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Nicholas Schmelter to Lapeer, Michigan

Nicholas Schmelter has been appointed director of music at Immaculate Conception of the Blessed Virgin Mary Catholic Church in Lapeer, Michigan. He will play the 1905 Hinners organ, develop the parish’s choirs, and administer other musical matters.

From 2011–15, Schmelter led the music program at First Congregational Church in Saginaw, where he supervised several choirs, administered a musical arts series, performed recitals, commissioned several compositions, and spearheaded the congregation’s organ campaign.

He received a bachelor and master of music degree from Central Michigan University, studying organ with Dr. Steven Egler. Schmelter is an organ recitalist and accompanist, a musical coach, an adjunct instructor at Saginaw Valley State University, and dean of the Saginaw Valley Chapter of the American Guild of Organists.

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Noel Goemanne, Catholic Church musician and composer, died January 12 in Dallas. He was 83. Born in 1926 in Poperinge, Belgium, Goemanne was a graduate of the Lemmens Institute of Belgium, and studied organ and improvisation with Flor Peeters, and at the Royal Conservatory of Liege. During World War II, he refused an offer from the Nazis to become a composer for the Third Reich; he was later arrested for playing the music of Mendelssohn during the Nazi occupation of Belgium.
In 1952 he and his wife Janine immigrated to the United States, settling in Victoria, Texas, where he was organist at St. Mary’s Catholic Church. In response to the liturgical changes brought about in the 1960s by the Second Vatican Council, he composed the first Vatican II-approved Masses in English. During that time he gave sacred music workshops on college campuses; he also established the sacred music program at St. Joseph College in Rensselaer, Indiana.
Goemanne held organist and choirmaster positions in the Detroit area, at St. Rita’s Catholic Church and Our Lady Queen of Martyrs Church, and in Dallas, at St. Monica’s Catholic Church, Holy Trinity Seminary, and Christ the King Church, where he served from 1972 until this past summer.
His compositional output includes over 200 sacred compositions, with over 20 Masses. His organ work Trilogy for Dallas was the first work commissioned for the Lay Family Organ at the Morton H. Meyerson Symphony Center.
Goemanne’s many honors include an award from the Institute of Sacred Music in Manila, Philippines in 1974; the Pro Ecclesia et Pontifice Cross from Pope Paul VI in 1977; honorary doctorates from St. Joseph College in Rensselaer in 1980 and Madonna University in Livonia, Michigan in 1999; and numerous ASCAP awards. Goemanne was a member of the American Society of Composers, Authors and Publishers, the American Guild of Organists, the American Choral Directors Association, and the National Association of Pastoral Musicians. He is survived by his wife Janine, daughter Claire Page and husband Mike, son Luc and wife Candy, and three grandchildren.

John B. Haney, longtime Canon Organist and Choirmaster of Trinity Episcopal Cathedral, Columbia, South Carolina, died February 13 at age 77. Born in Illinois, he earned bachelor’s and master’s degrees in organ from the University of Illinois, and received the Master of Sacred Music degree from Union Theological Seminary in New York City.
In 1970 he moved to Columbia, South Carolina, to become organist and choirmaster at what was then Trinity Episcopal Church, where he served for the next 33 years. Prior to that, he held positions at Reveille United Methodist Church, Richmond, Virginia; Central Presbyterian Church, Montclair, New Jersey; and Temple Emanu-El, New York City.
While at Trinity, he began the cathedral choir’s periodic residencies at English cathedrals and developed the Wednesdays at Trinity concert series. Haney was a member of the American Guild of Organists and the Association of Anglican Musicians.

John Wright Harvey died December 31, 2009. “Organ—my hobby, my work, my play, my vocation, my recreation. Recital work a specialty.” So wrote Professor Harvey on a faculty information sheet dated October 26, 1961. He went on to list “Carillon—(and bells of all sorts)—a lifelong interest.” These dual interests defined John’s 24 years as professor of music at the University of Wisconsin-Madison, a career which began in September 1960, and ended with his retirement in June 1984. In 1962 the UW Memorial Carillon received 27 new bells and two claviers, enlarging it to a total of 51 bells. On February 2, 3, and 4, 1970, John gave identical recitals initiating the Austin Organ Company’s Opus 2498 in the University’s Eastman Recital Hall. John taught organ and carillon to students from freshman level to doctoral candidates. Announcements of his carillon recitals appeared regularly and often.
John Harvey was born in Marion, Indiana, on June 15, 1919. He began piano study at age 8, trombone at age 14, and organ at 15. He completed a Bachelor of Music degree in organ from Oberlin Conservatory in 1941. The degree was awarded in absentia since John was by then stationed aboard a destroyer participating in the Battle of Midway. While in the Navy, John served as a musician, a signalman, and a quartermaster. He survived the loss of the USS Atlanta, sunk off Guadalcanal in November 1942. Following the war, John received a bachelor’s degree in music education from Oberlin in 1946 and a master’s degree from the School of Sacred Music at Union Theological Seminary in 1952. His master’s thesis was on the history and development of the organ in the chapel at West Point. Before coming to Madison, he served the First Presbyterian Church in Englewood, New Jersey; Webb Horton Memorial Presbyterian Church in Middletown, New York; Central Union Church in Honolulu, and National City Christian Church in Washington, D.C.
Beginning in 1947, John was active in the American Guild of Organists. In 1952 he organized the Northern Valley chapter in Englewood, serving as dean for its first three years and scholarship chairman for two years. In 1958 he was secretary of the Washington, D.C. chapter. In Madison he was dean of the AGO chapter from 1964–66. In 1953–56 John contributed to The American Organist, including a three-issue story on the West Point organ.
In Madison and beyond the university, John was active as well. He was organist at First Congregational Church. He also served as organ consultant and advisor to many congregations, including St. John’s Lutheran, Luther Memorial, Bethany Methodist, and Mt. Olive Lutheran. He was particularly involved with the design of the Austin organ at First United Methodist. An instrument of interest was the Hinners organ at St. Mary’s in Pine Bluff. John gave recitals statewide, in venues large and small, including several on the Casavant organ at St. Norbert’s Abbey in DePere.
John Harvey’s interests extended well beyond music. Pictures of Clarissa, his 1932 Chevy roadster, appeared in the newspaper, as did pictures of his model railroad. He also collected disc recordings from the early 1900s.
John married Jean Cochran on May 25, 1945, and was the father of three daughters, Ann, Carol, and Jane. John suffered from Alzheimer’s and died on December 31, 2009. Survivors include his wife, Jean, his daughters, and a brother.
—John R. Krueger
Madison, Wisconsin

August “Ed” Linzel, Jr., died January 19 in Arlington, Texas, at the age of 84. Born in Little Rock, Arkansas, he attended the Princeton School of Music, and served as organist and choirmaster at St. Mary the Virgin Episcopal Church in New York City for 16 years. He was active in the American Guild of Organists, performing as organist, harpsichordist, and conductor at national (1948, 1950, 1952) and regional conventions. Linzel also served as dean of the New York City AGO chapter from 1956–59. In 1964 he served as organist-choirmaster at St. Paul’s Episcopal Church in Indianapolis, Indiana, and in 1972 he served in that same capacity at St. Boniface Episcopal Church in Sarasota, Florida. He later returned to Little Rock, where he was organist at Pulaski Heights Presbyterian Church, Christ Episcopal Church, and First Presbyterian Church in Jacksonville, Arkansas. August Linzel, Jr. is survived by his sons Ted and John, daughters Patricia and Jennifer, and brothers Milton and Jesse.

William Bernard MacGowan, concert organist, choir director, and college professor, died December 15, 2009 in Gainesville, Florida. He began organ study with Nelson Brett in Jacksonville, and during the 1940s studied organ with Robert Baker and piano with Percy Grainger at the Interlochen Center for the Arts in Michigan. He earned bachelor’s and master’s degrees from the University of Michigan, where he studied with Palmer Christian, Robert Noehren, and Maynard Klein. A naval communications officer during the Korean War, MacGowan established choirs and singing groups on the ships where he served. When in port, he studied choral conducting with Robert Shaw and musicology with Julius Herford.
His many positions included those at St. Philip’s Church in Durham, North Carolina; Old North Church in Boston, Maple Street Congregational Church, Trinity Episcopal Church, and the Tanglewood Music Center, in Massachusetts; All Saints Episcopal Church in Pasadena, California; and Bethesda by the Sea Episcopal Church in Palm Beach, St. Bartholomew’s Episcopal Church in High Springs, and St. Michael’s Episcopal Church in Gainesville, in Florida. As a recitalist, he performed at important venues in New York City, Washington, D.C., San Francisco, and in Assisi, Italy, and in Germany. MacGowan was a member of the American Guild of Organists, Society of St. Hubert, Phi Gamma Delta, and Phi Mu Alpha Sinfonia; his hobbies included scuba diving and snorkeling.
William Bernard MacGowan is survived by brothers Bradford and John and their wives, two nephews, and two nieces.

Richard Thornton White died on December 8, 2009, in Memphis, Tennessee, in his home across the street from St. John’s Episcopal Church, where he served for 36 years. He was 95. His first organ study was with Adolph Steuterman; in 1935, he was awarded the William C. Carl Scholarship to the Guilmant Organ School in New York City. In 1937, he won a gold medal in performance from that school. The Diapason (July 1, 1937), in reporting the event, noted that “Guilmant graduates have built up an enviable reputation for brilliancy, interpretative power, and poise in their playing, and the class of this year sustained that reputation.” White also studied with Frank Wright and Frederick Schlieder. He held organist-choirmaster positions in New York City and New Jersey, served in the U.S. Army in the South Pacific during World War II, and in 1950 returned to Memphis to serve at St. John’s Episcopal Church, where he led the music program until his retirement in 1986. White was also active in the Sewanee Church Music Conference, which he served as a faculty member and secretary/registrar.
He earned Associate (1938) and Fellow (1940) certifications with the American Guild of Organists, of which he was a member for 74 years, serving the Memphis chapter as dean several times, and also as chapter examination coordinator.
Richard Thornton White is survived by his wife Anna, whom he married in 1938, sons Richard White, Albert White and his wife Betsy, two grandchildren, and nieces and nephews.

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Kent S. Dennis died January 1 at the age of 78 in Midland, Michigan. Trained as a chemist, Dr. Dennis had a long career at Dow Chemical Co. in Midland; he retired in 1986 after 32 years as a senior research associate. He served as organist at Memorial Presbyterian Church in Midland for 47 years, and was named organist emeritus in 2003. There he performed annual organ recitals for 46 years; he also taught organ students for many years. A charter member of the Saginaw Valley AGO chapter, serving as dean for three terms, he also served on the board of managers of the Midland Center for the Arts and as president of the Midland Symphony Orchestra, which, with the Music Society, honored him as Musician of the Year in 1987.
In 2002 Steven Egler commissioned an organ piece, Fantasia on Dennis, by David Gillingham in honor of Dr. Dennis. With his technical background, he built a pipe organ in his home, and when his health declined, he donated the instrument to St. Joseph the Worker Church in Beal City, Michigan. He was predeceased by his parents, a sister, and a brother. Memorials may be made to the Kent S. Dennis AGO Scholarship Fund, Saginaw Valley AGO Chapter, Gregory Largent, Dean, 121 South Harrison St., Saginaw, MI 48602.

August Humer died January 17 in Linz, Austria, at the age of 59. He had studied organ and harpsichord with Anton Heiller and Isolde Ahlgrimm in Vienna; after finishing his diploma, he traveled to the U.S., where he began an active career as a recitalist under the management of Phillip Truckenbrod Concert Artists. In 1972–74 he won prizes at the international competitions in Innsbruck and Nuremberg, and subsequently performed in Europe and in North America.
In 1972 he was appointed head of the organ and historical keyboard instruments department at the Bruckner Konservatorium in Linz, Austria. He became organist at Linz Old Cathedral in 1975, and made numerous recordings on its organ, a three-manual instrument by Franz Xavier Chrismann (1768) and Josef Breinbauer (1867). Professor Humer was a frequent visiting lecturer in Europe and the U.S., and served as an adviser to the historical instrument collection of the Upper Austria Regional Museum.

Herbert James Keeler died September 6, 2006, in Greensboro, North Carolina, at the age of 67. He began piano studies at age six, and in his teens began playing the organ in his father’s church. In 1961 he graduated from Eastern Nazarene College in Quincy, Massachusetts, where he earned two music degrees, one in organ. In 1966 he moved to New York City and began a 29-year career with Western Electric, retiring as a computer systems analyst. Mr. Keeler served as organist for numerous churches and was an active member of the AGO. He was preceded in death by his parents and is survived by his wife of 40 years, Carole. A memorial service was held September 17, 2006, at St. Andrew’s Episcopal Church in Greensboro.

Paul S. Robinson died February 15 in Winston-Salem, North Carolina, at the age of 99. Born March 8, 1907, in New Wilmington, Pennsylvania, he graduated from Westminster College in 1929 and began study at the Curtis Institute of Music in Philadelphia that same year. His first venture into North Carolina was in 1932 as the summer organist at Duke University where he continued for 10 years. After obtaining a master’s degree from Union Theological Seminary in New York City, he became a year-round North Carolina resident in 1938 as organist for Centenary United Methodist Church in downtown Winston-Salem. There he started his long association as organist and accompanist for the Mozart Club’s annual presentation of Handel’s Messiah.
The 1941 presentation was December 7, during which the Messiah radio broadcast was interrupted by the news of the Pearl Harbor attack. Two months later, Paul was inducted into the Army’s Third Armored Division as a chaplain’s assistant. He traveled with them in England, France and Germany, where he played a folding reed organ for services.
Discharged in 1945, he returned to Centenary United Methodist staying until he started doctoral studies, also at Union Theological Seminary, where he received a Doctor of Sacred Music degree in 1951. In 1952, he came to Wake Forest College for a temporary position at about the same time as another temporary instructor, Mary Frances McFeeters. Within a few years, they became indispensable both to Wake Forest and to each other. Paul and Mary Frances were married in 1955, and they moved with the college to the new Winston-Salem campus in 1956. He served as professor of music and university organist until his retirement in 1977, and was the organist for Wake Forest Baptist Church from 1956 to 1993. He continued accompanying Messiah until 1997.
He is survived by his wife, Mary Frances Robinson; two daughters, and two grandchildren. Donations in his memory may be made to Wake Forest Baptist Church, P.O. Box 7326, Winston-Salem, NC 27109. —Scott Carpenter

William E. Seifert died December 26, 2006 in Campobello, South Carolina, at the age of 71. A graduate of Wofford College, he later earned a master of divinity degree from Duke University and a master of education degree from Western Carolina University; he was a United Methodist minister for many years and also taught in South Carolina public schools. After retirement he worked for the Dower Organ Building Co., builders of the organ at Episcopal Church of the Holy Cross in Tryon, North Carolina, where he was a member. Mr. Seifert was dean of the Spartanburg AGO chapter from 1988 to 1989, and at the time of his death was the chapter’s chaplain. He is survived by his wife, two sons, two daughters, three sisters, and seven grandchildren.
John Edward Williams died on March 16 at his home in Spartanburg, South Carolina, after a bout with esophageal cancer. He was 87. For 43 years he had served First Presbyterian Church as organist/choirmaster and was elected an elder of the congregation. On his retirement in 1991, Converse College conferred on him the honorary degree Doctor of Music in recognition of his significant contribution to the cultural life of the community. The church further honored him in 1995 by dedicating a new Schoenstein organ, named for him, in their chapel. He had supervised the installation of the church’s large Aeolian-Skinner sanctuary organ in 1968. Recognized as a leader in church music circles, he was widely known and highly esteemed throughout his denomination and the whole region. He was especially helpful to fellow musicians of all denominations.
Dr. Williams graduated in music from Illinois Wesleyan College in 1941, joined the U.S. Navy, and served throughout World War II in London, where he played for American servicemen and, on occasion, for Queen Elizabeth and her father, King George VI. He also performed at the Glasgow Cathedral. After the war he entered the School of Sacred Music at Union Theological Seminary in New York, graduating in 1948 with an MSM degree. There he studied organ with Robert Baker and Hugh Porter, composition with Harold Friedell, and the history of music with Clarence and Helen Dickinson.
From Union he came directly to Spartanburg and set about mustering support for the founding of a local chapter of the American Guild of Organists. Success came in 1954 when he became a charter member of the new chapter and, at the same time, inaugurated the Spartanburg Oratorio Society, directing for several years its performances of major choral and orchestral masterpieces. He was known and loved for his lively sense of humor, witty repartee, and buoyant personality. He maintained high artistic standards and refined taste. He enjoyed popular music and jazz, but he never allowed these secular elements to intrude into his music for worship.
He was married to Patricia Gilmore Williams, a distinguished local artist and portraitist who predeceased him by several years. He is survived by a sister in Illinois, two married daughters, a married son, five grandchildren, and a great-grandson. A memorial service was held at First Presbyterian Church on March 20. Donations in his memory may be sent to the Dr. John E. Williams Music Scholarship Fund in care of First Presbyterian Church, 393 E. Main St., Spartanburg, SC 29302.
—John M. Bullard

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John Courter, organist and carillonneur at Berea College and retired professor of music, died June 21, at the age of 68. Courter joined the Berea College faculty in 1971. After retiring from teaching in 2007, he continued to serve as college organist and carillonneur. In addition, he was organist at Union Church and had been a long-time contributor to the music of St. Clare Catholic Church, both in Berea.
A native of Lansing, Michigan, Courter earned a bachelor’s degree in choral music education from Michigan State University in 1962 and a master of music degree in organ in 1966 from the University of Michigan. He had also studied at the North German Organ Academy and held diplomas from the Netherlands Carillon School.
During his 39 years at Berea, Courter contributed to the musical life of the campus and larger community. He taught organ, piano, chime, and carillon performance, church music, and music theory, and was a former director of the Harmonia Society. A well-known organist in the region, he was dean of the Lexington AGO chapter. He was involved in the renovation of the Holtkamp pipe organ in Gray Auditorium at Berea and the recent restoration of the 10-bell chime in Phelps Stokes Chapel. He was the driving force behind Berea’s 56-bell carillon, the largest in the state of Kentucky.
In 1995 Courter received Berea College’s Seabury Award for Excellence in Teaching, and in 2006 received the Elizabeth Perry Miles Award for Community Service for his numerous contributions to the campus and community as a musician and for volunteer service with Madison County’s public radio station. In 1993, he was awarded the Berkeley Medal for Distinguished Service to the Carillon as a performer and composer. He was a Fellow of the American Guild of Organists and a member of the Guild of Carillonneurs in North America.
Courter won several international prizes for his carillon compositions, and his works have been published in Germany, the Netherlands, and the United States. He has written works commissioned by the Palace of Government in Barcelona, the cities of Utrecht, Kampen, and Almelo (the Netherlands), the Arts Council of Ireland, the University of Michigan, and Grand Valley State University.
In 2005, Courter established the Summer Carillon Concert Series at Berea College, which continues to bring international carillonneurs to Berea’s campus. In his will, Courter provided for the ongoing maintenance of Berea’s carillon, which will be dedicated as the John Courter Carillon during the college’s homecoming this fall.
John Courter is survived by two brothers, two sisters, seven nieces and nephews, nineteen great-nieces and nephews, and special friend and caregiver at the end of his life, Rev. Dr. Theresa Scherf. A memorial service took place June 24 at Union Church in Berea. There will be a special memorial concert later this year.

David Sanger, concert organist, teacher, and past president of the Royal College of Organists, was found dead on May 28. Born in London, Sanger was educated at Eltham College and the Royal Academy of Music, and also studied privately with Susi Jeans, Marie-Claire Alain, and Anton Heiller. He became well known as an organ recitalist when he won first prize in two international competitions: St. Alban’s, England in 1969 and Kiel, Germany in 1972. He recorded over 20 CDs, including the complete organ works of César Franck at the Katarina Church in Stockholm for BIS, and Vierne’s six organ symphonies for Meridian. He acted as consultant on a number of organ projects, including the new Cavaillé-Coll-style instrument at Exeter College, Oxford, and new, restored, or rebuilt organ projects at Bromley Parish Church, Haileybury College, St. Cuthbert’s and Usher Hall in Edinburgh, Sheffield Cathedral, and Trinity Hall, Cambridge.
Sanger also composed music for organ, and for strings and choirs. He authored an organ method book in two volumes for beginners, entitled Play the Organ, which has become the most widely used in Britain in recent years. Together with Jon Laukvik he edited the organ works of Louis Vierne, comprising 13 volumes in a boxed set, published by Carus Verlag, Stuttgart. From 1980–89 David Sanger was professor of organ at the Royal Academy of Music in London, serving as chairman of the organ department from 1987–89. Between 1989–97 he was a consultant professor at the Royal Academy of Music.

Kenneth Vernon Turvey died March 4 in Huntsville, Alabama. He was 81. Born in Dayton, Ohio, his first organ studies were with Frank Michael, and during high school, with Parvin Titus at the University of Cincinnati Conservatory of Music, to which Turvey made a 50-mile bus trip each week for lessons, and where he completed bachelor’s and master’s degrees. After finishing his degrees in 1951, he served in the Army during the Korean War. In 1955, Turvey began a 50-year career as music director for the First United Methodist Church in Huntsville. He also pursued doctoral organ studies with Oswald Ragatz at Indiana University. Turvey served for 42 years as director of the Huntsville Community Chorus, and conductor of the Decatur Civic Chorus for 17 years. He also taught at Athens State University and the University of Alabama in Huntsville, and was a co-founder of the Huntsville AGO chapter. Kenneth Turvey is survived by his wife, Janet, five children, seven grandchildren, and a great-grandaughter.

Jerry P. Whitten, 82 years old, died February 7 in Memphis, Texas. Born in Muskogee, Oklahoma, he received a bachelor’s degree from the University of Oklahoma, studying with Mildred Andrews, and a master’s degree in sacred music from Union Theological Seminary in New York City, studying with Vernon de Tar. Whitten was employed by Tarpley Music Co. in Pampa, Texas, for 43 years, and served as organist-choirmaster at St. Matthew’s Episcopal Church in Pampa for 15 years. Jerry Whitten is survived by his wife Nancy, four stepchildren, three step-grandchildren, three brothers, and two sisters.

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Catharine Crozier
died on Friday, September 19, 2003 in Portland, Oregon, at the age of 89. The
cause of death was a severe stroke with complications from pneumonia.

Catharine Crozier was born in Oklahoma, where she began to
study the violin, piano and organ at an early age, making her first appearance
as a pianist at the age of six. She was awarded a scholarship to the Eastman
School of Music in Rochester, New York, where she studied organ with Harold
Gleason and graduated with the Bachelor of Music degree and the
Performer's Certificate. As a graduate student, Ms. Crozier received the
Artist's Diploma and the Master of Music degree. In 1939 she was
appointed to the organ faculty of the Eastman School of Music and became head
of the organ department in 1953. Ms. Crozier received the following honorary
degrees: Doctor of Music, from Smith College, Baldwin-Wallace College, and the
University of Southern Colorado; the Doctor of Humane Letters from Illinois
College, and in October, 2000, the Doctor of Musical Arts from the Eastman
School of Music, University of Rochester.

Following her debut at the Washington National Cathedral,
Washington, DC, in 1941, Catharine Crozier joined the roster of the Bernard
LaBerge Concert Management (currently Karen McFarlane Artists, Inc.) with which
she remained for 61 years. Dr. Crozier played recitals throughout the United
States, Canada and Europe, and was heard on national radio in many European
countries, the United States, and on Danish National Television. She was one of
three organists chosen to play the inaugural organ recital at Avery Fisher Hall
at Lincoln Center in 1962, and was engaged for a solo recital there in 1964.
She returned to Lincoln Center to perform a concerto with orchestra at the
inauguration of the Kuhn organ in Alice Tully Hall in 1976, followed by a solo
recital there one year later. In 1979 she was awarded the International
Performer of the Year Award by the New York City AGO chapter, presented to her
by Alice Tully at the conclusion of Crozier's award recital at Alice
Tully Hall. Shortly after this event, she recorded many of the pieces from that
recital for Gothic Records.

From 1955 to 1969 Dr. Crozier was organist of Knowles
Memorial Chapel at Rollins College in Florida. She conducted master classes
throughout the United States, teaching at Union Theological Seminary in New
York, the Andover Organ Institute, at Claremont College and Stanford University
in California, and Northwestern University. In addition she served as a member
of the jury at many international organ competitions, the latest being the 1994
Calgary International Organ Festival.

In addition to performing and teaching, Dr. Crozier
co-edited several editions of the Method of Organ Playing
style='font-style:normal'>, written by her husband, Harold Gleason. The first
edition of the Gleason book appeared in 1937. Following the death of Dr.
Gleason, Catharine Crozier edited the seventh edition (1987) and the eighth
edition (1995).

In 1993 Catharine Crozier moved to Portland, Oregon, where
she was artist-in-residence at Trinity Cathedral until early 2003. As
artist-in-residence, she frequently played organ voluntaries at services, gave
solo recitals and continued to teach. Her recent performances were broadcast
over Oregon Public Radio and in 2001 she was a featured artist on Oregon Public
Television's "Oregon Art Beat." Known for her definitive
playing of organ works of Ned Rorem and Leo Sowerby, two of the five Delos
International CDs she made during the last twenty years of her life included
the major organ works of these two composers.

On Dr. Crozier's 75th and 80th birthdays, she
performed solo recitals from memory at The Crystal Cathedral in Garden Grove,
California; her 85th birthday recital was played at The First Congregational
Church of Los Angeles. Recently, the American Guild of Organists began to
compile a video archive series of great organists; Catharine Crozier was the
subject of The Master Series, Vol. I,
which shows her performing and teaching in her 86th year.

A memorial service/concert and reception will be held on
January 26, 2004, at Trinity Cathedral in Portland, Oregon, with the Trinity
Cathedral Choir (John Strege, director) and organists David Higgs and Frederick
Swann. Memorial donations may be sent to: Music Endowment Fund, Trinity
Cathedral, 147 NW 19th Avenue, Portland, OR 97209.

Morris Chester Queen
died on August 3. Born on September 30, 1921, he grew up in Baltimore,
Maryland, where he began music study at age 7. He became musically active at
Mt. Zion Methodist Episcopal Church, where he and his family worshipped, and
played piano and organ for the church, sang tenor in the Senior Choir, and
directed the youth choir at age 17. During World War II, he served in the U.S.
Navy, where he directed the Great Lakes Naval Octet. In 1947 he was appointed
music director at Sharp Street Memorial Methodist Episcopal Church, Baltimore,
where he would serve for 55 years. That same year he entered Howard University,
where he received both the bachelor of music and bachelor of music education
degrees. In 1955, he received the master of music degree in composition and
choral conducting from Howard University. In addition to his church post, he
also founded and conducted the Morris Queen Chorale and taught at Lemmel Junior
High School and then at Walbrook Senior High School. He also directed the
Baltimore Chapel Choir, including more than 20 performances of Handel's
Messiah. During his tenure at Sharp Street Church, he served under 11 pastors
and missed only one Sunday in 55 years. On May 6, 2002, he was awarded the
Honorary Doctor of Sacred Music by the Richmond, Virginia Seminary. He is
survived by his wife, Ovella Queen, nieces, nephews, cousins, and a host of
other relatives and friends. A memorial service was held on August 9 at Sharp
Street Memorial United Methodist Church, Baltimore.

Remembering Bethel Knoche (1919-2003)

Bethel D. Knoche, 83, the first person to serve as principal
organist at the world headquarters of the Community of Christ (formerly,
Reorganized Church of Jesus Christ of Latter Day Saints) in Independence,
Missouri, died on April 27, 2003, at her home in Independence following a long
illness. During her service to the world church, which was a period of nearly
thirty years, Bethel's ministry reached literally thousands of people
internationally, initially as organist for the church's radio broadcast
of daily morning devotions from the Stone Church and subsequently during her
years presiding at the Auditorium Organ as a participant in worship at world
conferences, recitalist, workshop leader and teacher, and as originator of the
weekly broadcast recital, "The Auditorium Organ."

A native of Arcadia, Kansas, she moved with her family to
Independence when she was eight. Following graduation from William Chrisman
High School, Bethel attended Graceland College for a year and then returned to
Independence, whereupon she began her service with the world church. In
addition to her radio work, her responsibilities included playing for many
church services, accompanying various choirs at the Stone Church, as well as
providing the organ accompaniment for the church's annual broadcast
performance of Handel's Messiah. During that time she began studying organ
with Powell Weaver, well-known Kansas City organist and composer, and completed
a bachelor of music degree in 1946 from Central Missouri State Teachers
College, Warrensburg, Missouri. She then entered a master's degree
program at the Eastman School of Music in Rochester, New York, where she was a
student of Harold Gleason for the next six years.

Many area organists began to recognize that there was
something quite special about Bethel's playing, and thus her career as a
teacher began. In addition to her serving on the faculties of Graceland and at
Warrensburg, she joined the faculty of the newly-formed, but short-lived,
Independence branch of the Kansas City Conservatory of Music. She also served a
number of years as an adjunct instructor of organ at the University of Missouri-Kansas
City's Conservatory of Music, where she taught degree-seeking students at
the bachelor's, master's and doctoral levels. Following her tenure
at the Auditorium, Bethel continued to influence the lives of hundreds of children
by teaching elementary music in the Raytown, Missouri public school system
until her retirement.

In the 1940s Bethel was in a position to share the dreams
and aspirations of the church leadership of having a fine pipe organ in the
world headquarters building, which at the time was a large incomplete domed
shell. It was her association with Harold Gleason and his famous wife, organ
virtuoso Catharine Crozier, that culminated in the design and installation of
the Aeolian-Skinner organ in the Auditorium, completed in 1959, which at the
time was the largest free-standing organ in the United States. Dr. Gleason
served as organ consultant for the church, Ms. Crozier played the inaugural
recital in November 1959, and Bethel was at the organ for its dedication during
the church's world conference in April 1960.

The arrival of the organ, which was considered by many
(including Aeolian-Skinner's president, Joseph Whiteford) to be
Aeolian-Skinner's masterpiece, heralded a new era in the musical life of
the community as well as the church. From the very beginning, Bethel invited
many distinguished guest musicians from all over the United States and abroad
to perform in Independence, a tradition which continues to the present day. Not
only has the Auditorium Organ been a superb instrument for performing great
organ literature, it was designed to possess in abundance the necessary
qualities for encouraging a vast congregation to sing. A congregational hymn
with Bethel Knoche at the Auditorium Organ was a truly inspiring moment for all
present. The organ also provided a new outlet for the church's
longstanding commitment to radio ministry and eventually became one of the most
frequently heard organs on the air. "The Auditorium Organ," a
program heard for more than thirty years, originated as a 30-minute recital
featuring Bethel Knoche and broadcast weekly over an international network. The
organ also set a new standard of excellence against which all future organs in
the Midwest would be measured, and Bethel provided invaluable assistance to countless
congregations in their selection and purchase of new organs.

Sensing the need to have many people prepared to play the
new organ on a regular basis, Bethel assembled and trained a small, but very
dedicated, corps of volunteer organists to share the playing responsibilities
at the many events that would be taking place in the Auditorium. In addition to
the many services that occur in conjunction with the church's biennial
world conference, a daily listening period was instituted, for which the organ staff
would provide invaluable assistance, enabling countless visitors to the
building to experience the beauty and power of the splendid new organ. The
daily recitals have continued to the present day (daily during the summer and
weekly throughout the rest of the year), made possible by a volunteer staff
that now comprises thirty-five gifted musicians.

Bethel is survived by her husband of fifty-six years, Joseph
T. Knoche; her daughter, Anne McCracken of Jackson, Tennessee; her son, Joseph
K. Knoche of Independence; her sister, Shirley Elliott of Fremont, Nebraska;
five grandchildren; seven great-grandchildren, and a host of former students,
friends and admirers from all over the world. Plans are now being formulated
for an appropriate world church commemoration of the life and ministry of
Bethel Knoche.

--Rodney Giles

Ft. Lauderdale, FL and Cherry Grove,NY

Past Dean, Greater Kansas City AGO

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