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Damin Spritzer plays René Louis Becker

Damin Spritzer plays Marche Triomphale: Ite missa est, by René Louis Becker. This is from her recital at the Cathedral of St. Philip, Atlanta, Georgia, February 20, 2022.

Aeolian-Skinner Opus 1399, four manuals, 96 ranks. 
https://www.cathedralatl.org/worship/music/organs/cathedral/

Dr. Damin Spritzer is Area Chair and Associate Professor of Organ at the University of Oklahoma and Interim Director of Music and Organist for St. Thomas More University Parish in Norman. She continues to work with the Cathedral Church of Saint Matthew in Dallas as Artist-in-Residence for Cathedral Arts. Formerly Adjunct Professor at the University of North Texas teaching Organ Literature and Sacred Music, she is active in the Dallas and Oklahoma City Chapters of the American Guild of Organists and serves on committees for the Organ Historical Society, the Association of Anglican Musicians, and Organlive Media Foundation. She received her doctorate from the University of North Texas, her Master of Music from the Eastman School of Music, and her Bachelor of Music from the Oberlin Conservatory of Music.

See her artist spotlight at https://www.thediapason.com/artists/damin-spritzer-0

Damin Spritzer is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC. www.concertartists.com 

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Damin Spritzer plays Bach

Damin Spritzer plays Bach: Chaconne de la partita, No. 2, BWV 1004, Johann Sebastian Bach (1685-1750), transcribed by Henri Messerer (1838-1923).
Performed live in concert at the Episcopal Cathedral of St. Philip, Atlanta, Georgia

Dr. Damin Spritzer is Area Chair and Associate Professor of Organ at the University of Oklahoma and Artist-in-Residence for Cathedral Arts at the Cathedral Church of Saint Matthew in Dallas.

Damin Spritzer is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC.  
https://concertartists.com/ 

Jack Mitchener plays Franck Choral No. 2 in B Minor

Jack Mitchener plays Franck's Choral No. 2 in B Minor.

The performance was part of a recital at Peachtree Road United Methodist Church in Atlanta.  The organ is by Mander (IV/106 stops; 135 ranks). 

More information is available at this link:  https://www.prumc.org/worship/instruments/

See Jack Mitchener's artist spotlight: https://www.thediapason.com/artists/jack-mitchener

Jack Mitchener is Professor of Organ, University Organist, Chairman of the Keyboard Department, and Director of the Townsend-McAfee Institute of Church Music in the Townsend School of Music at Mercer University in Macon, Georgia.  In addition, he is Organist and Artist-in-Residence at the Episcopal Cathedral of St. Philip in Atlanta.  

He is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLCwww.concertartists.com 

Damin Spritzer plays Buzard Opus 40, Latrobe, Pennsylvania

Damin Spitzer plays Rhapsody, op. 17, no. 3, by Herbert Howells on Buzard Pipe Organ Builders Opus 40 and 40R, St. Vincent Archabbey, Latrobe, Pennsylvania.

Shortly after the outbreak of World War One, Germany sought to demoralize England by attacking British cities and towns from the air. Massive airships, beyond the reach of British defenses, bombarded civilian centers under the cover of darkness. In March of 1918, Herbert Howells was in York during a zeppelin raid. While taking shelter from the bombing, he composed the Third Rhapsody in a single night.

The video features Buzard Opus 40 and 40R, St. Vincent Archabbey, Latrobe, Pennsylvania. Gallery organ, three manuals and pedal, 51 stops, 72 ranks. For information: https://buzardorgans.com/buzard-opus-40/

Damin Spritzer is assistant professor of qrgan at the University of Oklahoma with the American Organ Institute. She continues to work with the Cathedral Church of Saint Matthew in Dallas as artist-in-residence for Cathedral Arts, and was recently adjunct professor at the University of North Texas teaching organ literature and sacred music. She serves on the board of directors for the Leupold Foundation, dedicated to the preservation of pipe organ music and culture, and is active in the Dallas and Southern Plains Chapters of the American Guild of Organists in various roles.

For information: https://www.daminspritzer.com/

Bruce Neswick

Bruce Neswick
Bruce Neswick

Bruce Neswick is Artist-in-Residence at St. James’ Episcopal Church, La Jolla, California, having retired in 2022 as the Canon for Music at Trinity Episcopal Cathedral, Portland, Oregon. Prior to his time in Portland, he served as Associate Professor of Music in Organ and Sacred Music at the Jacobs School of Music at Indiana University and Assistant Organist of St. Francis in the Fields Episcopal Church, Louisville, Kentucky. Before moving to Indiana, he was the Director of Music at the Cathedral of St. John the Divine in New York City, where he directed the Cathedral Choir of Girls, Boys and Adults and had oversight of the musical life of that historic church. Earlier in his career, he served as the first director of the Washington Cathedral Girl Choristers.

Active in the field of church music, Mr. Neswick holds the Fellowship degree from the Royal School of Church Music, for whom he has conducted several courses for boy and girl choristers. In the summer of 2024, he was the Guest Director of the annual Saint Thomas Course for Girl Choristers, in NYC. He has served on the faculties of and performed for several church music conferences, among them, Master Schola, the Mississippi Conference, the Association of Anglican Musicians, Westminster Choir College Summer Session, the Montreat and Westminster Conferences of the Presbyterian Association of Musicians, the Conference of Lutheran Church Musicians and the Sewanee Church Music Conference. In recent years, he has performed at St. Florian Abbey, in Austria, as part of the annual BrucknerFest; at the Eastman Rochester Organ Initiative conference; and in May 2024 he performed at a hymn festival celebrating the 50th anniversary of Yale University’s Institute of Sacred Music.

Mr. Neswick has been commissioned to compose for dozens of performers, churches, and special occasions throughout the United States, and his organ and choral music is published by Paraclete, Augsburg-Fortress, Selah, Vivace, Hope, Plymouth, and St. James' presses. Mr. Neswick’s skill at improvisation garnered him three first competition prizes: the 1989 San Anselmo Organ Festival; the 1990 American Guild of Organists' national convention in Boston; and the 1992 Rochette Concours at the Conservatoire de Musique in Geneva, Switzerland.

A graduate of Pacific Lutheran University and of the Yale School of Music and Institute of Sacred Music, Mr. Neswick’s teachers have included Robert Baker, David Dahl, Gerre Hancock, Margaret Irwin-Brandon, and Lionel Rogg. A Fellow of the American Guild of Organists, Mr. Neswick has served the Guild in many capacities, including chapter dean, regional convention chair, regional education coordinator, member of the national nominating committee, and member of the national improvisation competition committee. He was awarded an honorary doctorate from the University of the South, Sewanee, Tennessee and in 2024 was named Honorary Canon at Grace Church Cathedral in Charleston, South Carolina.

As a recitalist, Mr. Neswick has performed extensively throughout the United States and Europe and has been a frequent performer at national and regional conventions of the American Guild of Organists. In 1994, he played the opening convocation for the national AGO convention held in Dallas, Texas, and he was a featured artist at the national AGO conventions in Seattle (2000), Washington, DC (2010) and Boston (2014). 

Mr. Neswick is exclusively represented in North America by Phillip Truckenbrod Concert Artists
www.concertartists.com 
E-mail:  [email protected] 
Phone: 860-560-7800  
10 Abbott Lane, Dearborn, MI 48120

Lynne Davis plays Grigny

Lynne Davis plays Hymne sur Veni Creator by Nicolas de Grigny (1671–1703) on the Marcussen & Søn organ in Wiedemann Hall at Wichita State University. The program was part of the Rie Bloomfield Organ Series, “Wednesdays in Wiedemann,” on September 8, 2021. 
En taille à 5 (Plein jeu) 
Fugue à 5 
Duo 
Récit de Cromorne 
Dialogue sur les Grands Jeux

Lynne Davis is Robert L. Town Distinguished Professor of Organ at Wichita State University and an international concert organist. Though American by birth, Lynne Davis’s career has been richly steeped in French music, culture, aesthetics, and style. Her career was launched by taking First Prize at the 1975 St. Albans International Organ Competition in England—the eighth organist to receive that honor since the competition’s founding in 1962.  Now a leading international concert artist and master teacher, she has performed in nearly every cathedral in France, numerous major cities throughout Europe, and from coast to coast in the United States. Her activities have included being a featured performer and lecturer at two national conventions and several regional conventions of the American Guild of Organists, giving master classes and lectures about French organ literature and its history, and serving as a member of Chartres, Dallas, St. Albans, and Taraverdiev (Russia) organ competition juries. In October 2017, she served as juror for the Canadian International Organ Competition in Montréal and was a featured recitalist during the competition week.

Lynne Davis is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC.  

See her artist spotlight: https://www.thediapason.com/artists/lynne-davis

The organ program at Wichita State University is the cover feature of the November 2022 issue of The Diapason
https://www.thediapason.com/content/cover-feature-wichita-state-university

For information: www.wichita.edu/organ

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