Leonard Berghaus named Alumnus of the Year by Concordia University

Arthur Carkeek, professor emeritus of organ and theory at DePauw University, Greencastle, Indiana, died October 19, 2003 at the age of 80. Born April 7, 1923, in Detroit, Michigan, he was a chorister at St. Paul's Cathedral in Detroit. Following high school he attended Wayne State University and the Detroit Institute for Musical Arts simultaneously. While serving in World War II as a chaplain's assistant and waiting to be sent to Europe, Mr. Carkeek assisted in the maintenance of the organ in the Atlantic City Convention Hall, later writing his master's thesis on that unique organ. He also gave weekly radio recitals on the Convention Hall organ. Following his Army discharge, he completed his undergraduate work at DePauw University, graduating in 1948 and receiving his AAGO certificate the same year.

Arthur Carkeek graduated from Union Theological Seminary in 1950 and returned to DePauw to teach at the bidding of his former teacher, Van Denman Thompson. Upon Thompson's retirement in 1956, Carkeek became the university organist at DePauw. During his 38-year teaching career at DePauw University, Arthur Carkeek produced many outstanding students, who went on to careers as organists, university professors, clergy, organ builders, competition winners and Fulbright scholars. He was active as a performer, lecturer, panelist and writer. Receiving grants from the Great Lakes Conference and the Ford Foundation as well as sabbatical leaves from DePauw, Carkeek studied organ building with Rudolph von Beckerath and organ with Charles Letestu. He performed many concerts on historic instruments in Germany, including a recital in Altenbruch.

Carkeek produced a number of scholarly articles, most notably a series of articles on his long-time friend Rudolph von Beckerath, published in four installments in The American Organist (1996). A further article on Beckerath will be published posthumously in the Encylopedia of Keyboard Instruments, Vol. 2, The Organ Encylopedia. In 1972 Carkeek made a recording of several organs by Charles Fisk at Harvard, Old West Church (Boston) and DePauw.

In demand as an organ consultant, Arthur Carkeek constantly supported the cause of many fine instruments. He acted in that capacity at Christ Church Cathedral in Indianapolis where a Hellmuth Wolff organ was installed in the chancel and a Taylor & Boody organ was installed in the rear gallery.

Arthur Carkeek served as the director of music at Gobin United Methodist Church and St. Andrew's Episcopal Church, both in Greencastle, Indiana. In 1998 a fire at St. Andrew's destroyed the existing pipe organ that Carkeek had nurtured over the years. That instrument was replaced in September, 2002 with Op. 1 built by Joseph Zamberlan and was dedicated in honor of Arthur Carkeek.

In 2001, Arthur Carkeek was given a lifetime honorary membership in the American Guild of Organists by the Indianapolis Chapter. He was also a member of Pi Kappa Lambda and the Association of Anglican Musicians.

A Solemn Evensong and Eucharist was celebrated on October 24, 2003 at St. Andrew's. Participants included former students, DePauw faculty, and members of the choir of Christ Church Cathedral, Indianapolis. The Arthur Carkeek Memorial Concert Fund has been established at St. Andrew's Episcopal Church, Greencastle, Indiana. He is survived by his wife Maureen  (McCormick) Carkeek, a daughter, a son, and two grandchildren.

--Richard Konzen

Halbert Scranton Gillette, chairman of the board and CEO of Scranton Gillette Communications, which publishes The Diapason, died on November 22, 2003, at his home in Lake Forest, Illinois, after a long battle with cancer. He was 81.

Born in Chicago, Illinois, June 29, 1922, the son of Edward Scranton Gillette and Claribel Reed Thornton, and raised in Chicago and Winnetka, Illinois, Mr. Gillette attended The Chicago Latin School and graduated from the Philips Exeter Academy. In 1944 he graduated from Massachusetts Institute of Technology with a degree in mechanical engineering and business. He was commissioned U.S. Navy 1944-1946, and served in the U.S. mainland during World War II and in the Naval Reserves. He was chairman of the board and CEO of Scranton Gillette Communications, Inc., which was founded in 1906 by his grandfather. Mr. Gillette started as a salesman for Gillette Publishing in 1947. In 1960, two-thirds of Gillette Publishing Co. was sold to Reuben H. Donnelley, which then was merging with Dun & Bradstreet. Mr. Gillette also moved to Donnelley/Dun & Bradstreet as a publisher and a vice president. In 1970, he rejoined his father's firm, then Scranton Publishing Company, and shortly become president of the firm, which was renamed Scranton Gillette Communications.

Mr. Gillette served as past president of the Chicago Business Papers Association, as well as on the board of several insurance companies. He was the former Chairman of the Board of Occidental Life Insurance. He served as alderman in Lake Forest, Illinois, 1979-1986, and served on the Public Safety and Waterfront committees. He was co-chairman of the committee that oversaw the creation of the city's current beachfront.

He was a member of the Church of the Holy Spirit in Lake Forest, and Church of the Holy Innocents, in Lahaina, Hawaii. He was also a member of the Onwentsia Club of Lake Forest; the Les Cheneaux Club, Cedarville, Michigan; and the Lahaina Yacht Club, Hawaii. Husband of Karla Ann Spiel Gillette; father of Anne, Susan, James, Halbert and Edward; grandfather of Alexander, Madeline, Carolyn, Julia, and Isabelle.

Thyra Nichols Plass died on October 27, 2003, in Bryan, Texas, at the age of 89. She was born in Green Valley, Illinois, on April 8, 1914, and lived in Bryan since 1968. Mrs. Plass earned her bachelor's and master's degrees from the University of Chicago, and her doctor of sacred music from Union Theological Seminary in New York City. A retired organist and choirmaster, she was a member of the Brazos Valley Chapter of the American Guild of Organists, the Association of Anglican Musicians, and of St. Andrew's Episcopal Church, Bryan, Texas. In addition she was a member of The Women's Club, a founding member of the Arts Council of the Brazos Valley, co-founder of the annual children's symphony concerts, and a member of OPAS Guild. She is survived by her husband Gilbert Norman Plass, a daughter, and six grandchildren.

Sally Cherrington Beggs, chair of the music department and college organist at Newberry College, Newberry, South Carolina, died March 17. Born in Allentown, Pennsylvania
in 1959, she received her undergraduate education at Susquehanna University, and master’s and doctoral degrees at Yale University, where she studied with Thomas Murray and Charles Krigbaum. While at Yale she won the Charles Ives Organ Prize and the Faculty Award from the Yale Institute of Sacred Music, and was named the Frank Bozyan Organ Scholar from 1989 to 1991. An instructor in organ at Yale as well as the minister of music at the First Congregational Church in Wallingford, Connecticut, she had served as staff organist and teacher for the Allen Organ Company.

Cherrington relocated to South Carolina in 2000 from the Chicago area, where she served for ten years as director of music at St. Luke’s Lutheran Church in Park Ridge, and as college organist and adjunct faculty at Elmhurst College. She served as a substitute organist throughout the Columbia area, including at Aveleigh Presbyterian in Newberry and St. Francis of Assisi Episcopal Church in Chapin, and as a part-time organist at St. Stephen’s Lutheran Church in Lexington. She had performed recitals and conducted workshops throughout the eastern seaboard and Midwest, including at two OHS conventions, as well as making several concert tours of Europe as a soloist or accompanist. Dr. Cherrington had articles published in The Diapason, Your Church, Grace Notes, and CrossAccent; her article on “Organ Pedagogy” appears in the new International Organ Encyclopedia published by Routledge. Sally Cherrington Beggs is survived by her husband of 19 years, Mike Beggs, sons Zachary and Nathan, and sisters Linda Svok and Peggy Reese.

David Craighead died March 26 in Rochester, New York, at the age of 88, after a long and distinguished career as a recitalist and as professor of organ at the Eastman School of Music. Craighead joined the Eastman faculty in 1955 and served as professor of organ and chair of the organ division of the keyboard department until his retirement in 1992. He was also organist of St. Paul’s Episcopal Church in Rochester from 1955 to 2003. He was named Professor Emeritus at Eastman and Organist Emeritus at St. Paul’s when he retired. 

A renowned recitalist, David Craighead performed throughout the United States and Europe. He played in seven national conventions of the American Guild of Organists as well as at International Congresses held in London, Philadelphia, and Cambridge, England. He made several recordings, including one with his wife, Marian Reiff Craighead, to whom he was married for 47 years. Until her death in May 1996, they presented concerts for organ duet in numerous cities across the United States.

“David Craighead’s contribution to the music world is incalculable,” said David Higgs, Professor and Chair of Organ and Historical Keyboards. “He was a virtuoso performer, able to make the most difficult technical passages seem easy; he was a tireless champion of new music for our instrument, having played the first performances of many of the pieces that are now in our standard repertoire; and a beloved teacher, mentor, and friend to the legions of students he taught in his 37 years as professor of organ and chair of the organ department here.”

Craighead received both teaching and performance honors. In 1974, the Eastman School of Music awarded him its first Eisenhart Award for Teaching Excellence. The New York City AGO chapter named him International Performer of the Year in 1983. He received honorary doctorates from Lebanon Valley College and Duquesne University, where he also served as adjunct professor of organ. He also was awarded an honorary Fellowship in the Royal College of Organists, London, England.

In 2008, the new organ in Rochester’s Christ Church was inaugurated as the Craighead-Saunders Organ, named in honor of Professor Craighead and Russell Saunders, who was professor of organ at Eastman from 1967 until 1992.

Born on January 24, 1924, in Strasburg, Pennsylvania, David Craighead was the son of a Presbyterian minister and received his first music lessons from his mother, an organist. He was awarded his Bachelor of Music degree in 1946 from the Curtis Institute of Music in Philadelphia, where he also was the organist of the Bryn Mawr Presbyterian Church. While still at Curtis, he was a touring recitalist and taught at Westminster Choir College in Princeton, New Jersey, during his senior year.

In 1944 he was accepted as a touring recitalist by Concert Management Bernard R. LaBerge, which is now Karen McFarlane Artists, making his first transcontinental tour shortly after. 

Craighead was appointed organist at the Pasadena Presbyterian Church, where he helped design the church’s organ and did bi-weekly organ recital broadcasts. He also taught in the music department of Occidental College from 1948 through 1955 before his appointment to the Eastman School of Music.

Recordings include a 1968 Artisan LP disc of compositions by Franck, Mendelssohn, and Messiaen; and two recordings for the Crystal Record Company (one of works of Samuel Adler, Paul Cooper, and Lou Harrison; the second, The King of Instruments by William Albright and Sonata for Organ by Vincent Persichetti). He also made two recordings for Gothic, one of late nineteenth-century American composers, and the other of Albright’s Organbook I and Organbook III. The most recent recording, for Delos, features Reger’s Second Sonata and Vierne’s Symphony VI.

David Craighead is survived by his children, James R. Craighead and Elizabeth C. Eagan; grandsons Christopher and Jeffrey Eagan; his sister-in-law and three great-granddaughters.

Father Larry Heiman, a member of the Missionaries of the Precious Blood (C.PP.S.), died in his sleep on February 26, in the infirmary at St. Charles Center, Carthagena, Ohio. Born in 1917, he entered his religious community in 1932 and graduated from St. Joseph’s College in Rensselaer, Indiana, in 1940. Soon after ordination, he began teaching music and drama at St. Joseph’s College; he spent most of his life teaching at this institution. In summer 1960, he initiated a summer program that would become the Rensselaer Program of Church Music and Liturgy. Father Heiman completed graduate studies at the Pontifical Institute of Sacred Music in Rome, earning his doctorate in 1970, and returned to Rensselaer to establish a similar education program in Gregorian chant and polyphony. 

Father Heiman served the National Association of Pastoral Musicians as a frequent contributor to Pastoral Music, as a speaker at NPM conventions, and as the calendar editor for Pastoral Music from 1976 until his “retirement.” NPM honored Father Heiman with its Jubilate Deo Award in 2002. 

Joseph Johann Karl Ritter II, organbuilder, age 70, died March 19, 2011, at Cape May Court House, New Jersey. Born in Clinton, Illinois, he was trained in structural engineering and industrial mechanics, and his interest in organbuilding began as an outgrowth of these disciplines. In 1973, he took possession of a 1905 II/15 Hinners tracker from a closed Baptist church in Clinton. He disassembled and reassembled the instrument two times in situ, and twice more after relocating to Ft. Pierce, Florida (where he worked for a small marine engineering company) and Green Creek, New Jersey, successively. While maintaining his full-time career in heavy industry, he began the study of organbuilding, with a focus on case design, structural layout, and 20th-century electro-pneumatic windchest design.

After settling in Green Creek in the early 1980s, Ritter converted a large portion of his workshop facilities to organ work, including woodworking, pipe repair, leathering, windchest construction, electrical wiring, and fabrication of structural and winding components. At this time he built a III/12 unit organ in his private studio. This instrument was combined with a full 35mm Simplex movie projector, screen, and seating for eight. In 1997 he began a long association with the firm of Russell Meyer & Associates of Bridgeton, New Jersey, becoming shop foreman, and was involved in the construction and installation of ten of the firm’s instruments.

In retirement, at the time of his death, Ritter was involved in a substantial remodeling of his home, which involved conversion of a room into an organ chamber, into which he was in the process of installing Midmer-Losh Opus 5025, a five-rank unit organ, and had begun work on expanding it to an expected ten ranks. 

Heinz Wunderlich, organ virtuoso, teacher, and composer, died on March 10, 2012, in Großhandsdorf, Germany, at the age of 92. He was predeceased by his first wife, Charlotte, in 1982, and by his second wife, the violinist Nelly Söregi Wunderlich, in 2004. He is survived by three daughters and a stepson.

Wunderlich’s early study was with his father and the local church organist. At the age of sixteen, he was admitted to the Academy of Music in Leipzig, where he was the youngest student. While he was studying with Karl Straube and Johann Nepomuk David, his lifelong interest in the music of Max Reger began. Despite growing up and living in the tumultuous time between the First and Second World Wars, he held prestigious positions and became well known for his many recitals and improvisations. Since he was trapped in the East, his career could not advance until he was able to escape in 1958 with his wife and daughters. He took the position of music director at St. Jacobi in Hamburg, where he oversaw the reconstruction of the well-known Arp Schnitger organ, which had been removed during the war. For many years he was also Professor of Organ and Improvisation at the Hamburg College of Music, where he met his second wife.

As he began to concertize throughout the world, including several tours with his choir, the Kantorei St. Jacobi, his fame grew exponentially. In the United States alone he made twenty-six tours. Students came from all over the world to study with him—many to study the works of Max Reger, as Wunderlich was one of the few musicians who was in a direct line of succession with Reger. 

Wunderlich leaves quite an extensive body of organ works, as well as choral music. He remained active as a recitalist until his 91st year, when he decided not to play any more. (See “Heinz Wunderlich at 90,” by Jay Zoller, The Diapason, April 2009, pp. 19–21; “80th Birthday Tribute—Heinz Wunderlich,” by David Burton Brown, The Diapason, April 1999, p. 18; “Heinz Wunderlich at 74,” by David Burton Brown, The Diapason, April 1994, p. 6; and “The Published Organ Works of Heinz Wunderlich,” by David Burton Brown, The Diapason, April 1994, pp. 12–13.)

—Jay Zoller

Donald Basil Austin
(1933–2004) died September 17 of complications from emphysema. He was 71.
Mr. Austin was long affiliated with Austin Organs, Inc., the firm originally
founded as Austin Organ Company by his great uncles, John T. Austin and Basil
G. Austin. Donald Austin’s father, Frederic Basil Austin, became
president of the firm in 1937 upon its reorganization as Austin Organs, Inc.

As a boy, Donald Austin grew up surrounded by pipe organs,
in a factory created by his family and filled with the mechanical wizardry of
his forebears. On his days off, he often accompanied his father to the shop,
and in 1950 he began working there in his spare time. After service in the
Korean War, Mr. Austin began full-time employment, simultaneously pursuing an
undergraduate degree in business administration at the University of
Connecticut.

Mr. Austin was one of the few members of the factory staff
to apprentice in the traditional sense: apart from the pipe shop, he worked in
every department, even alongside the ladies in the third-floor action
department (affectionately referred to as the ‘hen house’). Family
connections spelled no favoritism; Donald was begun at minimum wage of
sixty-five cents an hour. In keeping with a long-standing family tradition, Mr.
Austin did not study voicing, but chose to assist in the management of the
company and maintain the firm guidance and conservative spirit that had characterized
the Austin Company from the outset.

In the work environment, Mr. Austin was a reserved man who
avoided publicity and preferred one-on-one contact. With friends and staff,
however, his conservative exterior became a platform for 80-grit humor. Once
started, “Don” or “DBA” (as most of the staff called
him) could be immensely lively and affable. With a cigarette between his third
and fourth fingers, he would stride straight past the No Smoking sign and into
the factory for his rounds. A born prankster, Mr. Austin gloried in the fax
machine the way other cultures embraced antibiotics; whimsy, wit and droll
assessments of other builders’ work would routinely unfurl into incoming
trays across the land. Mr. Austin’s humor was matched by penmanship of near
illegibility, but there was something in his curly scrawl that conjured up the
hearty chuckle of the man himself.

Over the years, projects brought him into contact with many
luminaries. He was particularly fond of Dr. Robert Baker, who acted as consultant
on numerous prominent Austin installations from the mid-1950s to 1990. He also
worked with Clarence Watters, Fred Swann, Lawrence Phelps, Nelson Barden,
Douglass Hunt and Carlo Curley, among others. He relished some of the
firm’s more unusual projects: the 1990 restoration of the 1930 Austin in
Hartford’s Bushnell Memorial Hall, a personal favorite of his great uncle
Basil G. Austin; the console rebuild of the famous Girard College
Aeolian-Skinner, the core organ provided for a concert hall in Shiroishi,
Japan.

When F.B. Austin retired in 1973, Donald Austin assumed the
office of President, and in 1990 he became Chairman of the Board. In 1994,
after forty-four years with the firm, he announced his semi-retirement, leaving
daily management to his daughter, Kimberlee, who had trained in the factory
much as her father had. Mr. Austin remained active in policy decisions and
general guidance. He retired as President in 1999, continuing as a member of
the Board and consultant. He was a past President of the American Pipe Organ
Builders Association, and held membership in the International Society of Organ
Builders and the American Institute of Organ Builders.

Outside the factory, Mr. Austin was heavily involved in the
Bloomfield Center Fire Department and Fire District, joining in 1951 and
ascending through the ranks from Private and Captain to Treasurer and
ultimately Commissioner. He served on the Board of Directors of the Hartford
Chamber of Commerce and was President of the Traffic Club Division, as well as being
a 32nd Degree Mason and a member of Hiram Lodge 98, AF & AM. He served as
Senior Warden of Old St. Andrew’s Church in Bloomfield, and proudly
donated a Trumpet stop to the Austin Chorophone there. As an active member of
the Central New England Railroad group, he made many friends, several of whom
lent friendship and support in his later years.

In addition to his wife of fifty years, Marilyn (Heeber)
Austin of Bloomfield, survivors include two daughters, Sheryl Morales, of
Fanwood, NJ, and Kimberlee Austin of Windsor Locks, CT; three grandchildren,
George Austin, and Stacey and Rachel Morales; and several in-laws, nieces and
nephews. Funeral services were held Tuesday, September 21 at Old Saint
Andrew’s Church in Bloomfield, with burial in the Old Saint Andrew’s
Cemetery. In lieu of flowers, donations can be made to Our Companions Animal
Shelter, P.O. Box 673, Bloomfield, CT 06002, or the Old Saint Andrew’s
Endowment for Organ Maintenance, 59 Tariffville Road, Bloomfield, CT 06002.

--Jonathan Ambrosino

Janet Hall died on
April 30 in Pueblo, Colorado. Born on October 25, 1923, she had served as a
church musician for almost 50 years. She received a bachelor’s degree
from Smith College and a master’s from Union Theological Seminary, where
she studied with Vernon de Tar. After serving as organist and director of
Christian education at St. Thaddeus Church, Aiken, South Carolina, from
1946–49, she moved to Williamsburg, Virginia, to take up the post of
assistant organist and director of Christian education at Bruton Parish Church.
From 1957 to 1988 she served as organist and choirmaster at Ascension Episcopal
Church, Pueblo, Colorado, and was the founder of the St. George Men and
Boys’ Choir and the St. Cecilia Choir. From 1963 to 1972 she was
assistant professor of music at the University of Southern Colorado. The niece
of English composer Herbert Sumsion, Miss Hall was a prolific composer of choir
anthems and recorder and handbell music. Her plainsong setting of the Kyrie
eleison is published in The Hymnal 1982.

Kent McDonald died
on May 18 in Phoenix, Arizona. Born on July 25, 1925, in Phoenix, he served in
the U.S. Army in World War II, studied piano privately in New York City, and
then earned bachelor’s and master’s degrees from the Eastman School
of Music. In 1950 he was appointed organist and choir director at St. James
Episcopal Church, Birmingham, Michigan, where he served for over 40 years.
During that time he taught piano and organ privately and was an adjunct
instructor at Oakland University in Rochester, Michigan. He twice served as
Dean of the Detroit AGO chapter and also as Michigan State Chairman. He was
program chairman for the AGO national convention in Detroit in 1958 and
directed choirs at two Episcopal Church triennial conventions. After his retirement
in 1991, he and his wife spent half of each year in Arizona and half in Oscoda,
Michigan. During summers in Michigan, he served as organist at Christ Church,
East Tawas.

Donald Basil Austin (1933-2004) died September 17 of complications from emphysema. He was 71. Mr. Austin was long affiliated with Austin Organs, Inc., the firm originally founded as Austin Organ Company by his great uncles, John T. Austin and Basil G. Austin. Donald Austin's father, Frederic Basil Austin, became president of the firm in 1937 upon its reorganization as Austin Organs, Inc.

As a boy, Donald Austin grew up surrounded by pipe organs, in a factory created by his family and filled with the mechanical wizardry of his forebears. On his days off, he often accompanied his father to the shop, and in 1950 he began working there in his spare time. After service in the Korean War, Mr. Austin began full-time employment, simultaneously pursuing an undergraduate degree in business administration at the University of Connecticut.

Mr. Austin was one of the few members of the factory staff to apprentice in the traditional sense: apart from the pipe shop, he worked in every department, even alongside the ladies in the third-floor action department (affectionately referred to as the 'hen house'). Family connections spelled no favoritism; Donald was begun at minimum wage of sixty-five cents an hour. In keeping with a long-standing family tradition, Mr. Austin did not study voicing, but chose to assist in the management of the company and maintain the firm guidance and conservative spirit that had characterized the Austin Company from the outset.

In the work environment, Mr. Austin was a reserved man who avoided publicity and preferred one-on-one contact. With friends and staff, however, his conservative exterior became a platform for 80-grit humor. Once started, "Don" or "DBA" (as most of the staff called him) could be immensely lively and affable. With a cigarette between his third and fourth fingers, he would stride straight past the No Smoking sign and into the factory for his rounds. A born prankster, Mr. Austin gloried in the fax machine the way other cultures embraced antibiotics; whimsy, wit and droll assessments of other builders' work would routinely unfurl into incoming trays across the land. Mr. Austin's humor was matched by penmanship of near illegibility, but there was something in his curly scrawl that conjured up the hearty chuckle of the man himself.

Over the years, projects brought him into contact with many luminaries. He was particularly fond of Dr. Robert Baker, who acted as consultant on numerous prominent Austin installations from the mid-1950s to 1990. He also worked with Clarence Watters, Fred Swann, Lawrence Phelps, Nelson Barden, Douglass Hunt and Carlo Curley, among others. He relished some of the firm's more unusual projects: the 1990 restoration of the 1930 Austin in Hartford's Bushnell Memorial Hall, a personal favorite of his great uncle Basil G. Austin; the console rebuild of the famous Girard College Aeolian-Skinner, the core organ provided for a concert hall in Shiroishi, Japan.

When F.B. Austin retired in 1973, Donald Austin assumed the office of President, and in 1990 he became Chairman of the Board. In 1994, after forty-four years with the firm, he announced his semi-retirement, leaving daily management to his daughter, Kimberlee, who had trained in the factory much as her father had. Mr. Austin remained active in policy decisions and general guidance. He retired as President in 1999, continuing as a member of the Board and consultant. He was a past President of the American Pipe Organ Builders Association, and held membership in the International Society of Organ Builders and the American Institute of Organ Builders.

Outside the factory, Mr. Austin was heavily involved in the Bloomfield Center Fire Department and Fire District, joining in 1951 and ascending through the ranks from Private and Captain to Treasurer and ultimately Commissioner. He served on the Board of Directors of the Hartford Chamber of Commerce and was President of the Traffic Club Division, as well as being a 32nd Degree Mason and a member of Hiram Lodge 98, AF & AM. He served as Senior Warden of Old St. Andrew's Church in Bloomfield, and proudly donated a Trumpet stop to the Austin Chorophone there. As an active member of the Central New England Railroad group, he made many friends, several of whom lent friendship and support in his later years.

In addition to his wife of fifty years, Marilyn (Heeber) Austin of Bloomfield, survivors include two daughters, Sheryl Morales, of Fanwood, NJ, and Kimberlee Austin of Windsor Locks, CT; three grandchildren, George Austin, and Stacey and Rachel Morales; and several in-laws, nieces and nephews. Funeral services were held Tuesday, September 21 at Old St. Andrew's Church in Bloomfield, with burial in the Old St. Andrew's Cemetery. In lieu of flowers, donations can be made to Our Companions Animal Shelter, P.O. Box 673, Bloomfield, CT 06002, or the Old St. Andrew's Endowment for Organ Maintenance, 59 Tariffville Road, Bloomfield, CT 06002.

--Jonathan Ambrosino

Janet Hall died on April 30 in Pueblo, Colorado. Born on October 25, 1923, she had served as a church musician for almost 50 years. She received a bachelor's degree from Smith College and a master's from Union Theological Seminary, where she studied with Vernon de Tar. After serving as organist and director of Christian education at St. Thaddeus Church, Aiken, South Carolina, from 1946-49, she moved to Williamsburg, Virginia, to take up the post of assistant organist and director of Christian education at Bruton Parish Church. From 1957 to 1988 she served as organist and choirmaster at Ascension Episcopal Church, Pueblo, Colorado, and was the founder of the St. George Men and Boys' Choir and the St. Cecilia Choir. From 1963 to 1972 she was assistant professor of music at the University of Southern Colorado. The niece of English composer Herbert Sumsion, Miss Hall was a prolific composer of choir anthems and recorder and handbell music. Her plainsong setting of the Kyrie eleison is published in The Hymnal 1982.

Kent McDonald died on May 18 in Phoenix, Arizona. Born on July 25, 1925, in Phoenix, he served in the U.S. Army in World War II, studied piano privately in New York City, and then earned bachelor's and master's degrees from the Eastman School of Music. In 1950 he was appointed organist and choir director at St. James Episcopal Church, Birmingham, Michigan, where he served for over 40 years. During that time he taught piano and organ privately and was an adjunct instructor at Oakland University in Rochester, Michigan. He twice served as Dean of the Detroit AGO chapter and also as Michigan State Chairman. He was program chairman for the AGO national convention in Detroit in 1958 and directed choirs at two Episcopal Church triennial conventions. After his retirement in 1991, he and his wife spent half of each year in Arizona and half in Oscoda, Michigan. During summers in Michigan, he served as organist at Christ Church, East Tawas.

Sister Marie Theodore Girten, OP, died November 3, 2009, at St. Dominic Villa, Sinsinawa, Wisconsin. Sister Marie Theodore made her first religious profession as a Sinsinawa Dominican August 5, 1946, and her final profession August 5, 1949.
Sister Marie Theodore taught music and served as principal organist for the parishes at which she taught for 23 years. She ministered as principal organist at the Motherhouse in Sinsinawa for 36 years and as an assistant in the Motherhouse pharmacy for 20 years. She served in Wisconsin, Illinois and Iowa, and as principal organist at St. Raphael Cathedral, Madison, while teaching at St. Raphael School and at the Motherhouse, 1969–2005.
Sister Marie Theodore was born March 20, 1923, in Chicago, the daughter of John and Elizabeth (Hoss) Girten. Her parents and a brother, Theodore Girten, preceded her in death. She is survived by two sisters, Ruth Mieling and Therese Breiter; a brother, Walter Girten; nieces, nephews, and her Dominican Sisters with whom she shared life for 63 years.

Markwell James Perry died October 5, 2009, at Brantford General Hospital in Ontario, Canada. He was 93. A former president of the Royal Canadian College of Organists, he was named honorary president in 2005. He was past president and an honorary member of the Ontario Registered Music Teachers Association and past vice president of the Canadian Federation of Musicians. For 53 years he served as music director at Colborne Street (Heritage) United Church in Brantford, and for more than 40 years as chapel organist at Beckett-Glaves Family Funeral Centre in Brantford.

Lorraine Schramm died October 4, 2009, in Albert City, Iowa, at the age of 75. She earned a BA degree from Buena Vista College and did graduate work at the University of Minnesota. She had served at the United Methodist church in Storm Lake, Iowa, and since 1996 at Our Savior’s Lutheran Church in Elbert City. During the 1980s and 1990s Schramm operated Music Plus, a music store where she gave piano lessons and sold sheet music. She was a past dean of the Buena Vista AGO chapter.

Richard A. Starkjohann died October 13, 2009 in Riverside, California. He graduated in 1952 from Doane College in Crete, Nebraska, where he majored in music. After service in the U.S. Air Force, he taught music in public schools in Montana, and then moved to California, where he did graduate study at the University of Redlands. He served as pianist and organist at Unity of the Crossroads Church in Riverside, and at St. Bernardine’s Catholic Church in San Bernardino for more than 25 years.

Sister Cecil Steffen, OP (Edmund), died December 8, 2009, at St. Dominic Villa, Sinsinawa, Wisconsin. Sister Cecil made her first religious profession as a Sinsinawa Dominican August 5, 1946. She taught piano and music to elementary and secondary students for 26 years. Sister Cecil served as a professor of music, composer, and liturgist at Dominican University (formerly Rosary College), River Forest, Illinois, for 30 years, in addition to serving in Oklahoma, New York, Maryland, Washington, D.C., Wisconsin, Illinois, and Minnesota. She ministered as a musician and teacher at the Motherhouse in Sinsinawa from 2001 to 2005.
Sister Cecil was born March 21, 1919, in Chicago, the daughter of Richard and Frieda (Helmold) Steffen. Her parents and a brother, Richard Steffen, preceded her in death. She is survived by cousins and her Dominican Sisters.

Sally Slade Warner, organist and carillonneur, died December 4, 2009 at the age of 77, of cancer, in the Merrimack Valley Hospice, Haverhill, Massachusetts. Born September 6, 1932 in Worcester, Massachusetts, and raised and educated in Fitchburg, she majored in organ performance at New England Conservatory, and shortly afterward passed both the Associateship and Choir Master examinations of the American Guild of organists. As an organist, she was for some years associated with Everett Titcomb at the Church of St. John the Evangelist in Boston, eventually succeeding him after his death. After leaving that position, she served as a substitute organist and accompanist for the rest of her life. During the 1970s she studied carillon playing, first with Earl Chamberlain, and then at the Royal Carillon School in Mechelen, Belgium, where she received her diploma “with great distinction.”
In 1971 Sally moved to Andover, Massachusetts, initially as house counselor at Abbot Academy, but two years later she was hired as a music librarian at Phillips Academy, Andover, a position she held until her retirement 30 years later. During her tenure she is credited with having transformed a meager sound recording collection into one of the most extensive collections of its kind in any comparable school. Thanks to her encyclopedic knowledge of musical literature, she became a valuable resource to students and faculty alike, and was involved in many facets of the school’s musical life as an associate faculty member. Before long she also became carillonneur and carillon instructor at the academy, where she gave regular concerts and tutored a number of students in carillon playing, until the carillon tower was closed for structural reasons in the 1990s.
In 1985 she was appointed carillonneur of St. Stephen’s Episcopal Church in Cohasset, Massachusetts, where she was responsible for both playing and engaging guest players for the annual summer series of carillon concerts, a position she held until the time of her death. She also composed a number of carillon arrangements popular with her fellow carillonneurs, and gave carillon recitals throughout North America as well as in Europe. In 1988 she received a medal for Distinguished Service to the Carillon from the University of California, Berkeley.
Sally was an active member of both the Boston and Merrimack Valley AGO chapters, having served both in several capacities, and was also an active member of the Guild of Carillonneurs of North America, from which she recently received a citation for her many contributions to the art of carillon playing. Since 1969 she had been a valued Trustee of Methuen Memorial Music Hall in Methuen, Massachusetts, serving for many years on the committee that plans and implements the summer recital series and other musical programs, and frequently playing the Great Organ for weddings and other events. During the year preceding her death, she was a productive member of the committee that organized a successful event commemorating the Music Hall’s centennial year.
—Barbara Owen

Lukas Foss, composer, performer, and teacher, died in New York on February 2. He was 86. German-born, Foss was trained in Germany, in Paris, and at the Curtis Institute in Philadelphia; he had studied composition with Randall Thompson and Paul Hindemith, and conducting with Fritz Reiner and Serge Koussevitzky. Known for composing in different musical styles, he often combined past and present influences and techniques. He served as the pianist of the Boston Symphony Orchestra from 1944–50, and he conducted numerous orchestras including the Brooklyn Philharmonic, the Jerusalem Symphony, and the Milwaukee Symphony. He taught composition and conducting at UCLA from 1953–62 and had served as composer-in-residence at Carnegie-Mellon University, Harvard University, the Manhattan School of Music, Yale University, and Boston University. Foss’s compositional output included many orchestral, chamber, and choral works, as well as several works for piano, and two organ compositions, Four Etudes (1967) and War and Peace (1995). Lukas Foss is survived by his wife Cornelia.

James Barclay Hartman died on January 23 at the age of 84. He was predeceased by his wife Pamela in 1983. Born in Winnipeg, Manitoba, Canada on January 12, 1925, he was educated at the University of Manitoba (BA 1948, MA 1951), Brown University, Providence, Rhode Island, and Northwestern University, Evanston, Illinois (Ph.D.). He began a teaching career at Iowa State University, Ames, Iowa, returning to Canada in 1967 to teach at Scarborough College, University of Toronto. In 1974 he was appointed director of development and external affairs at Algoma University College, Laurentian University in Sault Ste. Marie, Ontario, and in 1980 joined the Continuing Education Division at the University of Manitoba as associate professor and director, humanities and professional studies. At the time of his retirement he held the position of senior academic editor.
A skilled photographer, he did commercial photography to help finance his university education. His great passion was music, especially the music of J. S. Bach, and in particular the works for organ and for harpsichord, both of which he played. He served for many years as book reviewer for The Diapason, and authored reviews and articles for numerous academic journals. His chief publication was the book The Organ in Manitoba, published by the University of Manitoba Press in 1997.
Dr. Hartman’s articles published in The Diapason include: “The World of the Organ on the Internet” (February 2005); “Alternative Organists” (July 2004); “Seven Outstanding Canadian Organists of the Past” (September 2002); “Families of Professional Organists in Canada” (May 2002); “Organ Recital Repertoire: Now and Then” (November 2001); “Prodigy Organists of the Past” (December 2000); “Canadian Organbuilding” (Part 1, May 1999; Part 2, June 1999); “Purcell’s Tercentenary in Print: Recent Books” (Part I, November 1997; Part II, December 1997); “The Golden Age of the Organ in Manitoba: 1875–1919” (Part 1, May 1997; Part 2, June 1997); “The Organ: An American Journal, 1892–1894” (December 1995); and “The Search for Authenticity in Music—An Elusive Ideal?” (June 1993).

Thomas A. Klug, age 61, died suddenly at his home in Minneapolis on January 8. He received his bachelor’s degree in music from Lawrence University in Appleton, Wisconsin, and his master’s degree from Northwestern University, Evanston, Illinois. An accomplished organist for 44 years, he began his musical career at St. Michael’s United Church of Christ in West Chicago, Illinois. He went on to serve the First United Methodist Church in Elgin, Illinois, Olivet Congregational Church in St. Paul, Minnesota, and most recently was the organist for 20 years at St. Michael’s Lutheran Church in Roseville, Minnesota. Tom was a member of the American Guild of Organists and the Organ Historical Society, an outdoor enthusiast, gardener, and an accomplished cook. He will be deeply missed by his family and friends. A memorial service was held January 13 at St. Michael’s Lutheran Church, Roseville. He is survived by his parents, Armin and Marjorie Klug, brothers Kenneth (Cindy) and James (Diane Donahue), five nieces and nephews, one great-niece, and special friend Doug Erickson.
—Frank Rippl

Dutch organist and musicologist Ewald Kooiman died on January 25, on vacation in Egypt. He died in his sleep; the cause was heart failure.
Ewald Kooiman was born on June 14, 1938 in Wormer, just north of Amsterdam. He studied French at the VU University in Amsterdam and at the University of Poitiers, taking the doctorate in 1975 with a dissertation on the Tombel de Chartrose, a medieval collection of saints’ lives. He then taught Old French at the VU University, where he was appointed Professor of Organ Art in 1988.
As a teenager, Kooiman studied organ with Klaas Bakker. After passing the State Examination and encouraged by members of the committee to pursue music studies at a higher level, he continued with Piet Kee at the Conservatory of Amsterdam, earning a Prix d’Excellence—the equivalent of a doctorate—in 1969. While studying French at Poitiers, he simultaneously studied organ with Jean Langlais at the Paris Schola Cantorum, taking the Prix de Virtuosité in 1963.
Kooiman had a long and impressive international career as a concert organist. He twice recorded the complete organ works of Bach—first on LP, then on CD—and was awarded the Prize of German Record Critics in 2003. He was in the midst of recording his third complete Bach set—on SACD, using Silbermann organs in Alsace—which was scheduled to come out in late 2009 or early 2010.
Although Bach was at the heart of his musical activities, Kooiman took an interest in many other parts of the organ repertoire, for example the French Baroque. His study of this repertoire and the relevant treatises was, of course, greatly facilitated by his knowledge of the French language. His interest in the French Baroque organ also led to the construction of the so-called Couperin Organ (Koenig/Fontijn & Gaal, 1973) in the auditorium of the VU University.
But he also loved playing—and teaching—Reger and Reubke; he very much enjoyed learning Widor’s Symphonie gothique when he was asked to play the work as part of a complete Widor series in Germany; and he admitted to having “a weak spot” for Guilmant’s Variations on “Was Gott tut das ist wohlgetan.”
As a scholar, Kooiman edited some 50 volumes of mostly unknown organ music in the series Incognita Organo (published by the Dutch publisher Harmonia). Much of the series was devoted to organ music of the second half of the eighteenth and of the early nineteenth century, traditionally considered a low point in history of organ music. He also published widely on eighteenth- and nineteenth-century performance practice, mainly in the Dutch journal Het Orgel. His inaugural address as Professor of Organ Art was about the nineteenth-century roots of the French Bach tradition.
Besides teaching at the famous International Summer Academy for Organists at Haarlem—at first French Baroque repertoire, later Bach—Ewald Kooiman was for many years chairman of the jury for the improvisation competition in the same city. His fluency—besides French—in English and German and his ability to listen critically to the opinions of his colleagues made him the ideal person for such a job.
Although he was never the titulaire of one of the major historical Dutch organs, Kooiman served as University Organist of the VU University, playing the Couperin Organ in recitals and for university functions. But he also played organ for the Sunday morning services in the chapel of the university hospital.
In 1986, Kooiman succeeded Piet Kee as Professor of Organ at the Conservatory of Amsterdam, mostly teaching international students at the graduate level. I had the pleasure of studying with him for three years before graduating with a BM in 1989, having previously studied with Piet Kee for two years. Although much time was naturally spent with Bach—I learned at least two trio sonatas with him—he also taught later repertoire very well: Mozart, Mendelssohn, Reubke, Reger, Hindemith, Franck, and Alain come to mind. From time to time, I had to play a little recital, and he personally took care of “organizing” an audience by inviting his family.
As Professor Ars Organi at the VU University, Ewald was the adviser for three Ph.D. dissertations, all dealing with organ art at the dawn of Modernism: Hans Fidom’s “Diversity in Unity: Discussions on Organ Building in Germany 1880–1918” (2002); David Adams’s “‘Modern’ Organ Style in Karl Straube’s Reger Editions” (2007); and most recently René Verwer’s “Cavaillé-Coll and The Netherlands 1875–1924” (2008).
Ewald Kooiman was a Knight in the Order of the Dutch Lion; an honorary member of the Royal Dutch Society of Organists; and a bearer of the Medal of Merit of the City of Haarlem. For his 70th birthday, the VU University organized a conference in his honor and a group of prominent colleagues—including American Bach scholars Christoph Wolff and George Stauffer—offered him a collection of essays entitled Pro Organo Pleno (Veenhuizen: Boeijenga, 2008). Piet Kee’s contribution was the organ work Seventy Chords (and Some More) for Ewald. Earlier, Cor Kee (Piet’s father, the famous improviser and improvisation teacher) had dedicated his Couperin Suite (1980) as well as several short pieces to Ewald.
Though clearly part of a tradition and full of respect for his teachers, Kooiman was in many ways an individualist. He enjoyed frequent work-outs at the gym, not only because it kept him physically fit and helped him deal with the ergonomic challenges of playing historic organs, but also because he liked talking with “regular” people. Among colleagues—particularly in Germany—he was famous for wearing sneakers instead of more orthodox organ shoes. One of his favorite stories about his studies with Langlais was that the latter was keen on teaching him how to improvise a toccata à la française, a genre that Kooiman described as “knockabout-at-the-organ”—not exactly his cup of tea. “Non maître, je n’aime pas tellement ça,” he claimed to have answered: “No professor, I don’t like that too much.”
Ewald Kooiman is survived by his wife Truus, their children Peter and Mirjam, and two grandchildren. The funeral service took place at the Westerkerk in Amsterdam on February 4.
—Jan-Piet Knijff

Joseph F. MacFarland, 86, died on December 29, 2008, at the Westport Health Care Center in Westport, Connecticut. A native and lifelong resident of Norwalk, Connecticut, he was born on February 14, 1922. He earned bachelor’s and master’s degrees from the Juilliard School in New York, and studied organ with David McK. Williams and Jack Ossewarde at St. Bartholomew’s Church. For 56 years MacFarland served as organist-choirmaster at the First Congregational Church on the Green in Norwalk. He also was the accompanist for the Wilton Playshop, Staples High School, and Norwalk High School. He was a lifelong member of First United Methodist Church, Norwalk, Connecticut, and a member of the Bridgeport AGO chapter. He was a veteran of World War II, having served in the U.S. Army Air Corps.

Richard H. (Dick) Peterson died at age 83 on January 29, fourteen years after suffering a debilitating stroke. Besides spending time with Carol, his devoted wife of 53 years, and with his other family members, Richard’s greatest passion in life was applying modern technology to pipe organ building. His goal was always to make organs better, more affordable, and consequently more available for people to enjoy. During his long and prolific career, he was awarded over 70 U.S. and foreign patents.
Dick Peterson was born on February 26, 1925 in Chicago. He served in the U.S. Army as a radio engineer from 1943 until 1946 and studied electronics at the City College of New York. While stationed in New York City, he often visited Radio City Music Hall and loved the room-filling sound of the organ there while also being fascinated by the mechanics of pipe organs. It was during that time that he told his parents his goal in life was to “perfect the organ.”
Mr. Peterson soon co-founded the Haygren Church Organ Company in Chicago, which built 50 electronic organs for churches all around the Midwest. Soon thereafter, he founded Peterson Electro-Musical Products, currently in Alsip, Illinois. In 1952, he presented a prototype spinet electronic organ to the Gulbransen Piano Company. Gulbransen’s president was thrilled with the sound of the instrument, and they soon negotiated an arrangement where Richard would help the piano company get into the organ business and, as an independent contractor, he would develop and license technology to be used in building a line of classical and theatre-style home organs for Gulbransen to sell. One particularly notable accomplishment was Gulbransen’s introduction of the world’s first fully transistorized organ at a trade show in 1957. Gulbransen would ultimately sell well over 100,000 organs based on Peterson inventions.
Meanwhile, many of Peterson’s developments for electronic organs evolved into applications for real pipe organs. Especially notable among over 50 of Dick’s innovative products for the pipe organ are the first digital record/playback system; the first widely used modular solid state switching system; the DuoSet solid state combination action; a line of “pedal extension” 16-foot and 32-foot voices; and the first commercially available electronic swell shade operator. Many thousands of pipe organs worldwide utilize control equipment that is the direct result of Richard’s pioneering efforts. Also carrying his name is a family of musical instrument tuners familiar to countless thousands of school band students and widely respected by professional musicians, recording artists, musical instrument manufacturers and technicians.
In the 1950s, Dick Peterson enjoyed learning to fly a Piper Cub airplane, and in more recent times preceding his illness enjoyed ham radio, boating, and restoring and driving his collection of vintage Volkswagens. He was a longtime member of Palos Park Presbyterian Community Church in his home town of Palos Park, Illinois.
Memorial donations may be made to the American Guild of Organists “New Organist Fund,” where a scholarship is being established in Richard Peterson’s name.
—Scott Peterson

William J. (Bill) Stephens, 84, of Lawrence, Kansas, died suddenly at home of heart failure on December 19, 2008. Born in Jacksonville, Texas on June 28, 1924, his organ playing career began at the Episcopal Church in Jacksonville while in his early teens. He later studied organ with Roy Perry in Kilgore, Texas, and became interested in organ building at the workshop of William Redmond in Dallas. He graduated from the University of North Texas in 1949 with a bachelor’s degree in organ, where he was a pupil of Helen Hewitt. Stephens served in the Navy during WWII as a gunner’s mate 2nd class in the Pacific theater. He subsequently studied organ at the University of Colorado, Boulder, where he was a teaching assistant in organ and a pupil of Everett Jay Hilty in organ and Cecil Effinger in theory.
Stephens taught public school music in south Texas, was the organist-choirmaster of Trinity Episcopal and Trinity Lutheran Churches in Victoria, Texas, and was south Texas representative for the Reuter Organ Company, Lawrence, Kansas. He married Mary Elizabeth Durett of Memphis, Tennessee, in Denton on November 19, 1946. In 1968 Bill moved his family to Lawrence, Kansas, and installed Reuter pipe organs in all of the 50 states except Alaska. He operated an organ building and maintenance service business, covering most of the Midwest. He was also organist-choirmaster at Grace Episcopal Church, Ottawa, Kansas, for three years.
During his years at Reuter he taught many young men the mechanics, care and feeding of pipe organs and was very proud of their work when they became full-fledged “Organ Men.” For 40 years he was curator of organs at Christ Church Cathedral, Houston, and was proud of the recognition he received upon retiring. He also took special pride in rebuilding the organ at Trinity Episcopal Church, Aurora, Illinois. It had been water-soaked and inoperable for 25 years. Kristopher Harris assisted, and Christopher Hathaway played the dedication recital November 11, 2001.
Bill Stephens was a member of the Organ Historical Society. He is survived by his wife, Mary Elizabeth Durett Stephens, five children, four grandchildren, and two great-grandchildren.
—Rumsey-Yost Funeral Home
Lawrence, Kansas

Marguerite Long Thal died December 5, 2008, in Sylvania, Ohio. She was 73. Born January 27, 1935, in Quinter, Kansas, she studied organ with Marilyn Mason at the University of Michigan, where she earned bachelor’s and master’s degrees in music. After graduation, she received a Fulbright grant to study in Paris, France for two years, where she attended the American University and studied with Jean Langlais and Nadia Boulanger. Returning to the U.S., she was appointed minister of music at the First Congregational Church in Toledo, Ohio, and taught organ at Bowling Green State University. In 1961, she married Roy Thal Jr., and they moved to Sylvania, where they remained for more than 40 years.
Active in the AGO, Mrs. Thal was a past dean of the Toledo chapter and served as Ohio district convener. She served as minister of music at Sylvania United Church of Christ for 18 years, gave many solo performances, and appeared with Prinzipal VI, a group of six organists who performed regionally. She is survived by her husband, Norman, two daughters, and three grandchildren.