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Fred Haley died suddenly at the age of 67 on September 14, 2002, in Oklahoma City, Oklahoma. An organist since age 15, he received his musical education at Westminster Choir College, where his teachers included Julius Herford, Alexander McCurdy, and John Finley Williamson. He pursued postgraduate study at Syracuse University with Arthur Poister and at the University of Oklahoma with Mildred Andrews. In 1957 he was appointed assistant conductor of the Westminster Choir for its world tour of that year, conducting the choir in concerts in some 25 countries in Asia and Eastern Europe. In 1959 he became organist and associate director of music at St. Luke's United Methodist Church, Oklahoma City, a position he held for over 25 years. Subsequently he was organist at Central Presbyterian Church, Oklahoma City, until his retirement in 1999. An active member of the AGO and the Fellowship of United Methodist Musicians (formerly NUFOMM), Mr. Haley frequently performed at the regional and national meetings of these organizations.

 

Melvin E. Rotermund, a second-generation lifelong church musician, died from cancer on October 18, 2002, at his home in Aurora, Illinois. Prior to retiring from his 31-year tenure as minister of music at St. Andrew's Lutheran Church, Park Ridge, Illinois, in 1999, he had served at St. John Lutheran Church in Decatur, Illinois, and Zion Lutheran Church, Chicago, as director of music and Christian Day School teacher. From early in 2000 until just four months before his death, he regularly assisted Lutheran churches in the north Chicago area and the western suburbs as interim organist, sometimes serving several parishes on the same weekend. Mr. Rotermund earned Bachelor's and Master's degrees from Concordia University, River Forest, Illinois, and was one of the initial four graduates to receive the first Master's degrees conferred by the school in 1959. His published compositions, many of which were written to serve his parishes, included psalm settings, a full three-year cycle of Psalm antiphons, many hymn-based organ preludes, arrangements for organ and instruments, choral anthems, and a collection for handbells. He was a respected teacher and frequent church music workshop presenter, supervised student teachers from Concordia, and was a member of parish day school evaluation teams. His memorial service was held on October 22 at St. Andrew's Church, Park Ridge, Illinois, for which Dr. Paul Bouman, mentor and friend, served as organist and choirmaster. The service was preceded by a 15-minute musical offering that consisted of hymn preludes by Melvin Rotermund and i>Orgelbüchlein settings. On Sunday, October 20, two musical tributes were presented. In the afternoon a hymn festival was led by David Christiansen at St. Andrew's Church.  Later in the day, the opening concert at Concordia's church music conference featured the Duruflé Requiem.

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Elwin L. Myrick of Hillsboro, Oregon, formerly of Springfield, died February 28 of age-related causes. He was 88. Born on April 18, 1914, in Gardiner to Lester and Edith Patterson Myrick, he married Caroline ?Carrie? Eades in Portland on July 25, 1944. He was raised and attended schools in Portland, and graduated from high school in Huntington Park, California. He won a statewide piano contest held by the Oregon Music Teachers Association, which awarded him a scholarship to the University of Oregon. He played the first movement of the Grieg piano concerto with the UO symphony orchestra in 1934 and received a Bachelor of Science degree in 1939. While attending college, he served as organist at the Eugene First Christian Church. He later received bachelor?s and master?s degrees in music from the UO. Myrick served in the Navy as a radar technician on blimps and was stationed in Tillamook. He served as an organist and choir director at Ebbert Memorial United Methodist Church in Springfield. He began teaching organ, piano, theory and music history at Northwest Christian College in 1949 and retired in 1979, and was an organ instructor at the UO from 1953 until 1959. He was appointed organist at Central Presbyterian Church in Eugene in 1969. A charter member and past dean of the Eugene AGO chapter, he was also a charter member of the Presbyterian Association of Musicians and the Association of Disciples Musicians, in addition to being a member of Phi Mu Alpha music fraternity and of the Kiwanis. His interests included fishing, woodworking, photography and needlepoint, and he enjoyed a pre-dawn swim every day. A longtime resident of Springfield, he recently moved to Hillsboro to be near his family. Survivors include his wife, two daughters, two sons, 15 grandchildren, and four great-grandchildren. The memorial service was held on March 15 at Ebbert Memorial United Methodist Church in Springfield. Memorial contributions may be made to Ebbert Memorial United Methodist Church in Springfield or to Northwest Christian College in Eugene.

Janet Kelsey Walsh died December 20, 2002, of cancer at the age of 75. Born on October 2, 1927 in Eugene, Oregon to Jesse and Lydia Storli Kelsey, she married James Walsh in 1956. A lifetime resident of Eugene, she attended local schools and St. Olaf  College. In 1950 she graduated from the University of Oregon School of Music. She served as executive secretary of the Oregon Law Institute until retirement in 1989. She also worked as a music teacher in the public schools, was a radio copywriter for KUGN radio, and an editorial assistant for Young Life International. She served as a substitute and regular organist for many churches in the community and for countless wedding and funeral services. She was a member of Central Lutheran Church, Mu Phi Epsilon, and the Eugene AGO chapter. Survivors include two sons, a daughter, a brother, and two grandchildren. Memorial contributions can be made to the University of Oregon School of Music?s Janet Kelsey Walsh Memorial Scholarship.

Malcolm Williamson, Australian composer who was master of the queen?s music for Elizabeth II, died on March 2 in Cambridge at the age of 71. Born in Sydney on November 21, 1931, he entered the Sydney Conservatorium at age 11 to study piano and French horn, and composition under Sir Eugene Goossens, and graduated in 1944 with a Bachelor of Music degree. He moved to London in 1950 and continued his compositional training, studying under Elisabeth Lutyens and, later, Erwin Stein. He converted to Roman Catholicism in 1952 and began a thorough study of the music of Olivier Messiaen. During this period Williamson worked as a proofreader for a publishing house, as an organist and choirmaster in a parish church, and as a pianist in a nightclub. These various types of music are reflected in his own compositions of the time, as were the influences of Stravinsky, Messiaen, and the music of the late 19th-century German and Italian operatic composers.

Williamson was able to devote himself entirely to composition since the early 1960s, and in 1975 became the Nineteenth Master of the Queen?s Music, the first non-Briton ever to have held that position. His compositional output included symphonies, stage works, chamber, choral and religious music, and film scores. He also had a interest in composing music for children, and composed a number of operas for children, including one based on Oscar Wilde?s The Happy Prince, and ?cassations,? miniature operas for audience participation. He was composer in residence at the Westminster Choir College, Princeton, New Jersey in 1970-71. Williamson received the CBE in 1976, a year after his appointment as master of the queen?s music, and the AO for services to music and the mentally handicapped in 1987. The University of Melbourne conferred an Honorary Doctorate of Music upon him in 1982. Williamson?s works for organ include Fons Amoris (1956), Symphony for Organ (1960), Organ Concerto (1961), Vision of Christ--Phoenix (1961, rev. 1978), Elegy--JFK (1964), Peace Pieces (1971), Mass of a Medieval Saint (1973), and Ochre (1978). He is survived by his wife Dolly, two daughters and a son.

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Charles Henderson, editor emeritus of The American Organist, died peacefully in his sleep at his daughter's home in Bronx, New York, on June 24. A native of West Chester, Pennsylvania, Mr. Henderson graduated cum laude from Bucknell University. He later studied at the Juilliard School of Music, the Fontainbleau School in France, and at Syracuse University, where he earned his master's degree under Arthur Poister. His teachers also included Nadia Boulanger and Ernest White. From 1939 to 1952, except for four years in the Army during World War II, Henderson was organist and choir director at the First Presbyterian Church and a member of the faculty at Wilkes College, both in Wilkes-Barre, Pennsylvania. He also conducted the 125-voice Wyoming Valley Oratorio Society and the 75-voice Singers' Guild of Scranton. While serving as minister of music at the Church of the Covenant in Erie, Pennsylvania, 1952-55, he conducted the Erie Philharmonic Chorus and the Bach Choir of Erie. In 1955, he was appointed organist and choirmaster of St. George's Church on Stuyvesant Square, New York City, where he served for 18 years. While at St. George's, he was also responsible for the planning and installation of the 1958 Möller organ, designed by Ernest White, and he served on the organ faculty of the Union Theological Seminary School of Sacred Music. A member of the AGO since 1939, Henderson served as both dean and treasurer of the New York City chapter. In 1973 he was appointed editor of the guild journal, then called Music/The AGO and RCCO Magazine. He retired in May 1982 and was named editor emeritus in 1992. He also served as organist at the First Presbyterian Church in Milford, New Jersey, from 1976-1983. Charles Henderson was preceded in death by his wife Jane, who died on February 21, 2000.

 

 

Victor G. Hildner died on August 15 in Oak Park, Illinois, at the age of 84. He began his career as an organist in his father's church in St. Clair, Michigan, and by age 12 was directing the parish choir. He received bachelor's and master's degrees from the University of Michigan and served as director of music at Trinity Lutheran Church in St. Joseph, Michigan, 1941-44. In 1944, he joined the faculty of Concordia Teachers College, now Concordia University, in River Forest, Illinois, where he taught until 1983. Hildner was also music director of the Oak Park Concert Chorale for 20 years, the Oak Park/River Forest Symphony Chorus for 26 years, and at Jefferson Park Lutheran Church for 29 years. In 1960 he founded and directed the Chicago Baroque Ensemble, a consort devoted to music written before 1750. His wife of 52 years, Agnes Hildner, died six years ago.

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Arthur Carkeek, professor emeritus of organ and theory at DePauw University, Greencastle, Indiana, died October 19, 2003 at the age of 80. Born April 7, 1923, in Detroit, Michigan, he was a chorister at St. Paul's Cathedral in Detroit. Following high school he attended Wayne State University and the Detroit Institute for Musical Arts simultaneously. While serving in World War II as a chaplain's assistant and waiting to be sent to Europe, Mr. Carkeek assisted in the maintenance of the organ in the Atlantic City Convention Hall, later writing his master's thesis on that unique organ. He also gave weekly radio recitals on the Convention Hall organ. Following his Army discharge, he completed his undergraduate work at DePauw University, graduating in 1948 and receiving his AAGO certificate the same year.

Arthur Carkeek graduated from Union Theological Seminary in 1950 and returned to DePauw to teach at the bidding of his former teacher, Van Denman Thompson. Upon Thompson's retirement in 1956, Carkeek became the university organist at DePauw. During his 38-year teaching career at DePauw University, Arthur Carkeek produced many outstanding students, who went on to careers as organists, university professors, clergy, organ builders, competition winners and Fulbright scholars. He was active as a performer, lecturer, panelist and writer. Receiving grants from the Great Lakes Conference and the Ford Foundation as well as sabbatical leaves from DePauw, Carkeek studied organ building with Rudolph von Beckerath and organ with Charles Letestu. He performed many concerts on historic instruments in Germany, including a recital in Altenbruch.

Carkeek produced a number of scholarly articles, most notably a series of articles on his long-time friend Rudolph von Beckerath, published in four installments in The American Organist (1996). A further article on Beckerath will be published posthumously in the Encylopedia of Keyboard Instruments, Vol. 2, The Organ Encylopedia. In 1972 Carkeek made a recording of several organs by Charles Fisk at Harvard, Old West Church (Boston) and DePauw.

In demand as an organ consultant, Arthur Carkeek constantly supported the cause of many fine instruments. He acted in that capacity at Christ Church Cathedral in Indianapolis where a Hellmuth Wolff organ was installed in the chancel and a Taylor & Boody organ was installed in the rear gallery.

Arthur Carkeek served as the director of music at Gobin United Methodist Church and St. Andrew's Episcopal Church, both in Greencastle, Indiana. In 1998 a fire at St. Andrew's destroyed the existing pipe organ that Carkeek had nurtured over the years. That instrument was replaced in September, 2002 with Op. 1 built by Joseph Zamberlan and was dedicated in honor of Arthur Carkeek.

In 2001, Arthur Carkeek was given a lifetime honorary membership in the American Guild of Organists by the Indianapolis Chapter. He was also a member of Pi Kappa Lambda and the Association of Anglican Musicians.

A Solemn Evensong and Eucharist was celebrated on October 24, 2003 at St. Andrew's. Participants included former students, DePauw faculty, and members of the choir of Christ Church Cathedral, Indianapolis. The Arthur Carkeek Memorial Concert Fund has been established at St. Andrew's Episcopal Church, Greencastle, Indiana. He is survived by his wife Maureen  (McCormick) Carkeek, a daughter, a son, and two grandchildren.

--Richard Konzen

Halbert Scranton Gillette, chairman of the board and CEO of Scranton Gillette Communications, which publishes The Diapason, died on November 22, 2003, at his home in Lake Forest, Illinois, after a long battle with cancer. He was 81.

Born in Chicago, Illinois, June 29, 1922, the son of Edward Scranton Gillette and Claribel Reed Thornton, and raised in Chicago and Winnetka, Illinois, Mr. Gillette attended The Chicago Latin School and graduated from the Philips Exeter Academy. In 1944 he graduated from Massachusetts Institute of Technology with a degree in mechanical engineering and business. He was commissioned U.S. Navy 1944-1946, and served in the U.S. mainland during World War II and in the Naval Reserves. He was chairman of the board and CEO of Scranton Gillette Communications, Inc., which was founded in 1906 by his grandfather. Mr. Gillette started as a salesman for Gillette Publishing in 1947. In 1960, two-thirds of Gillette Publishing Co. was sold to Reuben H. Donnelley, which then was merging with Dun & Bradstreet. Mr. Gillette also moved to Donnelley/Dun & Bradstreet as a publisher and a vice president. In 1970, he rejoined his father's firm, then Scranton Publishing Company, and shortly become president of the firm, which was renamed Scranton Gillette Communications.

Mr. Gillette served as past president of the Chicago Business Papers Association, as well as on the board of several insurance companies. He was the former Chairman of the Board of Occidental Life Insurance. He served as alderman in Lake Forest, Illinois, 1979-1986, and served on the Public Safety and Waterfront committees. He was co-chairman of the committee that oversaw the creation of the city's current beachfront.

He was a member of the Church of the Holy Spirit in Lake Forest, and Church of the Holy Innocents, in Lahaina, Hawaii. He was also a member of the Onwentsia Club of Lake Forest; the Les Cheneaux Club, Cedarville, Michigan; and the Lahaina Yacht Club, Hawaii. Husband of Karla Ann Spiel Gillette; father of Anne, Susan, James, Halbert and Edward; grandfather of Alexander, Madeline, Carolyn, Julia, and Isabelle.

Thyra Nichols Plass died on October 27, 2003, in Bryan, Texas, at the age of 89. She was born in Green Valley, Illinois, on April 8, 1914, and lived in Bryan since 1968. Mrs. Plass earned her bachelor's and master's degrees from the University of Chicago, and her doctor of sacred music from Union Theological Seminary in New York City. A retired organist and choirmaster, she was a member of the Brazos Valley Chapter of the American Guild of Organists, the Association of Anglican Musicians, and of St. Andrew's Episcopal Church, Bryan, Texas. In addition she was a member of The Women's Club, a founding member of the Arts Council of the Brazos Valley, co-founder of the annual children's symphony concerts, and a member of OPAS Guild. She is survived by her husband Gilbert Norman Plass, a daughter, and six grandchildren.

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Henry Murlin Kelsay,
82, died August 23 in Springfield, Missouri. He was born on February 17, 1923
in Versailles, Missouri. After graduation from high school in Booneville,
Missouri, he enlisted in the Army Air Corps in 1942, rising to the rank of 1st
lieutenant and serving as an air corps navigator. He fought in several World
War II battles and air campaigns in southern France and Italy, and was
decorated with numerous medals and citations. Kelsay graduated from Union
Theological Seminary in New York City, and went on to serve as music director
at several churches in the Little Rock, Arkansas area, including Pulaski
Heights Methodist Church and Christ Episcopal Church. He served as dean of the
Central Arkansas AGO chapter 1954-55 and 1959-61. Later in life he
became interested in interior decorating and was successful in that endeavor.

At the time of his death, Kelsay was a member of St. James
Episcopal Church in Springfield, Missouri. A memorial service took place there
on September 17. He is survived by his sister-in-law and three nephews.

--Virginia Strohmeyer-Miles

Noel Mander, MBE,
FSA, prominent British organbuilder, died September 18 at his home in Suffolk,
England, at the age of 93.

Born on May 19, 1912 in Crouch near Wrotham, Mander was
brought up in South London. Having left school (which he hated), he went to
work for A & C Black, publishers. The office work did not suit him,
however, and through his uncle, Frederick Pike, he met Ivor Davis who had
worked for Hill, Norman & Beard. After working with him for a while, Mander
started on his own in 1936, the first organ being that at St. Peter’s
Bethnal Green opposite St. Peter’s School, which years later was to
become the organ works. Unfortunately, Christ Church Jamaica Street, Stepney, where
he rented workspace, together with the organ he was working on and all his
equipment, were lost in the first air raid on East London 1940.

Shortly after that, he joined the Royal Artillery, seeing
service in North Africa and Italy, where he worked on a number of instruments,
including the organ in Algiers Cathedral, which had been silent for years.
Having been invalided out of active service in Italy, he joined the Army
Welfare Service and during his convalescence he repaired a 17th-century organ
in Trani.

After the war he assisted the London Diocese in getting
organs working again in bomb-damaged churches. He set up a workshop in an old
butcher’s shop in Collier Street before moving in 1946 into the old
buildings of St. Peter’s School in Bethnal Green, where the firm remains
to this day. In 1948 he married Enid Watson with whom he had five children,
living over the workshop in Bethnal Green. Most of his early work revolved
around the rebuilding of organs, many of which survive to this day.

He always had an affection for historic instruments and
restored a number of antique chamber organs, setting new standards for the time
with his sympathetic appreciation and restoration of them. Of particular note
was the restoration of the 17th-century organ at Adlington Hall in Cheshire in
1958-59, which was in a completely desolate state. It had not been
playable for perhaps a century, 
but with painstaking care the organ was restored and remains one of the
most important survivors in England.

In the 1960s he became aware that interest was growing in
tracker-action organs in the rest of Europe, and this encouraged him to
investigate this form of action himself, initially in the restoration of
instruments (which otherwise might have been electrified) and then in new
organs. Ultimately a number of such instruments were built including the export
of some to places such as Bermuda and the Sir Winston Churchill Memorial
Foundation in Fulton, Missouri.

Having been involved with the rebuilding of a number of
large organs, he was awarded the contract to rebuild the organ in St.
Paul’s Cathedral in London during the 1970s. This project, lasting almost
five years, was perhaps his greatest pride and was completed just in time for
the Queen’s Silver Jubilee celebrations at St. Paul’s. In 1978 H.M.
Queen Elizabeth made him a Member of the Order of the British Empire (MBE). He
retired in 1983 to his home in Suffolk, but retained an interest in what the
firm was doing right to the end. The 60th anniversary of the Mander firm was
marked in 1996 by publication of a collection of essays in his honor entitled
Fanfare for an Organ Builder.

Noel Mander’s interests were by no means restricted to
organs. He was a keen historian and an avid bookworm. He was a Fellow of the
Society of Antiquaries and very active in the Council of Christians and Jews
for many years. He became a very popular member of the Earl Soham community in
Suffolk, where he retired to in 1983. He was also the British representative
for the Sir Winston Churchill Foundation in Missouri and secured a number of
significant pieces of antique furniture for the Wren church rebuilt there,
including, during the last year of his life, a fine 18th-century pulpit that
had once stood in a City church.

Philip Marshall, who
served as organist at both Ripon and Lincoln cathedrals, died on July 16. Born
in Brighouse in 1921, his early studies were with Whiteley Singleton, a pupil
of Edward Bairstow. He gained an Associateship of the Royal College of Music,
and in 1946 won three prizes in the Fellowship examination of the Royal College
of Organists. He earned his BMus at Durham in 1950, by which time he was
assistant to Melville Cook at Leeds Parish Church. He also served as organist
at All Souls, Haley Hill, Halifax, where he met Margaret Bradbury, whom he
married in 1951, and who survives him. The Marshalls moved that year to Boston,
working at the Parish Church and Grammar School. By 1957,
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Philip Marshall had completed his
doctorate at Durham, studying with Bairstow’s York successor, Francis
Jackson, and was appointed organist at Ripon Cathedral. Founding the choir
school, rebuilding the cathedral instrument and producing a chant book were
highlights of his tenure at Ripon.

An accomplished model engineer, organbuilder and composer as
well as an outstanding organist, accompanist and teacher, Dr. Marshall served
as organist and master of the choristers at Lincoln Cathedral for 20 years
until retirement in 1986. The Dean and Chapter named him Organist Emeritus in
the early 1990s.

Dorothy Hildegard Nordblad died of congestive heart failure on September 9 at the Moorings, a
retirement community in Arlington Heights, Illinois. She was 93. A lifelong
member of Ebenezer Lutheran Church in Chicago, she served for 37 years as
organist and director of junior choirs at Edison Park Lutheran Church, where
she directed 60 children in three choirs. Nordblad also taught history, math
and music to hundreds of children, serving the Chicago public schools for 40
years.

The daughter of Swedish immigrants, she was born in Chicago
in 1911 and graduated from Senn High School before attending Northwestern
University, where she received her bachelor’s degree in education in 1932
and a master’s degree in education in 1946.

Her teaching career began at Stewart School, and in the late
1950s Nordblad moved to Beaubien Elementary School on the Northwest Side. In
addition to teaching, she was assistant principal, a position she held until
her retirement in the 1970s. After she moved to the Moorings retirement home,
she organized and directed the choir there, continuing as its director for more
than seven years. Funeral services were held on September 14 at Ebenezer
Lutheran Church, Chicago.

Donald W. Williams,
of Ann Arbor, died September 22 at the Chelsea Retirement Center, Chelsea,
Michigan, following a seven-month battle with cancer. He was 66.

Williams received his bachelor’s degree (1961) and
master’s degree (1962) from Peabody College in Nashville, Tennessee,
where he studied with Scott Withrow. In 1979 he received the DMA from the
University of Michigan, where he studied with Marilyn Mason. At Michigan, he
was given the Palmer Christian Award by the Organ Department of the School of
Music in recognition of his accomplishments in teaching, performing, and choral
conducting.

Dr. Williams served as organist and choirmaster at Zion
Lutheran Church in Ann Arbor from 1963 until 1995, when he became
organist-choirmaster at Chelsea First United Methodist Church, a position he
held until his death. He was a member of the organ faculty of the National
Music Camp in Interlochen, Michigan, from 1966 to 1970, and was adjunct
lecturer in organ at the University of Michigan in the early 1970s. He taught
organ performance and church music at Concordia University in Ann Arbor (1976-95,
1999 until his death). He was co-founder of the Ann Arbor Youth Chorale, which
he directed with Richard Ingram and Ruth Datz from 1987 to 2001, and was
founder and conductor of the American Chorale of Sacred Music.

Williams performed at churches and cathedrals in this
country and abroad, including the National Cathedral and the Shrine of the
Immaculate Conception in Washington, D.C., St. Thomas Episcopal Church in New
York City, St. Joseph’s Oratory in Montreal, and various European venues.
From 1981 to 1985 he performed as a member of Principal VI, a group of
organists from the greater Ann Arbor area. In 1986, he gave the world premiere
of Vincent Persichetti’s last composition, Give Peace, O God.

In addition to the various positions he held in the Ann
Arbor chapter of the American Guild of Organists, Williams was chair of worship
standards and repertoire of the American Choral Directors’ Association
(1995-2001), and a member of the board of the Boy Choir of Ann Arbor from
2000 until his death. He was a life member of Phi Mu Alpha Sinfonia.

Funeral services were held on September 26 at First
Presbyterian Church of Ann Arbor. Williams is survived by his 97-year-old
father, Joel Williams, of Marietta, Georgia.

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Paul B. Batson, Jr. of Girard, Ohio, died on October 29, 2002, at the age of 72, after a 15 year battle with cancer. He was an active organist in the Youngstown, Ohio, area, having twice served as Dean of the Youngstown AGO chapter. He served other roles in the chapter and was an ardent supporter and manager of the chapter?s concert series for many years. He was also a dual member of the Pittsburgh chapter. In addition to his work in the office of the Youngstown Sheet and Tube Company, Mr. Batson served as organist for the First Baptist Church of Girard, Canfield Presbyterian Church, Christ Lutheran Church in Boardman, John Knox Presbyterian Church in Youngstown, Holy Name Roman Catholic Church in Youngstown, and Central Christian Church in Warren. He had studied organ in Salzburg, Austria, while in the U.S. Army, and then at Youngstown State University and Westminster College. He is survived by his mother and two nieces, and was preceded in death by his father and a brother. A memorial service was held on November 16 at Central Christian Church in Warren, where he had served for over 25 years, and on November 17 a two-hour program of organ music was played by members of the Youngstown AGO chapter at Canfield Presbyterian Church.

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George Guest, organist and choirmaster of St. John's College, Cambridge, died on November 20, 2002, at the age of 78. Born on February 9, 1924, in Bangor, Gwynedd, he had enjoyed a 40-year tenure at St. John's (1951-91). In 1947 he was appointed first undergraduate organ student under Rob Orr, and then succeed Orr upon graduation. In 1955 he oversaw the rebuilding of the chapel organ, adding a fourth manual. The addition of a solo trumpet stop was celebrated by a setting of the Evening Canticles by Michael Tippett. Much in demand as a recital organist, Guest had no fewer than eight of his former students go on to be cathedral chief organists.

George Howell Guest was the son of a grocery-man and traveling village organist. He was born in Bangor, North Wales, and was a chorister at the cathedral there and then at Chester, where he later served as sub-organist. He moved to Cambridge after four years in the Royal Air Force. In 1948 he won the John Stewart of Rannoch Scholarship for Sacred Music, and was appointed organist of St. John's in 1951. He also served as university lecturer in music from 1956 to 1982, and held the post of university organist from 1974 to 1991. In 1977 he was made a white Druid for his services to Welsh music. A member of the Council of the Royal College of Organists from 1964 until his death, he was its president from 1978 to 1980. He was also a member of the Council of the Royal School of Church Music from 1983, and was an examiner to the Associated Board of Royal Schools of Music from 1959 to 1992. He was president of the Cathedral Organists' Association from 1980 to 1982, and of the Incorporated Association of Organists from 1987 to 1989. He was president of the Friends of Cathedral Music and an honorary fellow of several universities and colleges.

George Guest and the St. John's Choir made some 60 recordings on various labels. His autobiography, A Guest at Cambridge, was first published in 1994 and is now in its second edition. A third edition is planned. He was appointed CBE in 1987. He is survived by his wife Nancy (née Talbot), whom he married in 1959, and by their son and a daughter.

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David H. Williams died on November 22, 2002, the day after his 83rd birthday, at his home in Tucson, Arizona. He was born on November 21, 1919, in Caerphilly, Wales, and arrived in New York City in 1927. There he attended at The Juilliard School, worked at H. W. Gray, and studied organ with Walter Wild. He served churches in New York, Connecticut, and Vermont, before moving to Arizona in 1963, where he was appointed organist and choirmaster at St. Andrew's Presbyterian Church. From 1966 until 1984, he served as minister of music, organist, choirmaster, and composer in residence at Catalina United Methodist Church, Tucson. A prolific composer of church music, Mr. Williams had more than 200 works published and had been recognized by the American Society of Composers, Authors and Publishers since 1953. He was named an honorary lifetime member of the AGO. A memorial service took place on November 30, 2002, at Catalina United Methodist Church, Tucson. The service was planned in detail by Williams, and included music by Vaughan Williams, Elgar, Bach, Bobby McFerrin, Manz, Parry, as well as by Williams himself and by his son Peter Williams. The combined choir included members of the choirs from Catalina United Methodist Church and Trinity Presbyterian Church, conducted by his son Peter. A tribute written by former Catalina pastor Stan Brown was read, detailing their many years of collaboration. He is survived by his wife of 57 years, Ruth Williams, five children, and eight grandchildren.

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Catharine Crozier
died on Friday, September 19, 2003 in Portland, Oregon, at the age of 89. The
cause of death was a severe stroke with complications from pneumonia.

Catharine Crozier was born in Oklahoma, where she began to
study the violin, piano and organ at an early age, making her first appearance
as a pianist at the age of six. She was awarded a scholarship to the Eastman
School of Music in Rochester, New York, where she studied organ with Harold
Gleason and graduated with the Bachelor of Music degree and the
Performer's Certificate. As a graduate student, Ms. Crozier received the
Artist's Diploma and the Master of Music degree. In 1939 she was
appointed to the organ faculty of the Eastman School of Music and became head
of the organ department in 1953. Ms. Crozier received the following honorary
degrees: Doctor of Music, from Smith College, Baldwin-Wallace College, and the
University of Southern Colorado; the Doctor of Humane Letters from Illinois
College, and in October, 2000, the Doctor of Musical Arts from the Eastman
School of Music, University of Rochester.

Following her debut at the Washington National Cathedral,
Washington, DC, in 1941, Catharine Crozier joined the roster of the Bernard
LaBerge Concert Management (currently Karen McFarlane Artists, Inc.) with which
she remained for 61 years. Dr. Crozier played recitals throughout the United
States, Canada and Europe, and was heard on national radio in many European
countries, the United States, and on Danish National Television. She was one of
three organists chosen to play the inaugural organ recital at Avery Fisher Hall
at Lincoln Center in 1962, and was engaged for a solo recital there in 1964.
She returned to Lincoln Center to perform a concerto with orchestra at the
inauguration of the Kuhn organ in Alice Tully Hall in 1976, followed by a solo
recital there one year later. In 1979 she was awarded the International
Performer of the Year Award by the New York City AGO chapter, presented to her
by Alice Tully at the conclusion of Crozier's award recital at Alice
Tully Hall. Shortly after this event, she recorded many of the pieces from that
recital for Gothic Records.

From 1955 to 1969 Dr. Crozier was organist of Knowles
Memorial Chapel at Rollins College in Florida. She conducted master classes
throughout the United States, teaching at Union Theological Seminary in New
York, the Andover Organ Institute, at Claremont College and Stanford University
in California, and Northwestern University. In addition she served as a member
of the jury at many international organ competitions, the latest being the 1994
Calgary International Organ Festival.

In addition to performing and teaching, Dr. Crozier
co-edited several editions of the Method of Organ Playing
style='font-style:normal'>, written by her husband, Harold Gleason. The first
edition of the Gleason book appeared in 1937. Following the death of Dr.
Gleason, Catharine Crozier edited the seventh edition (1987) and the eighth
edition (1995).

In 1993 Catharine Crozier moved to Portland, Oregon, where
she was artist-in-residence at Trinity Cathedral until early 2003. As
artist-in-residence, she frequently played organ voluntaries at services, gave
solo recitals and continued to teach. Her recent performances were broadcast
over Oregon Public Radio and in 2001 she was a featured artist on Oregon Public
Television's "Oregon Art Beat." Known for her definitive
playing of organ works of Ned Rorem and Leo Sowerby, two of the five Delos
International CDs she made during the last twenty years of her life included
the major organ works of these two composers.

On Dr. Crozier's 75th and 80th birthdays, she
performed solo recitals from memory at The Crystal Cathedral in Garden Grove,
California; her 85th birthday recital was played at The First Congregational
Church of Los Angeles. Recently, the American Guild of Organists began to
compile a video archive series of great organists; Catharine Crozier was the
subject of The Master Series, Vol. I,
which shows her performing and teaching in her 86th year.

A memorial service/concert and reception will be held on
January 26, 2004, at Trinity Cathedral in Portland, Oregon, with the Trinity
Cathedral Choir (John Strege, director) and organists David Higgs and Frederick
Swann. Memorial donations may be sent to: Music Endowment Fund, Trinity
Cathedral, 147 NW 19th Avenue, Portland, OR 97209.

Morris Chester Queen
died on August 3. Born on September 30, 1921, he grew up in Baltimore,
Maryland, where he began music study at age 7. He became musically active at
Mt. Zion Methodist Episcopal Church, where he and his family worshipped, and
played piano and organ for the church, sang tenor in the Senior Choir, and
directed the youth choir at age 17. During World War II, he served in the U.S.
Navy, where he directed the Great Lakes Naval Octet. In 1947 he was appointed
music director at Sharp Street Memorial Methodist Episcopal Church, Baltimore,
where he would serve for 55 years. That same year he entered Howard University,
where he received both the bachelor of music and bachelor of music education
degrees. In 1955, he received the master of music degree in composition and
choral conducting from Howard University. In addition to his church post, he
also founded and conducted the Morris Queen Chorale and taught at Lemmel Junior
High School and then at Walbrook Senior High School. He also directed the
Baltimore Chapel Choir, including more than 20 performances of Handel's
Messiah. During his tenure at Sharp Street Church, he served under 11 pastors
and missed only one Sunday in 55 years. On May 6, 2002, he was awarded the
Honorary Doctor of Sacred Music by the Richmond, Virginia Seminary. He is
survived by his wife, Ovella Queen, nieces, nephews, cousins, and a host of
other relatives and friends. A memorial service was held on August 9 at Sharp
Street Memorial United Methodist Church, Baltimore.

Remembering Bethel Knoche (1919-2003)

Bethel D. Knoche, 83, the first person to serve as principal
organist at the world headquarters of the Community of Christ (formerly,
Reorganized Church of Jesus Christ of Latter Day Saints) in Independence,
Missouri, died on April 27, 2003, at her home in Independence following a long
illness. During her service to the world church, which was a period of nearly
thirty years, Bethel's ministry reached literally thousands of people
internationally, initially as organist for the church's radio broadcast
of daily morning devotions from the Stone Church and subsequently during her
years presiding at the Auditorium Organ as a participant in worship at world
conferences, recitalist, workshop leader and teacher, and as originator of the
weekly broadcast recital, "The Auditorium Organ."

A native of Arcadia, Kansas, she moved with her family to
Independence when she was eight. Following graduation from William Chrisman
High School, Bethel attended Graceland College for a year and then returned to
Independence, whereupon she began her service with the world church. In
addition to her radio work, her responsibilities included playing for many
church services, accompanying various choirs at the Stone Church, as well as
providing the organ accompaniment for the church's annual broadcast
performance of Handel's Messiah. During that time she began studying organ
with Powell Weaver, well-known Kansas City organist and composer, and completed
a bachelor of music degree in 1946 from Central Missouri State Teachers
College, Warrensburg, Missouri. She then entered a master's degree
program at the Eastman School of Music in Rochester, New York, where she was a
student of Harold Gleason for the next six years.

Many area organists began to recognize that there was
something quite special about Bethel's playing, and thus her career as a
teacher began. In addition to her serving on the faculties of Graceland and at
Warrensburg, she joined the faculty of the newly-formed, but short-lived,
Independence branch of the Kansas City Conservatory of Music. She also served a
number of years as an adjunct instructor of organ at the University of Missouri-Kansas
City's Conservatory of Music, where she taught degree-seeking students at
the bachelor's, master's and doctoral levels. Following her tenure
at the Auditorium, Bethel continued to influence the lives of hundreds of children
by teaching elementary music in the Raytown, Missouri public school system
until her retirement.

In the 1940s Bethel was in a position to share the dreams
and aspirations of the church leadership of having a fine pipe organ in the
world headquarters building, which at the time was a large incomplete domed
shell. It was her association with Harold Gleason and his famous wife, organ
virtuoso Catharine Crozier, that culminated in the design and installation of
the Aeolian-Skinner organ in the Auditorium, completed in 1959, which at the
time was the largest free-standing organ in the United States. Dr. Gleason
served as organ consultant for the church, Ms. Crozier played the inaugural
recital in November 1959, and Bethel was at the organ for its dedication during
the church's world conference in April 1960.

The arrival of the organ, which was considered by many
(including Aeolian-Skinner's president, Joseph Whiteford) to be
Aeolian-Skinner's masterpiece, heralded a new era in the musical life of
the community as well as the church. From the very beginning, Bethel invited
many distinguished guest musicians from all over the United States and abroad
to perform in Independence, a tradition which continues to the present day. Not
only has the Auditorium Organ been a superb instrument for performing great
organ literature, it was designed to possess in abundance the necessary
qualities for encouraging a vast congregation to sing. A congregational hymn
with Bethel Knoche at the Auditorium Organ was a truly inspiring moment for all
present. The organ also provided a new outlet for the church's
longstanding commitment to radio ministry and eventually became one of the most
frequently heard organs on the air. "The Auditorium Organ," a
program heard for more than thirty years, originated as a 30-minute recital
featuring Bethel Knoche and broadcast weekly over an international network. The
organ also set a new standard of excellence against which all future organs in
the Midwest would be measured, and Bethel provided invaluable assistance to countless
congregations in their selection and purchase of new organs.

Sensing the need to have many people prepared to play the
new organ on a regular basis, Bethel assembled and trained a small, but very
dedicated, corps of volunteer organists to share the playing responsibilities
at the many events that would be taking place in the Auditorium. In addition to
the many services that occur in conjunction with the church's biennial
world conference, a daily listening period was instituted, for which the organ staff
would provide invaluable assistance, enabling countless visitors to the
building to experience the beauty and power of the splendid new organ. The
daily recitals have continued to the present day (daily during the summer and
weekly throughout the rest of the year), made possible by a volunteer staff
that now comprises thirty-five gifted musicians.

Bethel is survived by her husband of fifty-six years, Joseph
T. Knoche; her daughter, Anne McCracken of Jackson, Tennessee; her son, Joseph
K. Knoche of Independence; her sister, Shirley Elliott of Fremont, Nebraska;
five grandchildren; seven great-grandchildren, and a host of former students,
friends and admirers from all over the world. Plans are now being formulated
for an appropriate world church commemoration of the life and ministry of
Bethel Knoche.

--Rodney Giles

Ft. Lauderdale, FL and Cherry Grove,NY

Past Dean, Greater Kansas City AGO

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