Nunc Dimittis

Joy Anne Moore Marsh died peacefully at her home in Plano, Texas, on July 9. She was 69. Born in Dallas on July 19, 1935, she graduated from North Dallas High School in 1953. She earned her bachelor of music degree in organ from Southern Methodist University in 1957, studying with Dora Poteet Barclay, and then completed her master’s degree in music literature in 1961 at the University of Texas, Austin. Her thesis was “Form and Style in the Organ Works of Olivier Messiaen.” Mrs. Marsh taught music in the public schools of Midland and Dallas. A 40-year resident of Plano, Texas, she also taught private piano. She is survived by one sister, Mary E. Moore Skalicky, concert organist of Big Spring, Texas, three daughters and three grandchildren, and was preceded in death by her husband Noble Earl Marsh.

Jack H. Ossewaarde died December 30, 2004 at his home in Stamford, Connecticut. He was 86. Born November 15, 1918 in Kalamazoo, Michigan, Ossewaarde began his music training at age seven, and sang with the St. Luke’s Episcopal Church Boys’ Choir in Kalamazoo. He became organist and director of music at North Park Reformed Church, Kalamazoo, at age 14, and also served as organist at Bethany Reformed Church while still a teenager.

After graduating from Kalamazoo Central High School in 1936, he earned bachelor’s and master’s degrees in music from the University of Michigan. He was organist and music director at First Baptist Church, Ann Arbor, and an instructor at U-M before being inducted into the U.S. Army shortly before the United States entered World War II. After serving in the Army, Ossewaarde studied at Union Theological Seminary. In 1946 he was appointed organist and choirmaster of St. Stephen’s Episcopal Church in Wilkes-Barre, Pennsylvania. The following year he was appointed organist at Calvary Episcopal Church in New York City, where he served for six years. He then served Christ Church Cathedral in Houston for five years, before being appointed to St. Bartholomew’s Church, New York City, where he served for 25 years until his retirement. He is survived by his wife of 60 years, Donna Ossewaarde, a daughter, a son, four grandchildren, one great-grandchild, a brother and sister-in-law, and a sister and brother-in-law.

Calvert Shenk died from cancer on July 9 at his home in Dearborn Heights, Michigan. He was 64. Most recently Mr. Shenk served as assistant professor of music at Sacred Heart Major Seminary in Detroit. He also worked at Assumption Grotto Church in Detroit, where he assisted as organist, chant master and composer.

Born November 21, 1940 in Joplin, Missouri, Shenk earned bachelor’s and master’s degrees in organ performance from Northwestern University, and continued studies with Theodore Marier (Gregorian chant), Gerre Hancock (improvisation) and David Willcocks (choral conducting). He held music positions at St. Henry Parish, Chicago, Illinois; Armed Forces School of Music, Norfolk, Virginia; St. Philip Parish, Battle Creek, Michigan; St. Catherine Parish, Milwaukee, Wisconsin; and Cathedral of St. Paul, Birmingham, Alabama. In addition, he worked as adjunct instructor at Kellogg Community College in Battle Creek, as music critic for the Battle Creek Enquirer and News, as choral director at St. Philip Catholic Central High School, and as associate director, accompanist and composer-in-residence for the Battle Creek Boys Choir.

He played recitals thoughout the midwest, east and southeast, and performed at the 1986 AGO national convention in Detroit. Internationally, he presented an organ recital at Eglise Notre-Dame in Douai, France, and led the St. Catherine Church Choir on a tour of Italy in March 1987. Mr. Shenk was a Fellow of the AGO and served as dean of the Southwest Michigan chapter, as well as educational concerns chairman of the Birmingham, Alabama chapter. He was a member of the Hymn Society, the Church Music Association of America and the Conference of Roman Catholic Cathedral Musicians.

A prolific composer, his works are published by MacAfee Music, GIA Publications and CanticaNOVA Publications, and he was co-author of the Adoremus Hymnal (Ignatius Press). A funeral mass was held on July 13 at Assumption Grotto Church, Detroit. Mr. Shenk is survived by his wife of 37 years, Ila Marie Connors Shenk.

Enrique Alberto Arias, 63, died on December 1, 2004, at Weiss Memorial Hospital, Chicago. Survived by close friends and colleagues, there are no immediate family survivors. A musicologist, Dr. Arias was associate professor at DePaul University's School of New Learning, and president of Ars Musica Chicago.

The son of Enrique (the Consul General of Panama in Chicago) and Jeanne Arias, Enrique Arias was born April 26, 1941 in Chicago. He received a bachelor of music in piano performance from the DePaul University School of Music, a master of arts in musicology from the University of Chicago, and in 1971, a Ph.D. in music history and literature from Northwestern University. Dr. Arias was a faculty member, and later president, of the Chicago Conservatory of Music. He then served as chairman of Humanities and Graduate Studies at the American Conservatory of Music, and in 1993 began his tenure at DePaul. Arias was also a member of the American Musicological Society, and throughout his career he was a keynote speaker at numerous conferences on Latin American music.

As a researcher and writer, Dr. Arias traveled yearly to churches, archives and libraries around the world. His many publications include The Masses of Sebastian de Vivanco (circa 1550-1622): A Study of Polyphonic Settings of the Ordinary in Late Renaissance Spain (University Microfilms, 1971), Alexander Tcherepnin: A Bio-Bibliography (Greenwood Press, 1989), and Comedy in Music: A Historical Bibliographical Resource Guide (Greenwood Press, 2001). He was one of four editors of Essays in Honor of John F. Ohl: A Compendium of American Musicology (Northwestern University Press, 2001), and one of his most significant publications was the edition of Three Masses by Sebastian de Vivanco (A-R Editions, circa 1978). Arias also had numerous articles published in music journals, including Music Review, Tempo, Perspectives of New Music, Anuario Musical, Lituanus (The Lithuanian Quarterly), and the Latin American Music Review. His final two articles were "Maps and Music: How the Bounding Confidence of the Elizabethan Age Was Celebrated in a Madrigal by Weelkes" (published in the winter 2003-04 edition of Early Music America), and "Jules Massenet, French Cantatas for a Martyr, and Vincentian Composers" (published in the September 2004 issue of The Diapason).

As a pianist, Arias was most active in the 1970s and 1980s, performing regionally at many venues including Preston Bradley Hall, and internationally with the late soprano Dahlia Kucenas at concert halls throughout Asia, Eastern and Western Europe, and South America. He also served as president of Ars Musica Chicago, an early music ensemble, a position he held since 1988.

A memorial service took place December 12, 2004 at St. Vincent de Paul Church, Chicago, and a concert was given in his memory on January 9, 2005, also at St. Vincent de Paul Church. Contributions may be made in his memory to Ars Musica Chicago, P.O. Box  A-3279, Chicago, IL 60690.

Lois Rhea Land, 88, long-time teacher, composer, author, and mentor to many music educators throughout Texas, died December 9, 2004, of complications from a fall a year and a half ago that left her paralyzed. Born in Milton, Kansas, she was a child prodigy in piano and received music degrees from Northwestern University, Evanston, Illinois. From 1945 to 1964 she taught music in the Corpus Christi, Texas public schools, and served as a judge and clinician throughout the southwest. A founding member of the Texas Choral Directors Association in 1950, she also collaborated with many conductors and singers as accompanist for the Texas All-State Choir in the 1950s and 1960s.

In 1964 she joined the music faculty at Southern Methodist University, where she taught music education and supervised the graduate music education division until 1980. From 1980-88 she served as adjunct professor of music education at Texas Christian University in Ft. Worth. A church organist from an early age, she served Dallas congregations as organist and choir director, including Northaven and Munger Place United Methodist Churches, and Holy Trinity Episcopal Church in Rockwall.

Her numerous choral compositions were published by Plymouth, Southern Music, Bourne, Edwin Morris, Mark Foster, and Lawson-Gould, and was the co-author of numerous college and choral music textbooks. Most recent publications include several volumes of sight-reading materials and techniques published by Alliance Music Company in Houston, and A Cappella Songs Without Words (AMC).

She is survived by one daughter, Christina Harmon, of Dallas, Texas, and three grandchildren. A memorial service was held at Perkins Chapel, Southern Methodist University, December 27, 2004.

Charles Wilson McManis died December 3, 2004, in South Burlington, Vermont, after suffering a fall at his home the evening before. He was born March 17, 1913, in Kansas City, Kansas, and was preceded in death by his first wife, Charlotte Bridge McManis, an elder brother and a younger sister. He is survived by his second wife, Judith Fisher McManis of South Burlington, two sons and a daughter.

Mr. McManis grew up in a musical family. At age three, sitting in church with his mother (his father was choir director), he was fascinated by the sounds of the organ, and remembered humming its very high pitches. At age twelve he experimented with making wood and metal organ pipes from fruit crates and coffee cans. As a teenager he constructed an organ with four ranks of pipes that he installed in the family's finished attic. He completed studies at the University of Kansas in 1936 with a BA degree, specializing in theoretical courses useful to an organbuilder. Following this, in 1937, was a bachelor of music degree in composition and organ performance. While at the university, he apprenticed during vacations with an organ factory representative, repairing, voicing and tuning organs. On graduation he set up shop in Kansas City, Kansas, building or rebuilding half a dozen organs before Pearl Harbor and WWII halted U.S. organbuilding.

In April, 1942, he enlisted in the U.S. Army. After basic training at Camp Roberts, California, he was retained to teach organists of the nine regimental chapels, and was assigned to 11th Regimental Chapel. The following year he was shipped overseas with the 221st General Hospital to Chalon-sur-Marne, France, ninety miles east of Paris. At war's end, he returned to Kansas City, where he married Charlotte Bridge on June 9, 1946.

At McManis Organs, Charles and his staff would build, renovate or restore more than one hundred thirty-five organs for churches, homes and universities throughout the USA over the next five decades. Because of his musical training, he was one of the first organbuilders who could actually play much of the literature written for the organ. His passion was to design and voice instruments suited to play this great variety of music. Even his smallest organs encouraged exploration of the rich and colorful repertoire available.

His ability at pipe voicing was legendary among his peers. Over the years, he wrote extensively, mentored younger organbuilders and conducted several clinics to teach others about his voicing "secrets." He was a founding member of the American Institute of Organbuilders.

Retiring (theoretically) in June, 1986, McManis moved to the San Francisco Bay Area with his wife, Charlotte, who died of cancer four months after their arrival. He stayed on in California, occasionally tuning and repairing organs, and hiking in Yosemite and the Sierras. In July 1989, a Connecticut tornado that heavily damaged the McManis organ at St. John's Episcopal Church, Waterbury, Connecticut, took Charles McManis out of retirement, calling him east to replace 35 of 60 ranks in his Opus 35, first installed in 1957. Due to the extensive damage to the building, as well as the organ, several parishioners were appointed to coordinate a variety of repair programs, including Judith Fisher who was to oversee the organ restoration. After working together for eighteen months, she and Charles were married November 2, 1991. He continued working with organs in Connecticut, acting as consultant and overseeing the installation or restoration of several instruments in the area. He served as curator of the organ at St. John's for just over 10 years.

In 2001, Charles and Judith moved to Vermont. He was able to complete work on his autobiography just days before his death. A "Celebration of Charles' Life" took place January 8 at The Cathedral Church of St. Paul (Episcopal) in Burlington. Donations may be made to the Music Ministry of St. Paul's.

Donald Basil Austin
(1933–2004) died September 17 of complications from emphysema. He was 71.
Mr. Austin was long affiliated with Austin Organs, Inc., the firm originally
founded as Austin Organ Company by his great uncles, John T. Austin and Basil
G. Austin. Donald Austin’s father, Frederic Basil Austin, became
president of the firm in 1937 upon its reorganization as Austin Organs, Inc.

As a boy, Donald Austin grew up surrounded by pipe organs,
in a factory created by his family and filled with the mechanical wizardry of
his forebears. On his days off, he often accompanied his father to the shop,
and in 1950 he began working there in his spare time. After service in the
Korean War, Mr. Austin began full-time employment, simultaneously pursuing an
undergraduate degree in business administration at the University of
Connecticut.

Mr. Austin was one of the few members of the factory staff
to apprentice in the traditional sense: apart from the pipe shop, he worked in
every department, even alongside the ladies in the third-floor action
department (affectionately referred to as the ‘hen house’). Family
connections spelled no favoritism; Donald was begun at minimum wage of
sixty-five cents an hour. In keeping with a long-standing family tradition, Mr.
Austin did not study voicing, but chose to assist in the management of the
company and maintain the firm guidance and conservative spirit that had characterized
the Austin Company from the outset.

In the work environment, Mr. Austin was a reserved man who
avoided publicity and preferred one-on-one contact. With friends and staff,
however, his conservative exterior became a platform for 80-grit humor. Once
started, “Don” or “DBA” (as most of the staff called
him) could be immensely lively and affable. With a cigarette between his third
and fourth fingers, he would stride straight past the No Smoking sign and into
the factory for his rounds. A born prankster, Mr. Austin gloried in the fax
machine the way other cultures embraced antibiotics; whimsy, wit and droll
assessments of other builders’ work would routinely unfurl into incoming
trays across the land. Mr. Austin’s humor was matched by penmanship of near
illegibility, but there was something in his curly scrawl that conjured up the
hearty chuckle of the man himself.

Over the years, projects brought him into contact with many
luminaries. He was particularly fond of Dr. Robert Baker, who acted as consultant
on numerous prominent Austin installations from the mid-1950s to 1990. He also
worked with Clarence Watters, Fred Swann, Lawrence Phelps, Nelson Barden,
Douglass Hunt and Carlo Curley, among others. He relished some of the
firm’s more unusual projects: the 1990 restoration of the 1930 Austin in
Hartford’s Bushnell Memorial Hall, a personal favorite of his great uncle
Basil G. Austin; the console rebuild of the famous Girard College
Aeolian-Skinner, the core organ provided for a concert hall in Shiroishi,
Japan.

When F.B. Austin retired in 1973, Donald Austin assumed the
office of President, and in 1990 he became Chairman of the Board. In 1994,
after forty-four years with the firm, he announced his semi-retirement, leaving
daily management to his daughter, Kimberlee, who had trained in the factory
much as her father had. Mr. Austin remained active in policy decisions and
general guidance. He retired as President in 1999, continuing as a member of
the Board and consultant. He was a past President of the American Pipe Organ
Builders Association, and held membership in the International Society of Organ
Builders and the American Institute of Organ Builders.

Outside the factory, Mr. Austin was heavily involved in the
Bloomfield Center Fire Department and Fire District, joining in 1951 and
ascending through the ranks from Private and Captain to Treasurer and
ultimately Commissioner. He served on the Board of Directors of the Hartford
Chamber of Commerce and was President of the Traffic Club Division, as well as being
a 32nd Degree Mason and a member of Hiram Lodge 98, AF & AM. He served as
Senior Warden of Old St. Andrew’s Church in Bloomfield, and proudly
donated a Trumpet stop to the Austin Chorophone there. As an active member of
the Central New England Railroad group, he made many friends, several of whom
lent friendship and support in his later years.

In addition to his wife of fifty years, Marilyn (Heeber)
Austin of Bloomfield, survivors include two daughters, Sheryl Morales, of
Fanwood, NJ, and Kimberlee Austin of Windsor Locks, CT; three grandchildren,
George Austin, and Stacey and Rachel Morales; and several in-laws, nieces and
nephews. Funeral services were held Tuesday, September 21 at Old Saint
Andrew’s Church in Bloomfield, with burial in the Old Saint Andrew’s
Cemetery. In lieu of flowers, donations can be made to Our Companions Animal
Shelter, P.O. Box 673, Bloomfield, CT 06002, or the Old Saint Andrew’s
Endowment for Organ Maintenance, 59 Tariffville Road, Bloomfield, CT 06002.

--Jonathan Ambrosino

Janet Hall died on
April 30 in Pueblo, Colorado. Born on October 25, 1923, she had served as a
church musician for almost 50 years. She received a bachelor’s degree
from Smith College and a master’s from Union Theological Seminary, where
she studied with Vernon de Tar. After serving as organist and director of
Christian education at St. Thaddeus Church, Aiken, South Carolina, from
1946–49, she moved to Williamsburg, Virginia, to take up the post of
assistant organist and director of Christian education at Bruton Parish Church.
From 1957 to 1988 she served as organist and choirmaster at Ascension Episcopal
Church, Pueblo, Colorado, and was the founder of the St. George Men and
Boys’ Choir and the St. Cecilia Choir. From 1963 to 1972 she was
assistant professor of music at the University of Southern Colorado. The niece
of English composer Herbert Sumsion, Miss Hall was a prolific composer of choir
anthems and recorder and handbell music. Her plainsong setting of the Kyrie
eleison is published in The Hymnal 1982.

Kent McDonald died
on May 18 in Phoenix, Arizona. Born on July 25, 1925, in Phoenix, he served in
the U.S. Army in World War II, studied piano privately in New York City, and
then earned bachelor’s and master’s degrees from the Eastman School
of Music. In 1950 he was appointed organist and choir director at St. James
Episcopal Church, Birmingham, Michigan, where he served for over 40 years.
During that time he taught piano and organ privately and was an adjunct
instructor at Oakland University in Rochester, Michigan. He twice served as
Dean of the Detroit AGO chapter and also as Michigan State Chairman. He was
program chairman for the AGO national convention in Detroit in 1958 and
directed choirs at two Episcopal Church triennial conventions. After his retirement
in 1991, he and his wife spent half of each year in Arizona and half in Oscoda,
Michigan. During summers in Michigan, he served as organist at Christ Church,
East Tawas.

Henry Murlin Kelsay,
82, died August 23 in Springfield, Missouri. He was born on February 17, 1923
in Versailles, Missouri. After graduation from high school in Booneville,
Missouri, he enlisted in the Army Air Corps in 1942, rising to the rank of 1st
lieutenant and serving as an air corps navigator. He fought in several World
War II battles and air campaigns in southern France and Italy, and was
decorated with numerous medals and citations. Kelsay graduated from Union
Theological Seminary in New York City, and went on to serve as music director
at several churches in the Little Rock, Arkansas area, including Pulaski
Heights Methodist Church and Christ Episcopal Church. He served as dean of the
Central Arkansas AGO chapter 1954-55 and 1959-61. Later in life he
became interested in interior decorating and was successful in that endeavor.

At the time of his death, Kelsay was a member of St. James
Episcopal Church in Springfield, Missouri. A memorial service took place there
on September 17. He is survived by his sister-in-law and three nephews.

--Virginia Strohmeyer-Miles

Noel Mander, MBE,
FSA, prominent British organbuilder, died September 18 at his home in Suffolk,
England, at the age of 93.

Born on May 19, 1912 in Crouch near Wrotham, Mander was
brought up in South London. Having left school (which he hated), he went to
work for A & C Black, publishers. The office work did not suit him,
however, and through his uncle, Frederick Pike, he met Ivor Davis who had
worked for Hill, Norman & Beard. After working with him for a while, Mander
started on his own in 1936, the first organ being that at St. Peter’s
Bethnal Green opposite St. Peter’s School, which years later was to
become the organ works. Unfortunately, Christ Church Jamaica Street, Stepney, where
he rented workspace, together with the organ he was working on and all his
equipment, were lost in the first air raid on East London 1940.

Shortly after that, he joined the Royal Artillery, seeing
service in North Africa and Italy, where he worked on a number of instruments,
including the organ in Algiers Cathedral, which had been silent for years.
Having been invalided out of active service in Italy, he joined the Army
Welfare Service and during his convalescence he repaired a 17th-century organ
in Trani.

After the war he assisted the London Diocese in getting
organs working again in bomb-damaged churches. He set up a workshop in an old
butcher’s shop in Collier Street before moving in 1946 into the old
buildings of St. Peter’s School in Bethnal Green, where the firm remains
to this day. In 1948 he married Enid Watson with whom he had five children,
living over the workshop in Bethnal Green. Most of his early work revolved
around the rebuilding of organs, many of which survive to this day.

He always had an affection for historic instruments and
restored a number of antique chamber organs, setting new standards for the time
with his sympathetic appreciation and restoration of them. Of particular note
was the restoration of the 17th-century organ at Adlington Hall in Cheshire in
1958-59, which was in a completely desolate state. It had not been
playable for perhaps a century, 
but with painstaking care the organ was restored and remains one of the
most important survivors in England.

In the 1960s he became aware that interest was growing in
tracker-action organs in the rest of Europe, and this encouraged him to
investigate this form of action himself, initially in the restoration of
instruments (which otherwise might have been electrified) and then in new
organs. Ultimately a number of such instruments were built including the export
of some to places such as Bermuda and the Sir Winston Churchill Memorial
Foundation in Fulton, Missouri.

Having been involved with the rebuilding of a number of
large organs, he was awarded the contract to rebuild the organ in St.
Paul’s Cathedral in London during the 1970s. This project, lasting almost
five years, was perhaps his greatest pride and was completed just in time for
the Queen’s Silver Jubilee celebrations at St. Paul’s. In 1978 H.M.
Queen Elizabeth made him a Member of the Order of the British Empire (MBE). He
retired in 1983 to his home in Suffolk, but retained an interest in what the
firm was doing right to the end. The 60th anniversary of the Mander firm was
marked in 1996 by publication of a collection of essays in his honor entitled
Fanfare for an Organ Builder.

Noel Mander’s interests were by no means restricted to
organs. He was a keen historian and an avid bookworm. He was a Fellow of the
Society of Antiquaries and very active in the Council of Christians and Jews
for many years. He became a very popular member of the Earl Soham community in
Suffolk, where he retired to in 1983. He was also the British representative
for the Sir Winston Churchill Foundation in Missouri and secured a number of
significant pieces of antique furniture for the Wren church rebuilt there,
including, during the last year of his life, a fine 18th-century pulpit that
had once stood in a City church.

Philip Marshall, who
served as organist at both Ripon and Lincoln cathedrals, died on July 16. Born
in Brighouse in 1921, his early studies were with Whiteley Singleton, a pupil
of Edward Bairstow. He gained an Associateship of the Royal College of Music,
and in 1946 won three prizes in the Fellowship examination of the Royal College
of Organists. He earned his BMus at Durham in 1950, by which time he was
assistant to Melville Cook at Leeds Parish Church. He also served as organist
at All Souls, Haley Hill, Halifax, where he met Margaret Bradbury, whom he
married in 1951, and who survives him. The Marshalls moved that year to Boston,
working at the Parish Church and Grammar School. By 1957,
style="mso-spacerun: yes">  Philip Marshall had completed his
doctorate at Durham, studying with Bairstow’s York successor, Francis
Jackson, and was appointed organist at Ripon Cathedral. Founding the choir
school, rebuilding the cathedral instrument and producing a chant book were
highlights of his tenure at Ripon.

An accomplished model engineer, organbuilder and composer as
well as an outstanding organist, accompanist and teacher, Dr. Marshall served
as organist and master of the choristers at Lincoln Cathedral for 20 years
until retirement in 1986. The Dean and Chapter named him Organist Emeritus in
the early 1990s.

Dorothy Hildegard Nordblad died of congestive heart failure on September 9 at the Moorings, a
retirement community in Arlington Heights, Illinois. She was 93. A lifelong
member of Ebenezer Lutheran Church in Chicago, she served for 37 years as
organist and director of junior choirs at Edison Park Lutheran Church, where
she directed 60 children in three choirs. Nordblad also taught history, math
and music to hundreds of children, serving the Chicago public schools for 40
years.

The daughter of Swedish immigrants, she was born in Chicago
in 1911 and graduated from Senn High School before attending Northwestern
University, where she received her bachelor’s degree in education in 1932
and a master’s degree in education in 1946.

Her teaching career began at Stewart School, and in the late
1950s Nordblad moved to Beaubien Elementary School on the Northwest Side. In
addition to teaching, she was assistant principal, a position she held until
her retirement in the 1970s. After she moved to the Moorings retirement home,
she organized and directed the choir there, continuing as its director for more
than seven years. Funeral services were held on September 14 at Ebenezer
Lutheran Church, Chicago.

Donald W. Williams,
of Ann Arbor, died September 22 at the Chelsea Retirement Center, Chelsea,
Michigan, following a seven-month battle with cancer. He was 66.

Williams received his bachelor’s degree (1961) and
master’s degree (1962) from Peabody College in Nashville, Tennessee,
where he studied with Scott Withrow. In 1979 he received the DMA from the
University of Michigan, where he studied with Marilyn Mason. At Michigan, he
was given the Palmer Christian Award by the Organ Department of the School of
Music in recognition of his accomplishments in teaching, performing, and choral
conducting.

Dr. Williams served as organist and choirmaster at Zion
Lutheran Church in Ann Arbor from 1963 until 1995, when he became
organist-choirmaster at Chelsea First United Methodist Church, a position he
held until his death. He was a member of the organ faculty of the National
Music Camp in Interlochen, Michigan, from 1966 to 1970, and was adjunct
lecturer in organ at the University of Michigan in the early 1970s. He taught
organ performance and church music at Concordia University in Ann Arbor (1976-95,
1999 until his death). He was co-founder of the Ann Arbor Youth Chorale, which
he directed with Richard Ingram and Ruth Datz from 1987 to 2001, and was
founder and conductor of the American Chorale of Sacred Music.

Williams performed at churches and cathedrals in this
country and abroad, including the National Cathedral and the Shrine of the
Immaculate Conception in Washington, D.C., St. Thomas Episcopal Church in New
York City, St. Joseph’s Oratory in Montreal, and various European venues.
From 1981 to 1985 he performed as a member of Principal VI, a group of
organists from the greater Ann Arbor area. In 1986, he gave the world premiere
of Vincent Persichetti’s last composition, Give Peace, O God.

In addition to the various positions he held in the Ann
Arbor chapter of the American Guild of Organists, Williams was chair of worship
standards and repertoire of the American Choral Directors’ Association
(1995-2001), and a member of the board of the Boy Choir of Ann Arbor from
2000 until his death. He was a life member of Phi Mu Alpha Sinfonia.

Funeral services were held on September 26 at First
Presbyterian Church of Ann Arbor. Williams is survived by his 97-year-old
father, Joel Williams, of Marietta, Georgia.

Thomas Lassfolk Finch, 77, of Canton, New York, died of pancreatic cancer December 18, 2003. Born November 26, 1926, in Madison, Wisconsin, he graduated from Wisconsin High School in 1945. Attending the University of Wisconsin, he received a bachelor’s degree in 1947, a master’s degree in 1949, and a PhD in physics in 1954. He taught physics at Union College, Schenectady, New York, from 1955-1957, and then joined the faculty at St. Lawrence University, Canton, New York, where he taught until his retirement in 1989. He was interested in musical acoustics and did research on pipe organ acoustics with Arthur Benade at Case Western Reserve University in Cleveland, Ohio, and with Wilson Nolle at the University of Texas in Austin, Texas, publishing some of the results in the Journal of the Acoustical Society of America. Dr. Finch became interested in the pipe organ in the 1940s, studying organ performance concurrently with his study of physics. He became a member of the American Guild of Organists in 1950, remaining a member of the St. Lawrence Valley chapter until his death. From 1990 he was a dual member of the Boston chapter, doing volunteer service at the Boston AGO Library. Dr. Finch served as organist of the Unitarian-Universalist Church in Canton, New York, from 1963 to 1989. He pursued a life-long interest in historic pipe organs, serving nine years as vice-president of the Organ Historical Society. He was presented with the Society’s Distinguished Service Award in 1990, and attended 45 of the Society’s annual conventions. In 1970 he organized one of the conventions in the North Country, with Canton as the base. He also served as a committee member for the 1980 convention in Ithaca, New York, and for the 2000 convention in Boston. In recent years he and his wife took part in OHS European tours to visit organs, including France, Germany, Switzerland, Austria, the Netherlands, and most recently Sweden. He was also very interested in antique cars, and for many years was a member of the St. Lawrence chapter of the Antique Automobile Association of America. He married Frances Chilson on June 7, 1980, in the Unitarian-Universalist Church in Canton with the Rev. Max Coots officiating. Donations may be made to the Unitarian-Universalist Church, Canton, NY 13617, or to the Organ Historical Society Endowment Fund, P.O. Box 26811, Richmond, VA 23261.

Virginia R. Hebel died on January 1 in Mountain View, California. She had lived in Cupertino for 27 years, and was a dedicated area musician and choral accompanist at Los Altos High School for 20 years. Born on June 24, 1930, in Greencastle, Indiana, where her father was a professor at De Pauw University, Mrs. Hebel majored in music at De Pauw. At De Pauw she also married her college sweetheart, Chuck Hebel, her husband of nearly 51 years. A life-long church organist, Mrs. Hebel played at many local churches after moving to the Bay Area in 1976, when her husband came to Xerox’s Palo Alto Research Center. In 1983, she began a long association with the choral programs of Los Altos High School, accompanying rehearsals and performances of thousands of students. Mrs. Hebel fought a long and often difficult battle against lung cancer, during which time she maintained a demanding schedule at Los Altos High School while substituting as organist at numerous churches, and serving for two years as organist at First United Methodist Church of Palo Alto. She is survived by her husband Charles Hebel, three children and seven grandchildren.

Lloyd Pfautsch died October 3, 2003, at the age of 82. Longtime professor of sacred music and director of choral activities at Southern Methodist University, he was also a widely published and performed composer. Born in 1921 in Washington, Missouri, Pfautsch received his bachelor’s degree in 1943 from Elmhurst College in Illinois and held degrees in divinity and sacred music from Union Theological Seminary. He was ordained a minister in the Evangelical and Reformed Church, but pursued a career in music. A bass-baritone, he sang with the Robert Shaw Chorale and the NBC radio chorus, and sang the title role in Mendelssohn’s Elijah throughout the country. He taught at Illinois Wesleyan University 1948-58 and then at Southern Methodist University 1958-92. At SMU he established the school’s Master of Sacred Music program offered jointly by the Perkins School of Theology and Meadows School of Music. He conducted the Meadows Chorale, Mustang Chorale and Choral Union, and for three years was associate dean of the Meadows School and chairman of the music division. Pfautsch also founded the Dallas Civic Chorus, which he directed for 25 years. He wrote three books on choral conducting, including English Diction for the Singer. Among the many honors he received during his career are honorary doctorates from Elmhurst College, Illinois Wesleyan University, and West Virginia Wesleyan University. He was selected the Meadows Distinguished Professor in 1984 and was named professor emeritus in 1992. In addition to his wife Edith, Mr. Pfautsch is survived by a daughter and three sons. A memorial service was held on October 7, 2003 at Preston Hollow Presbyterian Church, Dallas.

Jan-Piet Knijff is organist-in-residence, Aaron Copland School of Music, Queens College, CUNY; adjunct professor of music, Fairfield University; director of music, St.Michael's Lutheran Church, New Canaan, Connecticut; and concert organistin residence, St. Paul's Church National Historic Site, Mount Vernon, New York.

Corliss R. Arnold of Venice, Florida, died September 19, 2003, at the age of 77. He held the doctorate in sacred music from Union Theological Seminary in New York City and was Emeritus Professor of Music at Michigan State University where he taught for thirty-two years. He served as organist and director of music at the Peoples Church, East Lansing, for thirty-three years. Dr. Arnold was a Fulbright Scholar to France, studied at the Summer Organ Academy at Haarlem in the Netherlands, and held three certificates from the American Guild of Organists: the Associateship, Fellowship and Choirmaster. He was the author of the first major survey of organ literature in English: Organ Literature: A Comprehensive Survey, Scarecrow Press, Metuchen, New Jersey. The book is currently in its third edition. Dr. Arnold and his co-editor had almost completed the 4th edition, which will be completed and published this year.

Arnold received the B.Mus., Summa cum laude, from Hendrix College in Conway, Arkansas, and the M.Mus. from the University of Michigan, Ann Arbor Michigan. He had also been a church musician at First Presbyterian Church and First Methodist Church, both in Conway, Arkansas; First Methodist Church, El Dorado, Arkansas; Reformed Church of Closter, New Jersey; First Methodist Church and Templar B'nai Abraham Zion, both of Oak Park, Illinois. Corliss Arnold is survived by his wife of 42 years, Betty Arnold, their three children and five grandchildren.

Natalie Ferguson, copy editor for The Diapason, died on December 10, 2003, after a long battle with cancer. She was 69. Her work at Scranton Gillette Communications began as a typesetter and grew to include copy editing for many of the company's publications, production editor and copy editor for The Diapason, and editor of AV Guide. Born in Indianapolis, Indiana on October 31, 1934, she attended Shortridge High School, where she wrote for and edited the school newspaper and was a member of the Fiction Club. She studied piano and organ growing up and played for many groups in which she was active including church, Girl Scouts, D.A.R. and Job's Daughters. She attended Milwaukee-Downer College (now part of Lawrence University) and graduated with a degree in Occupational Therapy. She worked as an OT until her two daughters were born. She moved to the Chicago area in 1962 and was active at church and in local community theater groups. Prior to coming to Scranton-Gillette in 1985, Ms. Ferguson worked for many years at Bartlett Manufacturing in Elk Grove, Illinois. One of her joys was teaching piano, and at one point taught at the John Schaum School in Milwaukee, and taught for the past 20 years at Schaumburg Music. She was a member of Our Saviour's United Methodist Church, Schaumburg, Illinois, where her activities included the Evangelism Committee, singing in the choir, directing the chime choir, accompanying the children's choir and, proofreading bulletins and newletters. She is survived by daughters Linda Deneher and Susan Ferdon, grandchildren Jenna, Kate, and Jimmy Ferdon, and long-time devoted friend, Allen Johnson.

Dirk Andries Flentrop died on November 30, 2003 in Santpoort near Haarlem, the Netherlands. Born in Zaandam, the Netherlands on May 1, 1910, Flentrop was undoubtedly one of the most influential organ builders of the twentieth century worldwide. After an apprenticeship with the Danish organ building firm Frobenius, he entered the business of his father, H.W. Flentrop, and took over the firm in 1940. He was an early advocate of mechanical action and of the Rückpositiv, and after World War II built a whole series of new organs in a concept which was later to be labeled "neo-baroque," a term he himself disliked immensely. The contact with E. Power Biggs and with many Fulbright scholars in Europe led to an enormous production in America; in the 1960s, almost half of the firm's annual turnover came from America.

The best-known examples of Flentrop's art in America are perhaps the organs in Busch Hall at Harvard University (1959), St. Mark's Cathedral, Seattle (1965), and Duke University (1976). Flentrop's restoration activities include the famous Schnitger organs in Alkmaar and Zwolle--even though the Zwolle restoration has often been criticized--as well as organs in Portugal and Mexico City. Flentrop retired in 1976, selling the business to his employees. Almost thirty years later, Flentrop Orgelbouw--celebrating its 100th anniversary this year--is still a sought-after firm for both restorations (the Alkmaar Schnitger was again restored by Flentrop Orgelbouw in 1987) and new organs. The organ for Holy Name Cathedral, Chicago (1989) was the firm's last major project in America. Flentrop held honorary doctorates from Oberlin College and Duke University.

--Jan-Piet Knijff