Carillon News

Brian Swager is carillon editor of The Diapason.

Nunc Dimittis

James Raymond Lawson died on October 14, 2003, in his hometown of Cody, Wyoming, at age 84. Lawson's life was devoted to the carillon, and he was known to carillonneurs and carillon enthusiasts worldwide.

Lawson discovered the carillon while a student at the University of Chicago. After graduation he became carillonneur of Hoover Tower at Stanford University. Following army service during World War II, the G.I. bill gave him the opportunity to study at the Belgian Carillon School in Mechelen and then a year at the University of London where he studied library science. Lawson's next carillon position was at the University of Chicago. From there he went to New York City where he was carillonneur at the Riverside Church for nearly 30 years, working also as a librarian at Lehman College. In 1989 he returned to Cody, Wyoming. A year later, his former colleague from the Riverside Church, Frederick Swann, invited Lawson to dedicate the new carillon at the Crystal Cathedral in Garden Grove, California, and become its first carillonneur. Lawson continued there until his declining health forced him to retire again to Cody in 2002.

Lawson was known more for his creative programming than his performing ability. He was an untiring promoter of the instrument, garnering much publicity. He established and ran the Societas Campanariorum through which he published and distributed compositions, transcriptions and arrangements for carillon. He was a prolific correspondent and had the habit of sending a copy of his program to composers and arrangers whose music he had performed.

Lawson was quite a controversial character, loved by many, damned by others. While not known for his "political correctness," he certainly was known for his generosity, his kind heart, and his ingratiating sense of humor. His offbeat wit was aimed at himself as often as at others. For example, Jim wrote me following an earthquake, insisting that it had rattled the bells and that neighbors called the Cathedral exclaiming: "Lawson, you've never sounded better!" At one point in his career he dared to work for vendors of electronic bell instruments and later came under fire again by unknowing carillonneurs when he associated himself with the controversial major-third carillon at the Crystal Cathedral. Lawson responded by writing an article on this new phenomenon for The American Organist. He also contributed articles on a variety of subjects to the Bulletin of the Guild of Carillonneurs in North America.

"Carillonneuse" was how Jim referred to all female carillonneurs, and he wrote this poem for one:

To a Fair Carillonneuse

Attending a Convention of Carillonneurs

Must beat on tortured bronze?

Fright the young, pain the old, deafen all?

This sport was meant for beasts

Caged (as is proper) twixt earth and sky

Pounding, stomping, grunting, they storm heaven

Then fall in sweat, defeated.

Beauteous belle, thou should toll a better song

Thy tierce, thy quint, thy octave were tuned above

Divine founder's hands shaped thy profile

(O envied clapper that rings thy nominal!)

Cast not thy partials before brutes

Let them rave and rend the air

Join not their rage, go thou in quiet

Thy beauties best seen, not heard.

Jim's fondness for Cody--where he was born on May 25, 1919--never waned, and there is something poetic about his returning there to pass his final days.  But then, Jim always said that "old bell ringers don't die; they just drop their clappers."

Fire, Sunday, 2 November 2003

52 Sanchez Street, San Francisco

On Sunday, 2 November 2003, a fire destroyed the apartment building where The Diapason carillon editor Brian Swager lived. He had returned home from playing for morning church services, made lunch, and began working at this computer when he felt the building shake and smelled smoke. Living on the third floor, he barely had time to escape the building, grabbing a few essential items and running down the stairs and out the back door. At that point the entire wall of the building next door was already engulfed in flames.

The apartment next to Brian's and the one below it were completely gutted. The fire had worked its way into his apartment by the time the firemen extinguished the flames. Nothing was untouched: what wasn't consumed by flames was damaged by water, smoke, and the falling ceiling.

Friends have been very supportive. For three days crews helped sort through the rubble and salvage many things. Fortunately 90% of his music scores survived, and only a few CDs melted. A friend has offered housing and other friends have made work space available. In addition to losing his home and work space, his practice organ was destroyed, his harp burned, and virtually all furnishings, appliances and electronics will need to be replaced.

Contributions are welcome; for information on Brian's wish list visit <http://www.spiritouch.org/fire.html&gt;; to send an email message:

<[email protected]>.

Slater to Retire

James "Bud" Slater will retire from his position
as Carillonneur of the Metropolitan United Church in Toronto, Ontario. With his
final Sunday on the job on March 28, Slater will mark the conclusion of his
35th year as carillonneur of the church. His association with the instrument
actually commenced in late 1954, and his first official recital was played
before the Sunday evening service May 22, 1955 under the watchful eye of his
tutor, Stanley James. Slater was appointed Assistant Carillonneur in 1959. During his tenure at Metropolitan, he had temporary appointments at other Ontario carillon locations, i.e., in Toronto at Exhibition Place and the University of Toronto, as well as Niagara Falls. He appeared frequently as guest carillonneur at the towers in Simcoe, Hamilton, and Ottawa, as well as Montréal, Que., and Victoria, B.C.

Slater became a student member of the Guild of Carillonneurs
in North America in 1955 and qualified as a carillonneur member in 1957 upon
passing an exam at the Guild's congress in Cleveland, Ohio. From 1969 to 1971
Slater served as GCNA president and subsequently, he and his wife, Cecilia,
hosted the Guild's Toronto Congress in 1972. James Slater is the father of
Gordon Slater who since 1977 has served as Dominion Carillonneur at the Peace
Tower Carillon in the Houses of Parliament in Ottawa.

On the eve of his 70th birthday in January, 1997, Bud cites
stairclimbing, cranky knees and reluctant elbows as his reasons for retirement.

1997 GCNA Congress

The Department of Music and Dance and Professor of Music
Albert Gerken have announced that the 1997 Congress of the Guild of
Carillonneurs in North America will be held at the University of Kansas, June
4-7. Major presenters will include Bill De Turk, George Gregory, Mark Holmberg,
Associate Professor of Music Theory at KU, Karel Keldermans, Roy Hamlin
Johnson, Brian Swager, and Edward Williams, Associate Dean of the Graduate
School of Penn State.

With ca. 28,000 students, the University of Kansas is in
Lawrence, a community of ca. 70,000. Directly off Interstate 70, Lawrence is
located about 250 miles from the geographical center of the U.S.A. The
picturesque campus of the University of Kansas is situated atop Mount Oread
overlooking the Kaw River valley to the north and the Wakarusa valley to the
south. Not flat as most foreigners picture Kansas, there will be some climbing
to do to get to various places. The Campanile is central to the campus
overlooking the football stadium and Kansas river valley. It was provided by
alumni and friends of the University as a memorial to the 276 KU students and
faculty who died in World War II.

Unquestionably the most prominent and central feature of the
campus, the 120-foot tall World War II memorial tower houses a 41/2-octave
carillon, cast in 1950 by the John Taylor Foundry. Transposing down a half
step, the 53 bells range in weight from 13,490 lbs. to 12 lbs. The instrument,
which was dedicated in May, 1951, with Anton Brees playing the dedicatory
recitals, was rededicated on April 26, 1996, following a complete renovation by
the I.T. Verdin Company with new consoles supplied by Meeks, Watson &
Company. The new radial action is void of any counter weights and assisted only
by coil springs. The sound is full and resonant but light in the top register,
typical of Taylor bells of that vintage.

Major funding for the renovation was provided by Honorary
members of The GCNA, and Keith and Joan Bunnel of Pittsburgh, Pennsylvania.
Both were born and raised in Holmboldt, Kansas, not far from Lawrence, and
Keith Bunnel attended the University of Kansas, graduating in 1946. He was
president of his class and served on the World War II committee that selected
the Campanile and carillon as the memorial project to honor those who were
killed in battle.

The importance of the University of Kansas carillon has been
significant in that it has been at the center of a new genre of carillon
composition since the 1950s. Indeed, until the mid 1950s, very little music of
any significance had been written for the carillon. It was the likes of Ronald
Barnes, the first carillonneur at the University of Kansas, Roy Hamlin Johnson,
formerly of the KU piano faculty, John Pozdro, Professor Emeritus of
Composition and Music Theory at the University, and Gary White, one of Pozdro's
former graduate students in composition, who were the central figures
responsible for creating this wealth of marvelous and exciting new music. Their
works brought about recognition for the carillon as an instrument worthy of
recital status.

Because of the significance of their tremendous contribution
to the art form, many of their works will be featured in recitals during the
congress. It will be a meaningful experience to hear many of these works that
were written for this instrument or carillons of similar timbre. Two new
carillon compositions by Roy Hamlin Johnson and John Pozdro, commissioned by
the KU Department of Music and Dance and The GCNA respectively, will be
premiered at the congress.

Tours of the Reuter Organ Company will be made available to
participants and the beautiful new Wolff concert organ in the recently
completed Bales Recital Hall will be demonstrated and played. This is a
one-of-a-kind instrument you must see and hear.

Registration information is available from congress host
Albert Gerken, Department of Music and Dance, Murphy Hall, The University of
Kansas, Lawrence, KS 66045.

"Overtones"

Beginning last October, new bells rang out up and down the
Avenue of the Arts (Broad Street) in Philadelphia. Thirty-nine Eijsbouts bells
were installed, each on top of a light post, weighing from 40 to 300 pounds.
The creator, Robert Coburn, a sound artist and composer from California,
describes the "worlds longest horizontal carillon" as a half-mile
long piano with the capability of playing pre-programmed or live music on an
electronic ivory keyboard which will be located in the basement of the Academy
of Music.

In observance of the 68th anniversary of The Rochester
Carillon, two special performances were given. Dean Robinson's program on
September 16 included favorite songs of the Mayo brothers. David Johnson of St.
Paul, MN, was the guest recitalist on September 17. The Rochester Carillon was
dedicated on September 17, 1928, and is located in the Mayo Clinic in
Rochester, Minnesota.

David McCain sends word of a new 49-bell carillon at the
First Baptist Church on the Square in LaGrange, Georgia, replete with
"ninety-two electrical connections from the bells to the keyboard and
computer."

In response to a request from Unesco for a program
commemorating the tenth anniversary of the accident at Chernobyl, carillonneurs
Charles Semovich and Pieter Blonk gave a recital at the Albany City Hall in
Albany, New York, on April 26, 1996. Works performed included Lagrima by
Francisco Tárrega, Bells of Hell by Theophil Rusterholz, and Larence
Curry's Prelude on "Dies Irae." Both Charles and Pieter were shown
playing the Albany carillon on the Channel 13 news broadcast.

The fourth annual Keyboard Explorations junior high school
summer music camp was hosted by the Iowa State University Music Department from
June 17-22, 1996. Participants had the opportunity to learn about various kinds
of keyboard instruments and had hands-on experiences in playing them. Eight
participants studied carillon under ISU University Carillonneur Tin-shi Tam.
Two carillon concerts were performed by students towards the end of the week.

After over a decade of silence, inactivity, and exposure to
the elements, the 23-bell carillon located on the property of Schulmerich Carillons, Inc. in Sellersville, Pennsylvania, rang again in a recital given by Lisa Lonie (Trinity Church, Holland, PA) on September 21. Approximately 250 listeners attended the recital which marked the end of a five-day sales and service conference. The carillon, cast in 1928 by Gillett and Johnston, was moved to its present location in 1952 from Belmont College in Nashville, Tennessee. In 1979, Frank Law, carillonneur at Valley Forge, began a nightly summer recital series in Sellersville which continued for six years.

Competition winners

The Guild of Carillonneurs in North America has awarded
Second Prize to two composers in its 1996 Carillon Composition Competition. (No
First Prize was awarded.) The winning compositions were Nocturne
style='font-style:normal'> by Ennis Fruhauf, of Santa Barbara, California (USA)
and Prelude con Fughetta by
Marcel Siebers, of Cuyk, The Netherlands. Both compositions were given their
première performance by Todd Fair, of Amsterdam (Netherlands), at the
congress of the GCNA on June 4, 1996 at St. Stephen's Episcopal Church,
Cohasset, Massachusetts. Both composers received a cash prize, and both pieces
will be published by the guild in the near future. Another competition is
planned for January of 1998.

Premières

A new carillon composition, Winter Song
style='font-style:normal'>, by Roy Hamlin Johnson, was given its
première performance by John Gouwens on June 26, 1996 on the carillon of
the Town Hall in Norwood, Massachusetts, at the congress of the Guild of
Carillonneurs in North America. The new piece was commissioned by the Johan
Franco Composition Committee of the GCNA and is published by the guild. Many of
Dr. Johnson's earlier compositions are staples of the repertory of
carillonneurs throughout North America, Europe, Australia, and New Zealand.
This is the sixth carillon composition to the commissioned by the GCNA.

Brian Swager is carillon editor of The Diapason.

Iowa State University Carillon Festival

The Iowa State University Carillon Festival, sponsored by The Stanton Memorial Carillon Foundation, will be held on April 14. Guest artists include Don Cook, University Carillonneur at Brigham Young University, and Jeffrey Prater, Professor of Music at Iowa State University. The festival will include carillon concerts, master class, and seminar.
In conjunction with the festival, a carillon composition competition is held to encourage the writing of original carillon compositions by young composers. Prizes include one cash award of $500 and the premiere performance of the winning composition at the carillon festival. For information: 515/294-2911; ; .

2007 GCNA Congress at University of the South, Sewanee

The 65th annual congress of the Guild of Carillonneurs in North America will be held at the University of the South in Sewanee, Tennessee, June 17–22. The centerpiece for the congress will be the 56-bell Leonidas Polk carillon in Shapard Tower of All Saints’ Chapel. Featured performers will be Janet Tebble, Eddy Mariën, Sam Hammond, Todd Fair, Bill DeTurk, and Jeff Davis. Koen Cosaert will present an illustrated talk on “Piano versus Carillon: professional musicians versus amateur carillonneurs, people in search of a better carillon.” Bill DeTurk will talk about Arthur Bigelow, the man who designed and installed the Sewanee carillon in 1958–59, and there will be a panel discussion on performance and copyright issues.
Workshops include classes on Finale, a comparison of Finale and Sibelius, arranging music for carillon, interpretation of carillon music, and improvisation. Excursions include change ringing in Breslin Tower, two Casavant organs, the Meeks-Watson 23-bell carillon at St. Francis Episcopal Church in Ooltewah, the Grand Ole Opry, and the Jack Daniel’s Distillery.
The theme of the congress will be “The Music of Appalachia from Shape Note Singing to the Grand Ole Opry with Stops along the Way at White Spirituals and Folk Music.” Register for the congress online at or contact congress host John Bordley at 931/598-1801 or .

Belgium gives bells to Virginia Union University

His Excellency Dominique Struye de Swielande, Belgian Ambassador to the United States, announced recently that the Belgian Government will give a four-bell peal to Virginia Union University for installation in the Belgian Friendship Building. The ambassador indicated that the gift was prompted by the commitment of “Bells for Peace, Inc.” to the restoration of the Belgian Friendship building that has graced the Virginia Union University campus for over 60 years. According to Ambassador Struye, “Bells have been a significant and joyful element in Belgium’s cultural life for centuries. It seems therefore very appropriate that it will be through bells that we renew the special link that exists between Virginia Union and Belgium, and a happy coincidence that the bells we have chosen, the ACD and E notes, are called joyous random ringing.” The Government of Belgium will purchase the bells from the Verdin Company of Cincinnati for $69,000. The bells are to be installed and functioning by the end of 2007. Other bells are being solicited to form a full carillon. The Belgian building’s 161-foot Vann Memorial Tower has been without bells for more than 60 years. Millions visited the Belgian Pavilion, an exhibition hall, at the 1939 New York World’s Fair. At the close of the Fair and after World War II had begun, the structure could not readily be returned to occupied Belgium, so Belgium awarded the pavilion complex to VUU because of its educational mission and location. The building’s carillon of 35 bells, however, was purchased by the Belgian American Educational Foundation for presentation to former President Herbert Hoover for his new library at Stanford University. The gift to Hoover was in appreciation for his humanitarian relief efforts to Belgium after WWII. Neither university had a record of their common history until March, 2004, when the connection came to light.
Dianne Watkins, who has been active in the field of education, both as a classroom teacher and administrator, received a fellowship in 2003 to Stanford University’s Executive Leadership Program in Urban Education, representing Richmond Public Schools. She heard the carillon on the Stanford campus, not at that time knowing its connection to Virginia Union University. With her brother, Alan Nelson, she unveiled the connection between the two institutions in March 2004.
Watkins then founded “Bells for Peace, Inc.,” a non-profit charitable organization whose mission is to restore and endow the Belgian Friendship Building and educational programs for humankind’s peaceful endeavors in memory of John Malcus Ellison, Sr., first African American president of VUU and VUU graduate, and his wife, Elizabeth Balfour Ellison. It was through the actions of the Ellisons, and compassionate donors, that $500,000 was given to transport and reconstruct the Belgian building in Richmond in the 1940s. Supporters provided the moral and financial support that helped the university to become a highly respected and admired institution. Virginia Union University is a historic African American institution that opened in Richmond in 1865 out of Lumpkin’s Jail, a former slave holding pen.
For contributions or further information, go to or contact Dianne Watkins at 804/359-3009.

Send items for “Carillon News” to Dr. Brian Swager, c/o The Diapason, 3030 W. Salt Creek Lane, Suite 201, Arlington Heights, IL 60005-5025; . For information on the Guild of Carillonneurs in North America: GCNA, 37 Noel Dr., Williamsville, NY 14221; .

Brian Swager is carillon editor of THE DIAPASON.

Adrian Gebruers Honored

In the last few weeks of his papacy, His Holiness Pope John Paul II conferred on Adrian Patrick Gebruers the very special honor of Knight of the Order of St. Gregory the Great, in recognition of outstanding service. The scroll was formally presented by Most Rev. Dr. John Magee, Bishop of Cloyne, at a ceremony in St. Colman’s Cathedral, Cobh, Ireland, on Sunday May 29, Feast of Corpus Christi. Gebruers’ association with church music began at the tender age of seven as a boy soprano in the Cathedral Choir. In 1970, he succeeded his late father Staf (himself the recipient of the Papal Cross of Honour “Pro Ecclesia et Pontifice”) as organist, choirmaster and carillonneur. In addition to being director of music at St. Colman’s, he is also lecturer in carillon studies at the music department of University College Cork.

In 1998, he was elected president of the World Carillon Federation and is also honorary president emeritus of the British Carillon Society and a founder Vice-President of Eurocarillon. He is a member of the Guild of Carillonneurs of North America.

Nunc Dimittis: Janet Dundore

On Thursday, March 31, 2005, carillonneur Janet Dundore passed away at the age of 84. During her funeral service, Janet’s family spoke eloquently about her life, comparing it to the dynamics of a carillon bell, that once struck, the sound cannot be dampened. Janet’s association with the carillon—its music, programming, audience, organization—all reflected her unswerving, undampened desire to bring music to people’s lives.

Janet was internationally recognized as a proponent of carillon. She served as president of the Guild of Carillonneurs of North America during some turbulent years. To encourage members to stop arguing, she handed out Tootsie Rolls to keep their jaws “occupied.” In recognition of her lifelong contributions to the art of the carillon, the GCNA presented her with Honorary Membership and the Certificate of Distinguished Service. In addition, The University of California, Berkeley, awarded her the Berkeley Medal, the university’s highest and most prestigious award, in recognition of her efforts which had “manifestly benefited the public well beyond the demands of tradition, rank, or direct service to the University.” St. Thomas’ Church, Whitemarsh, bestowed the title of Carillonneur Emerita on Janet upon her retirement in 1999 following 26 years of service to the church.

Janet was the first carillonneur at St. Thomas’ Church, Whitemarsh, Pennsylvania. Besides her position at St. Thomas’, Janet also served as carillonneur at Trinity United Church of Christ. When Trinity moved from North Philadelphia to its present location in Bucks County, she was adamant that the parish not leave their bells behind. To this day, the open tower, which showcases all 49 carillon bells of Trinity, is a Bucks County landmark and a testament to Janet’s vision that bells can be heard and seen.
For over 30 years Janet was carillonneur of the Miraculous Medal Shrine in Germantown, Philadelphia, one of the oldest carillons in the United States. For decades, Janet played Monday night novena services at the Shrine, bringing music not only to the faithful, but to an entire neighborhood.
Janet studied carillon with Frank Law of Valley Forge and Leen ’t Hart at the Dutch Carillon School in Amersfoort, The Netherlands. She performed carillon recitals throughout the Americas and Europe. Together with her husband, Dwight, Janet traveled the world in search of carillons and their players. She was a respected scholar, teacher, and authority on audience development. Her no-nonsense approach to programming still reverberates in our ears: “Always end a recital with something familiar so the audience knows when to clap!” She took great pride in the Tuesday evening audiences gathered in the grove at St. Thomas’ Church to listen to the carillon.

Perhaps Janet’s legacy with carillon bells can be summed up with a simple analogy: She pointed towards the sky and showed us how to fill it with music.

Southern Methodist University’s emeritus professor of organ and sacred music Robert Theodore Anderson succumbed to Parkinson’s disease on May 29 in Honolulu, Hawaii. Born in Chicago on October 5, 1934, RTA (as he was affectionately known by hundreds of students and friends) received his early training at the American Conservatory of Music in Chicago. Undergraduate work was accomplished at Illinois Wesleyan University (Bloomington), where he studied organ with Lillian Mecherle McCord. At Union Theological Seminary in New York, he was awarded the degrees Master of Sacred Music (magna cum laude) in 1957 and Doctor of Sacred Music in 1961. He was an organ pupil of Robert Baker and studied composition with Harold Friedell and Seth Bingham.
A Fulbright Grant awarded in 1957 permitted Anderson to study in Frankfurt with Helmut Walcha. During the two years he spent in Germany, he served as guest organist at Walcha’s Dreikoenigskirche, and toured as a recitalist under the auspices of the American Embassy.
Anderson began teaching at SMU’s Meadows School of the Arts in 1960. He retired from the school (because of ill health) in 1996, but continued to teach for several more years to complete the degree programs of his final organ majors. Dr. Anderson was promoted to full professor in 1971, and was subsequently awarded the first Meadows Distinguished Teaching Professorship and named a University Distinguished Professor (SMU’s highest rank).
Two of RTA’s students, Wolfgang Rübsam and George C. Baker, won first places at the prestigious Chartres Organ Competition, and many others repeatedly placed in American contests. Anderson was known for his widely comprehensive organ repertoire and toured extensively as a solo recitalist, for a time under the auspices of the Lilian Murtagh/Karen Macfarlane Concert Management. A Fellow of the American Guild of Organists, Anderson served that organization as National Councillor for Education. He was Dean of the Dallas AGO chapter (1965–67), and served in many other capacities during his years in Dallas. The chapter named its annual recital series in his honor at the time of his retirement.
Anderson’s funeral was held at the Lutheran Church of Honolulu on June 3, with organist Katherine Crosier at the Beckerath organ and RTA’s Union Seminary classmate Nyle Hallman playing harp. His ashes will rest in Chicago, next to those of his parents. SMU is planning a Dallas memorial service, to be held in September.
—Larry Palmer

Howard Clayton died March 5 in Norman, Oklahoma. He was 79. He had earned degrees in education from Emporia State University, Emporia, Kansas, in music from the American Conservatory of Music in Chicago, and a Ph.D. in general administration from the University of Oklahoma. Dr. Clayton held music teaching positions in Illinois before switching his emphasis to library science, which he taught at the University of Oklahoma. He had also held positions at other universities, including Pittsburg State University in Pittsburg, Kansas. He was editor of the educational journal Learning Today from 1968–85. At the time of his death, he was serving as organist at St. John Nepomuk Catholic Church in Yukon, Oklahoma. Howard Clayton is survived by his wife of 59 years, Wilma, daughter Caren Halinkowski, son Curtiss, brother Paul, a granddaughter, and nieces and nephews.

Everett S. Kinsman, age 86, died January 14 in Bethesda, Maryland. He had studied at the Catholic University of America and was an organ student of Conrad Bernier and Paul Callaway. He had served at St. Matthew’s Cathedral and St. Patrick’s Catholic Church in Washington, D.C., and was organist at the Shrine of the Sacred Heart for 22 years, beginning in 1949. His last position was at Our Lady of Mercy Church in Potomac, Maryland.

Mark L. Russakoff died April 12, Easter Sunday, at the age of 58. He had served most recently as director of music ministries at St. Irenaeus Catholic Church in Park Forest, Illinois.
Born in Birmingham, Alabama, September 16, 1950, he studied piano with Samuel and Delores Howard at Birmingham-Southern Conservatory, and organ with Joseph Schreiber at Birmingham-Southern Conservatory and with H. Edward Tibbs at Samford University. He earned a bachelor of music degree at Washington University, St. Louis, studying organ with Robert Danes and Howard Kelsey, and harpsichord with Anne Gallet. He also studied organ with Pierre-Daniel Vidal and harpsichord with Agnès Candau at the Strasbourg Conservatory, and earned master’s and doctoral degrees in organ at Northwestern University as a student of Wolfgang Rübsam and Richard Enright.
Russakoff taught at Chicago Musical College of Roosevelt University and at Thornton Community College. He served as organist/director of handbell ensembles at Flossmoor Community Church, director of music at St. Emeric Catholic Church, Country Club Hills, and was music editor and engraver for ACP Publications in South Holland. He is survived by his wife Cynthia, daughter Rachael, and sister Dale.

Charles Shaffer, 78, died May 2 in Los Angeles. Born in Akron, Ohio on November 17, 1930, his first piano lessons were in the Akron public schools, and he was a boy chorister at St. Paul’s Episcopal Church there. During World War II, Shaffer and his family moved to South Gate, California, where he continued his piano studies and deepened his interest in playing the organ and in organ building. By age thirteen he was playing services at St. Margaret’s Episcopal Church in South Gate. During his high school years, the family moved back to Akron, and Shaffer took his first organ lessons and attended his first meetings of the AGO chapter there.
Shaffer’s first year as an undergraduate was spent at Oberlin Conservatory, where he studied with Fenner Douglass. His studies were interrupted when he was drafted to serve in the U.S. Army during the Korean Conflict. Upon discharge from the service he continued his studies at the University of Redlands (California), where he studied with Dr. Leslie P. Spelman and earned bachelor’s and master’s degrees in organ performance.
Charles Shaffer served for eighteen years as organist of First Presbyterian Church in Hollywood, California, and later at First Baptist Church in Pasadena. An active teacher and performer, he served the AGO in various capacities at the local and regional level and several of his articles have appeared in The American Organist.
In the early 1990s he was invited to consult on an organ renovation project at Westwood United Methodist Church in Los Angeles. His role soon evolved from consultant to principal donor and co-designer of what has come to be called the Shaffer Memorial Organ (in memory of his wife of 29 years, Phyllis). The core of the organ was a large pipe instrument installed by Schantz in 1995. The expansion and revision of this instrument occupied Shaffer for the rest of his life. With co-designer Burton K. Tidwell and others, the organ has grown to include 153 ranks of pipes and 83 digital voices located in the chancel and gallery of the church and controlled by a four-manual and a two-manual console. It is one of the largest organ installations in southern California and was heard at the 2004 AGO convention.
Shaffer’s generosity to the church’s music ministry also included the gifts of five pianos (in memory of his parents and his wife’s parents), a digital carillon system, and seed money for an endowment fund to care for the instruments. About the many years of their close collaboration, Burton Tidwell has written of Charles, “His desire to explore possibilities beyond the ordinary, and then see that they could happen, has challenged and expanded my own concepts of organ building. Mr. Shaffer’s vision and generosity have provided all of us with a lasting legacy.” Charles Shaffer is survived by his sister, Lona Abercrombie, three nephews and three nieces.
—Gregory Norton
Minister of Music
Westwood United Methodist Church
Los Angeles, CA

Frank B. Stearns died February 4 at the age of 67 in Pittsburgh, Pennsylvania. Born in Brattleboro, Vermont, he received a bachelor of music degree from Westminster Choir College in Princeton, New Jersey, and a master’s of music from the University of Pittsburgh, as well as a master of education degree from Slippery Rock University. He served as an elementary teacher for 28 years, and was director of music for 31 years at Zion’s Reformed United Church of Christ in Greenville, Pennsylvania. For the last ten years he was director of music at Center Presbyterian Church in Slippery Rock. Stearns was active in community musical groups and was also a member of numerous musical and historic organizations, including the American Guild of Organists, the Organ Historical Society, the American Recorder Society, and the Mercer County Historical Society, which named him Volunteer of the Year in 2007. Frank Stearns is survived by his wife of forty years, Patricia, sons Jim and David, and two grandchildren.

Raymond A. Zaporski, age 81, died on February 28 in Roseville, Michigan. He was a music minister-organist for the Archdiocese of Detroit for over 50 years, serving St. Angela Parish Church in Roseville, St. Blase Catholic Community in Sterling Heights, and St. Anne Catholic Community in Warren, Michigan. Raymond Zaporski is survived by his wife, Dorothy, sons Mark, Michael, and Martin, daughter Mary Beth, and their families.

February Florida Festival

The 14th International Carillon Festival at Bok Tower Gardens in Lake Wales, Florida, will occur February 20-28, featuring carillonneurs Geert D'hollander, Todd Fair, Ulla Laage, Carlo van Ulft, Milford Myhre and William De Turk. Events include daily 3 pm carillon recitals, a moonlight recital  on February 27, lectures and exhibits in the new Education & Visitor Center, and several non-carillon concerts. For more information, contact Bill De Turk, Bok Tower Gardens, 1151 Tower Blvd., Lake Wales, FL 33853-3412; phone: 941/676-1154; fax: 941/676-6770; E-mail: <[email protected]>.

Berkeley Congress Report

The 56th Congress of the Guild of Carillonneurs in North America was held at the University of California at Berkeley, 17-20 June 1998 with 126 persons in attendance. University Carillonneur Geert D'hollander was the host. Held in conjunction with the Fifth Berkeley International Carillon Festival, the 1998 meeting focused on the life and work of Emilien Allard and honored the memory of Ronald Barnes. Madeleine Allard was present as an honored guest. Also honored were Evelyn Chambers and other members of the Class of 1928, patrons of the Berkeley Carillon and its International Carillon Festival.

Recitalists for the Congress were Lisa Lonie of Philadelphia; George Gregory of San Antonio, Texas; Claude Aubin of Montréal, Québec, Canada; Gideon Bodden of The Netherlands; Andrea McCrady of Spokane, Washington; and the carillonneurs of Berkeley: Geert D'hollander, John Agraz, Jeff Davis, David Hunsberger, and Liesbeth Janssens. The Berkeley Brass Quintet conducted by David Milnes joined Geert D'hollander and Liesbeth Janssens in a special program of music arranged for bells and brass by Ms.  Janssens. D'hollander gave the premiere performances of the winning pieces in the 1998 Johan Franco Composition Competition. The first prize was awarded to Mr. D'hollander himself for his Modal Nocturne. Ennis Fruhauf's Passacaglia was awarded second prize.

John Agraz gave a workshop on basic carillon maintenance. Masterclasses were taught by John Gouwens on interpretation and by Geert D'hollander on effective ways to learn new music. Two presentations on the music of Emilien Allard were given: Milford Myhre played historic recordings from Bok Tower, and Liesbeth Janssen shared her findings based on theoretical analyses of some of Allard's pieces.

Following successful examination recitals, ten members were accorded Carillonneur status by vote of the Guild: Steven Ball of Ann Arbor, Michigan; Linda Dzuris of Ann Arbor, Michigan; Chuck Barland of Lawrence, Kansas; Andy Greene of Berkeley, California; Andrew Capule of Berkeley, California; Liesbeth Janssens of Berkeley, California; Helena Chen of Berkeley, California; Sabin Levi of Provo, Utah; Geert D'hollander of Berkeley, California;  and Lynne Tidwell  of Lawrence, Kansas.

Dr. Joseph F. Marsh, Jr., former president of Concord College, and Alicia Porter Washam and Rufus "Buddy" Porter of Highland Park United Methodist Church, Dallas, were recommended and approved for Honorary Membership. Janet Dundore was awarded the Extraordinary Service Award for her many contributions to the Guild and to the profession, most particularly her original, audience-friendly approach to recitals. Emilien Allard, Evelyn Chambers, the Class of 1928, Janet Dundore, and Karel and Linda Keldermans received Berkeley Medals. A memorial fund in the name of Ronald Barnes was established to provide scholarships for North Americans to study the North American Carillon Art in North America.

The next congress of the GCNA will be held at Iowa State University, Ames, 16-19 June 1999. Tin-shi Tan will be our host. In the year 2000, the CGNA congress will be held in the city of Frederick, Maryland as well as at the Mercersburg Academy in Mercersburg, Pennsylvania. John Widmann and Jim Smith will be our hosts. Also in 2000 will be a congress of the World Carillon Federation in Springfield, Illinois, hosted by Karel Keldermans.

News from Iowa State

Iowa State University Carillonneur Tin-shi Tam sends the following news.

Spring carillon festival 1998

Iowa State University (ISU) hosted the Spring Carillon Festival 1998 and the Carillon Composition Competition during the weekend of April 24-26. Guest carillonneur was Albert Gerken, Carillonneur at the University of Kansas, Lawrence. He performed a recital featuring carillon music by Gary C. White, Professor Emeritus of Composition at ISU. He also conducted a seminar on "The importance of musical considerations in building or renovating a carillon." The Festival also included a Family concert featuring ISU student carillonneurs, the Ames Children's Preparatory Choir, ISU Dance and ISU/Ames Flute Ensemble. Tin-shi Tam, ISU University Carillonneur, presented a faculty recital during the Festival that included Emilien Allard's Sonata (1968).

In conjunction with the Festival, a Carillon Composition Competition was held to encourage the writing of original carillon compositions by young composers. Contestants from all parts of the country and overseas submitted entries. No award was given this year.

In 1999, Iowa State University will celebrate  the centennial anniversary of the Stanton Memorial Carillon. ISU will host the 57th Congress of The Guild of Carillonneurs in North America from June 16-19. Additional celebrations have also been planned.

Summer keyboard camp

The Sixth Annual Keyboard Exploration was hosted by Iowa State University Music Department from June 22 through 27. The summer music camp was for keyboard students who were entering grades 7-12. Participants experienced first-hand the thrill of playing various kinds of keyboard instruments including organ, harpsichord, piano and carillon. Nine students studied carillon under ISU University Carillonneur, Tin-shi Tam. Two carillon concerts were performed by students towards the end of the week.

News from Springfield

Karel Keldermans, carillonneur for the Springfield, Illinois, park district, sends the following news.

Midwest regional conference

The second Midwest Regional Conference of the GCNA was held in Springfield, Illinois, on Saturday, May 30, 1998. Participants from Kansas, Kentucky, Iowa, Illinois, and Denmark were hosted by Karel Keldermans.

John Courter of Berea College began the presentations with a description of his personal compositional style and indicated the importance of Gregorian chant in his music. He played a recording of two of his carillon fantasies, and a lively discussion ensued. Albert Gerken of the University of Kansas at Lawrence then took the podium to make the first of his two presentations for the conference. Bert gave an excellent analysis relative to the usefulness of C-sharp and D-sharp in the bass of the carillon. To this end, he gave an insightful explanation as to why Pieter Hemony several centuries ago had in fact been incorrect in asserting that C-sharp and D-sharp were "useless." With cogent examples from the  De Gruytters Carillon Book and various Van den Gheyn Preludes--music appropriate to the period under discussion--Bert then demonstrated musically why a carillon indeed needs to be fully chromatic.

Informal discussions continued as a catered lunch was served in the parlor, courtesy of the Springfield Park District. Following the lunch break, Ann-Kirstine Christiansen, a Danish carillonneur and administrator at the Scandinavian Carillon School in Løgumkloster, Denmark, gave her presentation on the formation of the School and explained how courses are set up, the number of students attending, and the number graduated. After Ann-Kirstine's presentation, the group transferred to the Rees Carillon where Bert Gerken took the second afternoon session--that of music notation. Bert has developed a unique system of handling and pedaling on his scores, and the group was very interested in his techniques as he demonstrated them at the keyboard of the Rees Carillon. The conference adjourned in the late afternoon with some of the attendees remaining in Springfield for the International Carillon Festival.

Annual Springfield festival

The 37th International Carillon Festival in Springfield, Illinois, was held at the Rees Memorial Carillon in Washington Park from May 31 through June 7, 1998. The eight days of the Festival were filled with carillon-related activities, culminating each evening in two or three recitals by guest carillonneurs.  This year's recitalists were Albert Gerken, Kansas; Ann-Kirstine Christiansen, Denmark; Ray McLellan, Michigan; Bob van Wely, The Netherlands; Gert Oldenbeuving, The Netherlands; Koen Cosaert, Belgium; Sue Jones, Illinois; and host Karel Keldermans.

The first evening of recitals featured Albert Gerken and Karel Keldermans performing original compositions and arrangements by Ronald Barnes (1927-1997). This evening of special tribute to North America's premier composer for the instrument was especially meaningful to festival audiences who had come to know Ron Barnes as a frequent participant and visitor to the Festival. During the rest of the week, Barnes' works were prominently featured in recitals by other guest carillonneurs. Huge crowds gathered Saturday evening for the traditional gala fireworks to the accompaniment of carillon music.

Prospectus: French Carillon School

The French Carillon School was established in 1971 in Tourcoing and has been associated with the Conservatoire National de Région de Douai since September, 1997. During the academic year, instruction is given at all levels: beginners, amateurs, professional, advanced, and virtuosity. Lessons are given regularly on Wednesday and Saturday mornings and are available on other days by appointment. Intensive sessions are available for those traveling from afar. Applied lessons are given alternately on practice consoles, the mobile carillon, and the belfry carillon. There is a mid-year exam, and a final exam with an international jury is held in mid-June to determine the award to be presented according to the guidelines of the National Music Conservatories: * Mentions: at the initial, preparatory, and elementary levels * Medals and Practice Diploma: at the middle level * Carillonneur Diploma: upon completion of program of study * Gold, Vermeil, Silver, and Bronze Medals: advanced level * Prizes and Certificates of Merit: superior level. (The Master Carillonneur Diploma is awarded as the Premier Prix at this level.) Since its inception, the French Carillon School has awarded twenty carillonneur diplomas (nine to foreigners) and ten Master Carillonneur Diplomas (three to foreigners). A class of virtuosity, a class for the preparation for international competitions, and a special course for the preparation for the State Diploma and Certificate of Aptitude for carillon instruction were recently established. There is an annual registration fee but no tuition. For information and registration, contact: Ecole Française de Carillon; 39, rue de l'Université; 59500 Douai; France. Phone/Fax: 33.3.27.93.58.33. Lessons are available in Tourcoing-contact Bruno Membrey; rue Paul Doumer; 59200 Tourcoing. Beginners can study in Dijon-contact M. Alain Chobert; 2 rue de Tillot; 21000 Dijon.