Rejoicensemble! premieres Joyce Solomon Moorman's <i>Dream Variations</i> November 4 in Brooklyn

by Mickey Thomas Terry

Mickey Thomas Terry, a native of Greenville, North Carolina, holds degrees from East Carolina University in Greenville, and a Ph.D. in Late Medieval and Early Modern European History from Georgetown University in Washington, DC. Dr. Terry's principal organ teachers have been Clarence Watters, Charles Callahan, and Ronald Stolk (Improvisation). He is currently the organist and minister of music of St. Rita's Catholic Church in Alexandria, Virginia. Dr. Terry has concertized throughout the United States and has been broadcast several times on Pipedreams. Dr. Terry has recently been a featured artist at Washington's John F. Kennedy Center for the Performing Arts and organ recitalist at the Piccolo-Spoleto Music Festival in Charleston, South Carolina. In July, 1996, he presented a lecture-recital in St. Paul's Chapel at Columbia University as part of the African-American Organ Music workshop of the AGO National Convention in New York. He will be a featured recitalist at the 1998 AGO national convention in Denver. Dr. Terry has taught on the faculty of Georgetown University and has written several articles for both The American Organist Magazine and The Diapason. He serves on the Advisory board for the ECS/AGO African-American Organ Music Series published by E.C. Schirmer Music Company of Boston. Dr. Terry appears on the Albany Records label compact disc George Walker--A Portrait, playing the organ works of Pulitzer Prize-winning composer George Walker.

 

In a previous article, "African-American Organ Literature--A Selective Overview,"  seven composers and their works were featured (The Diapason, April, 1996, pp. 14-17). They included George Walker, Noel Da Costa, David Hurd, Adolphus Hailstork, Thomas H. Kerr, William B. Cooper, and Mark Fax. Through a series of musical examples provided, it was shown that in addition to Negro spirituals and jazz, African-American organ literature is based on several diverse musical sources which include plain chant, German Protestant chorales, general Protestant hymnody, themes of African origin, and original composer themes.1

Also mentioned was the fact that several composers from this school are alumni of major musical institutions. A number of them have been recipients of prestigious composition prizes and academic fellowships.2 Among them is George Walker who, in April 1996, became the first black to receive the Pulitzer Prize for music. This award was for his composition Lilacs for Soprano and Orchestra, commissioned and premiered by the Boston Symphony.

Although attitudes towards black composers are gradually changing, the path of the African-American composer has not been an easy one, and it is still fraught with difficulty.3 Historically, racial bias and negative stereotyping have played a deleterious role in coloring perceptions of and attitudes towards African-American composers. In the U.S., such attitudes have long been documented. One of the earliest setof published writings which reflects this attitude is Thomas Jefferson's Notes on Virginia (c. 1784). In this work, the author relates his general perceptions regarding blacks.4 Added to the problem of historical perception was the existence of the now defunct Jim Crow (i.e., segregation) system which deterred blacks from being woven into the fabric of American society. The combination of both factors has greatly contributed to the current dearth of published musical materials from this school of composers. Furthermore, during the pre-integration era, the extant system of laws, racial codes, and negative perceptions prohibited African-Americans, in most cases from matriculating in traditionally white institutions of higher education. At that time, the academic pedigrees and scholastic achievements of blacks were given little or no regard.5 George Walker's experiences, as related to and documented by several newspaper and journal interviews, constitute a case in point.

Prior to receiving the distinction of being a Pulitzer Prize winner, Walker had the distinction of being the first black graduate of the Curtis Institute (Artist Diploma, 1945) and, subsequently, becoming the first black to receive a Doctoral degree from the Eastman School of Music (D.M.A. in Piano, 1956). At the time, this was really quite a notable accomplishment because many institutions including the prestigious Peabody Conservatory did not admit blacks for a long time.6 Although the achievements of Walker and others continued to be increasingly evident, many such institutions remained closed, nonetheless, to blacks; teaching posts in such institutions were simply out of the question.

Since winning the Pulitzer, Walker's interviews, such as that published in the Philadelphia Inquirer (Oct. 31, 1996), have occasionally indicated long-standing difficulties and disappointments experienced not only as a composer, but as a virtuoso pianist and teacher.7 Unfortunate as these experiences may have been, they are neither unique nor isolated; several black composers have shared similar misfortunes. One of the greatest misfortunes from that period to the present has been the absence of sufficient recognition for their contribution to the classical literature; part of this article's raison d'être is the writer's attempt to help alter that situation.

As mentioned in the previous article, it is not feasible to present a comprehensive survey in the scope of a single article; as such, the writer has, once again, provided a select sampling of talents who have made substantive and qualitative contributions to the literature for the instrument. The various cited examples are intended to demonstrate not only a diversity of composition styles, but thematic influences which may be found among this body of music. For the purposes of this article, the organ compositions cited are stylistically divided into two general categories: neo-classical and symphonic. Among the neo-classical works cited are compositions by Ulysses Kay, Roger Dickerson, and Charles Coleman. The more symphonically conceived works are represented by Olly Wilson, William Grant Still, Eugene W. Hancock, Charlene Moore Cooper, Mark A. Miller, and Jeffrey Mumford. The neo-classical works are presented first, followed by the symphonic compositions.

ULYSSES KAY (1917-1995) received a B.M. degree from the University of Arizona. Kay also studied with Howard Hanson at the Eastman School of Music (M.M. in Composition) and with Paul Hindemith both at the Berkshire Music Center (1941) and Yale University. He also studied with Otto Luening at Columbia University. Kay served as visiting professor at both Boston University and the University of Los Angeles (UCLA). From 1968, he served as Professor of Music at Herbert H. Lehman College (CUNY) until his retirement in 1988. While there, he was appointed as Distinguished Professor (1972). Kay was the recipient of several prestigious awards and fellowships. Twice, he won the Prix de Rome as well as winning the Gershwin Memorial Award (1947). Among the fellowships awarded were: Ditson (1946), Rosenwald (1947), Fulbright (1950), and Guggenheim (1964). In addition to organ works, Kay wrote two operas as well as music for chorus, orchestra, ballet, chamber ensemble, and piano. Commissioned and premiered by Marilyn Mason, Kay's Suite No. 1 for Organ (1958) exhibits the influence of  neo-classicism. For the purposes of this article, excerpts from the second and last movements of this work are cited. (See Examples 1 and 2.)

Organ Compositions (Published Scores):

Two Meditations for Organ (H.W. Gray, 1951) [out-of-print]

Suite No. 1 for Organ [Prelude, Pastorale, Finale (1958)] (Carl Fischer Facsimile Edition, 1986)

ROGER DICKERSON (b. 1934) received his B.A. (Music Education) Degree from Dillard University in New Orleans and M.M. Degree (Composition) from Indiana University. He received a Fulbright to study at the Akademie für Musik und Darstellende Kunst in Vienna (1959-62). Dickerson was also the recipient of a John Hay Whitney Fellowship and received the Louis Armstrong Award (1981). In 1975, he founded the Creative Artists Alliance. He also received an honorary doctorate from the People's Republic of China.  In 1978, he was the subject of a public television documentary film "New Orleans Concerto." Currently, Dickerson serves as Music Coordinator and Choir Director at Southern University as well as Lecturer in Music at Dillard University in New Orleans. He has written for piano, voice, chorus, orchestra, band, and chamber ensemble. The following composition is, at the time of this article's completion, his only contribution for solo organ. Conceived in a neo-classical idiom, it is based on a German Protestant Chorale Das neugeborne Kindelein ("The Newborn Little Child"). (See Example 3.)

Organ Compositions (Published Scores):

Chorale Prelude: Das neugeborne Kindelein (1956) [E.C. Schirmer Music Co., 1996]

CHARLES D. COLEMAN (1926-1991) was a native of Detroit. He received his B.M. and M.M. Degrees from Wayne State University in Detroit. Among his teachers were Virgil Fox, Mildred Clumas, and Robert Cato. In 1955, Mr. Coleman founded the Charles Coleman House of Music, formerly known as Northwestern School of Music, Dance, and Drama. In addition to teaching in the Detroit Public Schools, he served as Director of Music for Tabernacle Baptist Church in Detroit. Coleman was also an Associate of the American Guild of Organists (AAGO). His compositions include works written essentially for chorus, organ, and piano. Conceived in a neo-classical idiom, the sonata is dedicated to Dr. Eugene W. Hancock. The Passacaglia constitutes the sonata's first movement. (See Example 4.)

Organ Compositions (Published Scores):

Impromptu for Pedals Alone (1961; Northwestern School of Music Press, 1977) [out-of-print]

Sonata No. 1 [Passacaglia, Adagio, Allegro]8 (Northwestern School of Music Press, 1979) [out-of-print]

OLLY WILSON (b. 1937) received a B.M. Degree from Washington University (St. Louis), an M.M. Degree from the University of Illinois (Urbana), and a Ph.D. from the University of Iowa. In addition to being a recipient of a Fulbright Fellowship (1971 and 1977) and a Guggenheim (1972),Wilson was the recipient of a First Prize in the International Electronic Music Competition (1968) and the Dartmouth Arts Council Prize (1968).  In 1974, he received an award for outstanding achievement in music composition from the American Academy of Arts and Letters and the National Institute of Arts and Letters. Among his academic positions, he has served on the faculties of Florida A & M University and Oberlin Conservatory.  He is currently Music Department chair at the University of California at Berkeley. Wilson has written for various musical media including: organ, piano, voice, chorus, chamber ensemble, and orchestra. Commissioned for the 1979 Hartt College of Music International Contemporary Organ Music Festival, Expansions was premiered by Donald Sutherland. (See Example 5.)

Organ Compositions (Published Scores):

Expansions (1979)

Moe Fragments (1987)

WILLIAM GRANT STILL (1895-

1979) During his lifetime, he was frequently referred to as the "Dean" of African-American Composers. He studied at Wilberforce University (Ohio) and at Oberlin Conservatory. Still also studied privately with George Chadwick and Edgar Varèse. He was the recipient of many honors and fellowships, including a Guggenheim (1933).  Among his distinctions, William Grant Still was the first black to compose a symphony, to conduct a major U.S. symphony, and to have a composition performed by a major U.S. symphony.  He wrote for almost every musical medium including piano, voice, chorus, chamber music, opera, ballet, and orchestra.  Reverie is one of two original organ compositions written by the composer.  It was commissioned by the Long Beach, Los Angeles, and Pasadena & Valley Districts of the AGO in celebration of the 1962 American Guild of Organists National Convention. (See Example 6.)

Organ Compositions (Published Scores):

Reverie [AGO Prelude Book (published by Los Angeles area American Guild of Organists chapters, 1962)]

Elegy (Avant Music Co., 1963)

EUGENE W. HANCOCK (1929-1994) was a native of Detroit, as was his friend and colleague Charles Coleman. Hancock received a B.M. Degree from the University of Detroit, a M.M. Degree from the University of Michigan [Ann Arbor], and a Doctorate of Sacred Music from the School of Sacred Music at Union Theological Seminary in New York. Among his organ teachers were Marilyn Mason, Vernon deTar, and Alec Wyton. Hancock studied composition with Seth Bingham. He served as Assistant Organist/Choirmaster of the Cathedral of St. John the Divine (1963-66), and later as Organist/Choirmaster of St. Philip's Episcopal Church (1975-82) and of West End Presbyterian Church (1982-90) in New York. In 1970, Hancock was appointed as Professor of Music at Borough of Manhattan Community College (CUNY), a position he held until his death. Among his professional affiliations, Hancock was an Associate of the American Guild of Organists (AAGO). With several choral publications to his credit, he has contributed much to the genre of sacred music. In his recital work, Hancock had been particularly noted for performing and promoting the works of African-American organ composers. Fantasy is a virtuosic work written for and premiered by Herman D. Taylor in 1985 at the Black American Music Symposium held in Ann Arbor, Michigan. (See Example 7.)

Organ Compositions (Published Scores):

An Organ Book of Spirituals [Sometimes I Feel Like a Motherless Child; We are Climbing Jacob's Ladder; My Lord, What a Morning; Joshua fought the Battle of Jericho; Were You There When They Crucified My Lord; I'm Troubled; Fix Me, Jesus; Swing Low, Sweet Chariot; Go Tell It on the Mountain] (Lorenz Publishing, 1966) [out-of-print]

The Wrath of God (Selah Press, 1993)

(Unpublished Scores)

Suite in Three Movements for Organ, String Quartet, Oboe, Xylophone, and Bass Drum [Variation, Aria, Toccata] (1966)

Fantasy for Organ (1985)

CHARLENE MOORE COOPER (b. 1938) is a native of Baltimore. She received a B.M. Degree (Flute/Music Education) from Oberlin Conservatory. She is currently a Ph.D. candidate in Counseling Psychology at Catholic University in Washington, DC. Cooper has taught music in both the Baltimore and District of Columbia Public Schools. She has also taught liturgy courses at the Howard University School of Divinity. She is also Director for the Municipal Opera of Baltimore, the NAACP Community Choir (DC), the Best Friends Jazz Choir (DC Metro area), and Director of Music for John Wesley A.M.E. Zion Church in Washington. In addition to writing for the organ, Cooper has written for piano, voice, chorus, chamber ensemble, and orchestra. A Solitary Prayer was originally conceived as a musical tribute to the composer's deceased mother. (See Example 8.)

Organ Compositions (Published Scores)

A Joyful Noise for Trumpet and Organ (1993)

Alleluia (1995)

A Solitary Prayer (1995)

Festal Postlude (1995)

Christmas Morn for Oboe and Organ (1995)

Meditation (1996)

Gloria in Excelsis Deo (1997)

Joy in the Morning (1997)

Resurrection (1997)

JEFFREY MUMFORD (b. 1955) is a native of Washington, D.C. He received his B.A. Degree (Art/Painting) from the University of California at Irvine and his M.A. Degree (Composition) at the University of California at San Diego. Mumford has won First Prize in the Aspen Music Festival (1979) and the National Black Arts Festival-Atlanta Symphony Composition Competition (1994). Also the recipient of several prestigious commissions, he was awarded a commission by the National Symphony in commemoration of the 25th Anniversary of the Kennedy Center. In 1995, he was also the recipient of a Guggenheim in composition. Most recently, Mumford has been awarded a grant from Meet the Composer/Arts Endowment Commissioning Music/ USA to compose a piece for the CORE Ensemble. His compositions consist of music for voice, piano, chorus, solo instrument, chamber ensemble, and orchestra. Mumford's Fanfare for November, so far his only organ composition, was written to be the recessional music for own wedding ceremony in November, 1985. (See Example 9.)

Organ Compositions (Published Scores)

Fanfare for November (1985)

MARK A. MILLER (b. 1967), a native of Burlington, Vermont,  received a B.A. (Organ Performance/Composition) from Yale University and an M.M. (Organ Performance) from Juilliard.  In 1989, he won First Prize in the National Association of Negro Musicians National Organ Competition. He is currently Director of Music for the Drew University Theological School (Madison, NJ) and Director of Music for Chatham United Methodist Church (Chatham, NJ). Miller is also an organist for the Nightwatch Program at the Cathedral of St. John the Divine in New York City. In addition to organ music, he has written for voice, chorus, and handbells. Reverie constitutes the second movement of Miller's Verses. (See Example 10.)

Organ Compositions (Published Scores)

Fantasias for Pentecost (1983)

Jubilate (1984)

Toccata on the Mountain (1994

Verses: [Prelude and Fugue, Reverie, Toccata] (1996)

Epilogue

In Jefferson's Notes on Virginia, the author writes: "Whether they [blacks] will be equal to the composition of a more extensive run of melody, or of complicated harmony, is yet to be proved." Should one be in quest of proof today, it is necessary to look no further than the compositions represented in this and the previous article. Some of these composers have attained a certain measure of renown; others are less renown, but there are several unmentioned here who are also very fine, even if unknown but to a small handful of devoted supporters and disciples. Given the findings, it is rather safe to say that African-American classical organ music exists sufficiently both in quality and quantity. No longer is there need for queries and proof, but rather concerts and recitals, recordings and publication, and most of all, a fervent commitment by the performer.                      

 

Notes

                        1.                  Mickey Thomas Terry, "African-American Organ Literature, A Selective Overview," The Diapason (April, 1996): 14.

                        2.                  Mickey Thomas Terry, "African-American  Classical Organ Music: A Case of Neglect," The American Organist Magazine (March, 1997): 60n.

                        3.                  This reference provides information concerning the historical perspective of the black composer, Ibid: 56-61.

                        4.                  Therein, Jefferson briefly assesses the musical capabilities of blacks: "In music they are more generally gifted than the whites with accurate ears for tune and time, and they have been found capable of imagining a small catch. Whether they will be equal to the composition of a more extensive run of melody, or of complicated harmony, is yet to be proved." Thomas Jefferson, Notes on Virginia, ed. William Peden (New York: W.W. Norton and Co., 1982), 140.

                        5.                  Terry, "African-American Classical Organ Music," TAO, 59n.

                        6.                  The first black to be admitted to Peabody Conservatory was Paul Archibald Brent (1907-1997) of Baltimore. Brent, an honors graduate, received a teaching certificate in piano (1953). He subsequently received a B.M. Degree from Morgan State University in Baltimore. When interviewed, Anne Garside, Peabody's Information Director, provided the following information regarding the situation: "The director [conservatory] at the time was Reginald Stewart who very much wanted to abolish the color bar because not only had Peabody faculty been teaching African-American students for years under the table, [but] some of these black students were among the best musicians in the city . . . " The Baltimore Sun, Mar. 21, 1997, 5B.

                        7.                  Philadelphia Inquirer (Oct. 31, 1996), E6.

                        8.                  This sonata is comprised of three movements, none of which has been titled by the composer. The movements listed here are more or less described either by their form or tempo markings. In the case of the second movement, there is neither a title nor tempo marking indicated; consequently, the title indicated is provided by the writer to describe a suggested tempo.

by Mickey Thomas Terry

Contrary to popular belief, there is a substantive body of African-American classical music. This music draws upon a wealth of influences which are not just limited to Negro spirituals and jazz. The same can be said for the organ literature of African-Americans. Of the 332 entries listed in Paula Harrell's 1992 dissertation "Organ Literature of Twentieth-Century Black Composers: An Annotated Bibliography," only 74 are based on spirituals.1 In fact, African-American organ literature draws upon a multitude of influences which include spirituals, melodies of African origin, general protestant hymnody, German Protestant chorales, plainchant, as well as original composer themes. A few organ compositions have even been inspired by musical themes, individuals, and historical events associated with the Civil Rights movement of the 1960s and 1970s.2

Regarding the composers, several have had extensive training
and expertise in the field of composition.  Many of these, at one time or another, have been the
recipients of prestigious music fellowships3 and/or composition awards.4

As is the case with a large segment of 20th-century organ
music, African-American organ literature has been influenced by neo-classical
as well as symphonic organ composition styles.  The composers who have written utilizing a neo-classical
idiom include, but are not limited to, such names as George Walker (b. 1922),
Ulysses Kay (1917-1995), and Mark Fax (1911-1974). In terms of symphonic
writing for the instrument, there is, for instance, the music of Thomas H. Kerr
(1915-1988), William B. Cooper (1920-1993), Eugene W. Hancock (1929-1994), and
Adolphus Hailstork (b. 1941). Some composers such as Noel Da Costa (b. 1929)
and David Hurd (b. 1950) display a diversity of stylistic influences in their
compositions.

Much of the literature for the instrument represents a
varied number of compositional forms such as sonata, fugue, rondo, theme and
variations, as well as free form. There is also a considerable body of
literature for organ and other instruments which encompasses everything from
concerti with orchestra to chamber music.5 Before embarking upon a discussion
of the literature and its composers, it is necessary to provide some background
into its history and to discuss the nature of a few deterrants to performance.

The accessibility of music scores is perhaps the central
problem regarding the performance of this music. The reason for this is because
the vast majority of this literature, with few exceptions, remains
unpublished.6 Much of it exists only in manuscript form, the legibility of
which could itself constitute a deterrent to performance. Most of the scores
may be obtained directly either from the composers or their estates. The fact
that a large segment of this music remains unpublished has no bearing on its
quality, for the quality of the music is equal to much of that which already
appears in print, and in several instances, exceeds it. The lamentable truth of
the matter is that bias and negative racial stereotyping of black intellectual
capacity have been at fault.7 In the past, music publishers generally displayed
little interest in publishing the classical works of African-Americans,
Hispanics, women, or anyone who was not traditionally considered to be a part
of the male-dominant social mainstream. Since that time, music publishers have
slowly, but surely, begun to express an interest in publishing the works of
women and a handful of minority composers;8 however, for many years, this was
not the case. Much of this music went virtually unnoticed and unperformed. This
was even true for Thomas Kerr's AGO prize-winning composition Arietta, the
latter of which was once published commercially, but is currently unavailable
in print.9 It is for this reason that a survey, however succinct, is not only
desirable, but necessary. Although it is not feasible in the scope of a single
article to provide a comprehensive survey of African-American organ literature,
it is nonetheless possible to provide a brief, informative overview of a select
opus belonging to an equally select cadre of composers from this group.

For the purpose of this article, the composers discussed are
divided into two general styles of organ composition: symphonic and
neo-classical. Brief composer biographical sketches accompany a selective opus
listing. For each composer, a few measures from one or more compositions have
been extracted which reflect the wide variety of thematic sources and stylistic
influences from which these pieces are derived. We will start with the symphonic
compositions of Thomas H. Kerr, Adolphus Hailstork, and William B. Cooper.

Thomas H. Kerr
(1915-1988) served on the music faculty of Howard University as Professor of
Piano from 1943 until his retirement in 1976. An alumnus of the Eastman School
of Music, Kerr graduated with highest honors and was later awarded an M.M.
degree from the same institution. Kerr became the recipient of a Rosenwald
Fellowship in Composition (1942) and was subsequently awarded First Prize in
the Composers and Authors of America Competition (1944). In addition to his
recital activity, he was presented twice as a concerto soloist with the
National Symphony. Kerr's contributions to musical literature have been in the
area of piano, voice, chorus, woodwind ensemble, and organ. Although primarily
trained as a pianist, Kerr became masterfully familiar with the organ and its
resources, thus enabling him to write most effectively for the instrument.

Here, two of Kerr's compositions have been selected. The
first example is the theme from the Concert Variations on a Merry Xmas Tune,
which is based on the Christmas carol "Good King Wenceslas." (Example
1)

Another popular Kerr composition,  Anguished American Easter-1968, is a brilliant set of theme
and variations based on the Easter spiritual "He 'rose." Written upon
hearing news of the death of Dr. Martin Luther King, Jr., Kerr completed the
original manuscript in 10 days. It is dedicated to Dr. King's memory. (Example
2)

Organ Compositions (Published Scores)

Arietta [1957]-[Now out-of-print]

(Unpublished Scores)-[selected]

Anguished American Easter-1968 (Dedicated to the Memory of
Dr. Martin Luther King, Jr.)

Concert Variations on a Merry Xmas Tune ("Good King
Wenceslas") [Revised 1969]

Thanksgiving-1969 (Somber Variations on Handel's "Thanks
Be to Thee")

Suite Sebastienne: (Theme and Cantus, Frolicking Flutes,
Miniature Antiphonal on a Pedal Point, Fugato and Toccata, Trio, Allegro
barbaro, Reverie, Toccata-Carillon) [Revised 1974]

Adolphus Hailstork
(b. 1941) received his degrees from Howard University (B.M. degree) under Mark
Fax, and at the Manhattan School of Music (B.M. and M.M. degrees) under
Vittorio Giannini and David Diamond. He later received a Doctorate of Music in
Composition from Michigan State University where he was a student of H. Owen
Reed. Hailstork pursued additional study with Nadia Boulanger at the American
Institute at Fountainebleau. Currently, he is serving as Professor of Music and
Composer-in-Residence at Norfolk State University in Norfolk, Virginia. Among
his composition awards are the Ernest Bloch Award for Choral Composition
(1972), the Belwin-Mills Max Winkler Award (1977), and First Prize in the
Virginia College Band Director's National Competition (1983). In addition to
organ works, Hailstork has written for chorus, voice, various chamber
ensembles, and band.

Hailstork's fiery Toccata on 'Veni Emmanuel' is based on the
Advent plainchant known in English as "O Come, O Come, Emmanuel."
(Example 3)

Organ Compositions (Published Scores)

Suite for Organ: (Prelude, Andantino, Scherzetto, Fugue)
[Hinshaw Music, Inc., Chapel Hill, NC, 1975]

 (Unpublished
Scores)

First Organ Book-Eight Short Pieces for Organ: (Who Gazes at
the Stars [1978], Toccata on "Veni Emmanuel"
style="mso-spacerun: yes">  [1983], Prelude and Postlude on
"Shalom Havayreem" [1983], Prelude on "We Shall
Overcome"  [1983], Prelude and
Scherzo on "Winchester New" 
[1983], Prelude and March in F [1983], Prelude on "Veni
Emmanuel"  [1983])

Prelude [1967]

Andante [1967]

William B. Cooper
(1920-1993). Born in Philadelphia, Cooper received his B.M. and M.M. degrees
from the Philadelphia College of Performing Arts and a Doctorate of Music from
Columbia Pacific University (California). In 1988, he was awarded a Doctorate
of Sacred Music (honoris causa) from Christ Theological Seminary in Yonkers,
New York. Cooper pursued additional music studies at the School of Sacred Music
of Union Theological Seminary (New York), the Manhattan School of Music, and
Trinity College of Music (London). He not only served on the music faculties of
Bennett College (Greensboro, North Carolina) and  Hampton University (Hampton, Virginia), but taught 26 years
in the New York City School System. Cooper also served as Minister of Music at
historic St. Philip's Episcopal Church (1953-1974) and St. Martin's Episcopal
Church (1974-1988) in Harlem. His musical output, which is considerable,
includes works for organ, voice, chorus, solo instruments, orchestra, and
ballet.

Here, three of Cooper's compositions are cited for their
thematic diversity. The first of these, Cooper's Meditation on 'Steal Away', is
based on the Negro spiritual bearing that name. (Example 4)

The theme of Cooper's Lulliloo-Ashanti Cry of Joy is African
in origin, being based on an Ashanti tribal melody. (Example 5)

Based on a melody from the shape-note hymnal Southern
Harmony is Cooper's Pastorale. (Example 6)

Organ Compositions (Unpublished Scores)-[selected]

Peaceful Warrior [1961]

In the Beginning-Creation [1962]

Diferencias con Quattro [1962]

Meditation on "Steal Away" [1964]

Poem II-To the Innocents [1967]

Rhapsody on the Name FELA SOWANDE [1968]

Pastorale No. III [1973]

Jesu, Joy of Our Desiring (Air) [1978]
style='mso-tab-count:1'>               

Toccata on "John Saw" (The Holy Number) [1978]

Concerto for Cello and Organ [1979]

Symphony No. II for Organ [197-?]

Lulliloo-Ashanti Cry of Joy [1981]

Spiritual Lullaby [1981]

Paraphrase on "Everytime I Feel the Spirit" [1985]

The African-American organ compositions which have been
selected for their neo-classical influence are by composers George Walker and
Mark Fax.

George Walker (b.
1922). A native of Washington, D.C., George Walker was a piano child prodigy.
He attended Oberlin Conservatory (B.M. degree), and later, the Curtis Institute
of Music (Philadelphia) where he received the Artist Diploma. He also pursued
study at the American Academy at Fountainebleau (1947) where he was a student
of Nadia Boulanger and Robert Casadesus. At the age of 23, he won the
Philadelphia Youth Auditions and played the Rachmaninoff Third Concerto with
Eugene Ormandy conducting the Philadelphia Orchestra. In 1956, Walker became
the first African-American to receive a Doctorate of Music at the Eastman
School of Music. For years, he concertized as a piano virtuoso under the
Columbia Concert Artists and National Concert Artists Management. Walker later
headed the Music Department at Rutgers University. He was also the recipient of
several prestigious awards and fellowships such as a Fulbright, Guggenheim, and
Rockefeller. With many compositions to his credit--works for piano, voice,
chorus, chamber ensembles and orchestra--the Three Pieces for Organ constitute
his only contributions to the instrument to date.

Originally conceived as a movement from a Protestant organ
service, Walker's Chorale Prelude on Jesu, wir sind hier (also known by the
title Herzliebster Jesu) is based on the German Protestant chorale. (Example 7)

Organ Compositions (Published Scores)

Three Pieces: (Elevation, Chorale Prelude on "Jesu, wir
sind hier,"  Invokation)
(M.M.B. Music, 1991)

Mark Fax (1911-1974)
was a native of Baltimore. He received his B.M. degree in Piano at Syracuse
University, graduating with highest honors. He was subsequently awarded a M.M.
degree in Composition from the Eastman School of Music where he was an Eastman
and a Rosenwald Fellow. Fax joined the faculty at Howard University in 1947
where he served as Professor of Composition. He later became Assistant to the
Dean of Fine Arts prior to his appointment as Acting Dean of Fine Arts. He was
later appointed as Director of the School of Music. Fax composed for many
musical media including piano, chorus, chamber ensemble, orchestra, and has
three operas to his credit.

In the example, Fax mixes elements of neo-classicism with
influences of the Black Church. The first movement of his Three Pieces for Organ
is based on a Negro spiritual. (Example 8)

Organ Compositions Unpublished Scores)-[selected]

The Pastor [1944]

Prelude and Chorale [1952]

Variations on Maryton [1960]

Three Pieces: (Free, Hauntingly [1963], Allegretto [1965],
Toccata [1966])

Three Organ Preludes: St. Martin [1964], Crusader's Hymn
(Offertory-Transposed to A Major), St. Anne [Fragment, 1964]

Two Chorale Preludes: Crusader's Hymn [1964], Kremser [1968]

Postlude on "I'll Never Turn Back" [1972]

Noel Da Costa (b.
1929) was born in Lagos, Nigeria. He later moved to Jamaica where he lived
until the age of 11, at which time he came to the United States. He received a
B.A. degree from Queens College (City University of New York) and was awarded a
M.A. degree from Columbia University. While still in graduate school at
Columbia, Da Costa became the recipient of the Seidl Fellowship in Music
Composition. He later studied with Luigi Dallapiccola in Florence under a
Fulbright Scholarship (1958-61). Currently, Da Costa holds the post of Associate
Professor of Music in the Mason Gross School of the Arts in Rutgers University
where he has taught since 1970. His musical output consists of a large variety
of compositions which include music for piano, solo instruments, chamber
ensemble, voice, chorus, orchestra, as well as five operas.

Exemplifying Da Costa's stylistic diversity are two
examples, the first of which is the theme from Da Costa's Variations on
'Maryton', based on the English hymntune known as "O Master, Let Me Walk
with Thee." (Example 9)

A second example of a composition based on a melody of
African origin is Da Costa's Chililo: Prelude for Organ after an East African
Lament, which is based on the Mozambique ceremony of lamentation. (Example 10)

Organ Compositions (Unpublished Scores)

Maryton (Hymntune and Variations) [1955]

Generata (for solo organ and string orchestra) [1958]

Chililo: Free Transcription for Organ [1970]

Chililo: Prelude for Organ after an East African Lament
[1971]

Triptich for Organ (Prelude, Processional, Postlude) [1973]

Spiritual Set for Organ (Invocation, Affirmation, Spiritual,
Praise) [1974, Publ. by Belwin-Mills (unavailable since 1986)]

Ukom Memory Songs (Organ and Percussion) [1981]

Articles, Reports, and Reviews

by author (boldface) and subject

 

Albert Schweitzer Organ Festival/USA. See Spicer.

American Cathedral in Paris. See Ebrecht.

American Guild of Organists. See Palmer.

Andrews, Colin. New Recordings. July 10-11

Apple, Warren. New Organ Music. Mar 13, Apr 12-13, Nov 15, Dec 12-13

Arias, Enrique Alberto. Arthur C. Becker: Sonus Epulantis. Jan 15-17*+

__________. Gregorian Chant Review. May 8-10

 

Bach, J.S. See Crowell.

Basilica of the National Shrine of the Immaculate Conception. See Latona.

Becker, Arthur C. See Arias.

Bethards, Jack. Frederick A. Lake obituary. Sept 6

__________. Organ Design and the Kraft Music Hall. Oct 18-21*†#

Book Reviews. See Collins, Hartman, Marigold, Ogasapian, Speller.

British Organ Music Seminar. See McAfee.

Bulgarian Organs. See Levi.

Butera, Jerome. In Memoriam Wesley Vos. July 2

Butera, Jerome, William Osborne, J. Bunker Clark, Haig Mardirosian, and Ronald E. Dean. Robert Noehren: In Memoriam December 16, 1910-August 4, 2002. Oct 14-17

 

Canadian Organists. See Hartman.

Carillon News. See Swager.

Cavaillé-Coll. See Zuiderveld.

Choral reviews. See McCray.

Coleberd, R.E. Stevens of Marietta: A Forgotten Builder in a Bygone Era. June 18-21*†#

Collins, John. Book Reviews. Feb 8, 10, Nov 11-12

__________. New Organ Music. Dec 12

__________. New Recordings. Mar 11-12, July 11, Oct 10, 12

Continuo. See Crowell.

Crowell, Gregory. New Organ Music. Mar 13, Nov 14

__________. New Recordings. Apr 10, May 12, June 12, Nov 13, Dec 10, 12

__________. Registration and Sonority in J.S. Bach's Continuo Practice. Feb 19-21*†

 

Dickinson, William. University of Iowa Institute for Sacred Music 2002. Aug 20-21*

Distler, Hugo. See Palmer.

 

Ebrecht, Ronald. Lenten series at the American Cathedral in Paris, 1949 and 1950. Dec 20-21*†

Editor's Notebook. Jan 2

Ellis, Laura. New Organ Music. Aug 13, Sept 14, Oct 13

 

Ferko, Frank. An Extraordinary Musical Odyssey: Paul Jacobs' Messiaen Marathon. Apr 14-15*

Fisk Opus 116. See Palmer, Zuiderveld.

French Organ Music Seminar. See McAfee.

 

Gault, Robert. 1878 Sagar Organ, Central Presbyterian Church, Eugene, Oregon. June 16-17*†

Geffert, Johannes. Toe or Heel? Evidence of Baroque Practices. July 15-17+

Gell, David A. New Organ Music. Jan 12, Feb 14, Aug 13-14, Sept 14, Oct 12-13

Gregorian Chant Review. See Arias

 

Hardwick, Peter. New Organ Music. Apr 12, May 13, June 12-13, July 12-13, Aug 12-13, Nov 14-15, Dec 12

__________. New Recordings. Nov 12

Harpsichord News. See Palmer.

Hartman, James B. Book Reviews. Feb 10, Apr 8, June 8, 10, Aug 8, 10, Sept 12, Oct 10, Nov 10-11, Dec 8, 10

__________. Families of Professional Organists in Canada. May 14-15

__________. Seven Outstanding Canadian Organists of the Past. Sept 15-17

Holland, Jon. New Recordings. Nov 13-14, Dec 10

Huestis, Herbert L. Tech Lines. June 15#, Aug 14, Dec 22*

Hughes, Sarah Mahler. New Organ Music. Feb 13-14, June 14, July 13

 

Jacobs, Paul. See Ferko.

Johnson, Brent. Martin M. Wick obituary, Aug. 6*

Johnson, Jane. See Palmer.

 

Kuhlman, William. Organ Teaching in the Small Liberal Arts College. Dec 17-19*

 

Landrum, Mary Fisher. Sewanee Church Music Conference. Dec 22*

Latin American organs. See Wyly.

Latona, Peter, Robert Grogan, and Geraldine M. Rohling. The Basilica of the National Shrine of the Immaculate Conception Upper Church Organ Renovation Project, Goulding & Wood, Inc. Mar 21-23*†

Lawrence, Arthur. 2001 Summer Institute for French Organ Studies. Oct 22-25*†

Leaver, S. Christopher. Augustana Arts - Reuter Undergraduate Organ Competition. June 14*

Letters to the Editor. Feb 2, Apr 2, May 2, June 2, July 2, Aug 2, Sept 2, Nov 2

Levi, Sabin, and Hristo Buzhev. Organs in Bulgaria. Sept 18-21*†

 

Marigold, W.G. New Recordings. Jan 10, 12, Feb 12-13, Mar 12-13, Apr 10, 12, May 11-12, June 10, 12, Aug 10-12, Sept 12, 14, Nov 12

__________. Book Reviews. May 10-11, June 10, July 10-11, Dec 10

McAfee, Kay. British Organ Music Seminar. Feb 16-18*

__________. French Organ Music Seminar 2001: Paris Week, July 2-9, 2001. Mar 18-20*

__________. French Organ Music Seminar 2001: Alsace Week, July 10-14, 2001. Apr 18-19*

McCray, James. Music for Voices & Organ. Jan 8, Feb 8, Mar 8-10, Apr 7-8, May 8, June 8, July 8-10, Aug 7-8, Sept 10, 12, Oct 8, 10, Nov 8, 10, Dec 8

Messiaen Marathon. See Ferko.

Music for Voices & Organ. See McCray.

 

Nelson, Lee. New Handbell Music. Jan 14, Mar 13, May 12-13, Aug 14, Nov 15

New Handbell Music. See Nelson.

New Organ Music. See Apple, Collins, Crowell, Ellis, Gell, Hardwick, Hughes, Robinson, Schou, Smith.

New Recordings. See Andrews, Collins, Crowell, Hardwick, Holland, Marigold, Speller.

Nigerian music. See Sadoh.

Noehren, Robert. See Butera, et al.

 

Oaxaca. See Wyly.

Oberlin College. See Palmer, Zuiderveld.

Ogasapian, John. Book Reviews. Feb 10, 12, Mar 10-11

Organ Design. See Bethards.

Organ Historical Society. See Wechsler.

Organ Pedagogy. See Kuhlman.

Organ Recitals. Jan 25-26, Feb 28-29, Mar 28, Apr 28-29, May 27-29, June 28, July 24-25, Aug 28-29, Sept 32-33, Oct 32-33, Nov 28-29, Dec 28-29

Organ Restoration. See Wyly.

Overall, Jason. An Interview with Robert Powell. Nov 18-21*

 

Palmer, Larry. Drawings by Jane Johnson: A Retrospective and an Appreciation. Aug 18-19*

__________. Fan-fare: AGO in Philadelphia, July 1-6, 2002. Sept 22-25*

__________. Harpsichord News. Mar 6, 8, Apr 6, June 6-8

__________. Hugo Distler SIXTY Years Later. Nov 22

__________. Jurow Harpsichord Competition, SEKHS, MHKS in Bethlehem. July 14*

__________. Oberlin College opens its new Fisk Organ, Opus 116. Jan 18-19*†

Performance practice. See Crowell, Geffert.

Pickering, David C. The Organ Works of Leroy Robertson (1896-1971). Dec 14-16*+†

Powell, Robert. See Overall.

 

Robertson, Leroy. See Pickering.

Robinson, Joyce. New Organ Music. Jan 12, Oct 12, Dec 12

 

Sadoh, Godwin. The Creative Process in Nigerian Hymn-Based Compositions. Aug 15-17+

Sagar Organ. See Gault.

Schou, Larry. New Organ Music. Feb 14

Sewanee Church Music Conference. See Landrum.

SIFOS. See Lawrence.

Smith, Domecq. New Organ Music. Jan 12, 14, June 13-14, July 12

Speller, John L. Book Reviews. Jan 8, 10

__________. New Recordings. Feb 12, Apr 8, 10, May 11, Aug 12, Nov 12-13

Spicer, David. Albert Schweitzer Organ Festival/USA. Feb 14-15*

Stevens. See Coleberd.

Summer Institute for French Organ Studies. See Lawrence.

Swager, Brian. Carillon News. Jan 6, 8,* Feb 6, 7,* Mar 6,* July 8,* Sept 8, 10, Oct 6-8, Nov 6, 8, Dec 6-7*

__________. 2002 Summer Carillon Concert Calendar. June 24-25

 

Taylor, Herman D., and Williams, Donald W. The University of Michigan 41st Conference on Organ and Church Music. Mar 14*

Tech Lines. See Huestis.

 

University of Iowa. See Dickinson.

University of Michigan. See Taylor, Wagner.

 

Vos, Wesley. See Butera.

 

Wagner, James. University of Michigan 22nd International Organ and Church Music Institute. Jan 14*

Wechsler, Malcolm. Organ Historical Society 46th Annual Convention. May 16-22*

Wyly, James. The Oaxaca Congress 2001: "The Restoration of Organs in Latin America." Mar 15-17*

 

Zuiderveld, Rudolf. Cavaillé-Coll in Oberlin: June 12-15, Oberlin College. Nov 16-17*

Appointments

Ball, Steven,* to Plymouth Congregational Church, Lansing, MI. Nov 3

Basch, Peter J., to St. Ann's Church, Hoboken, NJ. Feb 3

Beck, Janice,* to St. John's Episcopal Church, Detroit, MI. Mar 3

Britanyak, Tom, to authorized service director, Wicks Organ Company, Highland, IL. July 3

Brown, Thomas,* to University Presbyterian Church, Chapel Hill, NC. Nov 3

Budzynski, Eric James,* to the Parish Church of St. Luke, Evanston, IL. Jan 3

Charneski, Jason,* to First Church of Christ (Center Church), Hartford, CT. Apr 3

Christie, James David,* to professor of organ, Oberlin College Conservatory of Music, Oberlin, OH. Aug 3

Coldwell, Maria, to executive director, Early Music America. Dec 3

Cowan, Ken,* to St. Bartholomew's Church, New York, NY. June 3

Decker, Pamela,* to associate professor, University of Arizona, Tucson, AZ. Apr 3

Dexter, Jeffrey D.,* to vice-president, tonal director, Schantz Organ Company, Orrville, OH. Mar 3

Forbes, James A., Jr., to AGO chaplain for 2002-2004. Oct 3

Gastier, Eric J., to vice-president, design and engineering, Schantz Organ Company, Orrville, OH. Mar 3

Giesbrecht, Marnie,* to Professor of Music, University of Alberta, Edmonton, Alberta, Canada. Dec 3

Hamner, William,* to tonal department, Wicks Organ Company, Highland, IL. July 3

Kemper, Margaret,* to Kenilworth Union Church, Kenilworth, IL. Mar 3

Lee, Daewon (David),* to Korea area sales manager, Wicks Organ Company, Highland, IL. Oct 3

Leister, Jason, to assistant to executive director of the AGO. Jan 3

Malinka, Melanie,* to director of music, The Madeline Choir School, Cathedral of the Madeleine, Salt Lake City, UT. Feb 3

Mangel, Curt,* to Curator of the Wanamaker Organ, Philadelphia, PA. Sept 3

Mann, Timothy H.,* to vice-president, marketing, Schantz Organ Company, Orrville, OH. Mar 3

Miller, Charles,* to Asylum Hill Congregational Church, Hartford, CT. Mar 3

Montgomery, Krista, to director of sales and marketing, Shawnee Press, Inc., Delaware Water Gap, PA. Dec 3

Morrison, Alan,* to head of the organ department, The Curtis Institute of Music, Philadelphia, PA. Aug 3

Moser, Rich,* to Ohio and Pennsylvania area sales manager, Wicks Organ Company, Highland, IL. Oct 3

Perlow, Kenneth R., to interim director of Early Music America. Jan 3

Porter, William,* to faculty, Eastman School of Music. June 3

Potts, Nigel,* to St. Peter's-by-the-Sea Episcopal Church, Bay Shore, NY. Nov 3

Rakich, Christa,* to New England Conservatory, Boston, MA. May 3

Ridgell, Robert P.,* to Philadelphia Cathedral, Philadelphia, PA. June 3

Robinson, Joyce Johnson,* to associate editor, The Diapason. Nov 4

Rowley, Naomi, to First United Methodist Church, Appleton, WI. Feb 3

Scanlon, Andrew,* to Fellow in Church Music, Christ & St. Stephen's Church (Episcopal), New York, NY. Oct 3

Schantz, John, to chairman of the board and manager, service department, Schantz Organ Company, Orrville, OH. Mar 3

Schantz, Victor B.,* to president, Schantz Organ Company, Orrville, OH. Mar 3

Shorney, John L.,* to president, Hope Publishing, Company, Carol Stream, IL. Feb 3

Sievert, Jack,* to executive vice-president, Schantz Organ Company, Orrville, OH. Mar 3

Stowe, Linda Morgan,* to School Organist/Director of Chapel Music, St. Paul's School, Concord, NH. Oct 3

Suter, Erik Wm.,* to Washington National Cathedral, Washington, DC. Nov 4

Swist, James, to area sales director, Wicks Organ Company, Highland, IL. Aug 3

Sykes, Peter,* to New England Conservatory, Boston, MA. May 3

Tadlock, Cherry, to Music Editor for Piano and Choral Music, Carl Fischer. Oct 3

Thoene, Marijim,* to St. Paul's Episcopal Church, New Orleans, LA. Jan 3

Trenney, Tom,* to First Presbyterian Church, Birmingham, MI. June 3

Tucker, Dale,* to First Wayne Street United Methodist Church, Fort Wayne, IN. Feb 3

Urban, Christopher,* to First Presbyterian Church, Arlington Heights, IL. Apr 3

Unsworth, Andrew,* to Cathedral of the Madeleine, Salt Lake City, UT. Feb 3

Honors and Competitions

Abrahamson, Dan,* retires from the Reuter Organ Company. Mar 3

Apkalna, Iveta, wins 2002 Royal Bank Calgary Competition Bach prize. Nov  3

Ashdown, Franklin D.,* receives ASCAP awards. Sept 3

Baglivi, Anthony, receives 2002 AGO President's Award. Oct 3

Benedum, Richard, retires from Dayton Bach Society. Feb 3

Blair, Nancy Jane,* honored at retirement from Briarlake Baptist Church, Atlanta, GA. Oct 3

Bolcom, William, and Joan Morris, receive MTNA Achievement Award. June 3

Brunelle, Philip, honored with Minnesota "Sally Award." Mar 3

Carrasco, Laura A.,* receives Mader Fund organ music research grant. June 3

Driskill-Smith, Clive,* wins 2002 Royal Bank Calgary Competition concerto gold medal and Duruflé prize. Nov 3

Dubois, Vincent,* wins 2002 Royal Bank Calgary Competition recital gold medal. Nov 3

Ensemble Amarcord,* wins German Music Competition. July 4

Fassang, László,* wins 2002 Royal Bank Calgary Competition improvisation gold medal. Nov 3

Fedak, Alfred,* awarded prize by John Ness Beck Foundation for composition. Apr  3

Gardiner, Rev. Robert, wins Macalester-Plymouth United Church hymn writing contest. May 3

Harbach, Barbara,* awarded honorary degree at Wilmington College, Wilmington, OH. July 3

Harmon, Thomas, retires from UCLA and First United Methodist Church, Santa Monica, CA. Sept 4

Hocdé, Emmanuel,* wins 2002 Grand Prix de Chartres, J.S. Bach performance prize, and Prize of the Audience. Dec 3

Jordan, Alice Yost, inducted into the Iowa Women's Hall of Fame. Oct 4

Khvoshchinsky, Sergey, wins Plymouth Music Series and the American Composers Forum Christmas carol contest. Jan 3

Kilstofte, Mark,* wins 2002 Choral Ventures program. Sept 4

King, Robert Burns,* honored at fortieth anniversary as organist-choirmaster, First Presbyterian Church, Burlington, NC. Nov 4

Muncaster, Clive, wins Plymouth Music Series and the American Composers Forum Christmas carol contest. Jan 3

Oldengarm, Jonathan, wins 2002 Royal Bank Calgary Competition RCCO prize and encore prize. Nov 3

Olson, Timothy, wins first prize in AGO National Young Artists Competition. Oct 3

Pearson, Kate, wins Bowling Green State University organ competition. May 4

Porter, Emily Maxson, wins Holtkamp-AGO Award in Organ Composition. Feb 3-4

Reuter Organ Company receives Kansas Chamber of Commerce & Industry Excellence in Manufacturing award, Nov 3, and award from Kansas Department of Commerce & Housing. Dec 4

Rose, John,* honored for 25 years service as college organist by Trinity College, Hartford, CT. July 4

Schalk, Carl, to receive AGO Distinguished Composer Award. May 4

Sitton, Michael,* wins first place in Cantate "Signature Anthem" competition. Dec 3

Stringham, Phyllis,* honored at retirement from Carroll College, Waukesha, WI. Dec 4

Sullivan, Daniel,* awarded first place in Gruenstein Memorial Organ Competition. Oct 2-3

Swann, Frederick,* honored as Performer of the Year by New York City AGO chapter. Dec 4

Thornock, Neil, wins second prize in 2002 Carillon Composition Competition. Sept 3

Trapp, Lynn, receives 2002 Spirit and Truth Award from University of Notre Dame. Oct 4

Trotter, Thomas,* receives Royal Philharmonic Society's Instrumentalist Award. Aug 6

Truckenbrod, Phillip Agency,* celebrates 35th year of operation. Sept 6

Unger, Johannes,* wins St. Albans International Organ Competition. Jan 4

Wallace, Edward A.,* honored at retirement by the Church of St. Michael and St. George, St. Louis, MO. Jan 4

Warland, Dale,* receives Chorus America's Louis Botto award. Aug 6

Wikman, Thomas,* receives honorary degree from the University of Illinois at Chicago, Chicago, IL, July 4.

Obituaries

Bales, Gerald Albert.* Dec 6

Banta, Lorene S. Feb 6

Bruun, Lewis C.* Dec 6

Goode, Jack C. May 6

Gotwals, Vernon Jr. June 6

Herz, Eric. Aug 6

Holzgraf, Lloyd.* Jan 6

Hume, Paul. Feb 6

Kelone, Earl V.* Sept 6

Lake, Frederick A. Sept 6

Lehnerer, Paul Francis. Aug 6

Lohmann, Heinz. Feb 6

Noehren, Robert.* Sept 8

Plummer, Ruth.* June 6

Radford, Jeffrey Paul. Nov 6

Rodgers, John. July 6

Schoenstein, Lawrence L.* May 6

Sherman, Elizabeth Birkshire Brothers. Oct 6

Vos, Wesley M.* July 6

Wick, Martin M.* Aug 6

Organ Stoplists

Austin

Christ Church Cathedral, Hartford, CT. Antiphonal 2/7,* July 1, 18

 

Berghaus

St. John's Ev. Lutheran Church, Chicago, IL. 2/34,* Feb 24

 

Bigelow

All Souls' Episcopal Church, Oklahoma City, OK. 2/22,* July 18

 

Buzard

North Shore United Methodist, Glencoe, IL. 2/17,* Nov 24

St. Andrew's Episcopal Church, Denver, CO. 2/17,* June 1, 22

St. David's Episcopal Church, Glenview, IL. 2/29,* Dec 1, 23

 

Dobson

United Lutheran Church, Red Wing, MN. 2/20,* May 1, 23

 

Edwards

Episcopal Church of the Nativity, Fort Oglethorpe, GA. 2/16,* Aug 1, 22-23

 

Fabry

St. Mary's Catholic Church, Spring Lake, MI. 2/21,* Feb 23

Fabry (Aeolian-Skinner)

Marytown Kolbe Shrine, Libertyville, IL. 3/29,* Mar 24

 

Fenris

Ascension Lutheran Church, Albert Lea, MN. 2/12,* Aug 23

 

Fowler (Casavant)

St. Mary Cathedral, Lansing, MI. 3/50,* Sept 27

 

Goulding & Wood

The Basilica of the National Shrine of the Immaculate Conception, Washington, DC. 4/210,* Mar 1, 21-23

St. John's Episcopal Church, Crawfordsville, IN. 2/9,* Sept 27

Meridian Street United Methodist Church, Indianapolis, IN. 2/14,* June 23

 

Harris and McDonough

St. Augustine By-the-Sea Episcopal Church, Santa Monica, CA. 3/38,* Oct 28

 

Hendrickson

Church of St. Peter, St. Peter, MN. 3/40,* Nov 1, 23

 

Jaeckel

Christ Lutheran Church, Superior, WI. 2/10,* Apr 22

 

Lauck

St. Peter's Cathedral, Marquette, MI. 3/33,* Aug 24

 

Lewis & Hitchcock

First Presbyterian Church, Cumberland, MD. 3/30,* Apr 22-23

 

Lively-Fulcher

St. Olaf Catholic Church, Minneapolis, MN. 3/67,* Oct 27

 

Marceau

Chapel Hill Presbyterian Church, Gig Harbor, WA. 3/58,* Feb 1, 22-23

 

Muller, J.W. (Schuelke)

St. Mary's Catholic Church, Columbus, OH. 2/38,* July 19

 

Murphy

Falkner Swamp Reformed Church, Gilbertsville, PA. 2/14,* Jan 22

 

Nordlie

St. Barnabas Lutheran Church, Plymouth, MN. 2/19,* May 24

 

Quimby

SkyRose Chapel, Rose Hills Memorial Park, Whittier, CA. 4/65,* Oct 1, 26

 

Reuter

Trinity United Methodist Church, Wilmette, IL. 3/63,* Jan 1, 20-21

 

Rieger-Kloss

First Congregational Church, Beloit, WI. 4/65,* Sept 1, 26

 

Schlueter

Lumpkin United Methodist Church, Lumpkin, GA. 2/9,* Dec 24

Stella Maris Catholic Church, Sullivan's Island, SC. 2/23,* Nov 24

 

Schoenstein

Bishop Spencer Place, Kansas City, MO. 2/6,* June 23

Covenant Presbyterian Church, Madison, WI. 3/46,* Sept 28

First Church of Christ, Scientist, Belvedere, CA. 2/11, Dec 24

 

Visser

Concordia University, Austin, TX. 2/22,* Apr 23

St. Luke's Episcopal Church, Alexandria, VA. 2/31,* May 24

 

Wicks

Christ Church, Episcopal, Plano, TX. 3/22,* Apr 1, 20-21

 

Zamberlan

St. Andrew's Episcopal Church, Greencastle, IN. 2/23,* Aug 24-25

Articles, Reports, and Reviews

by author (boldface) and
subject

 

Albert Schweitzer Organ Festival/USA. See Spicer.

American Cathedral in Paris. See Ebrecht.

American Guild of Organists. See Palmer.

Andrews, Colin. New Recordings. July 10-11

Apple, Warren. New Organ Music. Mar 13, Apr 12-13, Nov 15,
Dec 12-13

Arias, Enrique Alberto. Arthur C. Becker: Sonus Epulantis.
Jan 15-17*+

__________. Gregorian Chant Review. May 8-10

 

Bach, J.S. See Crowell.

Basilica of the National Shrine of the Immaculate
Conception. See Latona.

Becker, Arthur C. See Arias.

Bethards, Jack. Frederick A. Lake obituary. Sept 6

__________. Organ Design and the Kraft Music Hall. Oct
18-21*†#

Book Reviews. See Collins, Hartman, Marigold, Ogasapian,
Speller.

British Organ Music Seminar. See McAfee.

Bulgarian Organs. See Levi.

Butera, Jerome. In Memoriam Wesley Vos. July 2

Butera, Jerome, William Osborne, J. Bunker Clark, Haig
Mardirosian, and Ronald E. Dean. Robert Noehren: In Memoriam December 16,
1910-August 4, 2002. Oct 14-17

 

Canadian Organists. See Hartman.

Carillon News. See Swager.

Cavaillé-Coll. See Zuiderveld.

Choral reviews. See McCray.

Coleberd, R.E. Stevens of Marietta: A Forgotten Builder in a
Bygone Era. June 18-21*†#

Collins, John. Book Reviews. Feb 8, 10, Nov 11-12

__________. New Organ Music. Dec 12

__________. New Recordings. Mar 11-12, July 11, Oct 10, 12

Continuo. See Crowell.

Crowell, Gregory. New Organ Music. Mar 13, Nov 14

__________. New Recordings. Apr 10, May 12, June 12, Nov 13,
Dec 10, 12

__________. Registration and Sonority in J.S. Bach's
Continuo Practice. Feb 19-21*†

 

Dickinson, William. University of Iowa Institute for Sacred
Music 2002. Aug 20-21*

Distler, Hugo. See Palmer.

 

Ebrecht, Ronald. Lenten series at the American Cathedral in
Paris, 1949 and 1950. Dec 20-21*†

Editor's Notebook. Jan 2

Ellis, Laura. New Organ Music. Aug 13, Sept 14, Oct 13

 

Ferko, Frank. An Extraordinary Musical Odyssey: Paul Jacobs'
Messiaen Marathon. Apr 14-15*

Fisk Opus 116. See Palmer, Zuiderveld.

French Organ Music Seminar. See McAfee.

 

Gault, Robert. 1878 Sagar Organ, Central Presbyterian
Church, Eugene, Oregon. June 16-17*†

Geffert, Johannes. Toe or Heel? Evidence of Baroque
Practices. July 15-17+

Gell, David A. New Organ Music. Jan 12, Feb 14, Aug 13-14,
Sept 14, Oct 12-13

Gregorian Chant Review. See Arias

 

Hardwick, Peter. New Organ Music. Apr 12, May 13, June
12-13, July 12-13, Aug 12-13, Nov 14-15, Dec 12

__________. New Recordings. Nov 12

Harpsichord News. See Palmer.

Hartman, James B. Book Reviews. Feb 10, Apr 8, June 8, 10,
Aug 8, 10, Sept 12, Oct 10, Nov 10-11, Dec 8, 10

__________. Families of Professional Organists in Canada.
May 14-15

__________. Seven Outstanding Canadian Organists of the
Past. Sept 15-17

Holland, Jon. New Recordings. Nov 13-14, Dec 10

Huestis, Herbert L. Tech Lines. June 15#, Aug 14, Dec 22*

Hughes, Sarah Mahler. New Organ Music. Feb 13-14, June 14,
July 13

 

Jacobs, Paul. See Ferko.

Johnson, Brent. Martin M. Wick obituary, Aug. 6*

Johnson, Jane. See Palmer.

 

Kuhlman, William. Organ Teaching in the Small Liberal Arts
College. Dec 17-19*

 

Landrum, Mary Fisher. Sewanee Church Music Conference. Dec
22*

Latin American organs. See Wyly.

Latona, Peter, Robert Grogan, and Geraldine M. Rohling. The Basilica
of the National Shrine of the Immaculate Conception Upper Church Organ
Renovation Project, Goulding & Wood, Inc. Mar 21-23*†

Lawrence, Arthur. 2001 Summer Institute for French Organ
Studies. Oct 22-25*†

Leaver, S. Christopher. Augustana Arts - Reuter
Undergraduate Organ Competition. June 14*

Letters to the Editor. Feb 2, Apr 2, May 2, June 2, July 2,
Aug 2, Sept 2, Nov 2

Levi, Sabin, and Hristo Buzhev. Organs in Bulgaria. Sept
18-21*†

 

Marigold, W.G. New Recordings. Jan 10, 12, Feb 12-13, Mar
12-13, Apr 10, 12, May 11-12, June 10, 12, Aug 10-12, Sept 12, 14, Nov 12

__________. Book Reviews. May 10-11, June 10, July 10-11,
Dec 10

McAfee, Kay. British Organ Music Seminar. Feb 16-18*

__________. French Organ Music Seminar 2001: Paris Week,
July 2-9, 2001. Mar 18-20*

__________. French Organ Music Seminar 2001: Alsace Week,
July 10-14, 2001. Apr 18-19*

McCray, James. Music for Voices & Organ. Jan 8, Feb 8,
Mar 8-10, Apr 7-8, May 8, June 8, July 8-10, Aug 7-8, Sept 10, 12, Oct 8, 10,
Nov 8, 10, Dec 8

Messiaen Marathon. See Ferko.

Music for Voices & Organ. See McCray.

 

Nelson, Lee. New Handbell Music. Jan 14, Mar 13, May 12-13,
Aug 14, Nov 15

New Handbell Music. See Nelson.

New Organ Music. See Apple, Collins, Crowell, Ellis, Gell, Hardwick,
Hughes, Robinson, Schou, Smith.

New Recordings. See Andrews, Collins, Crowell, Hardwick,
Holland, Marigold, Speller.

Nigerian music. See Sadoh.

Noehren, Robert. See Butera, et al.

 

Oaxaca. See Wyly.

Oberlin College. See Palmer, Zuiderveld.

Ogasapian, John. Book Reviews. Feb 10, 12, Mar 10-11

Organ Design. See Bethards.

Organ Historical Society. See Wechsler.

Organ Pedagogy. See Kuhlman.

Organ Recitals. Jan 25-26, Feb 28-29, Mar 28, Apr 28-29, May
27-29, June 28, July 24-25, Aug 28-29, Sept 32-33, Oct 32-33, Nov 28-29, Dec
28-29

Organ Restoration. See Wyly.

Overall, Jason. An Interview with Robert Powell. Nov 18-21*

 

Palmer, Larry. Drawings by Jane Johnson: A Retrospective and
an Appreciation. Aug 18-19*

__________. Fan-fare: AGO in Philadelphia, July 1-6, 2002.
Sept 22-25*

__________. Harpsichord News. Mar 6, 8, Apr 6, June 6-8

__________. Hugo Distler SIXTY Years Later. Nov 22

__________. Jurow Harpsichord Competition, SEKHS, MHKS in
Bethlehem. July 14*

__________. Oberlin College opens its new Fisk Organ, Opus
116. Jan 18-19*†

Performance practice. See Crowell, Geffert.

Pickering, David C. The Organ Works of Leroy Robertson
(1896-1971). Dec 14-16*+†

Powell, Robert. See Overall.

 

Robertson, Leroy. See Pickering.

Robinson, Joyce. New Organ Music. Jan 12, Oct 12, Dec 12

 

Sadoh, Godwin. The Creative Process in Nigerian Hymn-Based
Compositions. Aug 15-17+

Sagar Organ. See Gault.

Schou, Larry. New Organ Music. Feb 14

Sewanee Church Music Conference. See Landrum.

SIFOS. See Lawrence.

Smith, Domecq. New Organ Music. Jan 12, 14, June 13-14, July
12

Speller, John L. Book Reviews. Jan 8, 10

__________. New Recordings. Feb 12, Apr 8, 10, May 11, Aug
12, Nov 12-13

Spicer, David. Albert Schweitzer Organ Festival/USA. Feb
14-15*

Stevens. See Coleberd.

Summer Institute for French Organ Studies. See Lawrence.

Swager, Brian. Carillon News. Jan 6, 8,* Feb 6, 7,* Mar 6,*
July 8,* Sept 8, 10, Oct 6-8, Nov 6, 8, Dec 6-7*

__________. 2002 Summer Carillon Concert Calendar. June
24-25

 

Taylor, Herman D., and Williams, Donald W. The University of
Michigan 41st Conference on Organ and Church Music. Mar 14*

Tech Lines. See Huestis.

 

University of Iowa. See Dickinson.

University of Michigan. See Taylor, Wagner.

 

Vos, Wesley. See Butera.

 

Wagner, James. University of Michigan 22nd International
Organ and Church Music Institute. Jan 14*

Wechsler, Malcolm. Organ Historical Society 46th Annual
Convention. May 16-22*

Wyly, James. The Oaxaca Congress 2001: "The Restoration
of Organs in Latin America." Mar 15-17*

 

Zuiderveld, Rudolf. Cavaillé-Coll in Oberlin: June
12-15, Oberlin College. Nov 16-17*

Appointments

Ball, Steven,* to Plymouth Congregational Church, Lansing,
MI. Nov 3

Basch, Peter J., to St. Ann's Church, Hoboken, NJ. Feb 3

Beck, Janice,* to St. John's Episcopal Church, Detroit, MI.
Mar 3

Britanyak, Tom, to authorized service director, Wicks Organ
Company, Highland, IL. July 3

Brown, Thomas,* to University Presbyterian Church, Chapel
Hill, NC. Nov 3

Budzynski, Eric James,* to the Parish Church of St. Luke,
Evanston, IL. Jan 3

Charneski, Jason,* to First Church of Christ (Center
Church), Hartford, CT. Apr 3

Christie, James David,* to professor of organ, Oberlin
College Conservatory of Music, Oberlin, OH. Aug 3

Coldwell, Maria, to executive director, Early Music America.
Dec 3

Cowan, Ken,* to St. Bartholomew's Church, New York, NY. June
3

Decker, Pamela,* to associate professor, University of
Arizona, Tucson, AZ. Apr 3

Dexter, Jeffrey D.,* to vice-president, tonal director,
Schantz Organ Company, Orrville, OH. Mar 3

Forbes, James A., Jr., to AGO chaplain for 2002-2004. Oct 3

Gastier, Eric J., to vice-president, design and engineering,
Schantz Organ Company, Orrville, OH. Mar 3

Giesbrecht, Marnie,* to Professor of Music, University of
Alberta, Edmonton, Alberta, Canada. Dec 3

Hamner, William,* to tonal department, Wicks Organ Company,
Highland, IL. July 3

Kemper, Margaret,* to Kenilworth Union Church, Kenilworth,
IL. Mar 3

Lee, Daewon (David),* to Korea area sales manager, Wicks Organ
Company, Highland, IL. Oct 3

Leister, Jason, to assistant to executive director of the
AGO. Jan 3

Malinka, Melanie,* to director of music, The Madeline Choir
School, Cathedral of the Madeleine, Salt Lake City, UT. Feb 3

Mangel, Curt,* to Curator of the Wanamaker Organ,
Philadelphia, PA. Sept 3

Mann, Timothy H.,* to vice-president, marketing, Schantz
Organ Company, Orrville, OH. Mar 3

Miller, Charles,* to Asylum Hill Congregational Church,
Hartford, CT. Mar 3

Montgomery, Krista, to director of sales and marketing,
Shawnee Press, Inc., Delaware Water Gap, PA. Dec 3

Morrison, Alan,* to head of the organ department, The Curtis
Institute of Music, Philadelphia, PA. Aug 3

Moser, Rich,* to Ohio and Pennsylvania area sales manager,
Wicks Organ Company, Highland, IL. Oct 3

Perlow, Kenneth R., to interim director of Early Music
America. Jan 3

Porter, William,* to faculty, Eastman School of Music. June
3

Potts, Nigel,* to St. Peter's-by-the-Sea Episcopal Church,
Bay Shore, NY. Nov 3

Rakich, Christa,* to New England Conservatory, Boston, MA.
May 3

Ridgell, Robert P.,* to Philadelphia Cathedral,
Philadelphia, PA. June 3

Robinson, Joyce Johnson,* to associate editor, The Diapason.
Nov 4

Rowley, Naomi, to First United Methodist Church, Appleton,
WI. Feb 3

Scanlon, Andrew,* to Fellow in Church Music, Christ &
St. Stephen's Church (Episcopal), New York, NY. Oct 3

Schantz, John, to chairman of the board and manager, service
department, Schantz Organ Company, Orrville, OH. Mar 3

Schantz, Victor B.,* to president, Schantz Organ Company,
Orrville, OH. Mar 3

Shorney, John L.,* to president, Hope Publishing, Company,
Carol Stream, IL. Feb 3

Sievert, Jack,* to executive vice-president, Schantz Organ
Company, Orrville, OH. Mar 3

Stowe, Linda Morgan,* to School Organist/Director of Chapel
Music, St. Paul's School, Concord, NH. Oct 3

Suter, Erik Wm.,* to Washington National Cathedral,
Washington, DC. Nov 4

Swist, James, to area sales director, Wicks Organ Company,
Highland, IL. Aug 3

Sykes, Peter,* to New England Conservatory, Boston, MA. May
3

Tadlock, Cherry, to Music Editor for Piano and Choral Music,
Carl Fischer. Oct 3

Thoene, Marijim,* to St. Paul's Episcopal Church, New
Orleans, LA. Jan 3

Trenney, Tom,* to First Presbyterian Church, Birmingham, MI.
June 3

Tucker, Dale,* to First Wayne Street United Methodist
Church, Fort Wayne, IN. Feb 3

Urban, Christopher,* to First Presbyterian Church, Arlington
Heights, IL. Apr 3

Unsworth, Andrew,* to Cathedral of the Madeleine, Salt Lake
City, UT. Feb 3

Honors and Competitions

Abrahamson, Dan,* retires from the Reuter Organ Company. Mar
3

Apkalna, Iveta, wins 2002 Royal Bank Calgary Competition
Bach prize. Nov  3

Ashdown, Franklin D.,* receives ASCAP awards. Sept 3

Baglivi, Anthony, receives 2002 AGO President's Award. Oct 3

Benedum, Richard, retires from Dayton Bach Society. Feb 3

Blair, Nancy Jane,* honored at retirement from Briarlake
Baptist Church, Atlanta, GA. Oct 3

Bolcom, William, and Joan Morris, receive MTNA Achievement
Award. June 3

Brunelle, Philip, honored with Minnesota "Sally
Award." Mar 3

Carrasco, Laura A.,* receives Mader Fund organ music
research grant. June 3

Driskill-Smith, Clive,* wins 2002 Royal Bank Calgary
Competition concerto gold medal and Duruflé prize. Nov 3

Dubois, Vincent,* wins 2002 Royal Bank Calgary Competition
recital gold medal. Nov 3

Ensemble Amarcord,* wins German Music Competition. July 4

Fassang, László,* wins 2002 Royal Bank Calgary
Competition improvisation gold medal. Nov 3

Fedak, Alfred,* awarded prize by John Ness Beck Foundation
for composition. Apr  3

Gardiner, Rev. Robert, wins Macalester-Plymouth United
Church hymn writing contest. May 3

Harbach, Barbara,* awarded honorary degree at Wilmington
College, Wilmington, OH. July 3

Harmon, Thomas, retires from UCLA and First United Methodist
Church, Santa Monica, CA. Sept 4

Hocdé, Emmanuel,* wins 2002 Grand Prix de Chartres,
J.S. Bach performance prize, and Prize of the Audience. Dec 3

Jordan, Alice Yost, inducted into the Iowa Women's Hall of
Fame. Oct 4

Khvoshchinsky, Sergey, wins Plymouth Music Series and the
American Composers Forum Christmas carol contest. Jan 3

Kilstofte, Mark,* wins 2002 Choral Ventures program. Sept 4

King, Robert Burns,* honored at fortieth anniversary as
organist-choirmaster, First Presbyterian Church, Burlington, NC. Nov 4

Muncaster, Clive, wins Plymouth Music Series and the
American Composers Forum Christmas carol contest. Jan 3

Oldengarm, Jonathan, wins 2002 Royal Bank Calgary
Competition RCCO prize and encore prize. Nov 3

Olson, Timothy, wins first prize in AGO National Young
Artists Competition. Oct 3

Pearson, Kate, wins Bowling Green State University organ
competition. May 4

Porter, Emily Maxson, wins Holtkamp-AGO Award in Organ
Composition. Feb 3-4

Reuter Organ Company receives Kansas Chamber of Commerce
& Industry Excellence in Manufacturing award, Nov 3, and award from Kansas
Department of Commerce & Housing. Dec 4

Rose, John,* honored for 25 years service as college
organist by Trinity College, Hartford, CT. July 4

Schalk, Carl, to receive AGO Distinguished Composer Award.
May 4

Sitton, Michael,* wins first place in Cantate
"Signature Anthem" competition. Dec 3

Stringham, Phyllis,* honored at retirement from Carroll
College, Waukesha, WI. Dec 4

Sullivan, Daniel,* awarded first place in Gruenstein
Memorial Organ Competition. Oct 2-3

Swann, Frederick,* honored as Performer of the Year by New
York City AGO chapter. Dec 4

Thornock, Neil, wins second prize in 2002 Carillon
Composition Competition. Sept 3

Trapp, Lynn, receives 2002 Spirit and Truth Award from
University of Notre Dame. Oct 4

Trotter, Thomas,* receives Royal Philharmonic Society's
Instrumentalist Award. Aug 6

Truckenbrod, Phillip Agency,* celebrates 35th year of
operation. Sept 6

Unger, Johannes,* wins St. Albans International Organ
Competition. Jan 4

Wallace, Edward A.,* honored at retirement by the Church of
St. Michael and St. George, St. Louis, MO. Jan 4

Warland, Dale,* receives Chorus America's Louis Botto award.
Aug 6

Wikman, Thomas,* receives honorary degree from the
University of Illinois at Chicago, Chicago, IL, July 4.

Obituaries

Bales, Gerald Albert.* Dec 6

Banta, Lorene S. Feb 6

Bruun, Lewis C.* Dec 6

Goode, Jack C. May 6

Gotwals, Vernon Jr. June 6

Herz, Eric. Aug 6

Holzgraf, Lloyd.* Jan 6

Hume, Paul. Feb 6

Kelone, Earl V.* Sept 6

Lake, Frederick A. Sept 6

Lehnerer, Paul Francis. Aug 6

Lohmann, Heinz. Feb 6

Noehren, Robert.* Sept 8

Plummer, Ruth.* June 6

Radford, Jeffrey Paul. Nov 6

Rodgers, John. July 6

Schoenstein, Lawrence L.* May 6

Sherman, Elizabeth Birkshire Brothers. Oct 6

Vos, Wesley M.* July 6

Wick, Martin M.* Aug 6

Organ Stoplists

Austin

Christ Church Cathedral, Hartford, CT. Antiphonal 2/7,* July
1, 18

 

Berghaus

St. John's Ev. Lutheran Church, Chicago, IL. 2/34,* Feb 24

 

Bigelow

All Souls' Episcopal Church, Oklahoma City, OK. 2/22,* July
18

 

Buzard

North Shore United Methodist, Glencoe, IL. 2/17,* Nov 24

St. Andrew's Episcopal Church, Denver, CO. 2/17,* June 1, 22

St. David's Episcopal Church, Glenview, IL. 2/29,* Dec 1, 23

 

Dobson

United Lutheran Church, Red Wing, MN. 2/20,* May 1, 23

 

Edwards

Episcopal Church of the Nativity, Fort Oglethorpe, GA.
2/16,* Aug 1, 22-23

 

Fabry

St. Mary's Catholic Church, Spring Lake, MI. 2/21,* Feb 23

Fabry (Aeolian-Skinner)

Marytown Kolbe Shrine, Libertyville, IL. 3/29,* Mar 24

 

Fenris

Ascension Lutheran Church, Albert Lea, MN. 2/12,* Aug 23

 

Fowler (Casavant)

St. Mary Cathedral, Lansing, MI. 3/50,* Sept 27

 

Goulding & Wood

The Basilica of the National Shrine of the Immaculate Conception,
Washington, DC. 4/210,* Mar 1, 21-23

St. John's Episcopal Church, Crawfordsville, IN. 2/9,* Sept
27

Meridian Street United Methodist Church, Indianapolis, IN.
2/14,* June 23

 

Harris and McDonough

St. Augustine By-the-Sea Episcopal Church, Santa Monica, CA.
3/38,* Oct 28

 

Hendrickson

Church of St. Peter, St. Peter, MN. 3/40,* Nov 1, 23

 

Jaeckel

Christ Lutheran Church, Superior, WI. 2/10,* Apr 22

 

Lauck

St. Peter's Cathedral, Marquette, MI. 3/33,* Aug 24

 

Lewis & Hitchcock

First Presbyterian Church, Cumberland, MD. 3/30,* Apr 22-23

 

Lively-Fulcher

St. Olaf Catholic Church, Minneapolis, MN. 3/67,* Oct 27

 

Marceau

Chapel Hill Presbyterian Church, Gig Harbor, WA. 3/58,* Feb
1, 22-23

 

Muller, J.W. (Schuelke)

St. Mary's Catholic Church, Columbus, OH. 2/38,* July 19

 

Murphy

Falkner Swamp Reformed Church, Gilbertsville, PA. 2/14,* Jan
22

 

Nordlie

St. Barnabas Lutheran Church, Plymouth, MN. 2/19,* May 24

 

Quimby

SkyRose Chapel, Rose Hills Memorial Park, Whittier, CA.
4/65,* Oct 1, 26

 

Reuter

Trinity United Methodist Church, Wilmette, IL. 3/63,* Jan 1,
20-21

 

Rieger-Kloss

First Congregational Church, Beloit, WI. 4/65,* Sept 1, 26

 

Schlueter

Lumpkin United Methodist Church, Lumpkin, GA. 2/9,* Dec 24

Stella Maris Catholic Church, Sullivan's Island, SC. 2/23,*
Nov 24

 

Schoenstein

Bishop Spencer Place, Kansas City, MO. 2/6,* June 23

Covenant Presbyterian Church, Madison, WI. 3/46,* Sept 28

First Church of Christ, Scientist, Belvedere, CA. 2/11, Dec
24

 

Visser

Concordia University, Austin, TX. 2/22,* Apr 23

St. Luke's Episcopal Church, Alexandria, VA. 2/31,* May 24

 

Wicks

Christ Church, Episcopal, Plano, TX. 3/22,* Apr 1, 20-21

 

Zamberlan

St. Andrew's Episcopal Church, Greencastle, IN. 2/23,* Aug
24-25