Nunc Dimittis

The French organist and musicologist Jean Bonfils died on November 26, 2007 in Rennes (Ille-et-Vilaine) at the age of 86. His funeral was celebrated on November 29 at the Notre-Dame Church in Vitré and a memorial mass was held in his honor at La Trinité Church in Paris on February 16, 2008.
Born in Saint-Etienne (Loire) on April 21, 1921, Jean Bonfils studied at the Paris Conservatory and received first prize in organ in 1949 in Marcel Dupré’s class, a second prize in composition in Jean Rivier’s class in 1948, and a first medal in analysis in Olivier Messiaen’s class in 1950.
Jean Bonfils substituted for Olivier Messiaen at La Trinité Church in Paris for over forty years (from 1950 to 1992), then for Naji Hakim. According to Denis Havard de la Montagne (http://www.musimem.com/BonfilsJean.htm), he also played the Merklin organ at the Grande Synagogue in Paris, rue de la Victoire, for over thirty years (succeeding Henriette Roger in 1953), and in 1964 he was also named titular of the Cavaillé-Coll/Mutin organ at Saint-Ignace (succeeding Paule Piédelièvre, remaining until 1975). After assisting Jean Langlais as organ professor at the Schola Cantorum, he taught organ there from 1973 to 1992.
He was editor of numerous liturgical journals and musical publications, including the collection he co-directed with Gaston Litaize, L’Organiste liturgique, Heinrich Schütz’s works for choir, and an organ method he wrote with Noëllie Pierront (Nouvelle méthode de Clavier, four volumes, 1960–68, and in 1962 a two-volume Nouvelle méthode d’orgue), which has formed an entire generation of organists, notably Olivier Latry. Seuil Editions published his reconstitutions of Goudimel’s psalms and motets. Jean Bonfils edited numerous 16th- and 17th-century French organ compositions, including Jacques Boyvin’s First and Second Organ Books as well as Deo Gloria, collections of liturgical organ music he prepared with Noëllie Pierront from 1962 to 1968.
A musicologist, Jean Bonfils wrote numerous articles, notably in L’Orgue: on the Christmas carols of Pierre and Jean-François Dandrieu (no. 83, pp. 48–54) and on Olivier Messiaen (1992, no. 224, pp. 12–14); in Recherches sur la musique française classique edited by Picard: on the instrumental fantasies of Eustache Du Caurroy (in 1961–62) and on Jehan Titelouze’s organ works (1965), as well as numerous biographical notices on French musicians for Die Musik in Geschichte und Gegenwart (Bärenreiter) and for Corliss Arnold’s Organ Literature: A Comprehensive Survey (Scarecrow Press).
Jean Bonfils composed an organ piece, Communion on “Beata Viscera,” published in L’Organiste liturgique (Schola Cantorum). Jean Langlais dedicated to him his Trois Méditations sur la Sainte-Trinité, op. 129 (Philippo, 1962).
At La Trinité Church, I had the joy of working with him from 1989 to 1997. Like Olivier Messiaen, Jean Bonfils was very discreet, modest and cordial, and was an excellent musician. He played an eclectic repertory and carefully chose the pieces he played during the church services, strictly in keeping with their specific liturgical functions; an excellent musicologist as well, he was an immense inspiration to me and countless other musicians and students. In addition, he generously gave numerous manuscripts, musical scores and letters to the music department at the Bibliothèque nationale and to the library at the Conservatory in Boulogne-Billancourt.
—Carolyn Shuster Fournier
Titular of the A. Cavaillé-Coll Choir Organ at La Trinité Church in Paris

Robert N. Cavarra died February 8 in Denver, Colorado after complications from kidney failure. He was for many years professor of music at Colorado State University and a leading participant in the revival of the classical organ tradition in North America.
Under Cavarra’s leadership, three examples of this movement were realized in Fort Collins: the Casavant Frères organ at CSU (1969), the Lawrence Phelps opus 1 organ at St. Luke’s Episcopal Church (1973), and the Danish Marcussen and Son organ at First United Methodist Church (1987). He brought together artists from throughout the world for master classes and recitals on these instruments, including E. Power Biggs, Marie-Claire Alain, Luigi Tagliavini, Gillian Weir, Lionel Rogg, Bernard Lagacé, and Anton Heiller. He taught from 1963 until 2000 on the faculty of CSU’s Department of Music, Theater and Dance. At his death, he was Professor Emeritus of Music. As a student of both philosophy and music, Cavarra also served as organist for the North American College.
Robert Nicholas Cavarra was born on February 23, 1934, in Denver. His musical training began in childhood, and by age 12 he was performing publicly. As a recitalist, Cavarra toured widely, including concerts in Denmark, Sweden, France, England, Canada, Mexico and the United States. He and his wife Barbara founded an international non-profit foundation, “Pro Organo Pleno XXI.” As a recording artist, he released CDs through the Musical Heritage Society, and he was a major figure in the “Christmas at CSU” series of recordings. He was also a published composer and solo and ensemble harpsichordist.
In addition to the classical organ, Cavarra was responsible for the installation of a Wurlitzer theatre organ at CSU, and sponsored numerous workshops on theatre organ music. He was organist at St. Joseph and St. Pius X Roman Catholic Churches and St. Barnabas Episcopal Church in Denver, and St. Joseph Roman Catholic Church, St. Luke’s Episcopal Church, and the First United Methodist Church in Fort Collins. He also taught music at Loretto Heights College and St. Thomas Theological Seminary in Denver, as well as at the University of Wyoming. Cavarra is survived by his wife Barbara, a daughter, three sons, and five grandchildren.

Jack Hennigan died November 11, 2007 in Pelham Manor, New York, at the age of 64. Born in Scranton, Pennsylvania, he earned a bachelor of music degree at Juilliard, having studied organ with Vernon deTar. Further studies were in Cologne, Germany, with Michael Schneider (organ) and Gunther Ludwig (organ). He earned master’s and doctoral degrees from Yale, studying organ with Charles Krigbaum and piano with Donald Currier. He won international organ competitions in Bruges, Belgium, and Worcester, Massachusetts. Hennigan served as organist-choirmaster at St. Matthews Church, Wilton, Connecticut, and the Church of Christ the Redeemer (Episcopal) in Pelham Manor, New York. He wrote a monthly column for The American Organist dealing with fingering, hand coordination, and performance anxiety, and lectured to AGO groups on these topics. He was also known as a gourmet cook, traveling and studying food preparation in France. Jack Hennigan is survived by his partner, Martin Nash, of Pelham Manor.

Winston A. Johnson died February 4. He was 92. Born in China in 1915 to Covenant missionaries, he first studied piano with his mother. His family returned to the U.S. in 1927, eventually settling in Illinois. Johnson began organ study at age 13 and by age 16 held his first church organist position. He earned bachelor and master of music degrees from the American Conservatory of Music in Chicago, and the master of sacred music from Union Theological Seminary in New York City. His teachers included Clarence Dickinson, Marcel Dupré, Hugh Porter, and Leo Sowerby. He served in the U.S. Army from 1942–46 as a chaplain’s assistant, playing for Protestant, Catholic, and Jewish services.
Winston Johnson served as organist and choir director for over 60 years, including at University Presbyterian Church in Seattle for 32 years. Active in the American Guild of Organists, he was one of twelve organists who studied with Sowerby in Chicago for the Associate certificate; he was the only candidate who passed the two-day examination that year. Johnson held several offices with the Seattle AGO chapter, including as dean. He also played for two AGO regional conventions, and had performed with the Seattle Symphony Orchestra and the Seattle Opera. He taught at North Park College and Trinity Bible Institute in Chicago, and at Simpson Bible Institute and Seattle Pacific University in Seattle, and taught privately. He gave his last piano lesson three days before his death. Winston Johnson is survived by Irma, his wife of nearly 50 years, his sister, two sisters-in-law and a brother-in-law, and nieces and nephews.

Robert V. McGuire died November 12, 2007, in Haines City, Florida, at the age of 79. Born and raised in Chicago, his doctoral dissertation from the University of Chicago dealt with the use of the augmented second in Bach’s Passions and other choral works. Dr. McGuire served as organist-choirmaster at churches in Illinois and in Florida; his last position was at St. Mark’s Episcopal Church in Haines City, retiring in 2002. He served on the boards of the Messiah Association of Polk County and the Bach Festival of Central Florida, for which he authored program notes for many years. A lifelong member of the AGO, he served as dean of the Lakeland Area (Florida) chapter. Robert McGuire is survived by many cousins, nieces, nephews, and his friend Jeanette Stokes.

Edward Lamond Nobles, age 72, died January 2 in Meridian, Mississippi. Born in Meridian, he first studied piano with an aunt; he earned a bachelor of music degree at Jackson State College (now Jackson State University) in 1958, and a master of music education degree from Columbia University in New York City in 1968. Nobles taught music for eight years in Mississippi and for 18 years in Michigan; he also served as organist-choir director in various churches in those two states. He returned to Mississippi in 1984 and served as organist at St. Patrick Catholic Church of Meridian for over 20 years. Nobles was a member of Phi Mu Alpha Sinfonia Music Fraternity and the AGO, and was active in the Jackson, Mississippi chapter. He is survived by several cousins and many friends.

Glenn Edward Pride, 57, died suddenly February 26 at his residence on St. Simons Island, Georgia. Born in Nashville, Tennessee, he graduated from Peabody Demonstration School in Nashville and from Hope College in Holland, Michigan, majoring in organ performance. His graduate degree in sacred music was completed at Southern Methodist University, Perkins School of Theology, in Dallas, Texas. Mr. Pride had served St. Simons Presbyterian Church as director of music and organist since 2000. During his 34-year music career, he also served First Presbyterian Church of Dalton, Georgia; First Presbyterian Church of Bartlesville, Oklahoma; First Presbyterian Church of Jonesboro, Georgia; and the First Presbyterian Church of Douglasville, Georgia. He was a member of Rotary International and the American Guild of Organists. He was also artistic director of the Island Concert Association of St. Simons Island.

James Leslie Boeringer, born March 4, 1930, in Pittsburgh, Pennsylvania, died January 12 of pancreatic cancer. He earned a BA in organ performance from the College of Wooster (Ohio) in 1952, an MA in musicology from Columbia University in 1954, a doctorate in sacred music from the former Union Theological Seminary in New York, New York, in 1964, and completed post-doctoral studies at New York University. Boeringer received associate certification from the American Guild of Organists in 1953. He presented recitals in organ and harpsichord in 20 of the United States, and in England and France.

Beginning with his first church position, as organist of Homewood Baptist Church in Pittsburgh in November 1947, he served churches in Ohio, New Jersey, New York City, South Dakota, Oklahoma, Pennsylvania, North Carolina, and London, England. He moved to the Washington, D.C., area in 1992 and served as organist at Church of the Pilgrims (Presbyterian) Washington, Messiah Lutheran Church in Germantown, and Fifth Church of Christ, Scientist, in Georgetown, playing his last service December 29, 2013, just two weeks before his death.  

Boeringer served as executive director of the Moravian Music Foundation in Winston-Salem, North Carolina, as university organist and on the faculty at the University of South Dakota in Vermillion, Oklahoma Baptist University in Shawnee; at Susquehanna University in Selinsgrove, Pennsylvania, he was a professor and chair of the music department. A Phillips Distinguished Visitor at Haverford College, he founded the Krisheim Church Music Conference in Philadelphia, and directed the Creative Arts Festival at Susquehanna University from 1972 to 1975, and the Moravian Music Festival in 1981 and 1984.  

As a composer Boeringer wrote 23 published original works for chorus and organ, organ solo, chamber ensemble, and other combinations, including a cantata and a song cycle; and about 50 unpublished pieces, including an oratorio with full orchestra. He wrote more than 25 hymn tunes and hymn texts, some of which appear in Baptist, Lutheran, Mennonite, Moravian, and ecumenical hymnals. Selected works are available through the International Music Score Library Project (IMSLP) website (imslp.org).  

He authored the three-volume Organa Britannica: Organs in Great Britain, 1660–1860, as well as other books on hymnody and biographies of organists and composers of church music. His essays were published in periodicals and books. 

A widely published arts critic and scholar, he wrote numerous articles and reviews, which appeared in the Journal of Church Music; Moravian Music Journal; Music, the A.G.O. Magazine; The Organ Yearbook (Netherlands); The Musical Times (London); The New York Times; The American Organist; The Diapason; and The Tracker. He was the editor for the Society for Organ History and Preservation.  

Boeringer published fiction under a pseudonym. A member of Equity, he has a long list of theater credits in a variety of roles including actor, singer, director, music director, composer, narrator, and chorus arranger. He had an abiding interest in historic buildings and moved and restored two log cabins in his lifetime, and was an avid gardener.  

James Leslie Boeringer is survived by his wife of 58 years, Grace, and children Lisa Stocker, Greta, and Daniel, and a brother David.  

Peter Rasmussen Hallock died April 27, 2014, in Fall City, Washington; he was 89. A composer, organist, liturgist, and countertenor, among other activities, he was long associated with St. Mark’s Episcopal Cathedral of Seattle. Hallock began organ study with Clayton Johnson of Tacoma. He enrolled at the University of Washington, but was drafted into the United States Army, serving from June 1943 until February 1946 as chaplain’s assistant and sharpshooter in the Pacific theater during World War II. Returning to the University of Washington, he studied organ with Walter Eichinger and composition with George McKay, then studied at the College of St. Nicholas at the Royal School of Church Music (RSCM) in Canterbury, England, becoming the first American choral scholar at Canterbury Cathedral, under the direction of Gerald Knight. He completed the RSCM program and received a bachelor of arts degree in music from the University of Washington in 1951 and master of arts degree in music from the same institution in 1958.

Peter Hallock became organist/choirmaster of St. Mark’s Episcopal Cathedral, Seattle, on October 28, 1951, a position he held until retirement in 1991. At St. Mark’s, he founded a chant study group in the mid 1950s that became known as the Compline Choir, which remains in the forefront of the resurgence of interest in the Office of Compline. He was instrumental in the cathedral’s acquisition of a four-manual Flentrop mechanical-action organ in 1965. At the cathedral, Hallock also introduced Advent and Good Friday processions as well as liturgical drama. He was named Canon Precentor, the first lay person in the Episcopal Church to hold this title, named an associate of the RSCM, and was honored with an honorary doctor of music degree by the Church Divinity School of the Pacific. In 1992, he became organist at St. Clement of Rome Episcopal Church, Seattle, remaining until March 2013. Hallock was also well known and respected for his countertenor concerts, with performances throughout the United States. As a composer, Peter Hallock created more than 250 works, from occasional church music to extended anthems, dramatic works (sacred and secular) to music specifically written for the Compline Choir. Among his many publications was The Ionian Psalter.

Peter Rasmussen Hallock is survived by his sisters, Matilda Ann Milbank of Los Altos, California, and Barbara Hallock of Kent, Washington, as well as several nieces, nephews, grandnieces, and grandnephews. Memorial gifts may be made to the Compline Choir of St. Mark’s Cathedral or to the Cathedral Foundation of the Diocese of Olympia, Seattle.

Robert Burgess Lynn, 83 years old, passed away February 11 in Houston, Texas. A native of Colorado Springs, he studied organ and piano with Roy Harris, Frederick Boothroyd, and Joanna Harris while in high school. In 1952, he earned a BA at Colorado College (where he studied with Frederick Boothroyd and Max Lanner, and was chapel organist), and a master’s in organ from the Juilliard School of Music, received Honorable Mention in the AGO Young Artists’ Contest in Organ Playing in San Francisco, and married Elaine Steele, also a musician. In 1956, Lynn received a Fulbright Scholarship to study organ playing and construction with Finn Viderø under the auspices of the University of Copenhagen. His studies were briefly delayed when the family’s ship, the Stockholm, collided with the Andrea Doria, which subsequently sank. During his time in Copenhagen, he saw and played several great organs, including the organ at Sweden’s Malmö Museum, built in 1520, and at the Royal Chapel in Copenhagen, built in 1827. Lynn became a Fellow of the AGO in 1964, receiving the highest marks of any candidate in Section I of the FAGO examinations. 

Robert Lynn taught from 1954 to 1971 at Allegheny College as an assistant professor of music. In 1973, he received his PhD in musicology from Indiana University; his dissertation was entitled “Renaissance Organ Music for the Proper of the Mass in Continental Sources.” From 1971 to 1997, he served as professor of musicology at the University of Houston where he also directed the Collegium Musicum and the graduate studies program. His monograph, Valentin Haussmann (1565/70–Ca. 1614): A Thematic-Documentary Catalogue of His Works, was published by Pendragon Press. In 1997, he was named professor emeritus. 

Lynn also enjoyed visiting professorships at Rice University, Indiana University, and the University of Siegen. While a resident of Houston, Lynn was well known for his organ recitals in addition to his role as harpsichord soloist, playing in many concerts associated with the Houston Harpsichord Society (now Houston Early Music). From 1982 to 2004, he was the founding director of the Houston Bach Choir and Orchestra at Christ the King Lutheran Church. Lynn served as director of music and organist at St. Francis Episcopal Church for 25 years, and also as long-term interim organist at St. Christopher’s Episcopal Church. Memorial contributions may be made to the Bach Society Houston, 2353 Rice Blvd, Houston, TX 77005, or to the Christ Church Cathedral Music Program, 1117 Texas Ave., Houston, TX 77002.

Fred S. Mauk died on April 7, two weeks before his 83rd birthday, after a short illness. Mauk did his undergraduate study at Stetson University and Rollins College, where he earned a degree in music, and received his master’s degree in 1958 from the School of Sacred Music at Union Theological Seminary in New York City. He held church music positions in Missouri, South Carolina, North Carolina, and Florida, his last position being director of music for 33 years at St. Mark’s Presbyterian Church in Altamonte Springs, Florida, where he retired in 2011; at St. Mark’s he installed a pipe organ (purchased from a church in North Carolina) in the sanctuary.

An active member of the Central Florida AGO chapter, Mauk served in many chapter positions, including dean, and was instrumental in coordinating the 1993 regional AGO convention in Orlando. He was also known for his encouragement of young musicians, his sense of humor, his organizational skills, his many interests, including old cars and antique car shows, and his ability to work well with everyone. 

Mary Lou McCarthy-Artz, age 78, died at her home in Plymouth, Indiana, on May 7. Born November 18, 1935, Mary Lou Smith graduated from high school in 1953, marrying her first husband, Joseph L. Merkel, two years later. She studied piano at the Jordan Conservatory of Music, Butler University, in Indianapolis. After her husband’s death, she married Rodney Evans and moved to Covington, Indiana, where they lived for more than twenty years. It was there, while holding down a full-time job as an executive secretary, that she began working part-time as organist at nearby Catholic parishes: St. Joseph, Covington; St. Bernard, Crawfordsville; and Holy Family, Danville, Illinois. In 1993, she began full-time ministry as organist and choir director for the motherhouse of the Poor Handmaids of Jesus Christ, Ancilla Domini, in Donaldson, Indiana. A long-time member of the American Guild of Organists, she had served as chapter dean and had recently earned her CAGO certificate. Mary Lou McCarthy-Artz is survived by her husband, Donald Artz, two daughters, Nancy Merkel Starkey of Jacksonville, Florida, and Janet Evans Snyder of Georgetown, Illinois, as well as two grandchildren. ν

Martha Novak Clinkscale, American musicologist and researcher in the history of the early piano, died in Dallas on April 24 from injuries sustained in an automobile accident. Born in Akron, Ohio (June 16, 1933), Dr. Clinkscale held piano performance degrees from the University of Louisville (Kentucky) and Yale University, and the PhD in musicology from the University of Minnesota. Her two-volume study Makers of the Piano 1700–1820 and Makers of the Piano 1820–1860 (both published by Oxford University Press) comprises nearly a thousand pages of carefully detailed information about extant instruments: an invaluable and oft-quoted source.
The introductory essays to these books immediately reveal both a mastery of vocabulary and the wide-ranging extent and geographical distribution of the many colleagues who contributed information about the instruments listed. Two short examples from the second volume: “Those musicians who preferred the caress of the clavichord’s tangent found in the early square pianoforte a felicitous addition to their musical experience” (p. ix); “[This book] is not intended to be a frivolous addition to its owners’ libraries. It seeks to inform . . .” (p. x).
Precise and carefully crafted prose as well as the avowed intent to maintain a consistency of style were also hallmarks of the author’s approach to life. John Watson, creator of the technical drawings accompanying the second volume and primary collaborator in a related online database Early Pianos 1720–1860, summed it up succinctly: “She was an elegant woman.”
Martha Clinkscale served the American musical community in many capacities, including as editor of the Journal of the American Musical Instrument Society (1993–6) and as treasurer of the Southeastern Historical Keyboard Society (2004–8). She taught at the University of California, Riverside (1979–96) and the Meadows School of the Arts at Southern Methodist University (1998–2004), where she was also a member of the organ department’s examining juries each semester of her years in Dallas.
Survivors include daughter Lise Loeffler-Welton and son Thor Loeffler, as well as professional colleagues and friends on both sides of the Atlantic Ocean.
—Larry Palmer

Anna G. Fiore-Smith died in Fall River, Rhode Island, on November 11, 2009, at the age of 81. She studied piano at the New England Conservatory and the Juilliard School, and studied organ with Homer Humphrey and later with George Faxon at the New England Conservatory; she also studied with Nadia Boulanger at Fontainebleau, France, winning first prizes in piano, organ, chamber music, and solfège. Fiore-Smith served as organist and choir director at St. Stephen’s Church, the Church of the Ascension, and Temple Beth El, all in Providence, R.I., and later at the Barrington Congregational Church; she also taught organ at Barrington College. A former dean of the Rhode Island AGO chapter, her name was given to a chapter award that is bestowed on a member organist who typifies her devotion to the organ. She was also active in the Greater Fall River Symphony Society, and was a member of its first executive board. Anna G. Fiore-Smith was preceded in death by her husband, Harold N. Smith; she is survived by her brother and sister-in-law, Faust D. and Susanne Fiore, and many nieces and nephews.

Martin Owen Gemoets died on February 3 in Galveston, Texas. He was 42. He earned a bachelor’s degree at the University of Houston, and a master’s degree in organ from the University of North Texas at Denton in 1996. A member of the Dallas and later Fort Worth AGO chapter, Gemoets held the AAGO and ChM certifications and promoted interest in the certification exams, writing articles on music history for the Fort Worth chapter’s newsletter. He was working toward his FAGO certification. He had recently relocated to Galveston. Martin Owen Gemoets was interred next to his father in Houston during a private graveside service.

Donald M. Gillett died April 3 in Hagerstown, Maryland, at the age of 90. He was the last president of the Aeolian-Skinner Organ Company of Boston, Massachusetts, which closed in 1972. Born April 8, 1919, in Southwick, Massachusetts, he earned a degree in business administration from the University of Maryland. He served four years in the Army Air Corps, stationed in Midland, Texas, as a chaplain’s assistant.
Don’s musical interest started when he was four years old, his parents having taken him to a number of organ recitals at the Municipal Auditorium in Springfield, Massachusetts. He started piano lessons at age six with Dorothy Mulroney, the Municipal Auditorium organist. After moving to Washington, D.C., he studied piano and organ with Lewis Atwater, organist at All Souls Unitarian Church and also Washington Hebrew Congregation. Don’s interest in organbuilding also started with the study of the organ.
His first organbuilding job was with Lewis & Hitchcock in Washington, D.C. Four years later in 1951, with a desire to learn voicing and tonal finishing, he was hired at Aeolian-Skinner, working under G. Donald Harrison and reed voicer Herbert Pratt. In later years, Don became a vice president and head tonal finisher. Upon the retirement of Joseph Whiteford in 1968, Don was offered the opportunity to buy up controlling interest in Aeolian-Skinner, and then became president and tonal director.
In the early 1970s, Aeolian-Skinner was building its last three instruments: St. Bartholomew’s NYC, Trinity Wall Street, and the Kennedy Center in Washington, D.C. The company was in the final stages of Chapter 11 and eventual closing. Don’s last finishing for Aeolian-Skinner was the Kennedy Center.
In March 1972, Riley Daniels, president of the M. P. Möller Organ Company in Hagerstown, offered Don a job at Möller as head flue pipe voicer. After the death of John Hose, Möller’s tonal director, Don became tonal director, and eventually vice president. He retired from Möller in 1991.
Also an avid art collector, he served on the Board of Directors of the Washington County (Maryland) Museum of Fine Arts. Donald M. Gillett is survived by his companion of 40 years, Warren S. Goding of Hagerstown; sister-in-law, Jane Mace of Palm City, Florida; and cousin, Mary Davis of Fort Lee, New Jersey.
—Irv Lawless
Hagerstown, Maryland

Frances M. Heusinkveld, 83 years old, died February 22 in Forest City, Iowa. She attended Northwestern Junior College in Orange City, Iowa, and Central College in Pella, where she studied piano and began organ lessons. She pursued a master’s degree in piano at the University of Iowa and later eared a Ph.D. in organ literature there. Heusinkveld taught in various schools in Iowa, including Upper Iowa University and for 33 years at Buena Vista College in Storm Lake, where she taught theory, music appreciation, piano, and organ. She was also organist of the United Methodist Church in Storm Lake, where she helped the church install a Bedient organ in 2002. Heusinkveld earned the Service Playing, Colleague, and AAGO certifications, and served as dean of the Buena Vista AGO chapter; she also played the cello and was a member of the Cherokee Symphony Orchestra. She enjoyed the study of foreign languages and traveled extensively. Frances M. Heusinkveld is survived by two brothers and many nieces and nephews.

Richard Dunn Howell died January 26 in Dallas. He was 78. Born in Great Bend, Kansas, he began playing for church services at Grace Presbyterian Church in Wichita at the age of 13. He graduated from Wichita University in 1954 and Perkins School of Theology at Southern Methodist University in 1957; he received a master of sacred music degree from Southern Methodist University in 1966. Howell taught elementary music in Richardson and Dallas, and played for many children’s, youth, and adult choirs. He also directed various handbell ensembles. In the course of his activities, he worked with Austin Lovelace and Lloyd Pfautsch. Richard Dunn Howell is survived by his wife of 52 years, Bradley Sue, three children, and three grandchildren.

Austin C. Lovelace, composer and church organist, and Minister of Music, Emeritus, at Wellshire Presbyterian Church in Denver, died April 25 at the age of 91. Born March 26, 1919, in Rutherfordton, North Carolina, he began serving as a church organist when he was 15 and went on to do workshops and recitals in 45 states and six countries. He earned his bachelor’s degree in music at High Point College in North Carolina in 1939 and his master’s (1941) and doctorate (1950) in sacred music from Union Theological Seminary in New York City.
Lovelace was a chaplain’s assistant in the Navy and served as minister of music at a number of churches, including First Baptist Church and First Methodist in High Point, North Carolina; Holy Trinity Episcopal, Lincoln, Nebraska; Myers Park Presbyterian Church and Myers Park Baptist, Charlotte, North Carolina; First Presbyterian Church, Greensboro; First Methodist, Evanston, Illinois; Christ Methodist, New York City; Lover’s Lane Methodist in Dallas, and Montview Boulevard Presbyterian Church and Wellshire Presbyterian in Denver.
He was still filling in as organist at area churches when he was 87. He taught at several colleges, including Queen’s College and Davidson College in North Carolina, Union Theological Seminary, Iliff School of Theology in Denver, and Garrett Theological Seminary in Evanston, Illinois.
Lovelace was fond of jazz. Twice, he had Dave Brubeck and Duke Ellington, both with their bands, join the choir at Montview Boulevard Presbyterian Church for performances. Lovelace, known for his sense of humor, wrote five books, including “Hymns That Jesus Would Not Have Liked.” A prolific writer and composer, Lovelace has several hundred compositions in print, as well as numerous articles and books on church hymnody; he was involved with twenty denominations in the development of their hymnals. A past president and Fellow of the Hymn Society of America, Lovelace was also active in the American Guild of Organists, including serving as dean of the North Shore chapter. In 2009 he received the American Music Research Center’s Distinguished Achievement Award, and was honored by the Denver Chapter of the American Guild of Organists with a hymn festival.
Austin Lovelace is survived by his wife of 69 years, Pauline Palmer (“Polly”) Lovelace, daughter Barbara Lovelace Williams, and a grandson.

Southern Methodist University’s emeritus professor of organ and sacred music Robert Theodore Anderson succumbed to Parkinson’s disease on May 29 in Honolulu, Hawaii. Born in Chicago on October 5, 1934, RTA (as he was affectionately known by hundreds of students and friends) received his early training at the American Conservatory of Music in Chicago. Undergraduate work was accomplished at Illinois Wesleyan University (Bloomington), where he studied organ with Lillian Mecherle McCord. At Union Theological Seminary in New York, he was awarded the degrees Master of Sacred Music (magna cum laude) in 1957 and Doctor of Sacred Music in 1961. He was an organ pupil of Robert Baker and studied composition with Harold Friedell and Seth Bingham.
A Fulbright Grant awarded in 1957 permitted Anderson to study in Frankfurt with Helmut Walcha. During the two years he spent in Germany, he served as guest organist at Walcha’s Dreikoenigskirche, and toured as a recitalist under the auspices of the American Embassy.
Anderson began teaching at SMU’s Meadows School of the Arts in 1960. He retired from the school (because of ill health) in 1996, but continued to teach for several more years to complete the degree programs of his final organ majors. Dr. Anderson was promoted to full professor in 1971, and was subsequently awarded the first Meadows Distinguished Teaching Professorship and named a University Distinguished Professor (SMU’s highest rank).
Two of RTA’s students, Wolfgang Rübsam and George C. Baker, won first places at the prestigious Chartres Organ Competition, and many others repeatedly placed in American contests. Anderson was known for his widely comprehensive organ repertoire and toured extensively as a solo recitalist, for a time under the auspices of the Lilian Murtagh/Karen Macfarlane Concert Management. A Fellow of the American Guild of Organists, Anderson served that organization as National Councillor for Education. He was Dean of the Dallas AGO chapter (1965–67), and served in many other capacities during his years in Dallas. The chapter named its annual recital series in his honor at the time of his retirement.
Anderson’s funeral was held at the Lutheran Church of Honolulu on June 3, with organist Katherine Crosier at the Beckerath organ and RTA’s Union Seminary classmate Nyle Hallman playing harp. His ashes will rest in Chicago, next to those of his parents. SMU is planning a Dallas memorial service, to be held in September.
—Larry Palmer

Howard Clayton died March 5 in Norman, Oklahoma. He was 79. He had earned degrees in education from Emporia State University, Emporia, Kansas, in music from the American Conservatory of Music in Chicago, and a Ph.D. in general administration from the University of Oklahoma. Dr. Clayton held music teaching positions in Illinois before switching his emphasis to library science, which he taught at the University of Oklahoma. He had also held positions at other universities, including Pittsburg State University in Pittsburg, Kansas. He was editor of the educational journal Learning Today from 1968–85. At the time of his death, he was serving as organist at St. John Nepomuk Catholic Church in Yukon, Oklahoma. Howard Clayton is survived by his wife of 59 years, Wilma, daughter Caren Halinkowski, son Curtiss, brother Paul, a granddaughter, and nieces and nephews.

Everett S. Kinsman, age 86, died January 14 in Bethesda, Maryland. He had studied at the Catholic University of America and was an organ student of Conrad Bernier and Paul Callaway. He had served at St. Matthew’s Cathedral and St. Patrick’s Catholic Church in Washington, D.C., and was organist at the Shrine of the Sacred Heart for 22 years, beginning in 1949. His last position was at Our Lady of Mercy Church in Potomac, Maryland.

Mark L. Russakoff died April 12, Easter Sunday, at the age of 58. He had served most recently as director of music ministries at St. Irenaeus Catholic Church in Park Forest, Illinois.
Born in Birmingham, Alabama, September 16, 1950, he studied piano with Samuel and Delores Howard at Birmingham-Southern Conservatory, and organ with Joseph Schreiber at Birmingham-Southern Conservatory and with H. Edward Tibbs at Samford University. He earned a bachelor of music degree at Washington University, St. Louis, studying organ with Robert Danes and Howard Kelsey, and harpsichord with Anne Gallet. He also studied organ with Pierre-Daniel Vidal and harpsichord with Agnès Candau at the Strasbourg Conservatory, and earned master’s and doctoral degrees in organ at Northwestern University as a student of Wolfgang Rübsam and Richard Enright.
Russakoff taught at Chicago Musical College of Roosevelt University and at Thornton Community College. He served as organist/director of handbell ensembles at Flossmoor Community Church, director of music at St. Emeric Catholic Church, Country Club Hills, and was music editor and engraver for ACP Publications in South Holland. He is survived by his wife Cynthia, daughter Rachael, and sister Dale.

Charles Shaffer, 78, died May 2 in Los Angeles. Born in Akron, Ohio on November 17, 1930, his first piano lessons were in the Akron public schools, and he was a boy chorister at St. Paul’s Episcopal Church there. During World War II, Shaffer and his family moved to South Gate, California, where he continued his piano studies and deepened his interest in playing the organ and in organ building. By age thirteen he was playing services at St. Margaret’s Episcopal Church in South Gate. During his high school years, the family moved back to Akron, and Shaffer took his first organ lessons and attended his first meetings of the AGO chapter there.
Shaffer’s first year as an undergraduate was spent at Oberlin Conservatory, where he studied with Fenner Douglass. His studies were interrupted when he was drafted to serve in the U.S. Army during the Korean Conflict. Upon discharge from the service he continued his studies at the University of Redlands (California), where he studied with Dr. Leslie P. Spelman and earned bachelor’s and master’s degrees in organ performance.
Charles Shaffer served for eighteen years as organist of First Presbyterian Church in Hollywood, California, and later at First Baptist Church in Pasadena. An active teacher and performer, he served the AGO in various capacities at the local and regional level and several of his articles have appeared in The American Organist.
In the early 1990s he was invited to consult on an organ renovation project at Westwood United Methodist Church in Los Angeles. His role soon evolved from consultant to principal donor and co-designer of what has come to be called the Shaffer Memorial Organ (in memory of his wife of 29 years, Phyllis). The core of the organ was a large pipe instrument installed by Schantz in 1995. The expansion and revision of this instrument occupied Shaffer for the rest of his life. With co-designer Burton K. Tidwell and others, the organ has grown to include 153 ranks of pipes and 83 digital voices located in the chancel and gallery of the church and controlled by a four-manual and a two-manual console. It is one of the largest organ installations in southern California and was heard at the 2004 AGO convention.
Shaffer’s generosity to the church’s music ministry also included the gifts of five pianos (in memory of his parents and his wife’s parents), a digital carillon system, and seed money for an endowment fund to care for the instruments. About the many years of their close collaboration, Burton Tidwell has written of Charles, “His desire to explore possibilities beyond the ordinary, and then see that they could happen, has challenged and expanded my own concepts of organ building. Mr. Shaffer’s vision and generosity have provided all of us with a lasting legacy.” Charles Shaffer is survived by his sister, Lona Abercrombie, three nephews and three nieces.
—Gregory Norton
Minister of Music
Westwood United Methodist Church
Los Angeles, CA

Frank B. Stearns died February 4 at the age of 67 in Pittsburgh, Pennsylvania. Born in Brattleboro, Vermont, he received a bachelor of music degree from Westminster Choir College in Princeton, New Jersey, and a master’s of music from the University of Pittsburgh, as well as a master of education degree from Slippery Rock University. He served as an elementary teacher for 28 years, and was director of music for 31 years at Zion’s Reformed United Church of Christ in Greenville, Pennsylvania. For the last ten years he was director of music at Center Presbyterian Church in Slippery Rock. Stearns was active in community musical groups and was also a member of numerous musical and historic organizations, including the American Guild of Organists, the Organ Historical Society, the American Recorder Society, and the Mercer County Historical Society, which named him Volunteer of the Year in 2007. Frank Stearns is survived by his wife of forty years, Patricia, sons Jim and David, and two grandchildren.

Raymond A. Zaporski, age 81, died on February 28 in Roseville, Michigan. He was a music minister-organist for the Archdiocese of Detroit for over 50 years, serving St. Angela Parish Church in Roseville, St. Blase Catholic Community in Sterling Heights, and St. Anne Catholic Community in Warren, Michigan. Raymond Zaporski is survived by his wife, Dorothy, sons Mark, Michael, and Martin, daughter Mary Beth, and their families.