Nunc Dimittis

Robert E. Fort, Jr. died on January 29 in DeLand, Florida. A native of Ocala, Florida, he was a graduate of the University of Florida, Southern Baptist Theological Seminary, and the Eastman School of Music, where he studied with David Craighead. He earned a doctor of sacred music degree from the School of Music of Union Theological Seminary in New York City, where he studied with Vernon deTar. Dr. Fort taught at Coker College in Hartsville, South Carolina, and at Stetson University, and was a lifelong church musician, serving most recently as organist-choirmaster at the First Presbyterian Church in DeLand. Active in the Presbyterian Association of Musicians, he was an honorary lifetime member and had served as its president; he also served as dean of the Central Florida AGO chapter and was a member of the Hymn Society and the American Choral Directors Association. Dr. Fort wrote widely on church music topics and led workshops and hymn festivals throughout the country. Robert Fort is survived by his wife of 49 years, Patricia Mims Fort, and his children, Robert Fort III and Carolyn Fort.

Timothy J. Oliver died in Frankfort, Kentucky on January 5. He was 71. Born in Cincinnati, he earned a bachelor’s degree from San Diego State College and subsequently studied organ with Arnold Blackburn at the University of Kentucky, where he earned a master of music degree. Active in the Lexington, Kentucky AGO chapter, Oliver initiated and for many years maintained the chapter’s organ academy; he had also been a member of the music and liturgy commission of the Episcopal Diocese of Lexington, helping to plan and rehearse the 1995 diocesan centennial service. Timothy Oliver had served as organist at Midway Presbyterian Church, following his retirement as organist-choirmaster at St. John’s Episcopal Church in Versailles after a long tenure. He held a similar position at Versailles Presbyterian Church, establishing a children’s and a handbell choir, and leading the renovation of the church’s Pilcher organ; he also served at Church of the Ascension in Frankfort. He twice directed the Woodford Community Choir and was a member of the Association of Anglican Musicians and the Organ Historical Society. Timothy Oliver is survived by many friends and several cousins.

French organist Michel Pinte died of a heart attack in Malaga, Spain, on October 21, 2008. Born on July 21, 1936 in Etrepagny (Eure, in Normandy), he was buried in the nearby cemetery in Doudeauville-en-Vexin. A Requiem Mass was celebrated in his memory on November 8, 2008, at the Saint-Augustin church in Paris, where he had served as organist for 29 years.
Michel Pinte began to play the organ for Masses at the parish church in his home town at the age of ten. Two years later, he began organ lessons in Rouen with Jules Lambert (substituting for him) and then with Marcel Lanquetuit. In 1956, during his military service, he served as organist at the Saint-Philippe cathedral in Algiers. When he returned to Paris in 1962, he studied piano with Irène Baume-Psichari, harmony with Yves Margat, Gregorian chant with Henri Potiron at the Institut grégorien, and organ with Jean Langlais at the Schola Cantorum, where he received his diploma in virtuosic organ interpretation and improvisation in 1964. He also studied later with Marie-Madeleine Duruflé-Chevalier, Marie-Louise Girod, and Suzanne Chaisemartin.
After substituting at numerous churches (notably in Paris at Notre-Dame-de-Grâce in Passy and on the choir organs at Saint-Augustin and the Versailles cathedral), in 1968 Pinte was named titular of the Cavaillé-Coll/Mutin choir organ at the Saint-Augustin church in Paris. In 1973, he requested Victor Gonzalez to enlarge this organ to 32 stops with six adjustable pistons, enabling him to play the entire repertory comfortably. He later entrusted the maintenance of this organ to Bernard Dargassies. In 1979, Michel Pinte also assisted Suzanne Chaisemartin on the 1868 Barker/Cavaillé-Coll/Mutin Grand Orgue (III/53) and was appointed as her co-titular in 1990. He retired in June 1997, and spent his final years in Marbella, Spain (Malaga).
During his retirement, Michel Pinte performed even more concerts in Europe and the United States. In Spain, he performed for the organ weeks in Grenada in 1999 and in Madrid in 2000, and at the Palau de la Música in Valencia in 2007 (for more details, see <www.musimem.com&gt;). Audiences appreciated his eclectic programs that highlighted nineteenth and twentieth-century repertory (notably works by Demessieux, Vierne, and Widor as well as lesser-known works) and were captivated by his final brilliant improvisation on a well-known theme.
His solid technique and his open spirit allowed him to express himself easily and freely, to fully share his vital love of music with others. To cite one example, those who attended his concert at St. John’s Church in Washington, D.C. on November 13, 1986, will never forget his stunning improvisation on America the Beautiful. This cultural ambassador will long be remembered for his vast artistic knowledge, his creative imagination, and his good sense of humor.
—Carolyn Shuster Fournier
Paris, France

Travis R. Powell, age 36, died on January 19 in Carey, Ohio. A student of Donald MacDonald, he earned a bachelor of church music degree from Westminster Choir College, and a master of sacred music degree from Southern Methodist University in Dallas, where he was a student of Robert Anderson. Powell was director of music–organist at the Basilica and National Shrine of Our Lady of Consolation in Carey, Ohio, where he directed the shrine chorale and a children’s choir and played over 650 Masses a year. He also taught general music at Our Lady of Consolation School and was artistic director of the Carey Ecumenical Choir; he had previously served at St. Thomas Aquinas Catholic Church and Cathedral Shrine of the Virgin of Guadalupe Cathedral in Dallas. He was a member of the American Guild of Organists, National Association of Pastoral Musicians, Organ Historical Society, American Choral Directors Association, Choristers Guild, and the Conference of Roman Catholic Cathedral Musicians.

Robert Wendell Robe died on January 24 in Tampa, Florida. He was 79. Born July 8, 1929, in Zanesville, Ohio, he attended Meredith College in Zanesville and Capitol University. A church musician for 64 years, he began his musical career as organist for St. Luke’s Lutheran Church and played for “The Coffee Club,” a local radio program. He held organist positions at Webb City Presbyterian Church, New Haven Presbyterian Church, Tulsa, Oklahoma, Forest Hills Presbyterian and Wellspring United Methodist churches, both in Tampa, Florida, and until last year at the Kirk of Dunedin Community Church in Dunedin, Florida. He is survived by his wife of 54 years, Mary Robe, two daughters and three sisters.

Mary Landon Russell died November 20, 2008, in Montoursville, Pennsylvania, at age 95. She attended Dickinson Junior College and in 1936 earned a bachelor of music degree from Susquehanna University. In 1957 she earned a master of arts degree from Pennsylvania State University, and did further study at the Chautauqua Institution School of Music, the Juilliard School, and the Eastman School of Music. She taught at Lycoming College from 1936 until her retirement in 1978, when she was named associate professor of music emerita and continued as a part-time piano teacher there for another twenty years.
Mrs. Russell was a member of numerous professional organizations, including the American Guild of Organists, of which she was a past dean of the Williamsport chapter, the Williamsport Music Club, and the National and Pennsylvania Federations of Music Clubs. She was also a 50-year member and honorary regent of the Lycoming Chapter, Daughters of the America Revolution, and was awarded the Martha Washington Medal from the Tiadaghton Chapter (Sons of the American Revolution) for her “History of the Music of Williamsport, Pennsylvania.” She is listed in Outstanding Educators of America; during her 50th year of teaching at Lycoming College, the school’s Alumni Association established the Mary Landon Russell Applied Music Fund, which provides financial aid to musically gifted students. Mrs. Russell frequently served as organist at Covenant-Central Presbyterian Church, and in other area churches.

Martin J. Argall, 91, MCPO U.S.N. Ret., died January 23. Argall grew up in Chicago, playing piano. He won a citywide piano contest at age 11, but because of the Great Depression, his family could not afford formal training. By high school, he began playing organ, often practicing on the theatre organ at the Symphony Theater, where the owner would accompany him on his violin. Argall was active as an organist in Chicago. A 33rd-degree Scottish Rite Mason, he served as organist for over 50 years for Masonic lodges, including 20 years for the Scottish Rite Cathedral. He was a member of the Medinah Shrine Temple, serving there as organist for 20 years, and as a volunteer at Shriner’s Hospital for Children for 12 years. A member of the American Guild of Organists for 70 years, Argall was organist for 30 years at Holy Trinity Lutheran Church. He is survived by his wife of 65 years, Charlotte, two daughters, four grandchildren, and a brother.

Lloyd E. Cast, Jr. died on January 26. He was 75. Born in Hollywood, California, he received bachelor and master of music degrees from Indiana University, as well as a Doctor of Music (honoris causa) from Nashotah House Seminary, Nashotah, Wisconsin. He was organist and director of music, emeritus of the Cathedral of All Saints, Albany, where he served for 37 years. Cast served as dean of the Bloomington, Indiana, and Eastern New York chapters of the AGO and was on the board of directors of the Royal School of Church music in America. He is survived by his partner of 45 years, William L. (Roy) Gordon, a brother, two nieces, a nephew, and four grand nephews.

August E. Knoll, 65, died unexpectedly on February 7 at his home in Wheatland, Iowa. His death was discovered when he failed to appear for his scheduled work as organist of St. Paul United Church of Christ on Sunday morning.
Born in Des Moines, Iowa, November 11, 1942, he graduated from Wartburg College in Waverly, Iowa, and received his master’s degree from the University of Iowa. He was band master of Calamus-Wheatland schools for 39 years, receiving many awards on a state and local level. He was minister of music at St. Paul’s for 38 years. Knoll held leadership positions in both the River Valley and Blackhawk AGO chapters and the Eastern Iowa OHS chapter, of which he was a founding member. He was an annual recitalist on the Clermont Organ Series, helping thereby to maintain public support for the 1896 Kimball organ in the Union Sunday School building, a state historical site.
Knoll was a familiar and beloved supporter of many organ events in the tri-state area of Iowa, Illinois and Wisconsin. He was an inveterate convention-goer at meetings of both the American Guild of Organists and the Organ Historical Society. He served on the committee that planned and executed the 1986 OHS convention in eastern Iowa.
August Knoll was well known as a successful mentor of many music students, and many of these students went into careers in music. He was also a familiar figure playing and directing in many community bands throughout the area. His constant support and interest in all things musical will be deeply missed.
—Mark R. Nemmers

Karlheinz Stockhausen, age 79, died December 5, 2007. He began musical studies at age six, with a local organist, Franz-Josef Kloth, and studied composition with Swiss composer Frank Martin in Cologne and with Olivier Messiaen and Darius Milhaud in Paris. An influential German composer, he was prominent in the avant-garde movement in the mid to late 20th century; he wrote many compositions that included electronic sound. His 362 compositions include 45 choral works. He founded the Stockhausen Foundation for Music in 1994, to preserve his works and provide instructions on performing his music. Details can be found at <www.stockhausen.org&gt;.

Lyndell P. Watkins, Sr., died November 13, 2007 at the age of 85. Born in Kensett, Arkansas, he played piano as a youth, winning a talent contest held by a Memphis radio station. During World War II he served as a chaplain’s assistant, providing music for religious services. Following the war, he graduated from Hendrix College in Conway, Arkansas, and did graduate study with Marilyn Mason at the University of Michigan, and doctoral study with Jon Spong at the University of Missouri (Kansas City) Conservatory of Music. He was music department head at Arkansas College (now Lyon College) for 14 years, associate professor of music at Delta State University in Mississippi for 23 years, and served as organist-choir director at St. Luke United Methodist Church in Cleveland, Mississippi, and First Presbyterian Church, Greenville, Mississippi. A long-time member of the AGO (Jackson, Mississippi chapter), he also held memberships in the Mississippi Music Teachers Association, the Music Teachers National Association, and the Organ Historical Society. He is survived by his wife of 57 years, Doris Darby Watkins, a daughter, two sons, and four grandchildren.

Richard Westenburg, a choral conductor who founded the Musica Sacra Chorus and Orchestra in 1964, died February 20 in Norwalk, Connecticut, at the age of 75. Born in Minneapolis, Westenburg won several small piano competitions as a child. He earned a Bachelor of Music degree in organ at Lawrence University in Appleton, Wisconsin, and a master’s in musicology, with a minor in film, at the University of Minnesota. In 1959 he went to Paris to study with Nadia Boulanger, Pierre Cochereau and Jean Langlais. After two years as director of music at the First Unitarian Church in Worcester, Massachusetts, he moved to New York in 1962 and enrolled at the Union Theological Seminary, joining the seminary faculty in 1963 and completing his doctorate in sacred music in 1968.
In 1964 Westenburg was hired as organist and choirmaster at Central Presbyterian Church in Manhattan, and he quickly assembled an early version of the Musica Sacra Choir. He was also music director of the Collegiate Chorale from 1973 to 1980 and a lecturer at the Metropolitan Museum of Art from 1979 to 1982. In 1990 he became music director at the Fifth Avenue Presbyterian Church.
In addition to conducting, Westenburg taught choral music and conducting at the Mannes College of Music from 1971 to 1977, and led the choral department at the Juilliard School from 1977 to 1989. He was also a visiting professor at Rutgers University from 1986 to 1992. He is survived by his two sons, two daughters, and six grandchildren.

Richard Hillert died February 18. He was Distinguished Professor of Music Emeritus at Concordia University Chicago, River Forest, Illinois, and was best known for his work as a composer and composition teacher. One of his most noted works is Worthy Is Christ, of which “This is the Feast of Victory” has been widely published in various worship books.
Hillert received his bachelor’s degree in education from Concordia, and master’s and doctoral degrees in composition from Northwestern University. He also studied composition with Italian composer Goffredo Petrassi. Hillert taught at Concordia from 1959 to 2003. He edited eleven volumes of the Concordia Hymn Prelude Series and was associate editor of the journal Church Music (1966–80).
Hillert’s compositions and publications include liturgical music for congregation, choral motets, hymns and hymn anthems, psalm settings and organ works, concertatos, and cantatas, including settings of The Christmas Story According to Saint Luke and The Passion According to Saint John. Richard Hillert is survived by his wife Gloria Bonnin Hillert, and children Kathryn Brewer, Virginia Hillert, and Jonathan Hillert.

Rev. Richard D. Howell died January 26 in Dallas, Texas. Born June 24, 1932 in Great Bend, Kansas, he earned a master of sacred music degree from Southern Methodist University, and was ordained a deacon in the United Methodist Church. He started playing for church services at age 13, and went on to serve numerous United Methodist congregations in Texas and taught elementary music for the Richardson and Dallas school districts. He played for children’s, youth, and adult choirs and directed handbell choirs, serving as the chairman of the Dallas Handbell Festival. He was active in many organizations, including the American Guild of Organists, Choristers Guild, and the Fellowship of United Methodist Musicians. Richard D. Howell is survived by his wife of 52 years, Bradley Sue Howell, children Mark and Teri Howell, Celeste and Martin Hlavenka, and Jane Walker, along with grandchildren, sisters-in-law, and numerous nieces and nephews.

Richard Proulx died February 18 at age 72. From 1980 to 1994, he was organist–music director at the Cathedral of the Holy Name in Chicago, where he was also responsible for the planning and installation of two new mechanical-action organs for the cathedral: Casavant II/19 (Quebec, 1981) and Flentrop IV/71 (Holland, 1989). Before coming to Chicago, he served at St. Thomas Church, Medina/Seattle (1970–1980), and was organist at Temple de Hirsch Sinai. Previous positions included St. Charles Parish, Tacoma; St. Stephen’s Church, Seattle; and 15 years (1953–1968) at the Church of the Holy Childhood in St. Paul.
A native of St. Paul, Minnesota, he attended MacPhail College and the University of Minnesota, with further studies undertaken at the American Boychoir School at Princeton, St. John’s Abbey, Collegeville, and the Royal School of Church Music in England. He studied organ with Ruth Dindorf, Arthur Jennings, Rupert Sircom, Gerald Bales, and Peter Hallock; choral conducting with Bruce Larsen, Donald Brost, and Peter Hallock; composition with Leopold Bruenner, Theodore Ganshaw, Bruce Larsen, and Gerald Bales.
Proulx was a widely published composer of more than 300 works, including congregational music, sacred and secular choral works, song cycles, two operas, and instrumental and organ music. He served as consultant for The Hymnal 1982, the New Yale Hymnal, the Methodist Hymnal, Worship II and III, and contributed to the Mennonite Hymnal and the Presbyterian Hymnal.

Phyllis J. Stringham, of Waukesha, Wisconsin, died February 12 at the age of 79. Born January 30, 1931 in Grand Rapids, Michigan, she earned her Bachelor of Arts degree from Calvin College and a Master of Music degree in organ performance at the University of Michigan. Her organ teachers included John Hamersma, Robert Noehren, and Marilyn Mason. She pursued additional study at the American Conservatory in Fontainebleau, France, studying with Nadia Boulanger and André Marchal. In 1966 she studied with Marie-Claire Alain and Anton Heiller at the Summer Academy for Organists in Haarlem, Holland. While on sabbatical leave in 1972, she spent five months studying at the Hochschule für Musik in Vienna, Austria. Further study was done at the Eastman School of Music with Russell Saunders, and with Delbert Disselhorst at the University of Iowa.
For 43 years, Stringham was Professor of Music and College Organist at Carroll University, Waukesha, Wisconsin (1959–2002). After retirement from teaching, she retained her position as College Organist and Curator of the Organ. In 2007 she was named Organist Emeritus. Her earlier teaching career began at Chatham Hall, an Episcopal school in Virginia. She is listed in Who’s Who in the World of Music. From the late 1960s to 2007 she operated the Phyllis Stringham Concert Management agency. She served the AGO as dean of the Milwaukee chapter and as Wisconsin State Chair.
Phyllis Stringham is survived by her brother James A. (Gladys), nephews, many grandnephews, nieces, other relatives and friends. A memorial service was held February 18 at St. Luke’s Lutheran Church, Waukesha.

Gail Walton, director of music at the University of Notre Dame’s Basilica of the Sacred Heart, died February 24 in Indianapolis after a long illness. She was 55 years old. Dr. Walton had served as director of music in the Basilica since 1988, directing the Notre Dame Liturgical Choir as well as the Basilica Schola, which she founded in 1989. She held degrees from Westminster Choir College and the Eastman School of Music, where she earned the doctor of musical arts degree in organ performance, and was awarded the performer’s certificate. Before joining the basilica staff, she taught organ at Goshen College.
Gail Walton performed throughout the midwestern United States and played concerts in the German cities of Bonn, Heidenheim, Mainz, and Rottenburg/Neckar in the summer of 1991. In the summer of 1995, she took the Notre Dame Liturgical Choir on a tour of Italy, giving performances in Florence, Milan, Assisi, and Rome. She frequently played duo recitals with her husband, organist and Notre Dame music professor Craig Cramer.

Allan Wicks, a leading cathedral organist of his generation, died February 4 at age 86. He played a crucial role during the 1950s and 60s in bringing modern works by Messiaen, Maxwell Davies, Stravinsky, and Britten into the regular cathedral repertory. Born in Harden, Yorkshire, on June 6, 1923, the son of a clergyman, Wicks became organ scholar at Christ Church, Oxford in 1942, where he studied under Thomas Armstrong. He became sub-organist at York Minster in 1947, then in 1954 organist and master of the choristers of Manchester Cathedral. During his time there, he oversaw the rebuilding of the war-damaged organ, and championed the music of Peter Maxwell Davies and Malcolm Williamson. He also regularly conducted Stravinsky’s Canticum Sacrum.
In 1961 he was appointed organist and master of the choristers of Canterbury Cathedral, a post he held until 1988.There he regularly performed music by such composers as Messiaen, Ligeti, Tippett, Lennox Berkeley, and Alan Ridout. Wicks made several recordings, released on LP but yet to be issued on CD, of works by Alan Ridout, Messiaen (notably La nativité du Seigneur), Bach, Mendelssohn, Liszt, Franck, Widor, Alain and Reger. Wicks retired from Canterbury in 1988, having served under three archbishops and taught several generations of choristers.

Henry August “Hank” Elling died October 10, 2010, in Catawba, North Carolina, at the age of 85. He was music director and principal organist at St. Paul’s Lutheran Church and School in Rockford, Illinois for 36 years. Born into a long line of Lutheran pastors, he first played the organ at age 15, for his sister’s wedding. Following service in the Philippines in World War II, he earned a bachelor’s degree in organ and piano from Augustana College, Rock Island, Illinois, a master’s from Wayne State University, and worked toward a Ph.D. at the University of Southern California. Elling served as choir director at Chicago’s Luther North High School, where the award-winning choirs concertized in Europe and sang at Christmas programs organized by Mayor Richard Daley. He was a longtime member of the Rockford AGO chapter. Henry August Elling is survived by his wife of 50 years, Martha, sons Henry J. (Cathy), Kurt A. (Jennifer), daughter Suzanne (Rev. Gregory) Alms, brother Rev. Norman (Selma) Elling, daughter-in-law Kerry Osley Elling, and grandchildren, nieces, and nephews.

Gilbert Mead died November 25, 2010 of complications from congestive heart failure at his home at Windsor Park Manor in Carol Stream, Illinois, at the age of 83. He was well known particularly in the Chicago area for his involvement as a musician on WMBI, the flagship station of the Moody Radio Network.
Born April 4, 1927, Mead began playing as a church organist when just a boy in his hometown of Battle Creek, Michigan. His fascination with pipe organs led him to seeking books on organbuilding from libraries some distance from Battle Creek. He particularly remembered the E. M. Skinner organ (Opus 720, 1928) at the First Presbyterian Church of Battle Creek, where his first piano teacher was the church’s organist. Battle Creek had many E. M. Skinner instruments of this period (1928–1932), with installations at the Kellogg Auditorium, St. Phillip Catholic Church, and St. Thomas Episcopal Church. Mead’s first organ lessons were at St. Thomas. He recalled the impeccable pedal technique of their organist who, according to his memory, played in highly polished white shoes that showed no sign of scuffing between the feet.
Gilbert Mead earned a Bachelor of Music degree in piano performance at the American Conservatory, where he studied with Leo Sowerby, Stella Roberts, Irwin Fischer, and Bruno Glade, and a master’s in organ performance from Northwestern University, where his instructors included Barrett Spach, Richard Enright, and Grigg Fountain.
Mead came to Chicago to study at the Moody Bible Institute in 1945 and gradually became involved at WMBI. Upon completion of a course in Biblical studies, he became a full-time staff musician, working in radio from 1950–1962. He logged thousands of hours in varied programming as a solo organist, pianist, accompanist, and director of various choirs. In 1962 Donald Hustad invited him to join the Sacred Music Department of Moody Bible Institute when the trend in radio was away from “live” music toward pre-recorded music. He joined a faculty with some renowned organists—Donald Hustad, Robert Rayfield, Lillian Robinson, Lester Groom, and Preston Rockholt.
Mead was known for his polished performance style at the organ, and was revered by a host of fine students on both piano and organ. He had a passion for providing engaging and sympathetic accompaniment to congregational singing. His approach caused one colleague to quip that Gilbert Mead always “played the words”.
Mead served four churches in the Chicago area over a period of about 55 years: Judson Baptist Church in Oak Park (1950–1968), First Baptist Church of Elmhurst (1968–1973), Wheaton Bible Church (1973–1989), and College Church in Wheaton (1990–1996). He filled the dual role of organist-choirmaster at Judson Baptist and First Baptist Churches. At Judson Baptist, he oversaw a large rebuilding of the church’s original Estey organ (10 ranks) into a much larger 3-manual organ with 31 ranks of new pipework from Aeolian-Skinner (Opus 1466). He finished his church music career as organist for five years at the College Church in Wheaton, where he served as consultant for the installation of the new 3-manual Schantz (1992).
Mead was well respected in the Chicago area for his conscientious work as an organbuilder and restorer. His weekends, apart from Moody Bible Institute and his church work, were filled with service calls to dozens of Chicago-area churches and colleges in tuning and in some rebuilding work. There are a handful of organs in the Chicago region bearing the nameplate “MEAD AND SONS, Elmhurst, Illinois.” His work in maintaining the historic Reuter organ at Moody Memorial Church was well on display when that organ was a featured instrument in the events held by the Romantic Organ Music Symposium in the summer of 1988. In preparation for a recital by Robert Glasgow when the weather had been extremely hot, and in an un-air-conditioned church, Mead managed to keep the organ in tune, to the delight of all.
Gilbert Mead is survived by his wife of 59 years, Martha (Jennison), four sons: Stephen (Marjorie Lamp), Robert (Connie Blaschke), David (Brenda Simms), and Donald (Karen Sarasin); and a sister Beverly (Mead) Todd.
—Donald Mead

Andrew Seivewright, master of music at Carlisle Cathedral for more than 30 years, died December 10, 2010, at age 84. He served as cathedral master of music from 1960 to 1991. He founded the Abbey Singers in 1962 and took the group on tours throughout Europe and the USA. He was an established composer whose latest choral CD, If Winter Comes, was released last year. He was also a pianist, organist and conductor.
Following his retirement, Seivewright was organist at Crosthwaite Church in Keswick for four years and then, from 1994, at Grasmere. The son of a clergyman, he began playing the organ when he was 10 years old. He studied at Denstone College before going on to read classics at King’s College, Cambridge. In World War II he joined the RAF, training as a navigator in Canada. After the war he returned to Cambridge and studied music. He and his wife Nora lived in Yorkshire, where he had teaching posts, and then, in 1960, they moved to Carlisle. In June 2010 a concert was held to mark Seivewright’s 50 years as a church musician.

Margaret T. “Meg” Flowers died April 30, at the age of 71, in Houston. She earned a BA from Vassar College in 1960, and MMus and DMA degrees from Shepherd School of Music, Rice University, in 1990 and 2004. She served as organist, choirmaster, and music director at several Episcopal parishes in Houston, and at Salem Evangelical Lutheran Church, retiring in January 2010. She held memberships in the Association of Anglican Musicians and the AGO, and served as dean of the Houston AGO chapter and chair of the Diocesan Music Commission. Meg Flowers is survived by her husband, David C. Flowers, three daughters and their husbands, Jennifer and Lyman Paden, Rebecca and Brian Oxley, and Elizabeth and Michael Murray, stepdaughters Kay Flowers and Karen Stephen and her husband Denny, sister Frances Pearson, brothers Bill and Walker Taylor, and five grandchildren.

Yvonne Loriod died May 17 in Saint-Denis, France, at the age of 86. The French pianist was for three decades the wife of Olivier Messiaen, and the chief interpreter of his piano works, as well as a champion of the piano works of Pierre Boulez, Jean Barraqué, André Jolivet, and Arnold Schoenberg. A student at the Paris Conservatoire, Loriod had learned the major piano repertoire by the age of 14. At the Conservatoire, she studied piano with Lazare-Lévy, and harmony with André Bloch; when the Nazis deported them during the French occupation, Loriod resumed piano study with Marcel Ciampi and harmony with Messiaen, who had recently returned from a prison camp. Messiaen wrote the two-piano work Visions de l’Amen with Loriod in mind.
As a concert pianist, she was known for her performances of contemporary repertoire. After teaching at the Staat-
liche Hochschule für Musik in Karlsruhe, she was appointed piano professor at the Paris Conservatoire in 1967, where she taught for a quarter of a century. Loriod married Messiaen in 1961; she served as his proofreader, musical assistant, manager, and interpreter until his death in 1992. Yvonne Loriod is survived by her sister Jacqueline and her stepson Pascal.

Kathleen Funk Pearson, age 93, died March 22 in Fort Myers, Florida. Born in Philadelphia, she graduated from the Oberlin Conservatory, and did graduate study at the Eastman School of Music, where she was a student of Harold Gleason. She joined the music department at Vassar College and served as assistant college organist and Vassar College Choir accompanist there, and from 1957–1988 as chapel organist. She also served as organist at the First Presbyterian Church, and as organist and choir director at Christ Episcopal Church in Poughkeepsie. A visiting professor at SUNY–New Paltz, she was chapel organist for the Harvard Divinity School, and for twelve years organist for the Danforth Foundation summer conferences.
With her husband, Donald M. Pearson, she co-founded the Central Hudson Valley AGO chapter, for which she served as dean, and which recognized her in 2008 for her lifelong contribution and dedication to promoting excellence in organ performance and choral music. They moved to Florida in 1988, where she served St. John’s Episcopal Church in Naples, Covenant Presbyterian Church in Fort Myers, Sanibel Congregational Church, and Chapel of the Sea on Captiva Island, and founded the 65-voice Shell Point Singers. Following Donald Pearson’s death in 2004, she created an organ recital fund in his memory, for performances at Vassar College; the fund has now been renamed the Donald and Kathleen Pearson Organ Recital Fund.

William Louis Shepard died July 15. For the last six years he held the position of organist and choirmaster at the First United Methodist Church in Park Ridge, Illinois. He earned his master’s degree in church music from Northwestern University and his bachelor’s degree from Wheaton College. Shepard taught piano, organ, and voice in academic settings as well as privately. He held positions as organist, choral director, handbell director, and children’s choir director at numerous churches in the metropolitan Chicago area as well as the Hot Springs, Arkansas area.
Born July 9, 1949, in Geneva, Illinois, he and his two sisters formed a string trio at a young age. During their early school years in Glen Ellyn, Illinois, the trio was awarded first place in several Illinois ensemble competitions. In 1984 Shepard moved to Hot Springs Village, Arkansas. Upon his return to Mount Prospect, Illinois, in 2002, the trio continued to perform.
Shepard was the winner of a student competition of the Chicago AGO chapter, and maintained his membership in the Chicago chapter. For eight years he was the regular organist for the Chicago Sunday Evening Club, broadcast on Channel 11 (WTTW). He also operated his own antique clock repair business. William Shepard is survived by his mother, three sisters, and five nieces and nephews.
Eugene Szonntagh died May 8 in Sarasota, Florida. He was 85. Born July 31, 1924, in Budapest, he immigrated with his family to the U.S. in 1956 to escape the communist occupation of Hungary. He held degrees in both the arts and sciences and worked as a research scientist, for Leeds & Northrup Co. in Philadelphia, and for Honeywell. A holder of 29 U.S. patents, he had published over 100 technical articles in the field of chemical engineering. Szonntagh served as organist at several Philadelphia churches, and as dean of the Philadelphia AGO chapter. He composed over 100 organ and choral works, and performed as a recitalist and choral director both in the United States and in Hungary.
In 1982 he and his wife moved to Florida, where he served at churches in St. Petersburg, and as dean of the St. Petersburg AGO chapter. Later, in Sarasota, he served on the board of the Sarasota-Manatee chapter, and as musician at St. Wilfred’s Episcopal Church. Eugene Szonntagh is survived by his wife of 59 years, Nora, sons Desi and Tom, granddaughters Erika and Tiffany, and grandson Andrew.

Martha Novak Clinkscale, American musicologist and researcher in the history of the early piano, died in Dallas on April 24 from injuries sustained in an automobile accident. Born in Akron, Ohio (June 16, 1933), Dr. Clinkscale held piano performance degrees from the University of Louisville (Kentucky) and Yale University, and the PhD in musicology from the University of Minnesota. Her two-volume study Makers of the Piano 1700–1820 and Makers of the Piano 1820–1860 (both published by Oxford University Press) comprises nearly a thousand pages of carefully detailed information about extant instruments: an invaluable and oft-quoted source.
The introductory essays to these books immediately reveal both a mastery of vocabulary and the wide-ranging extent and geographical distribution of the many colleagues who contributed information about the instruments listed. Two short examples from the second volume: “Those musicians who preferred the caress of the clavichord’s tangent found in the early square pianoforte a felicitous addition to their musical experience” (p. ix); “[This book] is not intended to be a frivolous addition to its owners’ libraries. It seeks to inform . . .” (p. x).
Precise and carefully crafted prose as well as the avowed intent to maintain a consistency of style were also hallmarks of the author’s approach to life. John Watson, creator of the technical drawings accompanying the second volume and primary collaborator in a related online database Early Pianos 1720–1860, summed it up succinctly: “She was an elegant woman.”
Martha Clinkscale served the American musical community in many capacities, including as editor of the Journal of the American Musical Instrument Society (1993–6) and as treasurer of the Southeastern Historical Keyboard Society (2004–8). She taught at the University of California, Riverside (1979–96) and the Meadows School of the Arts at Southern Methodist University (1998–2004), where she was also a member of the organ department’s examining juries each semester of her years in Dallas.
Survivors include daughter Lise Loeffler-Welton and son Thor Loeffler, as well as professional colleagues and friends on both sides of the Atlantic Ocean.
—Larry Palmer

Anna G. Fiore-Smith died in Fall River, Rhode Island, on November 11, 2009, at the age of 81. She studied piano at the New England Conservatory and the Juilliard School, and studied organ with Homer Humphrey and later with George Faxon at the New England Conservatory; she also studied with Nadia Boulanger at Fontainebleau, France, winning first prizes in piano, organ, chamber music, and solfège. Fiore-Smith served as organist and choir director at St. Stephen’s Church, the Church of the Ascension, and Temple Beth El, all in Providence, R.I., and later at the Barrington Congregational Church; she also taught organ at Barrington College. A former dean of the Rhode Island AGO chapter, her name was given to a chapter award that is bestowed on a member organist who typifies her devotion to the organ. She was also active in the Greater Fall River Symphony Society, and was a member of its first executive board. Anna G. Fiore-Smith was preceded in death by her husband, Harold N. Smith; she is survived by her brother and sister-in-law, Faust D. and Susanne Fiore, and many nieces and nephews.

Martin Owen Gemoets died on February 3 in Galveston, Texas. He was 42. He earned a bachelor’s degree at the University of Houston, and a master’s degree in organ from the University of North Texas at Denton in 1996. A member of the Dallas and later Fort Worth AGO chapter, Gemoets held the AAGO and ChM certifications and promoted interest in the certification exams, writing articles on music history for the Fort Worth chapter’s newsletter. He was working toward his FAGO certification. He had recently relocated to Galveston. Martin Owen Gemoets was interred next to his father in Houston during a private graveside service.

Donald M. Gillett died April 3 in Hagerstown, Maryland, at the age of 90. He was the last president of the Aeolian-Skinner Organ Company of Boston, Massachusetts, which closed in 1972. Born April 8, 1919, in Southwick, Massachusetts, he earned a degree in business administration from the University of Maryland. He served four years in the Army Air Corps, stationed in Midland, Texas, as a chaplain’s assistant.
Don’s musical interest started when he was four years old, his parents having taken him to a number of organ recitals at the Municipal Auditorium in Springfield, Massachusetts. He started piano lessons at age six with Dorothy Mulroney, the Municipal Auditorium organist. After moving to Washington, D.C., he studied piano and organ with Lewis Atwater, organist at All Souls Unitarian Church and also Washington Hebrew Congregation. Don’s interest in organbuilding also started with the study of the organ.
His first organbuilding job was with Lewis & Hitchcock in Washington, D.C. Four years later in 1951, with a desire to learn voicing and tonal finishing, he was hired at Aeolian-Skinner, working under G. Donald Harrison and reed voicer Herbert Pratt. In later years, Don became a vice president and head tonal finisher. Upon the retirement of Joseph Whiteford in 1968, Don was offered the opportunity to buy up controlling interest in Aeolian-Skinner, and then became president and tonal director.
In the early 1970s, Aeolian-Skinner was building its last three instruments: St. Bartholomew’s NYC, Trinity Wall Street, and the Kennedy Center in Washington, D.C. The company was in the final stages of Chapter 11 and eventual closing. Don’s last finishing for Aeolian-Skinner was the Kennedy Center.
In March 1972, Riley Daniels, president of the M. P. Möller Organ Company in Hagerstown, offered Don a job at Möller as head flue pipe voicer. After the death of John Hose, Möller’s tonal director, Don became tonal director, and eventually vice president. He retired from Möller in 1991.
Also an avid art collector, he served on the Board of Directors of the Washington County (Maryland) Museum of Fine Arts. Donald M. Gillett is survived by his companion of 40 years, Warren S. Goding of Hagerstown; sister-in-law, Jane Mace of Palm City, Florida; and cousin, Mary Davis of Fort Lee, New Jersey.
—Irv Lawless
Hagerstown, Maryland

Frances M. Heusinkveld, 83 years old, died February 22 in Forest City, Iowa. She attended Northwestern Junior College in Orange City, Iowa, and Central College in Pella, where she studied piano and began organ lessons. She pursued a master’s degree in piano at the University of Iowa and later eared a Ph.D. in organ literature there. Heusinkveld taught in various schools in Iowa, including Upper Iowa University and for 33 years at Buena Vista College in Storm Lake, where she taught theory, music appreciation, piano, and organ. She was also organist of the United Methodist Church in Storm Lake, where she helped the church install a Bedient organ in 2002. Heusinkveld earned the Service Playing, Colleague, and AAGO certifications, and served as dean of the Buena Vista AGO chapter; she also played the cello and was a member of the Cherokee Symphony Orchestra. She enjoyed the study of foreign languages and traveled extensively. Frances M. Heusinkveld is survived by two brothers and many nieces and nephews.

Richard Dunn Howell died January 26 in Dallas. He was 78. Born in Great Bend, Kansas, he began playing for church services at Grace Presbyterian Church in Wichita at the age of 13. He graduated from Wichita University in 1954 and Perkins School of Theology at Southern Methodist University in 1957; he received a master of sacred music degree from Southern Methodist University in 1966. Howell taught elementary music in Richardson and Dallas, and played for many children’s, youth, and adult choirs. He also directed various handbell ensembles. In the course of his activities, he worked with Austin Lovelace and Lloyd Pfautsch. Richard Dunn Howell is survived by his wife of 52 years, Bradley Sue, three children, and three grandchildren.

Austin C. Lovelace, composer and church organist, and Minister of Music, Emeritus, at Wellshire Presbyterian Church in Denver, died April 25 at the age of 91. Born March 26, 1919, in Rutherfordton, North Carolina, he began serving as a church organist when he was 15 and went on to do workshops and recitals in 45 states and six countries. He earned his bachelor’s degree in music at High Point College in North Carolina in 1939 and his master’s (1941) and doctorate (1950) in sacred music from Union Theological Seminary in New York City.
Lovelace was a chaplain’s assistant in the Navy and served as minister of music at a number of churches, including First Baptist Church and First Methodist in High Point, North Carolina; Holy Trinity Episcopal, Lincoln, Nebraska; Myers Park Presbyterian Church and Myers Park Baptist, Charlotte, North Carolina; First Presbyterian Church, Greensboro; First Methodist, Evanston, Illinois; Christ Methodist, New York City; Lover’s Lane Methodist in Dallas, and Montview Boulevard Presbyterian Church and Wellshire Presbyterian in Denver.
He was still filling in as organist at area churches when he was 87. He taught at several colleges, including Queen’s College and Davidson College in North Carolina, Union Theological Seminary, Iliff School of Theology in Denver, and Garrett Theological Seminary in Evanston, Illinois.
Lovelace was fond of jazz. Twice, he had Dave Brubeck and Duke Ellington, both with their bands, join the choir at Montview Boulevard Presbyterian Church for performances. Lovelace, known for his sense of humor, wrote five books, including “Hymns That Jesus Would Not Have Liked.” A prolific writer and composer, Lovelace has several hundred compositions in print, as well as numerous articles and books on church hymnody; he was involved with twenty denominations in the development of their hymnals. A past president and Fellow of the Hymn Society of America, Lovelace was also active in the American Guild of Organists, including serving as dean of the North Shore chapter. In 2009 he received the American Music Research Center’s Distinguished Achievement Award, and was honored by the Denver Chapter of the American Guild of Organists with a hymn festival.
Austin Lovelace is survived by his wife of 69 years, Pauline Palmer (“Polly”) Lovelace, daughter Barbara Lovelace Williams, and a grandson.