant organist of the Wanamaker Grand Court Organ, Philadelphia.

Bryan received his master’s degree in organ performance from the Shepherd School of Music at Rice University in 2018, where he studied with Ken Cowan. His undergraduate work was completed at the Curtis Institute of Music, resulting in his bachelor’s degree in organ with Alan Morrison and an Artist Diploma in harpsichord with Leon Schelhase  Previous teachers were Jeannine Morrison (piano) and Sarah Martin (organ).

Bryan Anderson, as part of his Longwood prize, is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC. 
www.concertartists.com
E-mail:  [email protected]
Phone: 860-560-7800
10 Abbott Lane, Dearborn, MI 48120-1001

Photo credit: Tam Lan Truong

Described as “scintillating” and “tremendously virtuosic” (The Straits Times, Singapore), Michael Hey has established himself as a reputable concert organist in the U.S. and abroad. Hey performs solo and collaboratively, from organ concertos with top American orchestras to organ performances in historic cathedrals and churches.

In 2023, Michael was appointed director of music and organist of the historic Marble Collegiate Church in Manhattan. Founded in 1628, it is the oldest church congregation in New York State. Michael also serves as assistant music director at Park Avenue Synagogue on Manhattan’s Upper East Side.

Prior to his appointment at Marble Collegiate Church, Michael served at two other distinguished congregations on Fifth Avenue, most notably as associate director of music and organist of the famed Saint Patrick’s Cathedral in New York City from 2015–2023, where one of his first major tasks was to perform for the first U.S. visit of Pope Francis. Michael played at Saint Patrick’s Cathedral for services throughout the week and had been heard by millions visiting the cathedral or on live broadcasts via Sirius XM radio, television, and online. From 2010–2015, Michael was assistant organist at Fifth Avenue Presbyterian Church.

Michael has performed solo recitals and lectured for several American Guild of Organists conventions and conferences. In 2017, Michael received first prize in the First Shanghai Conservatory of Music International Organ Competition, held at the Shanghai Oriental Arts Theater. In 2017, Michael released his premiere solo CD recording, Michael T. C. Hey plays the Great Organ of Saint Patrick’s Cathedral in New York, by the JAV recording label. In 2016, he was recognized as one of the top “20 Under 30” organists by The Diapason magazine and was a finalist in the Longwood Gardens Organ Competition.

Michael has appeared with the San Francisco Symphony on several occasions. In 2014, he was the featured organ soloist for the New York City Ballet’s newly commissioned work Acheron. Set to the music of Francis Poulenc’s Organ Concerto, his performance at its premiere was "vividly played" (The New York Times, 2014). Michael has performed at notable venues such as Lincoln Center (New York), Carnegie Hall (New York), Madison Square Garden (New York), the Kimmel Center (Philadelphia), the Kennedy Center (Washington D.C.), the Esplanade (Singapore), and Overture Hall (Madison).

Not exclusively a solo organist, Michael enjoys a varied career that includes collaborations with other musicians, solo piano recitals, improvising, and transcribing works. He is a proponent of new works for organ and has premiered a number of compositions. He performs works and arrangements for violin and organ with violinist Christiana Liberis in the Hey-Liberis duo.

A native of Milwaukee, Wisconsin, Michael graduated from the accelerated five-year degree program at The Juilliard School, where he received both his Bachelor of Music and Master of Music degrees in organ performance under Paul Jacobs.

Michael Hey is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC. 
www.concertartists.com
E-mail:  [email protected]
Phone: 860-560-7800
10 Abbott Lane, Dearborn, MI 48120-1001 

Bruce Neswick is Artist-in-Residence at St. James’ Episcopal Church, La Jolla, California, having retired in 2022 as the Canon for Music at Trinity Episcopal Cathedral, Portland, Oregon. Prior to his time in Portland, he served as Associate Professor of Music in Organ and Sacred Music at the Jacobs School of Music at Indiana University and Assistant Organist of St. Francis in the Fields Episcopal Church, Louisville, Kentucky. Before moving to Indiana, he was the Director of Music at the Cathedral of St. John the Divine in New York City, where he directed the Cathedral Choir of Girls, Boys and Adults and had oversight of the musical life of that historic church. Earlier in his career, he served as the first director of the Washington Cathedral Girl Choristers.

Active in the field of church music, Mr. Neswick holds the Fellowship degree from the Royal School of Church Music, for whom he has conducted several courses for boy and girl choristers. In the summer of 2024, he was the Guest Director of the annual Saint Thomas Course for Girl Choristers, in NYC. He has served on the faculties of and performed for several church music conferences, among them, Master Schola, the Mississippi Conference, the Association of Anglican Musicians, Westminster Choir College Summer Session, the Montreat and Westminster Conferences of the Presbyterian Association of Musicians, the Conference of Lutheran Church Musicians and the Sewanee Church Music Conference. In recent years, he has performed at St. Florian Abbey, in Austria, as part of the annual BrucknerFest; at the Eastman Rochester Organ Initiative conference; and in May 2024 he performed at a hymn festival celebrating the 50th anniversary of Yale University’s Institute of Sacred Music.

Mr. Neswick has been commissioned to compose for dozens of performers, churches, and special occasions throughout the United States, and his organ and choral music is published by Paraclete, Augsburg-Fortress, Selah, Vivace, Hope, Plymouth, and St. James' presses. Mr. Neswick’s skill at improvisation garnered him three first competition prizes: the 1989 San Anselmo Organ Festival; the 1990 American Guild of Organists' national convention in Boston; and the 1992 Rochette Concours at the Conservatoire de Musique in Geneva, Switzerland.

A graduate of Pacific Lutheran University and of the Yale School of Music and Institute of Sacred Music, Mr. Neswick’s teachers have included Robert Baker, David Dahl, Gerre Hancock, Margaret Irwin-Brandon, and Lionel Rogg. A Fellow of the American Guild of Organists, Mr. Neswick has served the Guild in many capacities, including chapter dean, regional convention chair, regional education coordinator, member of the national nominating committee, and member of the national improvisation competition committee. He was awarded an honorary doctorate from the University of the South, Sewanee, Tennessee and in 2024 was named Honorary Canon at Grace Church Cathedral in Charleston, South Carolina.

As a recitalist, Mr. Neswick has performed extensively throughout the United States and Europe and has been a frequent performer at national and regional conventions of the American Guild of Organists. In 1994, he played the opening convocation for the national AGO convention held in Dallas, Texas, and he was a featured artist at the national AGO conventions in Seattle (2000), Washington, DC (2010) and Boston (2014). 

Mr. Neswick is exclusively represented in North America by Phillip Truckenbrod Concert Artists. 
www.concertartists.com 
E-mail:  [email protected] 
Phone: 860-560-7800  
10 Abbott Lane, Dearborn, MI 48120