Brent Nolte has been appointed assistant professor of music and college organist at Talladega College in Talladega, Alabama. Nolte holds an MM in organ performance from Central Michigan University, where he studied with Steven Egler, and a DMA in organ performance from the University of Minnesota, which he attended on a School of Music Fellowship studying under Dean Billmeyer.
Richard Webb, lauded by the Bristol Herald-Courier as “a musician foremost,” concert organist, recitalist, lecturer, church musician, clinician/adjudicator and administrator, has performed solo concerts and appeared as guest artist with orchestras and ensembles throughout the United States, England, and Spain. His informative and entertaining workshops and practical master classes in various performance practices have been particularly well received as a complement to his concert appearances. Highly regarded as a facile, sensitive and uniquely synchronous accompanist on all keyboard instruments, he is in significant demand as a collaborative partner for singers and instrumentalists.
"...elevated the marriage of organ and brass to high art." (San Francisco Chronicle)
Milestone appearances have included the Inaugural Recital for the 50th Anniversary Season of the Central New Jersey AGO Chapter, a joint concert with the Echo Ringers of Japan by invitation of the Secretary-General of the United Nations to celebrate the 40th Anniversary of the Declaration of Human Rights and the Inaugural Series for, at the time, the largest concert hall organ in North America at Davies Symphony Hall in San Francisco.
“Particularly outstanding...Richard Webb's virtuoso bash in Julius Reubke's Wagnerian Sonata, the great organ masterpiece of the 19th century for my ear." (San Francisco Chronicle)
His imaginative programing interests have led him to premiere the works of such noted contemporary composers as Daniel Lentz, Lewis Songer, Meyer Kupfermann, John Haussermann, Jan Hanus, Gertrude Martin Rohrer, Robert Copeland, Alvin Batiste, James Hanna, Dennis Johnson, Dinos Constantinides, Charles Lloyd, and William Grimes. He has presented thematic recitals and workshops on the organ music of America, Asia, Russia, and Spain (including a New York recital for the Quincentenary of Christopher Columbus at Saint Thomas Church Fifth Avenue), the organ and choral works of Siegfried Reda, the Church Music Renewal Movement and his passion, the life and works of Sigfrid Karg-Elert. Introduced recently at one of his all Karg-Elert recitals in New York as “an Evangelist for the music of Karg-Elert,” he is a Life Member of the former Karg-Elert Archive in the United Kingdom and was a contributor to its publications.
"The performance of the music of Karg- Elert by Dr. Richard Webb was inspirational. The lecture was excellent and the master class one of the best I have seen." (Rollins College/Central Florida AGO Inaugural Romantic Organ Music Conference)
"This was a most enterprising all-Karg-Elert program on the 151-rank Aeolian- Skinner organ at the Cathedral of St. John the Divine in New York City. In Dick Webb's skilled hands, this historic instrument demonstrated ideally the wide variety of styles comprising Karg-Elert's compositions, while avoiding the obvious. A most appreciative audience heard some important later works, such as Legend, Voices of the Night and Preambulo from Music for Organ. (International Newsletter of the Karg-Elert Archive Issue 75 – January 2014)
"In a balanced, well-constructed program, Dr. Webb delighted the audience with technically brilliant, musically satisfying performances of a wide variety of organ works. A clear aesthetic vision and confident command of both technical and musical demands were evident throughout. His program was a clear indication of his stature both as an artist and educator. The recital he offered was beautifully performed and both the instrument and the audience were very well served by this significant American organist." (Piccolo Spoleto Festival L’Organo, website - review by Roy Stewart)
"Master organist Richard Webb ran the gamut, musically speaking, from the Baroque to the present day. The fact that he is a noted and devoted educator comes through clearly in his programing ...featuring high-quality performances vastly different from each other in style and scope." (The Pacific Grove Monarch)
"His programs are a treat for people who wish to hear the gamut of the organ's effects. More important, however, is his ability to interpret so correctly and compellingly the organ literature from many periods of musical history. Webb's love of music and of performance clearly impress the listener." (Kingsport Times-News)
Dr. Webb is Professor and Dean Emeritus of the College of Arts and Humanities at Southern University in Baton Rouge, Louisiana, having served previously as Dean of the College and Chief Academic Officer at Westminster Choir College in Princeton, New Jersey as well as Professor and Chair of the Departments of Music at San Francisco State University and East Tennessee State University. He is a past Dean of the San Francisco, Franklin and Baton Rouge Chapters of the American Guild of Organists, a designee of the Louisiana Artist Roster and a recipient of the coveted Louisiana Artist Fellowship for excellence in the arts, Organist Emeritus at First United Methodist Church of Baton Rouge, LA and Organ/Harpsichord Principal of the Baton Rouge Symphony. He performs as a member of the Louisiana Touring Directory, appears as a collaborative artist and chamber musician under the auspices of Bach's Five Productions, is a featured artist on both www.Organiste.net and The Diapason Artist Spotlights and is pleased to be represented as a concert organist by Concert Artist Cooperative, https://www.concertartistcooperative.com/.
See his video with harpist Rebecca Todaro, playing Variations Pastorales by Marcel Samuel Rousseau.
Mailing Address: 9155 Goodwood Boulevard – Baton Rouge, LA 70815-3140
E-Mail: [email protected] - Cell Phone: (225) 235-6765
Webb-Site: www.richardwebb.org
Richard Hillert died February 18. He was Distinguished Professor of Music Emeritus at Concordia University Chicago, River Forest, Illinois, and was best known for his work as a composer and composition teacher. One of his most noted works is Worthy Is Christ, of which “This is the Feast of Victory” has been widely published in various worship books.
Hillert received his bachelor’s degree in education from Concordia, and master’s and doctoral degrees in composition from Northwestern University. He also studied composition with Italian composer Goffredo Petrassi. Hillert taught at Concordia from 1959 to 2003. He edited eleven volumes of the Concordia Hymn Prelude Series and was associate editor of the journal Church Music (1966–80).
Hillert’s compositions and publications include liturgical music for congregation, choral motets, hymns and hymn anthems, psalm settings and organ works, concertatos, and cantatas, including settings of The Christmas Story According to Saint Luke and The Passion According to Saint John. Richard Hillert is survived by his wife Gloria Bonnin Hillert, and children Kathryn Brewer, Virginia Hillert, and Jonathan Hillert.
Rev. Richard D. Howell died January 26 in Dallas, Texas. Born June 24, 1932 in Great Bend, Kansas, he earned a master of sacred music degree from Southern Methodist University, and was ordained a deacon in the United Methodist Church. He started playing for church services at age 13, and went on to serve numerous United Methodist congregations in Texas and taught elementary music for the Richardson and Dallas school districts. He played for children’s, youth, and adult choirs and directed handbell choirs, serving as the chairman of the Dallas Handbell Festival. He was active in many organizations, including the American Guild of Organists, Choristers Guild, and the Fellowship of United Methodist Musicians. Richard D. Howell is survived by his wife of 52 years, Bradley Sue Howell, children Mark and Teri Howell, Celeste and Martin Hlavenka, and Jane Walker, along with grandchildren, sisters-in-law, and numerous nieces and nephews.
Richard Proulx died February 18 at age 72. From 1980 to 1994, he was organist–music director at the Cathedral of the Holy Name in Chicago, where he was also responsible for the planning and installation of two new mechanical-action organs for the cathedral: Casavant II/19 (Quebec, 1981) and Flentrop IV/71 (Holland, 1989). Before coming to Chicago, he served at St. Thomas Church, Medina/Seattle (1970–1980), and was organist at Temple de Hirsch Sinai. Previous positions included St. Charles Parish, Tacoma; St. Stephen’s Church, Seattle; and 15 years (1953–1968) at the Church of the Holy Childhood in St. Paul.
A native of St. Paul, Minnesota, he attended MacPhail College and the University of Minnesota, with further studies undertaken at the American Boychoir School at Princeton, St. John’s Abbey, Collegeville, and the Royal School of Church Music in England. He studied organ with Ruth Dindorf, Arthur Jennings, Rupert Sircom, Gerald Bales, and Peter Hallock; choral conducting with Bruce Larsen, Donald Brost, and Peter Hallock; composition with Leopold Bruenner, Theodore Ganshaw, Bruce Larsen, and Gerald Bales.
Proulx was a widely published composer of more than 300 works, including congregational music, sacred and secular choral works, song cycles, two operas, and instrumental and organ music. He served as consultant for The Hymnal 1982, the New Yale Hymnal, the Methodist Hymnal, Worship II and III, and contributed to the Mennonite Hymnal and the Presbyterian Hymnal.
Phyllis J. Stringham, of Waukesha, Wisconsin, died February 12 at the age of 79. Born January 30, 1931 in Grand Rapids, Michigan, she earned her Bachelor of Arts degree from Calvin College and a Master of Music degree in organ performance at the University of Michigan. Her organ teachers included John Hamersma, Robert Noehren, and Marilyn Mason. She pursued additional study at the American Conservatory in Fontainebleau, France, studying with Nadia Boulanger and André Marchal. In 1966 she studied with Marie-Claire Alain and Anton Heiller at the Summer Academy for Organists in Haarlem, Holland. While on sabbatical leave in 1972, she spent five months studying at the Hochschule für Musik in Vienna, Austria. Further study was done at the Eastman School of Music with Russell Saunders, and with Delbert Disselhorst at the University of Iowa.
For 43 years, Stringham was Professor of Music and College Organist at Carroll University, Waukesha, Wisconsin (1959–2002). After retirement from teaching, she retained her position as College Organist and Curator of the Organ. In 2007 she was named Organist Emeritus. Her earlier teaching career began at Chatham Hall, an Episcopal school in Virginia. She is listed in Who’s Who in the World of Music. From the late 1960s to 2007 she operated the Phyllis Stringham Concert Management agency. She served the AGO as dean of the Milwaukee chapter and as Wisconsin State Chair.
Phyllis Stringham is survived by her brother James A. (Gladys), nephews, many grandnephews, nieces, other relatives and friends. A memorial service was held February 18 at St. Luke’s Lutheran Church, Waukesha.
Gail Walton, director of music at the University of Notre Dame’s Basilica of the Sacred Heart, died February 24 in Indianapolis after a long illness. She was 55 years old. Dr. Walton had served as director of music in the Basilica since 1988, directing the Notre Dame Liturgical Choir as well as the Basilica Schola, which she founded in 1989. She held degrees from Westminster Choir College and the Eastman School of Music, where she earned the doctor of musical arts degree in organ performance, and was awarded the performer’s certificate. Before joining the basilica staff, she taught organ at Goshen College.
Gail Walton performed throughout the midwestern United States and played concerts in the German cities of Bonn, Heidenheim, Mainz, and Rottenburg/Neckar in the summer of 1991. In the summer of 1995, she took the Notre Dame Liturgical Choir on a tour of Italy, giving performances in Florence, Milan, Assisi, and Rome. She frequently played duo recitals with her husband, organist and Notre Dame music professor Craig Cramer.
Allan Wicks, a leading cathedral organist of his generation, died February 4 at age 86. He played a crucial role during the 1950s and 60s in bringing modern works by Messiaen, Maxwell Davies, Stravinsky, and Britten into the regular cathedral repertory. Born in Harden, Yorkshire, on June 6, 1923, the son of a clergyman, Wicks became organ scholar at Christ Church, Oxford in 1942, where he studied under Thomas Armstrong. He became sub-organist at York Minster in 1947, then in 1954 organist and master of the choristers of Manchester Cathedral. During his time there, he oversaw the rebuilding of the war-damaged organ, and championed the music of Peter Maxwell Davies and Malcolm Williamson. He also regularly conducted Stravinsky’s Canticum Sacrum.
In 1961 he was appointed organist and master of the choristers of Canterbury Cathedral, a post he held until 1988.There he regularly performed music by such composers as Messiaen, Ligeti, Tippett, Lennox Berkeley, and Alan Ridout. Wicks made several recordings, released on LP but yet to be issued on CD, of works by Alan Ridout, Messiaen (notably La nativité du Seigneur), Bach, Mendelssohn, Liszt, Franck, Widor, Alain and Reger. Wicks retired from Canterbury in 1988, having served under three archbishops and taught several generations of choristers.
