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Philip Hahn, the immediate past president of the American Guild of Organists, died peacefully at his home in San Francisco, California on April 13, 2003, from complications of myelofibrosis, a disease of the bone marrow. From 1992 to 2002, he was a member of the AGO National Council and served as president from 1998 to 2002.

Hahn received bachelor and master of music degrees from the University of Michigan where he studied with Marilyn Mason and Robert Noehren, and earned a DMA in composition and organ performance from the American Conservatory of Music, Chicago, studying with Stella Roberts and Robert Lodine. He received certificates in organ, composition, and solfeggio from the Conservatoire Americain, Fontainebleau, France, where he studied with Nadia Boulanger and André Marchal, and held the AAGO certificate.

During his career, he was an associate professor of music at the University of Northern Iowa, where he oversaw the installation of a large four-manual organ built by Robert Noehren, and was director of music at Waterloo's First United Methodist Church. After moving to California, Hahn served as director of music at the First Presbyterian Church in Palo Alto for several years before being appointed artistic director of the San Francisco Boys Chorus. He played many recitals on notable instruments and was a featured recitalist, workshop leader, and adjudicator at many AGO conventions.

Philip Hahn was also a professional chef, holding the position of sous chef at the Clift Hotel in San Francisco, later running his own restaurant, Fanny's, in San Francisco. For several years Hahn ran the restaurant and served as organist at the First Presbyterian Church of San Anselmo, returning exclusively to church music in 1980. From 1990 until his death, Hahn served as organist-choirmaster at St. John's Episcopal Church in Ross, California.

Dr. Hahn's compositions include sacred anthems, pieces for trumpet and organ including The Trumpet Sings Thanksgiving; Spiritual; Fanfare for Five Trumpets and Organ; and two large concerted works: Fantasy for Orchestra and Acclamations! A Fanfare for Concert Band. For the organ, he wrote several short hymn-based compositions plus larger works including Sonata for Organ; Songs from the Forest: A Suite for Organ and Synthesizer; and Suite for Organ Celesta, Vibraharp, and Timpani. His Sonata for Violin and Piano was the recipient of a Sigma Alpha Iota Prize. His short ballet The Dance in the Desert was fully staged at both the First Presbyterian Church, Palo Alto, and at St. John's Episcopal Church in Ross.

He is survived by his partner of 29 years Norman Nagao, two sisters, and a number of nephews and nieces. A memorial service was held at St. John's Episcopal Church in Ross, California, on May 4.

Richard L. Johnson, 61, of Buffalo, New York, and East Longmeadow, Massachusetts, died on December 6, 2002, in Buffalo. Dr. Johnson was professor of humanities at Medaille College, Buffalo, joining the faculty in 1984. An accomplished musician and dedicated educator, he was known for his innovative theatre and music classes. He also directed numerous stage productions and was named the college's Professor of the Year for 2000-2001.

Dr. Johnson was born on May 17, 1941, in San Antonio, Texas. Upon receiving his Bachelor of Arts degree in music from Trinity University of San Antonio in 1963, he went on to earn his Master of Music degree from Yale University in 1965. He spent 1966-67 in Copenhagen, Denmark, on a Fulbright Scholarship, studying organ with Finn Viderø. Returning to the United States, he held faculty positions at Wake Forest University, Amherst College, Smith College, and the University of Maine. In 1973, he graduated from the University of Michigan with a Doctor of Musical Arts degree. In 1992, he received a National Endowment for the Humanities award to study theatre at Columbia University, and at the time of his death he was pursuing a post-doctoral Master's degree in Theatre at SUNY-Buffalo.

In addition to teaching, Dr. Johnson performed organ recitals at venues across the country, including the National Cathedral in Washington, DC, and St. Thomas Church in New York City. Several of his recordings aired on National Public Radio stations throughout the country. He is survived by his parents, a sister, brother, nieces and nephews, and his long-time partner, Richard LaBorde of East Longmeadow.

Richard Eugene Livesay died on February 24 at the age of 87. A resident of Alexandria, Virginia, he was organist at Cherrydale United Methodist Church in Arlington from 1947 to 1988, when he was named organist emeritus. At that church he had played for more than 2,000 Sunday services, 600 weddings, and countless funerals, and helped design the church's Wicks pipe organ of 37 ranks. He was a former Dean of the Alexandria AGO chapter and was a guest organist at Washington National Cathedral. Born in Tulsa, he began piano study at age 12 and organ at age 16, and he attended Blackburn College in Illinois, Park College in Missouri, and American University. In the late 1930s, he worked for Jenkins Music Co. and demonstrated Hammond organs at churches around Tulsa. Mr. Livesay was also a Defense Department official from 1940 until retiring in 1973 as staff secretary to the secretary of defense. He is survived by his wife of 64 years Veradell Elliott Livesay, two children, and five grandchildren.

Dale Wood died on April 13 after a valiant battle against esophageal and lung cancer, at his Sea Ranch, California home. A renowned composer, organist and choral director, he was known for his numerous published choral works and hymn tunes, and his compositions for handbells, harp, and organ. He was for many years organist and choirmaster in San Francisco at the Episcopal Church of St. Mary the Virgin and served in a similar capacity in Lutheran churches in Hollywood and Riverside, California. He had published numerous articles on worship, liturgy, and church music, and was a contributing editor to the Journal of Church Music for over a decade. His monthly column appeared in the Methodist journal Music Ministry for three years. Wood headed the publications committee of Choristers Guild from 1970-74. After serving as music director of the Grace Cathedral School for Boys in San Francisco (1973-74), he was appointed executive director for The Sacred Music Press, a position he held from 1975-96, and was editor emeritus 1996-2001. The American Society of Composers, Authors and Publishers (ASCAP) honored Dale Wood annually since 1967 for his "very important contribution towards the creation and development of contemporary American Music." The Board of Regents of California Lutheran University awarded Dale Wood the title of "Exemplar of the University," citing him as "an example of excellence in service and a worthy model of a good and useful life."

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Earl V. Kelone, 82, of Little Rock, Arkansas, died on May 10 from a stroke. He was born on November 18, 1919 in Little Rock and was a member of Our Lady of the Holy Souls Catholic Church, where he served as organist and choir director for 48 years. He also served as treasurer of the Central Arkansas AGO chapter for several years, and was an Army veteran of World War II in the Pacific Theatre. Mr. Kelone is survived by his wife of 55 years, Gertrude Kelone, a daughter, a brother, a sister, and two grandchildren. Memorials may be made to the Msgr. Allen Trust Fund, c/o Our Lady of the Holy Souls Church, 1003 N. Tyler St., Little Rock, AR 72205; or St. Joseph's Endowment Fund, 1115 College Ave., Conway, AR 72032.

 

Frederick A. Lake, age 72, died on June 28 at Kaiser Hospital in San Francisco, California, after a lengthy illness. Fred served as senior voicer at Schoenstein & Co., San Francisco, where was employed since 1981. In his 21 years of dedicated service to the company, he was a major contributor in developing their American Romantic tonal style. He carried out numerous voicing research and development projects based on the firm's studies in France, Germany and England, and conducted numerous tonal experiments toward the creation of new stops such as the Schoenstein Symphonic Flute. Fred also took part in tuning and tonal finishing activities.

According to members of his family, Fred developed a passionate interest in the pipe organ and its music as he grew up in Kalamazoo, Michigan. He studied organ in school and college and held posts as a church organist through much of his career. His organ work started with an apprencticeship at the firm of Rudolf von Beckerath in Hamburg, Germany. His training was primarily in flue voicing. In 1958 he joined John Shawhan, the Casavant representative in Saginaw, Michigan, where he took part in the installation and finishing of many new Casavant organs as well as rebuilding projects and tuning. In 1968, Fred joined the Berghaus Organ Company in Bellwood, Illinois, where he served as voicer and handled other organ building, rebuilding, and service responsibilities until moving to San Francisco and joining the Schoenstein organization. He was a member of the American Institute of Organbuilders.

Fred Lake was highly respected by co-workers and clients alike. He was a gentlemanly, soft-spoken, and learned colleague with extensive interests and knowledge in a wide range of scientific subjects. His thorough dedication to the study of pipe organ tone made him a valued member of the pipe organ community. He is survived by his sister Ruth Ann Saunders of Kirkland, Washington.

--Jack Bethards

President, Schoenstein & Co.

 

Robert Noehren died on August 4 in San Diego, California. He was 91. Dr. Noehren enjoyed a long career as a recitalist, teacher, scholar, and organ builder. He taught at the University of Michigan from 1949 to 1976, serving as head of the organ department and university organist, and was named professor emeritus in 1977.

Born on December 16, 1910, in Buffalo, New York, Noehren studied organ with Gaston Dethier, Ernest Mitchell and Lynnwood Farnam, and composition with Paul Hindemith. Early in his career he served as a church organist in Germantown, Pennsylvania; Buffalo, New York; and Grand Rapids, Michigan. He taught at Davidson College prior to his appointment to the University of Michigan. Noehren made over 40 recordings and was the first organist and one of only two non-French organists to receive the Grand Prix du Disque (for his recording of the Bach Trio Sonatas). In 1978 he received the Performer of the Year Award from the New York City AGO chapter.

Through grants from the Carnegie Foundation and the University of Michigan, Noehren toured France, Germany, and Holland extensively, gathering scaling and voicing data on the organs of those countries. Articles based on those experiences appeared in The Diapason beginning in 1948. He formed his own organ company in Ann Arbor and built 20 organs between 1955 and 1979, including large four-manual instruments at St. John's Cathedral, Milwaukee; First Presbyterian Church, Buffalo, New York; and First Unitarian Church, San Francisco. In 1999, Harmonie Park Press (Warren, Michigan) published Noehren's collection of essays, An Organist's Reader, which details his life in music and organ building. Recent recordings include The Robert Noehren Retrospective (Lyrichord LYR-CD-6005) and Johann Sebastian Bach (Fleur de Lis FL 0101-2).

[A tribute will appear in a later issue.]

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Ronald Edward Ballard, of Little Rock, Arkansas, died on January 23, from kidney, liver, and heart disease. Born on January 9, 1947, in North Little Rock, he was a graduate of Oklahoma Baptist University. He wrote theater and concert reviews for the Spectrum and Arkansas Times and was business administrator for Stanton Road School and First Christian Church in Little Rock. At the time of his death, Ballard was organist and choirmaster of Westover Hills Presbyterian Church in Little Rock. He previously served a number of churches in Little Rock, North Little Rock; Charlotte, North Carolina; and Brenham, Texas; and taught music, history, and mathematics in North Little Rock Public Schools and Stanton Road School. He served as dean of the Central Arkansas AGO chapter in 1976–77.

 

 

George A. Brandon died on March 30 in Davis, California, following a short illness. He was 76. Born in Stockton, California on February 4, 1924, he earned a BA in history at College of the Pacific in 1945 and a Master of Sacred Music degree in 1952 at Union Theological Seminary. He served as organist-director at several churches in the New York City area, and before returning to Union in 1955 to earn a master's in religious education he served two years as organist-director of the First Presbyterian Church in Burlington, North Carolina. While at Union, he met Dona Lee Banzett, whom he married in 1954. They taught for five years at two small midwestern colleges and then relocated to Davis, California, in 1962. During the 1960s, Mr. Brandon held positions at several Davis churches, including Incarnation Lutheran, Davis Community Church, and St. Martin's Episcopal Church. In 1994 he was commissioned by St. Paul's Episcopal Church in Sacramento, California, to write the "St. Paul's Suite," an organ work based on the last chorus of Saint-Saëns' Christmas Oratorio, for a concert that celebrated the restoration and 80th anniversary of the church's 1877 Johnson organ (opus 503). Mr. Brandon was a free-lance composer, with over 300 published compositions, including anthems, hymn tunes and texts, choir responses, secular choruses, organ and piano pieces. He researched and wrote about many aspects of church music and related fields, especially early American hymnody. He was a member of the AGO, the Hymn Society of the US and Canada, the Hymn Society of Great Britain and Ireland, and the Sonneck Society. A celebration of Mr. Brandon's life and work took place at St. Martin's Episcopal Church, Davis, on May 17. He is survived by his wife of 45 years, Dona Lee Brandon, a daughter, and a sister.

 

Otto Juergen Hofmann, organbuilder of Austin, Texas, died on May 12, at the age of 82. He was born of German immigrant parents in Kyle, Texas on December 9, 1918, the youngest of ten children. He attended the University of Texas, studied physics, music, philosophy, and sociology, and had a PhD in physics from UT-Austin. Hofmann built his first slider-chest and mechanical-action organ in 1938. One of his first contracts was to rebuild the organ at St. Mary's Cathedral, Austin. He then built the organ for St. Stephen's Episcopal School. This was soon followed by an organ for the chapel of Austin Presbyterian Theological Seminary. Hofmann built, rebuilt, and restored numerous organs throughout Texas and beyond. He was involved in the early efforts of the tracker organ revival, and collaborated with Flentrop in building an organ for Matthews Memorial Presbyterian Church in Albany, Texas, in 1955. He served as president of the International Society of Organbuilders, and in 1975 was awarded the Industrial Arts Medal by the Austin chapter of the American Institute of Architects. He retired from active organ building in 1994.

 

James Dale Holloway died on May 17, the random victim of a shooting on the campus of Pacific Lutheran University, Tacoma, Washington. Holloway, age 40, was appointed assistant professor of music and university organist at PLU in the fall of 2000. Born in Columbus, Georgia, on July 4, 1960, Holloway received a BMus from Shorter College in Rome, Georgia; a master's degree from the University of North Texas; and after beginning doctoral studies at the University of Alabama, completed his doctorate at the University of Washington. As a church musician, he served parishes in Georgia, Texas, Alabama, and Oregon, before moving to Tacoma in 1989 to become minister of music at Trinity Lutheran Church. For ten years he taught part-time at PLU before his full-time appointment in 2000. He was a performer and lecturer at national and regional conventions of the AGO, the OHS, and the Association of Lutheran Church Musicians. He was current president of the western regional ACLM, and was a winner in 16 organ competitions at the state, regional, and national levels. A memorial fund, the "James Holloway Music Scholarship Fund," has been established at PLU in his memory. A memorial service took place on May 21 at the university. He is survived by his wife, Judy (Willis) Carr, and five stepchildren.

 

Antonio Ruffatti died on May 6, in Padova, Italy, at the age of 89. He co-founded Fratelli Ruffatti, organbuilders, in Padova in 1940--following a centuries-old tradition in that geographic area of Italy--a firm which continues today under the direction of his sons Francesco and Piero. In the 1950s, he succeeded in making Fratelli Ruffatti known internationally by building a five-manual organ for the Shrine of Our Lady of Fatima in Portugal. In the following decade, he built many organs in the United States. Following the classical tradition in his own country, he was among the first in Italy to call for the return to mechanical action. Fratelli Ruffatti built several tracker instruments in the early 1960s, a practice which was highly uncommon, if not controversial, at the time in Italy, but which has grown to become an important part of the current activity of the firm. He also delved into restoration techniques, and today Fratelli Ruffatti is one of the few firms licensed by the Italian government to do historical restoration on Italy's ancient instruments.

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Herbert Anton Kellner
died on April 21 in Darmstadt, Germany. Born on December 25, 1938, in Prague,
he studied philosophy, physics, mathematics, and astronomy at the University of
Vienna, and was awarded a PhD in 1961 with a dissertation in mathematics. In
1975 he identified the unequal temperament of J. S. Bach for Das wohltemperirte
Clavier. He worked for 33 years in space technology and satellite
communications management. His extensive bibliography includes numerous
articles on temperaments, Bach, and symbolism, among which are articles in The
Diapason: "How Bach encoded his name into Die Kunst der Fuge together
with his tuning," May, 1999, pp. 14-15; "Johann Sebastian
Bach and Die Kunst der Fuga," March, 2000, p. 13; and "Die Kunst
der Fuga: J.S. Bach's Prefatory Message and Implications," May,
2000, pp. 15-17. For a complete bibliography:
<http://ha.kellner.bei.t-online.de&gt;.

Anna L. Raitch died
on May 6 at Fox Run Nursing Home, Findlay, Ohio, after a short illness. She was
94. Born on July 25, 1908 in Mansfield, Ohio, she lived in many areas of the
United States, as she followed her husband who was an officer in the Naval
Reserves. An organist and a teacher of organ and piano for 50 years, she served
as organist of many churches including Brookwood Presbyterian Church, Columbus,
Ohio; First Community Church, Upper Arlington, Ohio; and Lutheran, Methodist,
and Christian Science churches in Huntsville, Alabama; Syracuse, New York; and
San Francisco, California. Mrs. Raitch was a member of the Mansfield Apostolic
Christian Church, Mansfield, Ohio, and a member of the Philanthropic Education
Organization, a charter member of the Mansfield Symphony, and former secretary
of the Columbus AGO chapter. She had served as organist for Wappner Funeral
Directors and the Renaissance Theatre.

Fern Roberta Traugott
died on November 12, 2002, at a nursing home in Hot Springs Village, Arkansas.
She was 87 years old. Born on January 1, 1915, in Fairmont, Oklahoma, to Oscar
and Christina Kind, she spent her youth in Winfield, Kansas, and was raised in
the environment of St. John's Lutheran College, where her parents served
as house-parents to the 250 ministerial students. There she began her lifelong
interest in music and worked toward her degree in organ at Southwestern College
in Winfield. She married Edgar Traugott on March 24, 1940, and lived in
Louisiana for 43 years. She was employed as a secretary for 23 years at the
University of New Orleans. Following retirement, the Traugotts moved to Hot
Springs Village, Arkansas, in 1983 and were charter members of Faith Lutheran
Church there. A lifelong church organist, Fern Traugott served Lutheran
churches in Kansas, Louisiana, and Arkansas, serving Faith Lutheran Church
1986-96. In her capacity there, she was instrumental in the installation
of its historic Hook & Hastings organ in the early 1990s. Mrs. Traugott is
survived by a son, six grandchildren, eight great-grandchildren, and many
nieces and nephews. She was preceded in death by her husband Edgar, one son,
her parents, and six siblings.

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The French organist and musicologist Jean Bonfils died on November 26, 2007 in Rennes (Ille-et-Vilaine) at the age of 86. His funeral was celebrated on November 29 at the Notre-Dame Church in Vitré and a memorial mass was held in his honor at La Trinité Church in Paris on February 16, 2008.
Born in Saint-Etienne (Loire) on April 21, 1921, Jean Bonfils studied at the Paris Conservatory and received first prize in organ in 1949 in Marcel Dupré’s class, a second prize in composition in Jean Rivier’s class in 1948, and a first medal in analysis in Olivier Messiaen’s class in 1950.
Jean Bonfils substituted for Olivier Messiaen at La Trinité Church in Paris for over forty years (from 1950 to 1992), then for Naji Hakim. According to Denis Havard de la Montagne (http://www.musimem.com/BonfilsJean.htm), he also played the Merklin organ at the Grande Synagogue in Paris, rue de la Victoire, for over thirty years (succeeding Henriette Roger in 1953), and in 1964 he was also named titular of the Cavaillé-Coll/Mutin organ at Saint-Ignace (succeeding Paule Piédelièvre, remaining until 1975). After assisting Jean Langlais as organ professor at the Schola Cantorum, he taught organ there from 1973 to 1992.
He was editor of numerous liturgical journals and musical publications, including the collection he co-directed with Gaston Litaize, L’Organiste liturgique, Heinrich Schütz’s works for choir, and an organ method he wrote with Noëllie Pierront (Nouvelle méthode de Clavier, four volumes, 1960–68, and in 1962 a two-volume Nouvelle méthode d’orgue), which has formed an entire generation of organists, notably Olivier Latry. Seuil Editions published his reconstitutions of Goudimel’s psalms and motets. Jean Bonfils edited numerous 16th- and 17th-century French organ compositions, including Jacques Boyvin’s First and Second Organ Books as well as Deo Gloria, collections of liturgical organ music he prepared with Noëllie Pierront from 1962 to 1968.
A musicologist, Jean Bonfils wrote numerous articles, notably in L’Orgue: on the Christmas carols of Pierre and Jean-François Dandrieu (no. 83, pp. 48–54) and on Olivier Messiaen (1992, no. 224, pp. 12–14); in Recherches sur la musique française classique edited by Picard: on the instrumental fantasies of Eustache Du Caurroy (in 1961–62) and on Jehan Titelouze’s organ works (1965), as well as numerous biographical notices on French musicians for Die Musik in Geschichte und Gegenwart (Bärenreiter) and for Corliss Arnold’s Organ Literature: A Comprehensive Survey (Scarecrow Press).
Jean Bonfils composed an organ piece, Communion on “Beata Viscera,” published in L’Organiste liturgique (Schola Cantorum). Jean Langlais dedicated to him his Trois Méditations sur la Sainte-Trinité, op. 129 (Philippo, 1962).
At La Trinité Church, I had the joy of working with him from 1989 to 1997. Like Olivier Messiaen, Jean Bonfils was very discreet, modest and cordial, and was an excellent musician. He played an eclectic repertory and carefully chose the pieces he played during the church services, strictly in keeping with their specific liturgical functions; an excellent musicologist as well, he was an immense inspiration to me and countless other musicians and students. In addition, he generously gave numerous manuscripts, musical scores and letters to the music department at the Bibliothèque nationale and to the library at the Conservatory in Boulogne-Billancourt.
—Carolyn Shuster Fournier
Titular of the A. Cavaillé-Coll Choir Organ at La Trinité Church in Paris

Robert N. Cavarra died February 8 in Denver, Colorado after complications from kidney failure. He was for many years professor of music at Colorado State University and a leading participant in the revival of the classical organ tradition in North America.
Under Cavarra’s leadership, three examples of this movement were realized in Fort Collins: the Casavant Frères organ at CSU (1969), the Lawrence Phelps opus 1 organ at St. Luke’s Episcopal Church (1973), and the Danish Marcussen and Son organ at First United Methodist Church (1987). He brought together artists from throughout the world for master classes and recitals on these instruments, including E. Power Biggs, Marie-Claire Alain, Luigi Tagliavini, Gillian Weir, Lionel Rogg, Bernard Lagacé, and Anton Heiller. He taught from 1963 until 2000 on the faculty of CSU’s Department of Music, Theater and Dance. At his death, he was Professor Emeritus of Music. As a student of both philosophy and music, Cavarra also served as organist for the North American College.
Robert Nicholas Cavarra was born on February 23, 1934, in Denver. His musical training began in childhood, and by age 12 he was performing publicly. As a recitalist, Cavarra toured widely, including concerts in Denmark, Sweden, France, England, Canada, Mexico and the United States. He and his wife Barbara founded an international non-profit foundation, “Pro Organo Pleno XXI.” As a recording artist, he released CDs through the Musical Heritage Society, and he was a major figure in the “Christmas at CSU” series of recordings. He was also a published composer and solo and ensemble harpsichordist.
In addition to the classical organ, Cavarra was responsible for the installation of a Wurlitzer theatre organ at CSU, and sponsored numerous workshops on theatre organ music. He was organist at St. Joseph and St. Pius X Roman Catholic Churches and St. Barnabas Episcopal Church in Denver, and St. Joseph Roman Catholic Church, St. Luke’s Episcopal Church, and the First United Methodist Church in Fort Collins. He also taught music at Loretto Heights College and St. Thomas Theological Seminary in Denver, as well as at the University of Wyoming. Cavarra is survived by his wife Barbara, a daughter, three sons, and five grandchildren.

Jack Hennigan died November 11, 2007 in Pelham Manor, New York, at the age of 64. Born in Scranton, Pennsylvania, he earned a bachelor of music degree at Juilliard, having studied organ with Vernon deTar. Further studies were in Cologne, Germany, with Michael Schneider (organ) and Gunther Ludwig (organ). He earned master’s and doctoral degrees from Yale, studying organ with Charles Krigbaum and piano with Donald Currier. He won international organ competitions in Bruges, Belgium, and Worcester, Massachusetts. Hennigan served as organist-choirmaster at St. Matthews Church, Wilton, Connecticut, and the Church of Christ the Redeemer (Episcopal) in Pelham Manor, New York. He wrote a monthly column for The American Organist dealing with fingering, hand coordination, and performance anxiety, and lectured to AGO groups on these topics. He was also known as a gourmet cook, traveling and studying food preparation in France. Jack Hennigan is survived by his partner, Martin Nash, of Pelham Manor.

Winston A. Johnson died February 4. He was 92. Born in China in 1915 to Covenant missionaries, he first studied piano with his mother. His family returned to the U.S. in 1927, eventually settling in Illinois. Johnson began organ study at age 13 and by age 16 held his first church organist position. He earned bachelor and master of music degrees from the American Conservatory of Music in Chicago, and the master of sacred music from Union Theological Seminary in New York City. His teachers included Clarence Dickinson, Marcel Dupré, Hugh Porter, and Leo Sowerby. He served in the U.S. Army from 1942–46 as a chaplain’s assistant, playing for Protestant, Catholic, and Jewish services.
Winston Johnson served as organist and choir director for over 60 years, including at University Presbyterian Church in Seattle for 32 years. Active in the American Guild of Organists, he was one of twelve organists who studied with Sowerby in Chicago for the Associate certificate; he was the only candidate who passed the two-day examination that year. Johnson held several offices with the Seattle AGO chapter, including as dean. He also played for two AGO regional conventions, and had performed with the Seattle Symphony Orchestra and the Seattle Opera. He taught at North Park College and Trinity Bible Institute in Chicago, and at Simpson Bible Institute and Seattle Pacific University in Seattle, and taught privately. He gave his last piano lesson three days before his death. Winston Johnson is survived by Irma, his wife of nearly 50 years, his sister, two sisters-in-law and a brother-in-law, and nieces and nephews.

Robert V. McGuire died November 12, 2007, in Haines City, Florida, at the age of 79. Born and raised in Chicago, his doctoral dissertation from the University of Chicago dealt with the use of the augmented second in Bach’s Passions and other choral works. Dr. McGuire served as organist-choirmaster at churches in Illinois and in Florida; his last position was at St. Mark’s Episcopal Church in Haines City, retiring in 2002. He served on the boards of the Messiah Association of Polk County and the Bach Festival of Central Florida, for which he authored program notes for many years. A lifelong member of the AGO, he served as dean of the Lakeland Area (Florida) chapter. Robert McGuire is survived by many cousins, nieces, nephews, and his friend Jeanette Stokes.

Edward Lamond Nobles, age 72, died January 2 in Meridian, Mississippi. Born in Meridian, he first studied piano with an aunt; he earned a bachelor of music degree at Jackson State College (now Jackson State University) in 1958, and a master of music education degree from Columbia University in New York City in 1968. Nobles taught music for eight years in Mississippi and for 18 years in Michigan; he also served as organist-choir director in various churches in those two states. He returned to Mississippi in 1984 and served as organist at St. Patrick Catholic Church of Meridian for over 20 years. Nobles was a member of Phi Mu Alpha Sinfonia Music Fraternity and the AGO, and was active in the Jackson, Mississippi chapter. He is survived by several cousins and many friends.

Glenn Edward Pride, 57, died suddenly February 26 at his residence on St. Simons Island, Georgia. Born in Nashville, Tennessee, he graduated from Peabody Demonstration School in Nashville and from Hope College in Holland, Michigan, majoring in organ performance. His graduate degree in sacred music was completed at Southern Methodist University, Perkins School of Theology, in Dallas, Texas. Mr. Pride had served St. Simons Presbyterian Church as director of music and organist since 2000. During his 34-year music career, he also served First Presbyterian Church of Dalton, Georgia; First Presbyterian Church of Bartlesville, Oklahoma; First Presbyterian Church of Jonesboro, Georgia; and the First Presbyterian Church of Douglasville, Georgia. He was a member of Rotary International and the American Guild of Organists. He was also artistic director of the Island Concert Association of St. Simons Island.

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Porter Warrington Heaps died on May 3, three weeks short of his 93rd birthday, in Palo Alto, California. A recitalist of classical and popular music, radio and television entertainer, church and synagogue organist, arranger and editor, he performed throughout the U.S. and abroad. Born in Cicero, Illinois in 1906, he began playing organ and piano at an early age and in the 1920s studied at Northwestern University, where he earned the BMus, BS, and MA degrees, spending the summers of those years in Paris studying with Marcel Dupré. For three years he was chapel organist at Northwestern, and for four years he played Vesper recitals in Rockefeller Chapel at the University of Chicago. In the 1930s he served on the organ faculty of the Cosmopolitan School of Music and Dramatic Art in Chicago, taught at Northwestern, and substituted for Arthur Poister at the University of Redlands, California. In the 1940s and 1950s he did extensive radio and television work at major Chicago stations. For over 25 years he was organist for the Chicagoland Music Festival, held in Soldiers' Field every August. During this time he also served as organist and choirmaster of St. Matthew's Episcopal Church in Evanston. His career also involved work with the Hammond Organ Company, beginning in the 1930s until his retirement in 1970. For 35 years he traveled the world for Hammond, giving seminars, programs, and concerts. In 1970 Porter and Dorothy Heaps moved to Palo Alto, where he continued an active retirement. For three years he was Dean of the San Jose AGO chapter and was involved with the Pacific Council for Organ Clubs. For many years he was organist and music director for the Unity Palo Alto Community Church. His library of organ music will be donated to the School of Music at Northwestern University. He is survived by two daughters, five grandchildren, and six great-grandchildren.

Thomas Matthews died on April 10 in Tulsa, Oklahoma. Born on April 1, 1915, he was appointed assistant organist at the age of 17 at the Cathedral of St. John the Divine in New York City, working under Norman Coke-Jephcott.  In 1936 he moved to Philadelphia to become organist-choirmaster of St. Martin-in-the-Fields, where he founded the boy choir. During World War II he conducted the famous Blue Jacket Choir at Great Lakes Naval Training Center and arranged more than 150 works for the concerts and weekly radio broadcasts. He served as Organist-Choirmaster at St. Luke's Episcopal Church in Evanston, Illinois, from 1946 to 1960, where he refounded the Choir of Men and Boys which had been dormant since the 1920s. He also formed the St. Luke's Girls Choir and began the Bach Choir of Evanston, which still exists as the North Shore Choral Society. He also taught at Northwestern University and was director of music at Seabury-Western Theological Seminary. At about the same time he began his association with the Evergreen Conference in Colorado, serving 18 years as its Dean. He also composed more than 30 anthems, many of which are still performed throughout the country. He became the first Dean of the North Shore AGO chapter in 1957, the year of its founding. In 1960 Matthews left Evanston to become organist-choirmaster at Trinity Church in Tulsa, Oklahoma, a postition he held until his retirement several years ago. He is survived by his wife Mary, daughter Sarah, and two grandchildren. His son Roger preceded him in death. Services were held at Trinity Church on April 13.

Graham Steed died on March 6. Born in 1913, he was the last surviving of the four founding members of the RCCO Vancouver Island Centre. Steed received his FRCO in 1937 and upon the 60th anniversary of this event the RCCO Vancouver Island Centre made him a Centre Life Member in 1997. He was organist at Christ Church Cathedral in Victoria in the 1950s, during which time he founded the Victoria Centre of the Canadian College of Organists. He retired to Vancouver Island in 1986 after a long and distinguished career as organist and choir director in the USA and Canada. For nearly two decades he presented his "King of Instruments" course in Halifax and Victoria, and continued teaching this course up until the time of his death. He was a friend and student of Marcel Dupré and a champion of the music of Hermann Schroeder. In addition to regular daily organ practice, Steed was also working on a book on Dupré and on his autobiography.

Nunc Dimittis

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John Ogasapian, of
Pepperell, Massachusetts, died in Los Angeles on July 11, shortly after he was
diagnosed with cancer of the pancreas and liver. He was 64. Dr. Ogasapian was
professor of music at the University of Massachusetts, Lowell, where he had taught
since 1965. He received bachelor’s and master’s degrees in organ
and a Ph.D. in musicology from Boston University, where he was a student of the
late George Faxon. He was organist and choirmaster of St. Anne’s
Episcopal Church in Lowell 1961-99, and interim organist and choirmaster
of All Saints Church in Worcester, Massachusetts 2002-03. He authored or
edited eight books and published over a hundred articles, essays and reviews in
many journals including The Diapason
. The Organ Historical
Society honored him with its Distinguished Service Award in 1994 and the
designation of Honorary Member in 2000.

Dr. Ogasapian served as editor of The Tracker: Journal of
the Organ Historical Society

(1993’2000) and was a contributing editor of
Journal of Church
Music
(1985’1988). He was chairman of
the 1978 OHS national convention in Lowell, Massachusetts, and chairman of the
2000 OHS American Organ Archives Symposium in Princeton, New Jersey.

His books include Litterae Organi: Essays in Honor of
Barbara Owen
(edited by Ogasapian and
others; he also contributed an essay; OHS Press, 2005);
Music of the
Colonial and Revolutionary Era
(Greenwood
Press, 2004);
The Varieties of Musicology: Essays in Honor of Murray
Lefkowitz
(edited by John Daverio and John
Ogasapian, Harmonie Park Press, 2000);
English Cathedral Music in New
York: Edward Hodges of Trinity Church
(Organ
Historical Society, 1994);
Church Organs: A Guide to Selection &
Purchase
(Baker Book House, 1983, AGO &
OHS collaboration, 1990);
Henry Erben: Portrait of a
Nineteenth-Century American Organ Builder

(Organ Literature Foundation, 1980);
Organ Building in New York City:
1700’1900
(Organ Literature
Foundation, 1977). He was working on a ninth book,
Music Culture in
the Guilded Age: Civil War to World War I
,
at the time of his death.

He played his last recital on May 25 at Methuen Memorial
Music Hall, featuring works by Paine, Buck, Chadwick, Foote, Parker, Hovhaness,
Still, Rogers, Beach, and Matthews. His memorial service was held at All Saints
Church, Worcester, on July 30. He is survived by his wife of 38 years, Nancy,
their daughter and son-in-law, and two grandchildren.

L. Robert Slusser
died May 29 in San Diego at the age of 83. He had served as minister of music
at La Jolla Presbyterian Church in California from 1968 to 1989. Born October
13, 1921, in Chicago, he studied piano and organ at the American Conservatory
of Music and was assistant organist to Leo Sowerby at St. James Cathedral.
During World War II he served as a lieutenant in the Navy. He earned a
bachelor’s degree in music at San Jose State College and served as
organist and assistant choirmaster at First Presbyterian Church, San Jose. He
received a master’s degree in organ from Northwestern University in 1953
and served as minister of music at First Presbyterian Church, Birmingham,
Michigan until 1968. In 1960 he was co-chair of the AGO national convention in
Detroit. When he was appointed to La Jolla Presbyterian Church, he developed
multiple choirs, string and brass ensembles, a Christian dance group, and a
Choir Festival series. Slusser was dean of the San Diego AGO chapter
1971’72 and was responsible for bringing many famous organists to San
Diego. In 1986 he received an honorary doctorate from Tarko College in St.
Louis. He is survived by his wife Shirley, two daughters, a son, two
grandchildren and two great-grandchilden. A service celebrating his life was
held on July 16 at La Jolla Presbyterian Church.

Ruth Virginia Sutton
died April 19 at her home in Ypsilanti, Michigan, after a long battle with
cancer. She was 59. Born May 12, 1945 in Detroit, Michigan, she graduated from
Wayne Memorial High School and then attended Capitol University. She
transferred to Eastern Michigan University where she earned bachelor’s
and master’s degrees in music. Mrs. Sutton served as a local piano
teacher for over 40 years, was organist at various area churches, accompanist
for the Ann Arbor Cantata Singers, and also the Walled Lake and Ypsilanti High
School choir programs. She is survived by her husband Ronald Sutton, two
daughters, and a granddaughter. Funeral services took place on April 22 at
First Presbyterian Church, Ann Arbor.

Bob G. Whitley died
July 31 at his home in Fox Chapel, Pennsylvania, from liver cancer. He was 76.
For more than 30 years he was organist and choir director at Fox Chapel
Episcopal Church. Whitley grew up in Oklahoma and was a 1951 graduate of the
University of Oklahoma at Norman. He was awarded a Fulbright scholarship to
attend the Royal School of Church Music, then in Canterbury, England. He also
studied organ at the Royal College of Music in London and played recitals in
Canterbury Cathedral and Dover Town Hall. He served in the Army during the
Korean War, and was organist and director of music at the Letterman Army
Hospital Chapel at the Presidio in San Francisco. After the Army, he was
appointed organist at St. Luke’s Episcopal Church, San Francisco, where
he helped design and oversee the installation of a 55-rank Aeolian-Skinner
organ. In 1964, Whitley was appointed to Fox Chapel Episcopal Church. He also
directed the Pittsburgh Savoyards, a Gilbert & Sullivan opera company, the
Shady Side Academy Glee Club, and the glee club at The Ellis School. After
leaving Fox Chapel Episcopal Church in 1999, Whitley served as organist and choir
director at Good Shepherd Lutheran Church in Fox Chapel, where he remained
until his retirement last year.

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