Nunc Dimittis

Philip Hahn, the immediate past president of the American Guild of Organists, died peacefully at his home in San Francisco, California on April 13, 2003, from complications of myelofibrosis, a disease of the bone marrow. From 1992 to 2002, he was a member of the AGO National Council and served as president from 1998 to 2002.

Hahn received bachelor and master of music degrees from the University of Michigan where he studied with Marilyn Mason and Robert Noehren, and earned a DMA in composition and organ performance from the American Conservatory of Music, Chicago, studying with Stella Roberts and Robert Lodine. He received certificates in organ, composition, and solfeggio from the Conservatoire Americain, Fontainebleau, France, where he studied with Nadia Boulanger and André Marchal, and held the AAGO certificate.

During his career, he was an associate professor of music at the University of Northern Iowa, where he oversaw the installation of a large four-manual organ built by Robert Noehren, and was director of music at Waterloo's First United Methodist Church. After moving to California, Hahn served as director of music at the First Presbyterian Church in Palo Alto for several years before being appointed artistic director of the San Francisco Boys Chorus. He played many recitals on notable instruments and was a featured recitalist, workshop leader, and adjudicator at many AGO conventions.

Philip Hahn was also a professional chef, holding the position of sous chef at the Clift Hotel in San Francisco, later running his own restaurant, Fanny's, in San Francisco. For several years Hahn ran the restaurant and served as organist at the First Presbyterian Church of San Anselmo, returning exclusively to church music in 1980. From 1990 until his death, Hahn served as organist-choirmaster at St. John's Episcopal Church in Ross, California.

Dr. Hahn's compositions include sacred anthems, pieces for trumpet and organ including The Trumpet Sings Thanksgiving; Spiritual; Fanfare for Five Trumpets and Organ; and two large concerted works: Fantasy for Orchestra and Acclamations! A Fanfare for Concert Band. For the organ, he wrote several short hymn-based compositions plus larger works including Sonata for Organ; Songs from the Forest: A Suite for Organ and Synthesizer; and Suite for Organ Celesta, Vibraharp, and Timpani. His Sonata for Violin and Piano was the recipient of a Sigma Alpha Iota Prize. His short ballet The Dance in the Desert was fully staged at both the First Presbyterian Church, Palo Alto, and at St. John's Episcopal Church in Ross.

He is survived by his partner of 29 years Norman Nagao, two sisters, and a number of nephews and nieces. A memorial service was held at St. John's Episcopal Church in Ross, California, on May 4.

Richard L. Johnson, 61, of Buffalo, New York, and East Longmeadow, Massachusetts, died on December 6, 2002, in Buffalo. Dr. Johnson was professor of humanities at Medaille College, Buffalo, joining the faculty in 1984. An accomplished musician and dedicated educator, he was known for his innovative theatre and music classes. He also directed numerous stage productions and was named the college's Professor of the Year for 2000-2001.

Dr. Johnson was born on May 17, 1941, in San Antonio, Texas. Upon receiving his Bachelor of Arts degree in music from Trinity University of San Antonio in 1963, he went on to earn his Master of Music degree from Yale University in 1965. He spent 1966-67 in Copenhagen, Denmark, on a Fulbright Scholarship, studying organ with Finn Viderø. Returning to the United States, he held faculty positions at Wake Forest University, Amherst College, Smith College, and the University of Maine. In 1973, he graduated from the University of Michigan with a Doctor of Musical Arts degree. In 1992, he received a National Endowment for the Humanities award to study theatre at Columbia University, and at the time of his death he was pursuing a post-doctoral Master's degree in Theatre at SUNY-Buffalo.

In addition to teaching, Dr. Johnson performed organ recitals at venues across the country, including the National Cathedral in Washington, DC, and St. Thomas Church in New York City. Several of his recordings aired on National Public Radio stations throughout the country. He is survived by his parents, a sister, brother, nieces and nephews, and his long-time partner, Richard LaBorde of East Longmeadow.

Richard Eugene Livesay died on February 24 at the age of 87. A resident of Alexandria, Virginia, he was organist at Cherrydale United Methodist Church in Arlington from 1947 to 1988, when he was named organist emeritus. At that church he had played for more than 2,000 Sunday services, 600 weddings, and countless funerals, and helped design the church's Wicks pipe organ of 37 ranks. He was a former Dean of the Alexandria AGO chapter and was a guest organist at Washington National Cathedral. Born in Tulsa, he began piano study at age 12 and organ at age 16, and he attended Blackburn College in Illinois, Park College in Missouri, and American University. In the late 1930s, he worked for Jenkins Music Co. and demonstrated Hammond organs at churches around Tulsa. Mr. Livesay was also a Defense Department official from 1940 until retiring in 1973 as staff secretary to the secretary of defense. He is survived by his wife of 64 years Veradell Elliott Livesay, two children, and five grandchildren.

Dale Wood died on April 13 after a valiant battle against esophageal and lung cancer, at his Sea Ranch, California home. A renowned composer, organist and choral director, he was known for his numerous published choral works and hymn tunes, and his compositions for handbells, harp, and organ. He was for many years organist and choirmaster in San Francisco at the Episcopal Church of St. Mary the Virgin and served in a similar capacity in Lutheran churches in Hollywood and Riverside, California. He had published numerous articles on worship, liturgy, and church music, and was a contributing editor to the Journal of Church Music for over a decade. His monthly column appeared in the Methodist journal Music Ministry for three years. Wood headed the publications committee of Choristers Guild from 1970-74. After serving as music director of the Grace Cathedral School for Boys in San Francisco (1973-74), he was appointed executive director for The Sacred Music Press, a position he held from 1975-96, and was editor emeritus 1996-2001. The American Society of Composers, Authors and Publishers (ASCAP) honored Dale Wood annually since 1967 for his "very important contribution towards the creation and development of contemporary American Music." The Board of Regents of California Lutheran University awarded Dale Wood the title of "Exemplar of the University," citing him as "an example of excellence in service and a worthy model of a good and useful life."

Arthur Carkeek, professor emeritus of organ and theory at DePauw University, Greencastle, Indiana, died October 19, 2003 at the age of 80. Born April 7, 1923, in Detroit, Michigan, he was a chorister at St. Paul's Cathedral in Detroit. Following high school he attended Wayne State University and the Detroit Institute for Musical Arts simultaneously. While serving in World War II as a chaplain's assistant and waiting to be sent to Europe, Mr. Carkeek assisted in the maintenance of the organ in the Atlantic City Convention Hall, later writing his master's thesis on that unique organ. He also gave weekly radio recitals on the Convention Hall organ. Following his Army discharge, he completed his undergraduate work at DePauw University, graduating in 1948 and receiving his AAGO certificate the same year.

Arthur Carkeek graduated from Union Theological Seminary in 1950 and returned to DePauw to teach at the bidding of his former teacher, Van Denman Thompson. Upon Thompson's retirement in 1956, Carkeek became the university organist at DePauw. During his 38-year teaching career at DePauw University, Arthur Carkeek produced many outstanding students, who went on to careers as organists, university professors, clergy, organ builders, competition winners and Fulbright scholars. He was active as a performer, lecturer, panelist and writer. Receiving grants from the Great Lakes Conference and the Ford Foundation as well as sabbatical leaves from DePauw, Carkeek studied organ building with Rudolph von Beckerath and organ with Charles Letestu. He performed many concerts on historic instruments in Germany, including a recital in Altenbruch.

Carkeek produced a number of scholarly articles, most notably a series of articles on his long-time friend Rudolph von Beckerath, published in four installments in The American Organist (1996). A further article on Beckerath will be published posthumously in the Encylopedia of Keyboard Instruments, Vol. 2, The Organ Encylopedia. In 1972 Carkeek made a recording of several organs by Charles Fisk at Harvard, Old West Church (Boston) and DePauw.

In demand as an organ consultant, Arthur Carkeek constantly supported the cause of many fine instruments. He acted in that capacity at Christ Church Cathedral in Indianapolis where a Hellmuth Wolff organ was installed in the chancel and a Taylor & Boody organ was installed in the rear gallery.

Arthur Carkeek served as the director of music at Gobin United Methodist Church and St. Andrew's Episcopal Church, both in Greencastle, Indiana. In 1998 a fire at St. Andrew's destroyed the existing pipe organ that Carkeek had nurtured over the years. That instrument was replaced in September, 2002 with Op. 1 built by Joseph Zamberlan and was dedicated in honor of Arthur Carkeek.

In 2001, Arthur Carkeek was given a lifetime honorary membership in the American Guild of Organists by the Indianapolis Chapter. He was also a member of Pi Kappa Lambda and the Association of Anglican Musicians.

A Solemn Evensong and Eucharist was celebrated on October 24, 2003 at St. Andrew's. Participants included former students, DePauw faculty, and members of the choir of Christ Church Cathedral, Indianapolis. The Arthur Carkeek Memorial Concert Fund has been established at St. Andrew's Episcopal Church, Greencastle, Indiana. He is survived by his wife Maureen  (McCormick) Carkeek, a daughter, a son, and two grandchildren.

--Richard Konzen

Halbert Scranton Gillette, chairman of the board and CEO of Scranton Gillette Communications, which publishes The Diapason, died on November 22, 2003, at his home in Lake Forest, Illinois, after a long battle with cancer. He was 81.

Born in Chicago, Illinois, June 29, 1922, the son of Edward Scranton Gillette and Claribel Reed Thornton, and raised in Chicago and Winnetka, Illinois, Mr. Gillette attended The Chicago Latin School and graduated from the Philips Exeter Academy. In 1944 he graduated from Massachusetts Institute of Technology with a degree in mechanical engineering and business. He was commissioned U.S. Navy 1944-1946, and served in the U.S. mainland during World War II and in the Naval Reserves. He was chairman of the board and CEO of Scranton Gillette Communications, Inc., which was founded in 1906 by his grandfather. Mr. Gillette started as a salesman for Gillette Publishing in 1947. In 1960, two-thirds of Gillette Publishing Co. was sold to Reuben H. Donnelley, which then was merging with Dun & Bradstreet. Mr. Gillette also moved to Donnelley/Dun & Bradstreet as a publisher and a vice president. In 1970, he rejoined his father's firm, then Scranton Publishing Company, and shortly become president of the firm, which was renamed Scranton Gillette Communications.

Mr. Gillette served as past president of the Chicago Business Papers Association, as well as on the board of several insurance companies. He was the former Chairman of the Board of Occidental Life Insurance. He served as alderman in Lake Forest, Illinois, 1979-1986, and served on the Public Safety and Waterfront committees. He was co-chairman of the committee that oversaw the creation of the city's current beachfront.

He was a member of the Church of the Holy Spirit in Lake Forest, and Church of the Holy Innocents, in Lahaina, Hawaii. He was also a member of the Onwentsia Club of Lake Forest; the Les Cheneaux Club, Cedarville, Michigan; and the Lahaina Yacht Club, Hawaii. Husband of Karla Ann Spiel Gillette; father of Anne, Susan, James, Halbert and Edward; grandfather of Alexander, Madeline, Carolyn, Julia, and Isabelle.

Thyra Nichols Plass died on October 27, 2003, in Bryan, Texas, at the age of 89. She was born in Green Valley, Illinois, on April 8, 1914, and lived in Bryan since 1968. Mrs. Plass earned her bachelor's and master's degrees from the University of Chicago, and her doctor of sacred music from Union Theological Seminary in New York City. A retired organist and choirmaster, she was a member of the Brazos Valley Chapter of the American Guild of Organists, the Association of Anglican Musicians, and of St. Andrew's Episcopal Church, Bryan, Texas. In addition she was a member of The Women's Club, a founding member of the Arts Council of the Brazos Valley, co-founder of the annual children's symphony concerts, and a member of OPAS Guild. She is survived by her husband Gilbert Norman Plass, a daughter, and six grandchildren.

Herman Berlinski
died at the age of 91 on September 27 at Sibley Memorial Hospital in
Washington, after suffering a heart attack and a stroke. His considerable
output included symphonic and chamber works, concertos, song cycles, liturgical
works, as well as music for the organ, which he learned to play at age 40.
Religiously inspired works, such as the oratorios Job and The Trumpets of
Freedom and the organ work The Burning Bush, were among his best known works.
Dr. Berlinski, who fled Nazi Germany in 1933, settled in Washington 30 years
later to become music director at the Washington Hebrew Congregation, a post he
held until 1977. He began his musical career as a pianist, but performed and
recorded on the organ throughout the world well into advanced age. He was
represented by Lilian Murtagh and then Murtagh-McFarlane artist management from
1976-78. Berlinski was a piano graduate of the Leipzig Conservatory of
Music. He moved to Paris in 1933 and composed music for the ballet and the
Yiddish theatre, and studied composition with Nadia Boulanger and Alfred
Cortot. He left Europe in 1941 to live in New York. There he earned the MMus at
Columbia University and a doctorate in composition at the Jewish Theological
Seminary, and served as organist at Temple Emanuel for eight years. His
collection of scores, recordings, correspondence and photographs was given to
the Library of Congress last summer.

Robert Hunter died
on September 10 in Los Angeles at the age of 72. He was accompanist for the
Roger Wagner Chorale and for the Paul Salamunovich choral groups, as well as a
pianist with various groups. Hunter began his career with Wagner in 1946 and
worked with the chorale for a decade. In 1955 he began performing with popular
music groups, including the Freddy Martin Orchestra at the Ambassador Hotel's Coconut Grove, and was Carol Channing's musical director from 1958 to 1971. Hunter later joined Salamunovich to tour with his choruses from Loyola Marymount University and became organist for the St. Charles Borromeo Catholic Church Choir. In 1991 he became accompanist for the Los Angeles Master Chorale and remained with the chorale until his retirement in 1996.

Howard B. Kelsey,
professor emeritus from Washington University, died September 18 of heart
failure at the age of 90. Following his wife's death in 1997, Mr. Kelsey
had returned to St. Louis where he lived for the past four years. Born in 1911
and raised in Brighton, Illinois, Howard Kelsey began playing the organ at age
5 and took his first church position at age 14. He graduated from Illinois
Wesleyan University in 1933, and went to New York for graduate study at Union
Theological Seminary under Clarence Dickinson. Upon receiving a Master of
Sacred Music degree, he returned to St. Louis where he taught at Eden Seminary
for six years. In 1937 he married Berenice Strobeck, his wife of sixty years.
Howard Kelsey's association with Washington University began in 1945 when
he became the university organist. He was primarily responsible for the
establishment of the Department of Music in 1947, having secured an endowment
for the department from Avis Blewett. During his time at Washington University,
he brought in internationally known artists to conduct classes and work with
the many organists who came to the University. Students had the opportunity to
work with Anton Heiller, Roslyn Turek, Gillian Weir, Geraint Jones, Suzie
Jeans, Michael Schneider, and the Gregorian chant expert Dom Ermin Virty, OSB.
Many of his students found positions in colleges, universities, and large
churches after completing their degrees under Mr. Kelsey's guidance. In
addition to his work at Washington University, Kelsey also served a number of
St. Louis churches and temples from 1936 to 1973, including First
Congregational Church, Second Baptist Church, First Presbyterian Church, Temple
B'Nai El and Temple Israel. He was also very active in the American Guild
of Organists on the local, regional, and national levels, and served as
consultant for many churches for the purchase and installation of new organs. A
memorial service was held for Howard Kelsey on October 21 at Christ Church
Cathedral in St. Louis, Missouri. He is survived by his three children and four
grandchildren.

-Kathleen Bolduan

Director of Undergraduate Studies

Department of Music

Washington University

Roland Münch
died on September 27 in Berlin, Germany. He was born in Leipzig on February 10,
1936, and studied organ with Diethard Hellmann and Robert Köbler. His
first professional position was at St. Wenzel's Church in Naumburg where
he played the historic organ built by Hildebrandt. From 1975 on, he made many
recordings and radio broadcasts. From 1969 until his retirement in March of
this year, Mr. Münch was organist and music director at the Church of Glad
Tidings (Kirche zur frohen Botschaft) in Berlin-Karlshorst where he presided
over the organ built by Peter Migendt in 1756 for Princess Amalia, sister of
Frederick the Great for whom C.P.E. Bach served as court musician from
1738-67. Münch is survived by his wife Ursula and two sons. His most
recent recording, Münch spielt Bach auf Migendt, is on the Ursus label.

Robert Murphy died
on September 22 in Traverse City, Michigan. Born on April 30, 1936, in Benton
Harbor, Michigan, Murphy earned bachelor's and master's degrees
from Western Michigan University. In 1962 he became a member of the Interlochen
Arts Academy Charter Faculty and was chairperson of the keyboard department for
many years prior to his recent retirement. At Western Michigan University, he
had served as director of the chapel choir, graduate assistant and instructor
of music. During his 39 years at Interlochen, he was chairperson of the
building committee for Dendrinos Chapel and Recital Hall, founder and organizer
of the ICA Chapel Organ Recital Series, and chairperson of the music building
committee for ICA. For nearly four decades he was organist and music director
for Central United Methodist Church in Traverse City. A service celebrating Mr.
Murphy's life took place on October 14 at Central United Methodist Church
in Traverse City. Memorial contributions may be made to the Interlochen Center
for the Arts Organ Scholarship Fund in memory of Robert Henderson Murphy.

Fred Haley died suddenly at the age of 67 on September 14, 2002, in Oklahoma City, Oklahoma. An organist since age 15, he received his musical education at Westminster Choir College, where his teachers included Julius Herford, Alexander McCurdy, and John Finley Williamson. He pursued postgraduate study at Syracuse University with Arthur Poister and at the University of Oklahoma with Mildred Andrews. In 1957 he was appointed assistant conductor of the Westminster Choir for its world tour of that year, conducting the choir in concerts in some 25 countries in Asia and Eastern Europe. In 1959 he became organist and associate director of music at St. Luke's United Methodist Church, Oklahoma City, a position he held for over 25 years. Subsequently he was organist at Central Presbyterian Church, Oklahoma City, until his retirement in 1999. An active member of the AGO and the Fellowship of United Methodist Musicians (formerly NUFOMM), Mr. Haley frequently performed at the regional and national meetings of these organizations.

Melvin E. Rotermund, a second-generation lifelong church musician, died from cancer on October 18, 2002, at his home in Aurora, Illinois. Prior to retiring from his 31-year tenure as minister of music at St. Andrew's Lutheran Church, Park Ridge, Illinois, in 1999, he had served at St. John Lutheran Church in Decatur, Illinois, and Zion Lutheran Church, Chicago, as director of music and Christian Day School teacher. From early in 2000 until just four months before his death, he regularly assisted Lutheran churches in the north Chicago area and the western suburbs as interim organist, sometimes serving several parishes on the same weekend. Mr. Rotermund earned Bachelor's and Master's degrees from Concordia University, River Forest, Illinois, and was one of the initial four graduates to receive the first Master's degrees conferred by the school in 1959. His published compositions, many of which were written to serve his parishes, included psalm settings, a full three-year cycle of Psalm antiphons, many hymn-based organ preludes, arrangements for organ and instruments, choral anthems, and a collection for handbells. He was a respected teacher and frequent church music workshop presenter, supervised student teachers from Concordia, and was a member of parish day school evaluation teams. His memorial service was held on October 22 at St. Andrew's Church, Park Ridge, Illinois, for which Dr. Paul Bouman, mentor and friend, served as organist and choirmaster. The service was preceded by a 15-minute musical offering that consisted of hymn preludes by Melvin Rotermund and i>Orgelbüchlein settings. On Sunday, October 20, two musical tributes were presented. In the afternoon a hymn festival was led by David Christiansen at St. Andrew's Church.  Later in the day, the opening concert at Concordia's church music conference featured the Duruflé Requiem.

Joy Anne Moore Marsh died peacefully at her home in Plano, Texas, on July 9. She was 69. Born in Dallas on July 19, 1935, she graduated from North Dallas High School in 1953. She earned her bachelor of music degree in organ from Southern Methodist University in 1957, studying with Dora Poteet Barclay, and then completed her master’s degree in music literature in 1961 at the University of Texas, Austin. Her thesis was “Form and Style in the Organ Works of Olivier Messiaen.” Mrs. Marsh taught music in the public schools of Midland and Dallas. A 40-year resident of Plano, Texas, she also taught private piano. She is survived by one sister, Mary E. Moore Skalicky, concert organist of Big Spring, Texas, three daughters and three grandchildren, and was preceded in death by her husband Noble Earl Marsh.

Jack H. Ossewaarde died December 30, 2004 at his home in Stamford, Connecticut. He was 86. Born November 15, 1918 in Kalamazoo, Michigan, Ossewaarde began his music training at age seven, and sang with the St. Luke’s Episcopal Church Boys’ Choir in Kalamazoo. He became organist and director of music at North Park Reformed Church, Kalamazoo, at age 14, and also served as organist at Bethany Reformed Church while still a teenager.

After graduating from Kalamazoo Central High School in 1936, he earned bachelor’s and master’s degrees in music from the University of Michigan. He was organist and music director at First Baptist Church, Ann Arbor, and an instructor at U-M before being inducted into the U.S. Army shortly before the United States entered World War II. After serving in the Army, Ossewaarde studied at Union Theological Seminary. In 1946 he was appointed organist and choirmaster of St. Stephen’s Episcopal Church in Wilkes-Barre, Pennsylvania. The following year he was appointed organist at Calvary Episcopal Church in New York City, where he served for six years. He then served Christ Church Cathedral in Houston for five years, before being appointed to St. Bartholomew’s Church, New York City, where he served for 25 years until his retirement. He is survived by his wife of 60 years, Donna Ossewaarde, a daughter, a son, four grandchildren, one great-grandchild, a brother and sister-in-law, and a sister and brother-in-law.

Calvert Shenk died from cancer on July 9 at his home in Dearborn Heights, Michigan. He was 64. Most recently Mr. Shenk served as assistant professor of music at Sacred Heart Major Seminary in Detroit. He also worked at Assumption Grotto Church in Detroit, where he assisted as organist, chant master and composer.

Born November 21, 1940 in Joplin, Missouri, Shenk earned bachelor’s and master’s degrees in organ performance from Northwestern University, and continued studies with Theodore Marier (Gregorian chant), Gerre Hancock (improvisation) and David Willcocks (choral conducting). He held music positions at St. Henry Parish, Chicago, Illinois; Armed Forces School of Music, Norfolk, Virginia; St. Philip Parish, Battle Creek, Michigan; St. Catherine Parish, Milwaukee, Wisconsin; and Cathedral of St. Paul, Birmingham, Alabama. In addition, he worked as adjunct instructor at Kellogg Community College in Battle Creek, as music critic for the Battle Creek Enquirer and News, as choral director at St. Philip Catholic Central High School, and as associate director, accompanist and composer-in-residence for the Battle Creek Boys Choir.

He played recitals thoughout the midwest, east and southeast, and performed at the 1986 AGO national convention in Detroit. Internationally, he presented an organ recital at Eglise Notre-Dame in Douai, France, and led the St. Catherine Church Choir on a tour of Italy in March 1987. Mr. Shenk was a Fellow of the AGO and served as dean of the Southwest Michigan chapter, as well as educational concerns chairman of the Birmingham, Alabama chapter. He was a member of the Hymn Society, the Church Music Association of America and the Conference of Roman Catholic Cathedral Musicians.

A prolific composer, his works are published by MacAfee Music, GIA Publications and CanticaNOVA Publications, and he was co-author of the Adoremus Hymnal (Ignatius Press). A funeral mass was held on July 13 at Assumption Grotto Church, Detroit. Mr. Shenk is survived by his wife of 37 years, Ila Marie Connors Shenk.

Jan-Piet Knijff is organist-in-residence, Aaron Copland School of Music, Queens College, CUNY; adjunct professor of music, Fairfield University; director of music, St.Michael's Lutheran Church, New Canaan, Connecticut; and concert organistin residence, St. Paul's Church National Historic Site, Mount Vernon, New York.

Corliss R. Arnold of Venice, Florida, died September 19, 2003, at the age of 77. He held the doctorate in sacred music from Union Theological Seminary in New York City and was Emeritus Professor of Music at Michigan State University where he taught for thirty-two years. He served as organist and director of music at the Peoples Church, East Lansing, for thirty-three years. Dr. Arnold was a Fulbright Scholar to France, studied at the Summer Organ Academy at Haarlem in the Netherlands, and held three certificates from the American Guild of Organists: the Associateship, Fellowship and Choirmaster. He was the author of the first major survey of organ literature in English: Organ Literature: A Comprehensive Survey, Scarecrow Press, Metuchen, New Jersey. The book is currently in its third edition. Dr. Arnold and his co-editor had almost completed the 4th edition, which will be completed and published this year.

Arnold received the B.Mus., Summa cum laude, from Hendrix College in Conway, Arkansas, and the M.Mus. from the University of Michigan, Ann Arbor Michigan. He had also been a church musician at First Presbyterian Church and First Methodist Church, both in Conway, Arkansas; First Methodist Church, El Dorado, Arkansas; Reformed Church of Closter, New Jersey; First Methodist Church and Templar B'nai Abraham Zion, both of Oak Park, Illinois. Corliss Arnold is survived by his wife of 42 years, Betty Arnold, their three children and five grandchildren.

Natalie Ferguson, copy editor for The Diapason, died on December 10, 2003, after a long battle with cancer. She was 69. Her work at Scranton Gillette Communications began as a typesetter and grew to include copy editing for many of the company's publications, production editor and copy editor for The Diapason, and editor of AV Guide. Born in Indianapolis, Indiana on October 31, 1934, she attended Shortridge High School, where she wrote for and edited the school newspaper and was a member of the Fiction Club. She studied piano and organ growing up and played for many groups in which she was active including church, Girl Scouts, D.A.R. and Job's Daughters. She attended Milwaukee-Downer College (now part of Lawrence University) and graduated with a degree in Occupational Therapy. She worked as an OT until her two daughters were born. She moved to the Chicago area in 1962 and was active at church and in local community theater groups. Prior to coming to Scranton-Gillette in 1985, Ms. Ferguson worked for many years at Bartlett Manufacturing in Elk Grove, Illinois. One of her joys was teaching piano, and at one point taught at the John Schaum School in Milwaukee, and taught for the past 20 years at Schaumburg Music. She was a member of Our Saviour's United Methodist Church, Schaumburg, Illinois, where her activities included the Evangelism Committee, singing in the choir, directing the chime choir, accompanying the children's choir and, proofreading bulletins and newletters. She is survived by daughters Linda Deneher and Susan Ferdon, grandchildren Jenna, Kate, and Jimmy Ferdon, and long-time devoted friend, Allen Johnson.

Dirk Andries Flentrop died on November 30, 2003 in Santpoort near Haarlem, the Netherlands. Born in Zaandam, the Netherlands on May 1, 1910, Flentrop was undoubtedly one of the most influential organ builders of the twentieth century worldwide. After an apprenticeship with the Danish organ building firm Frobenius, he entered the business of his father, H.W. Flentrop, and took over the firm in 1940. He was an early advocate of mechanical action and of the Rückpositiv, and after World War II built a whole series of new organs in a concept which was later to be labeled "neo-baroque," a term he himself disliked immensely. The contact with E. Power Biggs and with many Fulbright scholars in Europe led to an enormous production in America; in the 1960s, almost half of the firm's annual turnover came from America.

The best-known examples of Flentrop's art in America are perhaps the organs in Busch Hall at Harvard University (1959), St. Mark's Cathedral, Seattle (1965), and Duke University (1976). Flentrop's restoration activities include the famous Schnitger organs in Alkmaar and Zwolle--even though the Zwolle restoration has often been criticized--as well as organs in Portugal and Mexico City. Flentrop retired in 1976, selling the business to his employees. Almost thirty years later, Flentrop Orgelbouw--celebrating its 100th anniversary this year--is still a sought-after firm for both restorations (the Alkmaar Schnitger was again restored by Flentrop Orgelbouw in 1987) and new organs. The organ for Holy Name Cathedral, Chicago (1989) was the firm's last major project in America. Flentrop held honorary doctorates from Oberlin College and Duke University.

--Jan-Piet Knijff