Mark Stevenson
British harpsichord maker Mark Stevenson died of cancer on July 4, 2000, aged 56. Born in Cambridge in 1943, Stevenson studied art history at St. John's College. By age 30 he was working full-time as a builder of harpsichords. More than 200 of his finely-crafted, historically-inspired instruments are in use in many countries throughout the world.
Bruges 2001
The 38th Early Music Festival in Bruges, Belgium, will include the 13th playing of its well-known harpsichord competition, 1–8 August 2001, as well as a separate competition for fortepianists, 5–8 August. Both events are open to players born after 31 December 1968. Members of the international jury include Borbala Dobozy, Jesper Christensen, Gustav Leonhardt, Davitt Moroney, Ludger Rèmy, Christophe Rousset, and chairman Johan Huys.
Harpsichord competition repertoire for the first round consists of François Couperin: Prelude 5 from L'Art de toucher le clavecin; J. S. Bach: Sinfonia 12 in A, BWV 798; and Domenico Scarlatti: Sonata in C, K 421 (L 252). Those advancing to the semi-final round will play G. Salvatore: Toccata Prima; Byrd: Fantasia number 46 in D minor; Chambonnières: Pavane L'Entretien des Dieux; J.S. Bach: Prelude and Fugue in B minor, WTC II (BWV 893); and Scarlatti: Sonata in B-flat, K 57 (L 38). Pieces by Rameau (Allemande, Courante, Sarabande, and Les Trois Mains from Nouvelles Suites, 1728) and the Bach Concerto in A, BWV 1055 are on the docket for the final event of the competition.
For application forms or further information, contact the Festival Office, Collaert Mansionstraat 30, B-8000 Brugge; telephone 0032 50/33 22 83; <http://www.musica-antiqua.com>; email:<[email protected]>.
Bärenreiter Urtexts of Bach Harpsichord Concerti now available
In light of the competition requirements above, it is well to note that the Neue Bach Ausgabe edition of Bach's complete Keyboard Concerti (NBA VII/4) is now available as separate, individual concerti from Bärenreiter-Verlag of Kassel. These scores reflect the scholarship and care expected from the new Bach edition, and the reductions of the string parts for a second keyboard avoid unwanted doublings and inappropriate slurs or other markings. Clean and easy on the eyes, these will doubtless become the editions of choice for most players who learn these concerti. (The Concerto in A, BWV 1055, is BA 5227, priced at DM 24, with string parts also available at DM 6.50 each.)
Recent Issues of Early Music
Early Music for May 2000 contains Andreas Beurmann's rebuttal letter concerning insinuations that his early Iberian harpsichords are not authentic. In the issue for August, Edward Corp's brilliant reconstruction of Couperin's probable early biography is to be found in "François Couperin and the Stuart Court at Saint-Germain-en-Laye, 1691–1712: A New Interpretation."
Bach's Last Cantata
French author Philippe Delelis has written a suspense-filled novel (completely fictitious) concerning the missing cantatas of Johann Sebastian Bach. Set in modern-day Paris, the book is replete with references to musical craft and number symbolism, especially that found in The Musical Offering, as well as a goodly number of murders. There are clever connections, as well, to the lives and music of Mozart, Mahler, and Webern. I emphasize (as does the author) that the work is pure fiction, but it is a fascinating read, and an absorbing postscript for this Bach-celebratory year. The recent English translation (by Sue Rose) of Delelis's La Dernière Cantate is available from The Toby Press, London (tobypress.com). ISBN 1 902881 31 1 (Paperback).
News items and features for these columns are welcome. Address them to Dr. Larry Palmer, Division of Music, Meadows School of the Arts, Southern Methodist University, Dallas, TX 75275. Email: <[email protected]>.