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Carillon News

by Brian Swager
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Slater to Retire

James "Bud" Slater will retire from his position
as Carillonneur of the Metropolitan United Church in Toronto, Ontario. With his
final Sunday on the job on March 28, Slater will mark the conclusion of his
35th year as carillonneur of the church. His association with the instrument
actually commenced in late 1954, and his first official recital was played
before the Sunday evening service May 22, 1955 under the watchful eye of his
tutor, Stanley James. Slater was appointed Assistant Carillonneur in 1959. During his tenure at Metropolitan, he had temporary appointments at other Ontario carillon locations, i.e., in Toronto at Exhibition Place and the University of Toronto, as well as Niagara Falls. He appeared frequently as guest carillonneur at the towers in Simcoe, Hamilton, and Ottawa, as well as Montréal, Que., and Victoria, B.C.

Slater became a student member of the Guild of Carillonneurs
in North America in 1955 and qualified as a carillonneur member in 1957 upon
passing an exam at the Guild's congress in Cleveland, Ohio. From 1969 to 1971
Slater served as GCNA president and subsequently, he and his wife, Cecilia,
hosted the Guild's Toronto Congress in 1972. James Slater is the father of
Gordon Slater who since 1977 has served as Dominion Carillonneur at the Peace
Tower Carillon in the Houses of Parliament in Ottawa.

On the eve of his 70th birthday in January, 1997, Bud cites
stairclimbing, cranky knees and reluctant elbows as his reasons for retirement.

1997 GCNA Congress

The Department of Music and Dance and Professor of Music
Albert Gerken have announced that the 1997 Congress of the Guild of
Carillonneurs in North America will be held at the University of Kansas, June
4-7. Major presenters will include Bill De Turk, George Gregory, Mark Holmberg,
Associate Professor of Music Theory at KU, Karel Keldermans, Roy Hamlin
Johnson, Brian Swager, and Edward Williams, Associate Dean of the Graduate
School of Penn State.

With ca. 28,000 students, the University of Kansas is in
Lawrence, a community of ca. 70,000. Directly off Interstate 70, Lawrence is
located about 250 miles from the geographical center of the U.S.A. The
picturesque campus of the University of Kansas is situated atop Mount Oread
overlooking the Kaw River valley to the north and the Wakarusa valley to the
south. Not flat as most foreigners picture Kansas, there will be some climbing
to do to get to various places. The Campanile is central to the campus
overlooking the football stadium and Kansas river valley. It was provided by
alumni and friends of the University as a memorial to the 276 KU students and
faculty who died in World War II.

Unquestionably the most prominent and central feature of the
campus, the 120-foot tall World War II memorial tower houses a 41/2-octave
carillon, cast in 1950 by the John Taylor Foundry. Transposing down a half
step, the 53 bells range in weight from 13,490 lbs. to 12 lbs. The instrument,
which was dedicated in May, 1951, with Anton Brees playing the dedicatory
recitals, was rededicated on April 26, 1996, following a complete renovation by
the I.T. Verdin Company with new consoles supplied by Meeks, Watson &
Company. The new radial action is void of any counter weights and assisted only
by coil springs. The sound is full and resonant but light in the top register,
typical of Taylor bells of that vintage.

Major funding for the renovation was provided by Honorary
members of The GCNA, and Keith and Joan Bunnel of Pittsburgh, Pennsylvania.
Both were born and raised in Holmboldt, Kansas, not far from Lawrence, and
Keith Bunnel attended the University of Kansas, graduating in 1946. He was
president of his class and served on the World War II committee that selected
the Campanile and carillon as the memorial project to honor those who were
killed in battle.

The importance of the University of Kansas carillon has been
significant in that it has been at the center of a new genre of carillon
composition since the 1950s. Indeed, until the mid 1950s, very little music of
any significance had been written for the carillon. It was the likes of Ronald
Barnes, the first carillonneur at the University of Kansas, Roy Hamlin Johnson,
formerly of the KU piano faculty, John Pozdro, Professor Emeritus of
Composition and Music Theory at the University, and Gary White, one of Pozdro's
former graduate students in composition, who were the central figures
responsible for creating this wealth of marvelous and exciting new music. Their
works brought about recognition for the carillon as an instrument worthy of
recital status.

Because of the significance of their tremendous contribution
to the art form, many of their works will be featured in recitals during the
congress. It will be a meaningful experience to hear many of these works that
were written for this instrument or carillons of similar timbre. Two new
carillon compositions by Roy Hamlin Johnson and John Pozdro, commissioned by
the KU Department of Music and Dance and The GCNA respectively, will be
premiered at the congress.

Tours of the Reuter Organ Company will be made available to
participants and the beautiful new Wolff concert organ in the recently
completed Bales Recital Hall will be demonstrated and played. This is a
one-of-a-kind instrument you must see and hear.

Registration information is available from congress host
Albert Gerken, Department of Music and Dance, Murphy Hall, The University of
Kansas, Lawrence, KS 66045.

"Overtones"

Beginning last October, new bells rang out up and down the
Avenue of the Arts (Broad Street) in Philadelphia. Thirty-nine Eijsbouts bells
were installed, each on top of a light post, weighing from 40 to 300 pounds.
The creator, Robert Coburn, a sound artist and composer from California,
describes the "worlds longest horizontal carillon" as a half-mile
long piano with the capability of playing pre-programmed or live music on an
electronic ivory keyboard which will be located in the basement of the Academy
of Music.

In observance of the 68th anniversary of The Rochester
Carillon, two special performances were given. Dean Robinson's program on
September 16 included favorite songs of the Mayo brothers. David Johnson of St.
Paul, MN, was the guest recitalist on September 17. The Rochester Carillon was
dedicated on September 17, 1928, and is located in the Mayo Clinic in
Rochester, Minnesota.

David McCain sends word of a new 49-bell carillon at the
First Baptist Church on the Square in LaGrange, Georgia, replete with
"ninety-two electrical connections from the bells to the keyboard and
computer."

In response to a request from Unesco for a program
commemorating the tenth anniversary of the accident at Chernobyl, carillonneurs
Charles Semovich and Pieter Blonk gave a recital at the Albany City Hall in
Albany, New York, on April 26, 1996. Works performed included Lagrima by
Francisco Tárrega, Bells of Hell by Theophil Rusterholz, and Larence
Curry's Prelude on "Dies Irae." Both Charles and Pieter were shown
playing the Albany carillon on the Channel 13 news broadcast.

The fourth annual Keyboard Explorations junior high school
summer music camp was hosted by the Iowa State University Music Department from
June 17-22, 1996. Participants had the opportunity to learn about various kinds
of keyboard instruments and had hands-on experiences in playing them. Eight
participants studied carillon under ISU University Carillonneur Tin-shi Tam.
Two carillon concerts were performed by students towards the end of the week.

After over a decade of silence, inactivity, and exposure to
the elements, the 23-bell carillon located on the property of Schulmerich Carillons, Inc. in Sellersville, Pennsylvania, rang again in a recital given by Lisa Lonie (Trinity Church, Holland, PA) on September 21. Approximately 250 listeners attended the recital which marked the end of a five-day sales and service conference. The carillon, cast in 1928 by Gillett and Johnston, was moved to its present location in 1952 from Belmont College in Nashville, Tennessee. In 1979, Frank Law, carillonneur at Valley Forge, began a nightly summer recital series in Sellersville which continued for six years.

Competition winners

The Guild of Carillonneurs in North America has awarded
Second Prize to two composers in its 1996 Carillon Composition Competition. (No
First Prize was awarded.) The winning compositions were Nocturne
style='font-style:normal'> by Ennis Fruhauf, of Santa Barbara, California (USA)
and
Prelude con Fughetta by
Marcel Siebers, of Cuyk, The Netherlands. Both compositions were given their
première performance by Todd Fair, of Amsterdam (Netherlands), at the
congress of the GCNA on June 4, 1996 at St. Stephen's Episcopal Church,
Cohasset, Massachusetts. Both composers received a cash prize, and both pieces
will be published by the guild in the near future. Another competition is
planned for January of 1998.

Premières

A new carillon composition, Winter Song
style='font-style:normal'>, by Roy Hamlin Johnson, was given its
première performance by John Gouwens on June 26, 1996 on the carillon of
the Town Hall in Norwood, Massachusetts, at the congress of the Guild of
Carillonneurs in North America. The new piece was commissioned by the Johan
Franco Composition Committee of the GCNA and is published by the guild. Many of
Dr. Johnson's earlier compositions are staples of the repertory of
carillonneurs throughout North America, Europe, Australia, and New Zealand.
This is the sixth carillon composition to the commissioned by the GCNA.

Related Content

Carillon News

by Brian Swager
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Kansas Congress Report

In the spring of 1854 the Massachusetts legislature chartered the New England Emigrant Aid Company, whose mission was to promote the settlement of Kansas by people who opposed slavery. Among the towns founded under its direction was Lawrence, and it was there that the University of Kansas was established. Central to its lovely campus, located on Mount Oread, is the World War II Memorial Campanile with its carillon.

Hosted by University Carillonneur Albert Gerken and the University's Department of Music and Dance, 132 individuals participated in the 55th Congress of the Guild of Carillonneurs in North America, June 3-7, 1997, which celebrated the instrument's restoration and with it the lives and contributions of four individuals whose careers as composers are inextricably linked to the carillon and to the University. Honored were Ronald Barnes, Roy Hamlin Johnson, John Pozdro and Gary White, who took inspiration from the magnificent Taylor carillon and contributed to the profession beyond words. Through recitals and presentations, the delegates, representing Australia, Belgium, Canada, England, The Netherlands and The United States of America, witnessed in glorious measure the significance of those contributions and of the instrument that inspired them.

John Gouwens played the opening recital, which included two compositions commissioned by the GCNA: Figments (1982) by Gary White, and Easter Dawning (1992) by George Crumb. Albert Gerken, like Gouwens, featured each of the four composers being honored, and premiered two works: Roy Hamlin Johnson's Winter Fanfares (1996), commissioned by the Department of Music and Dance and dedicated to Gerken, and Winds of Autumn, by John Pozdro. Other recitalists were Robert Byrnes, Don Cook, Bill De Turk, David Hunsberger, Karel Keldermans, Brian Swager, and Sally Slade Warner.

Six individuals were accorded Carillonneur status by vote of the Guild after playing successful examination recitals: Elaine Brewer, a Lawrence, Kansas freelance harpist; Helen Hawley, Organist/Choir Director at Plymouth Congregational Church, Lawrence; Rosemary Laing of Victoria, British Columbia, who is Carillonneur of the Netherlands Centennial Carillon, Organist at First Church of Christ, Scientist, and Music Specialist at the University of Victoria; Patrick Macoska, Organist/Choirmaster at St. Mary's of Redford, Detroit, Michigan; Suzanne Magassy, Carillonneur at the National Carillon, Canberra, Australia, and the only person outside of North America  to have become a Carillonneur member of the GCNA; and Gloria Werblow, Carillonneur at the Rainbow Tower Carillon, Niagara Falls, Ontario, and Carillonneur/Handbell Director at Calvary Episcopal Church, Williamsville, New York.

Presentations were enlightening and enjoyable. Mark Holmberg provided a historical overview of the KU carillon. Don Cook conducted a presentation/discussion on carillon music that meets pedagogical needs. Karel Keldermans described Gillett and Johnston's impact on carillon design in North America, focusing on the Rockefeller Chapel instrument at the University of Chicago. Brian Swager continued his description, begun in a Cohasset presentation, of baroque performance practice for carillonneurs, while Bill De Turk, anticipating his own recital, discussed the work of Samuel Barber, Gian-Carlo Menotti and Nino Rota while composers-in-residence at Bok Tower. In a session on Russian campanology, Edward Williams reviewed some of the more spectacular projects of Russian bellfounders.

George Gregory, joined in performance by Guild volunteers and KU music faculty, demonstrated the use of cup-shaped bells. John Pozdro led a session on composing, Andrea McCrady offered suggestions on how to play the carillon so as to avoid injury, and Roy Hamlin Johnson recalled his early efforts to learn how to compose for the carillon. Two new instruments were highlighted in illustrated presentations:  Margo Halsted introduced the Lurie Carillon, located on the north campus of the University of Michigan, Ann Arbor; and Beverly Buchanan described the Carillon Beach instrument, located at Panama City, Florida. Milford Myhre and Ronald Barnes gave a master class. There were tours of the Reuter Organ Company, and two KU students performed on the recently completed Wolff organ in the new Bales Recital Hall. John Agraz, Arla Jo Anderton, and John Courter were elected board members at-large.

Meeks and Watson hosted a welcoming reception, and Schulmerich hosted a closing ice cream social at the Campanile. The John Taylor Bellfounders hosted a candlelight buffet at the Dyche Natural History Museum. The Verdin Company hosted the annual pizza party at historic Liberty Hall, with entertainment by the Chuck Berg Quartet. The Royal Eijsbouts Bellfounders hosted the Congress banquet at KU's Adams Alumni Center, after which Bert Gerken formally introduced and thanked Ron Barnes, Roy Johnson, John Pozdro, and Gary White.

Profile: University of Kansas

The World War II Memorial Carillon and Campanile, inspired by the memories of classmates, teachers, friends, and relatives, stands as the most outstanding visual symbol of the University of Kansas.

In 1945, Kansas Supreme Court Justice Hugo T. "Dutch" Wedell, secretary of the Kansas Alumni Association Fred Ellsworth, Chancellor Deane W. Malott, and their tireless volunteers began a campaign which would raise $343,000 from 8,000 individuals to build KU's memorial to its war dead, the 276 students and faculty whose names appear in the Memorial Room of the Campanile, and to additional individuals in whose memory bells and donations were given. Through many people's efforts, the World War II Memorial Carillon and Campanile was constructed. The Belgian Anton Brees, then carillonneur at Lake Wales, Florida, and Duke University, played the dedicatory recital to over 7000 listeners on May 27, 1951. Thus, KU became one of the first universities in the nation to complete a major World War II memorial. An inscription in the Memorial Room at the base of the tower reads: "Free government does not bestow repose upon its citizens, but sets them in the vanguard of battle to defend the liberty of every man."

The Campanile is 120 feet tall and made of native Kansas limestone quarried in Cottonwood Falls and Junction City. It was inspired by a plan by Olin Templin and designed by Kansas City architects Homer F. Neville (class of '22) and Edward B. Delk. The fifty-three bronze bells were cast by the John Taylor Foundry in 1950 and range in weight from 12 pounds to 13,490 pounds. The bourdon is keyed to G and sounds F-sharp. Frank Godfrey supervised the design, casting, and installation of the KU bells.

State of Kansas funds provided for maintenance of the Campanile structure itself, but there was never a maintenance fund for the musical instrument inside. Because the carillon received only minimal maintenance after the day of its dedication in 1951, use and time took their toll. By 1991 the carillon had fallen into disrepair, with no funds available for restoration. Deterioration was so extensive that the cost for repair had risen to $425,000. It needed new playing and practice consoles, new bell clappers and hardware, an entire new mechanical action, and a bell frame.

Fortunately for the beloved campus landmark and everyone who cherished it, Keith and Joan Bunnel, of Pittsburgh, Pennsylvania, contributed the entire $425,000, because they cared deeply about the carillon and those to whom it was dedicated.

The bells were silenced in 1993 to begin renovation. The Verdin Company of Cincinnati performed the work, and the new consoles were supplied by Meeks, Watson, & Company. That same year, former Chancellor Deane Malott of Ithaca, New York, agreed to lead a campaign to establish a $200,000 endowed maintenance fund that will provide annual inspection and upkeep of the carillon, in order to avoid the same deterioration that occurred in the first forty years. With Malott's leadership and the inspiration of the Keith and Joan Bunnel gift, nearly one thousand alumni responded to the call, exceeding the campaign's goal and ensuring that the KU carillon remains in perfect condition forevermore.

Ronald Barnes was University Carillonneur from 1951 to 1963 during which period the instrument was influential in the development of a North American school of carillon composition. Primary in this movement were KU composers Roy Hamlin Johnson, John Pozdro, and Gary White.

The University Carillonneur since 1963 has been Professor Albert Gerken of the KU Department of Music and Dance in the School of Fine Arts. Gerken supervised the entire carillon renovation and played the rededication on April 26, 1996.

Carillon News

by Brian Swager
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February Florida Festival

The 14th International Carillon Festival at Bok Tower Gardens in Lake Wales, Florida, will occur February 20-28, featuring carillonneurs Geert D'hollander, Todd Fair, Ulla Laage, Carlo van Ulft, Milford Myhre and William De Turk. Events include daily 3 pm carillon recitals, a moonlight recital  on February 27, lectures and exhibits in the new Education & Visitor Center, and several non-carillon concerts. For more information, contact Bill De Turk, Bok Tower Gardens, 1151 Tower Blvd., Lake Wales, FL 33853-3412; phone: 941/676-1154; fax: 941/676-6770; E-mail: <[email protected]>.

Berkeley Congress Report

The 56th Congress of the Guild of Carillonneurs in North America was held at the University of California at Berkeley, 17-20 June 1998 with 126 persons in attendance. University Carillonneur Geert D'hollander was the host. Held in conjunction with the Fifth Berkeley International Carillon Festival, the 1998 meeting focused on the life and work of Emilien Allard and honored the memory of Ronald Barnes. Madeleine Allard was present as an honored guest. Also honored were Evelyn Chambers and other members of the Class of 1928, patrons of the Berkeley Carillon and its International Carillon Festival.

Recitalists for the Congress were Lisa Lonie of Philadelphia; George Gregory of San Antonio, Texas; Claude Aubin of Montréal, Québec, Canada; Gideon Bodden of The Netherlands; Andrea McCrady of Spokane, Washington; and the carillonneurs of Berkeley: Geert D'hollander, John Agraz, Jeff Davis, David Hunsberger, and Liesbeth Janssens. The Berkeley Brass Quintet conducted by David Milnes joined Geert D'hollander and Liesbeth Janssens in a special program of music arranged for bells and brass by Ms.  Janssens. D'hollander gave the premiere performances of the winning pieces in the 1998 Johan Franco Composition Competition. The first prize was awarded to Mr. D'hollander himself for his Modal Nocturne. Ennis Fruhauf's Passacaglia was awarded second prize.

John Agraz gave a workshop on basic carillon maintenance. Masterclasses were taught by John Gouwens on interpretation and by Geert D'hollander on effective ways to learn new music. Two presentations on the music of Emilien Allard were given: Milford Myhre played historic recordings from Bok Tower, and Liesbeth Janssen shared her findings based on theoretical analyses of some of Allard's pieces.

Following successful examination recitals, ten members were accorded Carillonneur status by vote of the Guild: Steven Ball of Ann Arbor, Michigan; Linda Dzuris of Ann Arbor, Michigan; Chuck Barland of Lawrence, Kansas; Andy Greene of Berkeley, California; Andrew Capule of Berkeley, California; Liesbeth Janssens of Berkeley, California; Helena Chen of Berkeley, California; Sabin Levi of Provo, Utah; Geert D'hollander of Berkeley, California;  and Lynne Tidwell  of Lawrence, Kansas.

Dr. Joseph F. Marsh, Jr., former president of Concord College, and Alicia Porter Washam and Rufus "Buddy" Porter of Highland Park United Methodist Church, Dallas, were recommended and approved for Honorary Membership. Janet Dundore was awarded the Extraordinary Service Award for her many contributions to the Guild and to the profession, most particularly her original, audience-friendly approach to recitals. Emilien Allard, Evelyn Chambers, the Class of 1928, Janet Dundore, and Karel and Linda Keldermans received Berkeley Medals. A memorial fund in the name of Ronald Barnes was established to provide scholarships for North Americans to study the North American Carillon Art in North America.

The next congress of the GCNA will be held at Iowa State University, Ames, 16-19 June 1999. Tin-shi Tan will be our host. In the year 2000, the CGNA congress will be held in the city of Frederick, Maryland as well as at the Mercersburg Academy in Mercersburg, Pennsylvania. John Widmann and Jim Smith will be our hosts. Also in 2000 will be a congress of the World Carillon Federation in Springfield, Illinois, hosted by Karel Keldermans.

News from Iowa State

Iowa State University Carillonneur Tin-shi Tam sends the following news.

Spring carillon festival 1998

Iowa State University (ISU) hosted the Spring Carillon Festival 1998 and the Carillon Composition Competition during the weekend of April 24-26. Guest carillonneur was Albert Gerken, Carillonneur at the University of Kansas, Lawrence. He performed a recital featuring carillon music by Gary C. White, Professor Emeritus of Composition at ISU. He also conducted a seminar on "The importance of musical considerations in building or renovating a carillon." The Festival also included a Family concert featuring ISU student carillonneurs, the Ames Children's Preparatory Choir, ISU Dance and ISU/Ames Flute Ensemble. Tin-shi Tam, ISU University Carillonneur, presented a faculty recital during the Festival that included Emilien Allard's Sonata (1968).

In conjunction with the Festival, a Carillon Composition Competition was held to encourage the writing of original carillon compositions by young composers. Contestants from all parts of the country and overseas submitted entries. No award was given this year.

In 1999, Iowa State University will celebrate  the centennial anniversary of the Stanton Memorial Carillon. ISU will host the 57th Congress of The Guild of Carillonneurs in North America from June 16-19. Additional celebrations have also been planned.

Summer keyboard camp

The Sixth Annual Keyboard Exploration was hosted by Iowa State University Music Department from June 22 through 27. The summer music camp was for keyboard students who were entering grades 7-12. Participants experienced first-hand the thrill of playing various kinds of keyboard instruments including organ, harpsichord, piano and carillon. Nine students studied carillon under ISU University Carillonneur, Tin-shi Tam. Two carillon concerts were performed by students towards the end of the week.

News from Springfield

Karel Keldermans, carillonneur for the Springfield, Illinois, park district, sends the following news.

Midwest regional conference

The second Midwest Regional Conference of the GCNA was held in Springfield, Illinois, on Saturday, May 30, 1998. Participants from Kansas, Kentucky, Iowa, Illinois, and Denmark were hosted by Karel Keldermans.

John Courter of Berea College began the presentations with a description of his personal compositional style and indicated the importance of Gregorian chant in his music. He played a recording of two of his carillon fantasies, and a lively discussion ensued. Albert Gerken of the University of Kansas at Lawrence then took the podium to make the first of his two presentations for the conference. Bert gave an excellent analysis relative to the usefulness of C-sharp and D-sharp in the bass of the carillon. To this end, he gave an insightful explanation as to why Pieter Hemony several centuries ago had in fact been incorrect in asserting that C-sharp and D-sharp were "useless." With cogent examples from the  De Gruytters Carillon Book and various Van den Gheyn Preludes--music appropriate to the period under discussion--Bert then demonstrated musically why a carillon indeed needs to be fully chromatic.

Informal discussions continued as a catered lunch was served in the parlor, courtesy of the Springfield Park District. Following the lunch break, Ann-Kirstine Christiansen, a Danish carillonneur and administrator at the Scandinavian Carillon School in Løgumkloster, Denmark, gave her presentation on the formation of the School and explained how courses are set up, the number of students attending, and the number graduated. After Ann-Kirstine's presentation, the group transferred to the Rees Carillon where Bert Gerken took the second afternoon session--that of music notation. Bert has developed a unique system of handling and pedaling on his scores, and the group was very interested in his techniques as he demonstrated them at the keyboard of the Rees Carillon. The conference adjourned in the late afternoon with some of the attendees remaining in Springfield for the International Carillon Festival.

Annual Springfield festival

The 37th International Carillon Festival in Springfield, Illinois, was held at the Rees Memorial Carillon in Washington Park from May 31 through June 7, 1998. The eight days of the Festival were filled with carillon-related activities, culminating each evening in two or three recitals by guest carillonneurs.  This year's recitalists were Albert Gerken, Kansas; Ann-Kirstine Christiansen, Denmark; Ray McLellan, Michigan; Bob van Wely, The Netherlands; Gert Oldenbeuving, The Netherlands; Koen Cosaert, Belgium; Sue Jones, Illinois; and host Karel Keldermans.

The first evening of recitals featured Albert Gerken and Karel Keldermans performing original compositions and arrangements by Ronald Barnes (1927-1997). This evening of special tribute to North America's premier composer for the instrument was especially meaningful to festival audiences who had come to know Ron Barnes as a frequent participant and visitor to the Festival. During the rest of the week, Barnes' works were prominently featured in recitals by other guest carillonneurs. Huge crowds gathered Saturday evening for the traditional gala fireworks to the accompaniment of carillon music.

Prospectus: French Carillon School

The French Carillon School was established in 1971 in Tourcoing and has been associated with the Conservatoire National de Région de Douai since September, 1997. During the academic year, instruction is given at all levels: beginners, amateurs, professional, advanced, and virtuosity. Lessons are given regularly on Wednesday and Saturday mornings and are available on other days by appointment. Intensive sessions are available for those traveling from afar. Applied lessons are given alternately on practice consoles, the mobile carillon, and the belfry carillon. There is a mid-year exam, and a final exam with an international jury is held in mid-June to determine the award to be presented according to the guidelines of the National Music Conservatories: * Mentions: at the initial, preparatory, and elementary levels * Medals and Practice Diploma: at the middle level * Carillonneur Diploma: upon completion of program of study * Gold, Vermeil, Silver, and Bronze Medals: advanced level * Prizes and Certificates of Merit: superior level. (The Master Carillonneur Diploma is awarded as the Premier Prix at this level.) Since its inception, the French Carillon School has awarded twenty carillonneur diplomas (nine to foreigners) and ten Master Carillonneur Diplomas (three to foreigners). A class of virtuosity, a class for the preparation for international competitions, and a special course for the preparation for the State Diploma and Certificate of Aptitude for carillon instruction were recently established. There is an annual registration fee but no tuition. For information and registration, contact: Ecole Française de Carillon; 39, rue de l'Université; 59500 Douai; France. Phone/Fax: 33.3.27.93.58.33. Lessons are available in Tourcoing-contact Bruno Membrey; rue Paul Doumer; 59200 Tourcoing. Beginners can study in Dijon-contact M. Alain Chobert; 2 rue de Tillot; 21000 Dijon.

Carillon News

by Brian Swager
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Carillon dedication

A new carillon on the North Campus of the University of
Michigan, Ann Arbor, will be dedicated during a special ceremony on Thursday, October 19 at 9:00 p.m. During the spring and summer, the instrument is to be installed in the new and modern tower designed by the late architect Charles Moore of Austin, Texas. The dedication ceremony is planned to include music played on the new carillon and music performed by the University of Michigan Symphony Band, by itself and with the carillon. In addition to the music, there will be special tower lighting effects and fireworks.

The Lurie Carillon and Lurie Tower are named after Robert
Lurie and were donated by his widow, Ann, of Chicago. Robert Lurie held two
degrees in engineering from the University of Michigan. Royal Eijsbouts of The
Netherlands cast the 60 bells (bourdon G of six tons) to a modified Hemony
profile. Thirty-eight of the bells will also have MIDI capability. A new
practice keyboard will be installed in a nearby building.

Two works for carillon have been commissioned for the
dedication. The commissions went to University of Michigan composer William
Albright and to Mannheim Steamroller composer and director, Chip Davis, a
graduate of the University of Michigan School of Music. To help celebrate the
event, there is also a carillon composition competition for University of
Michigan student composers with cash prizes. The winning student pieces will be
performed at special concerts following the dedication.

Ronald Barnes honored

Honorary membership in the Guild of Carillonneurs in North
America was conferred on Ronald Barnes at the 1995 Congress in Princeton, New
Jersey. David Hunsberger nominated Mr. Barnes for this honor with the following
tribute.

Born and brought up in Lincoln, Nebraska, Mr. Barnes
believes his parents took him as a young child to hear Anton Brees dedicate the
carillon at First Plymouth Congregational Church. Fifteen years later, he
studied organ with Myron Roberts, the church's organist, who one day asked if
he would consider learning to play the carillon, since Mary Guest, the woman
then playing, planned to move away.

Young Ronald ascended the tower to watch her play, and
remembers that she played melodies only, and only in the bottom two octaves,
grasping the keys chime-style. When he asked her why she did not also use the
higher notes she replied that they didn't work, and sure enough, when he tried
one it would not move. Only a few days later, when he and his older brother
Bryce actually made their way into the bell chamber (in those days a hazardous
climb indeed) did he realize that all those notes had bells attached to them.

The two young men carried twelve bushel baskets full of dead
pigeons, droppings, and other dirt from the tower. They cleaned and lubricated
the playing action, disassembling some of it. When they had finished, Ronald
went up the following Sunday to play. Since he owned no carillon music, he simply played scales up and down the compass. The phone immediately began to ring, with neighborhood people wanting to know when the church had gotten the new bells. So far as he can determine, the last person to have played the small
bells on that carillon had been Anton Brees at the dedicatory recitals a decade
and a half earlier!

At the end of World War II Mr. Barnes served in the US Navy
in Japan during the occupation, on a destroyer tender as a specialist working
with navigational instruments, and later as a helmsman on a destroyer.
Afterwards he used the GI Bill to earn a Master of Arts degree in musicology at
Stanford University, where for his thesis he wrote a study of the carillon
preludes of Matthias van den Gheyn. He attended his first GCNA congress in 1948
at Ann Arbor, where he, Theophil Rusterholz, and Bertram Strickland played
their advancement recitals. Following the Congress he spent the summer in
Ottawa with Robert Donnell, which was to be his only formal study of the
carillon.

In 1951 he accepted an appointment to play the large new
Taylor carillon in Lawrence, Kansas, which he says was the finest in the world
at the time. While on the Kansas University faculty he also taught harpsichord
and cared for the university's instrument collection. In 1963 he again accepted
an appointment to play a brand new Taylor carillon, which he again thought was
the best carillon in the world, this time at the Washington Cathedral.

Finally, in 1982 he returned to California to preside over
the Class of 1928 Carillon at Berkeley. Under his supervision the Berkeley
instrument has been enlarged once and improved several times.

He has been host of three congresses, one at each of his
towers beginning in Kansas in 1956, and will be one of the hosts, along with
his successor, at the 1998 congress in Berkeley. He was President of the Guild
during part of the 1960s, and served for seven years during the 1950s as editor
of the Bulletin.

It was Mr. Barnes' personal encouragement that led several
of our most important composers, among them Roy Hamlin Johnson, John Pozdro,
and Gary White, to develop an interest in the carillon. He has played pivotal
roles in beginning and nurturing the carillon careers of some of our most
distinguished players, including Milford Myhre, Richard Strauss, and Daniel
Robins. He has written provocatively and with penetrating insight several times
for the Bulletin, working to set new standards for quality of performance,
choice of repertory, and sophistication in design and construction of instruments. But there is no doubt in my mind that the contribution that overshadows all others is his contribution to our instrument's musical literature. Dating back to his earliest years at Kansas and deepening during the years, the flow of compositions in his mature years has made our lives as performers increasingly worth living.

After 13 years of service, Ronald Barnes retired from his
position as University Carillonist at the University of California, Berkeley,
on October 15, 1995. Jeff Davis has been appointed Acting University
Carillonist.

Eurocarillon Festival

The first Eurocarillon Festival took place in Bruges and
Damme, Belgium, on September 1–3, 1995. It was organized by the two
cities and the newly founded European carillon organization, Eurocarillon, which
consists of representatives from Portugal, Ireland, France, Belgium, Germany,
Spain, England, and The Netherlands.

On the first two days several concerts were given on the
carillon hung in the high Bruges town hall belfry overlooking the central market
square. The 47-bell instrument with a six-ton bourdon was cast in 1748 by Joris
Dumery and renovated in 1969 by Eijsbouts. A four-hands rendition of Vivaldi's
The Four Seasons given by Abel Chavez and Anna Maria Reverté was one of
the festival's high points. During another concert Aimé Lombaert and
Boudewijn Zwart's performance was seen on video and heard on loudspeakers in
one of the town hall's rooms where it was coordinated with the simultaneous
playing of a percussion ensemble. The closing concerts were held on the town
hall carillon of the nearby port of Damme which was reached by a boat trip
through a picturesque landscape.

The purpose of Eurocarillon is to strengthen the position of
the carillon and the carillonneur in European cultural life. The organization
will serve as an important showcase of European carillon culture. Each year a
special Eurocarillon concert featuring the same program will be given on the
same day at the same time in all of Eurocarillon's member cities, and a
Eurocarillon festival will be held in one of the member countries. Discussions
are currently underway to hold festivals this year in Lyons, next year in
Barcelona, and in 1998 in Amsterdam.

Carillon News

Brian Swager
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Carillon dedication

A new carillon on the North Campus of the University of Michigan, Ann Arbor, will be dedicated during a special ceremony on Thursday, October 19 at 9:00 p.m. During the spring and summer, the instrument is to be installed in the new and modern tower designed by the late architect Charles Moore of Austin, Texas. The dedication ceremony is planned to include music played on the new carillon and music performed by the University of Michigan Symphony Band, by itself and with the carillon. In addition to the music, there will be special tower lighting effects and fireworks.
The Lurie Carillon and Lurie Tower are named after Robert Lurie and were donated by his widow, Ann, of Chicago. Robert Lurie held two degrees in engineering from the University of Michigan. Royal Eijsbouts of The Netherlands cast the 60 bells (bourdon G of six tons) to a modified Hemony profile. Thirty-eight of the bells will also have MIDI capability. A new practice keyboard will be installed in a nearby building.
Two works for carillon have been commissioned for the dedication. The commissions went to University of Michigan composer William Albright and to Mannheim Steamroller composer and director, Chip Davis, a graduate of the University of Michigan School of Music. To help celebrate the event, there is also a carillon composition competition for University of Michigan student composers with cash prizes. The winning student pieces will be performed at special concerts following the dedication.

Ronald Barnes honored

Honorary membership in the Guild of Carillonneurs in North America was conferred on Ronald Barnes at the 1995 Congress in Princeton, New Jersey. David Hunsberger nominated Mr. Barnes for this honor with the following tribute.
Born and brought up in Lincoln, Nebraska, Mr. Barnes believes his parents took him as a young child to hear Anton Brees dedicate the carillon at First Plymouth Congregational Church. Fifteen years later, he studied organ with Myron Roberts, the church's organist, who one day asked if he would consider learning to play the carillon, since Mary Guest, the woman then playing, planned to move away.
Young Ronald ascended the tower to watch her play, and remembers that she played melodies only, and only in the bottom two octaves, grasping the keys chime-style. When he asked her why she did not also use the higher notes she replied that they didn't work, and sure enough, when he tried one it would not move. Only a few days later, when he and his older brother Bryce actually made their way into the bell chamber (in those days a hazardous climb indeed) did he realize that all those notes had bells attached to them.
The two young men carried twelve bushel baskets full of dead pigeons, droppings, and other dirt from the tower. They cleaned and lubricated the playing action, disassembling some of it. When they had finished, Ronald went up the following Sunday to play. Since he owned no carillon music, he simply played scales up and down the compass. The phone immediately began to ring, with neighborhood people wanting to know when the church had gotten the new bells. So far as he can determine, the last person to have played the small bells on that carillon had been Anton Brees at the dedicatory recitals a decade and a half earlier!
At the end of World War II Mr. Barnes served in the US Navy in Japan during the occupation, on a destroyer tender as a specialist working with navigational instruments, and later as a helmsman on a destroyer. Afterwards he used the GI Bill to earn a Master of Arts degree in musicology at Stanford University, where for his thesis he wrote a study of the carillon preludes of Matthias van den Gheyn. He attended his first GCNA congress in 1948 at Ann Arbor, where he, Theophil Rusterholz, and Bertram Strickland played their advancement recitals. Following the Congress he spent the summer in Ottawa with Robert Donnell, which was to be his only formal study of the carillon.
In 1951 he accepted an appointment to play the large new Taylor carillon in Lawrence, Kansas, which he says was the finest in the world at the time. While on the Kansas University faculty he also taught harpsichord and cared for the university's instrument collection. In 1963 he again accepted an appointment to play a brand new Taylor carillon, which he again thought was the best carillon in the world, this time at the Washington Cathedral.
Finally, in 1982 he returned to California to preside over the Class of 1928 Carillon at Berkeley. Under his supervision the Berkeley instrument has been enlarged once and improved several times.
He has been host of three congresses, one at each of his towers beginning in Kansas in 1956, and will be one of the hosts, along with his successor, at the 1998 congress in Berkeley. He was President of the Guild during part of the 1960s, and served for seven years during the 1950s as editor of the Bulletin.
It was Mr. Barnes' personal encouragement that led several of our most important composers, among them Roy Hamlin Johnson, John Pozdro, and Gary White, to develop an interest in the carillon. He has played pivotal roles in beginning and nurturing the carillon careers of some of our most distinguished players, including Milford Myhre, Richard Strauss, and Daniel Robins. He has written provocatively and with penetrating insight several times for the Bulletin, working to set new standards for quality of performance, choice of repertory, and sophistication in design and construction of instruments. But there is no doubt in my mind that the contribution that overshadows all others is his contribution to our instrument's musical literature. Dating back to his earliest years at Kansas and deepening during the years, the flow of compositions in his mature years has made our lives as performers increasingly worth living.
After 13 years of service, Ronald Barnes retired from his position as University Carillonist at the University of California, Berkeley, on October 15, 1995. Jeff Davis has been appointed Acting University Carillonist.

Eurocarillon Festival

The first Eurocarillon Festival took place in Bruges and Damme, Belgium, on September 1-3, 1995. It was organized by the two cities and the newly founded European carillon organization, Eurocarillon, which consists of representatives from Portugal, Ireland, France, Belgium, Germany, Spain, England, and The Netherlands.
On the first two days several concerts were given on the carillon hung in the high Bruges town hall belfry overlooking the central market square. The 47-bell instrument with a six-ton bourdon was cast in 1748 by Joris Dumery and renovated in 1969 by Eijsbouts. A four-hands rendition of Vivaldi's The Four Seasons given by Abel Chavez and Anna Maria Reverté was one of the festival's high points. During another concert Aimé Lombaert and Boudewijn Zwart's performance was seen on video and heard on loudspeakers in one of the town hall's rooms where it was coordinated with the simultaneous playing of a percussion ensemble. The closing concerts were held on the town hall carillon of the nearby port of Damme which was reached by a boat trip through a picturesque landscape.
The purpose of Eurocarillon is to strengthen the position of the carillon and the carillonneur in European cultural life. The organization will serve as an important showcase of European carillon culture. Each year a special Eurocarillon concert featuring the same program will be given on the same day at the same time in all of Eurocarillon's member cities, and a Eurocarillon festival will be held in one of the member countries. Discussions are currently underway to hold festivals this year in Lyons, next year in Barcelona, and in 1998 in Amsterdam.

Carillon News

by Brian Swager

Brian Swager is a contributing editor of THE DIAPASON.

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Next GCNA Congress

Iowa State University and University Carillonneur Tin-shi Tam will host the 57th Congress of The Guild of Carillonneurs in North America from Wednesday, June 16 through Saturday, June 19.  The congress will be part of the celebration of the centennial anniversary of the Bells of Iowa State.

The Bells of Iowa State were donated to the University by Edgar Williams Stanton, who graduated with the first class in 1872. Including his years as a student, Stanton spent a half century on campus, becoming a faculty member, head of the department of mathematics, secretary of the Board of Trustees, Dean of the Junior College, Vice President and, on four different occasions, Acting President.

Stanton's first wife was Margaret Price MacDonald Stanton, the University's first Dean of Women, who was a part of Iowa State for almost twenty-five years. When she died in 1895, her husband decided to establish a monument--a free-standing tower with a chime of ten bells. With the help of University President William M. Beard-shear, Stanton chose a site for the tower on central campus, and the state legislature appropriated $7,500 for the construction of the tower and its clock.

The Campanile was built in 1897, designed by an architect from Des Moines, George E. Hallett. The bells were installed in the newly built campanile in 1899. They were the first scientifically tuned bells to be exported by John Taylor & Company of Loughborough, England.

When Stanton died in 1920, his will provided for a second memorial. At the request of his second wife, Mrs. Julia Ann Wentch Stanton, and their children, the university installed twenty-six additional bells and a playing console in the campanile in 1929. The structure thus became known as the Edgar W. and Margaret MacDonald Stanton Memorial Carillon.

In 1954, the trustees of the Stanton Memorial Estate joined with others to create the Stanton Memorial Carillon  Foundation, further advancing the carillon at Iowa State. Soon after the foundation was formed, it purchased thirteen additional treble bells, along with a new playing console. These were installed in 1956, bringing the total number of bells to forty-nine. In 1967, a fiftieth bell was added.

The carillon and campanile were renovated from 1992 to 1994. The renovation of the carillon was completed by the I. T. Verdin Company and Meeks, Watson & Company. The work included a redesign of the framing and positioning of the bells, new clappers for all bells, a new transmission system (radial action) for the instrument, and new playing and practice consoles. The campanile received a new roof, the exterior bricks were repaired, and new clock movements and a digital control system were added to coordinate the operation of the clock and chimes.

Of the fifty bells cast by John Taylor & Company, the bourdon weighs 5,484 pounds and the smallest weighs 9 pounds. The total weight of the bells is 30,855 pounds. The pitches range from the second B-flat below middle C, then chromatically, four octaves from C to C4. The playing console is made according to the North American standard with a two-octave pedalboard (C-C2).

Next year is the centennial anniversary of the Bells of Iowa State.  The university is delighted to have the congress as part of the celebration. Located in Ames, Iowa State University is the nation's oldest land-grant university. Its campus covers nearly 2,000 acres and includes 154 buildings, many of which are on the National Register of Historic Places. Ames is easily accessed by Interstates 35 and 80. The Des Moines International Airport, located 45 minutes south of Ames, is served by major commercial airlines.

Congress lodging will be in the Iowa State Memorial Union, located across the street from Stanton Memorial Carillon and within walking distance to campus buildings; phone: 515/292-1111; fax: 515/294-1105. Other accommodations are available at Friley Hall, a campus residence hall; phone: 515/294-8384; fax: 515/294-0623. Also available is Iowa House, a guest house located one block south from Iowa State University; phone: 515/292-8870; fax: 515/292-8870.

Inquiries may be directed to the University Carillonneur, Department of Music, Iowa State University, Ames, Iowa 50011; phone: 515/294-2911; fax: 515/294-6409. E-mail: <[email protected]>. Further information about the Congress is available on the ISU Homepage: <http://www.music.iastate.edu/carillon&gt;.

Jenny King appointed in Michigan

Jenny Lungershausen King is the new carillonneur at Christ Church Cranbrook in Bloomfield Hills and at Jefferson Avenue Presbyterian Church in Detroit. Serving as interim carillonneur at Christ Church Cranbrook since the fall of 1995, King was appointed to the re-instated position last year. At Cranbrook she plays twice a month for Sunday morning worship services; for weddings, funerals and memorial services, and for special programs. She is responsible for coordinating the church's long-standing summer carillon series, initiated in 1928 by Anton Brees.

The Wallace carillon at Christ Church Cranbrook was originally installed in 1928. It now comprises 50 Taylor bells and a new keyboard designed and installed by Rick Watson.

King founded an annual summer carillon series at Jefferson Avenue Presbyterian Church in 1995. She became the official carillonneur at the church last year. The church's 23-bell Gillett and Johnston instrument was installed in 1925 in honor of Henry Russel. The oldest carillon in Michigan and to date the only carillon in Detroit, the Jefferson Avenue Presbyterian instrument likewise is played before and after Sunday worship, for special events and in recital. It features its original playing console.

King studied with Bill De Turk at Grosse Pointe Memorial Church and played her GCNA examination recital in 1991 at Baylor University in Waco, Texas. A graduate of Oberlin College, she is a freelance writer who covers the auto and commercial real estate industries for several publications. In September she took delivery of a 1998 VW New Beetle and figures she may be the first GCNA member to own one. "Hug it, drive it--either way it's great," she said.

Carillon News

by Brian Swager
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News from Iowa State University

1. Spring Carillon and Organ Festival 1997

Iowa State University hosted the Spring Carillon and Organ
Festival 1997 and the Carillon Composition Competition during the weekend of April 25-27. The Festival also celebrated the tenth anniversary of the installation and dedication of the Brombaugh organ of the Music Department. Guest artists were Brian Swager, former University Carillonneur at Indiana University, Bloomington, and David Dahl, organist from Pacific Lutheran University, Tacoma, Washington. The Festival began with two recitals by the guest artists. Brian Swager performed carillon music from Belgium and America that included Johan Franco's Ames Nocturne, a work commissioned by The Stanton Memorial Carillon Foundation in 1984. David Dahl performed organ works by two women composers: Fanny Mendelssohn and Ethel Smyth, and Michel Corrette's Magnificat du 3e et 4e ton with Donald Simonson as cantor. A workshop on "Organ Works by Three 19th-century Women Composers: Clara Schumann, Fanny Mendelssohn and Ethel Smyth" was conducted by David Dahl on Saturday morning, and Brian Swager held a carillon seminar in the afternoon on "Music for the Carillon: A Distinguished Repertoire Emerges." The Festival continued with a Family Concert featuring ISU student carillonneurs, ISU Wind Ensemble, ISU Dance Tour Company, and ISU Oratorio Choir. Echo by Amy Michelle Black was premiered by Michael Tammaro at the carillon and the Oratorio Choir under the baton of Robert Molinson. The Festival concluded on Sunday with carillon music from The Netherlands performed by Tin-shi Tam, Iowa State University Carillonneur.

A  Carillon
Composition Competition was held to encourage young composers to write original
carillon music. Judges were Brian Swager, Jeffrey Prater, and
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Tin-shi Tam. Contestants were from all
parts of the country and overseas. The winning composition was By de dei
lâns (The Proceedings of the Day) by Klaas R. R. de Haan of Amsterdam,
The Netherlands. It was premiered by 
Tin-shi Tam during the Festival. The next Spring Carillon Festival
and  Carillon Composition
Competition  will be held from
April 24-26, 1998. Guest carillonneur will be Albert Gerken, University
Carillonneur  at University of
Kansas, Lawrence.

II. Junior High Keyboard Camp

The Fifth Annual Keyboard Explorations junior high school
summer music camp was hosted by the Iowa State University Music Department from
July 7-12, 1997. Participants had the opportunity to learn about various kinds
of keyboard instruments and had hands-on experiences in playing them. Seven
participants studied carillon under ISU Carillonneur, Tin-shi Tam. Two carillon
concerts were performed by students towards the end of the week.

III. 1998 Carillon Composition Competition

Iowa State University has announced the Carillon Composition
Competition '98. The purpose of the competition is to encourage the writing of
original carillon compositions by composers under age 35. The submitted work
shall be an original composition for four-octave carillon (tenor C to C4), with
a two-octave pedal board (tenor C to C2). The composition may be a solo, duet
for one carillon, or a work for carillon with one or more other instruments or
chorus. The submitted composition must be postmarked no later than March 31,
1998. For more information contact the University Carillonneur at Iowa State
University; Music Department; 149 Music Hall; Ames, IA 50011; phone:
515/294-2911, e-mail: tstam@iastate. edu or web-site: www.music.iastate.edu

Bell information requested

In celebration of the 75th anniversary of the Belgian
Carillon School, a festschrift will be published. Marc Van Bets is preparing a
paper on Mechelen bellfounders for this book. He requests reports on all
Mechelen bells that currently are, or ever have been, in
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North America. Such bells would have
been brought by Capuchin monks who came to North America as missionaries. All
bells are included in the scope of the paper: carillon, church, tolling,
ornamental, etc. All information is welcome, such as the function of the bell,
measurements, pitch, anecdotes, photos. Please contact Marc Van Bets; Ridder
Dessainlaan 27; 2800 Mechelen; Belgium. Phone: (0112)32.15.42.38.52. Fax:
(011)32.15.43.17.07. Email: [email protected]

1998 Queen Fabiola Competition

Since its founding in 1922 the Royal Carillon School
"Jef Denyn" in Mechelen, Belgium, has fostered a greater blossoming
of the carillon art. Toward this end, the school established the Queen Fabiola
International Carillon Competition in 1987. This competition has grown rapidly,
becoming the most important of its kind and providing a strong stimulus for the
recognition of the carillon art as a high-quality artistic expression.

The winners of the first three competitions were: Geert
D'hollander of Belgium in 1987; Boudewijn Zwart of The Netherlands, in 1990;
and Gideon Bodden of The Netherlands, in 1993.

The fourth Queen Fabiola Competition will take place August
5-9, 1998. Carillonneurs from around the world are invited to take part. There
is no age limit. After an elimination round, a maximum of six competitors will
be selected for the finals. Judging will be done by an international jury.

The candidates are required to present nine pieces of a high
virtuosic level: three baroque, three romantic, and three contemporary pieces.
The romantic and contemporary selections must be original carillon compositions
and not transcriptions. One of the baroque pieces must be a carillon prelude
written by Matthias van den Gheyn. In addition, there will be an obligatory
piece.

The school's 1997 international composition competition
brought 21 entries from seven countries: Belgium, The Netherlands, Australia,
The USA, Spain, Russia, and Sweden. Performance of the winning composition will
be required for participants in the Queen Fabiola Competition. Winners of the
composition competition will be announced once registration for the Fabiola
Competition is closed.

During the competition, the participants perform on the new
carillon in the St. Rombouts tower. This instrument was founded by Koninklijke
Eijsbouts in 1981. It is tuned in equal temperament and consists of 49 bells;
the bourdon sounds F and weighs eight tons.

The first-prize winner will receive 100,000 BF, a bronze
bell, a certificate, and a concert tour in Belgium  in 1999. Five additional prizes with cash awards will be
given. The SABAM prize of 25,000 BF will be awarded for the best interpretation
of a contemporary Flemish carillon composition, and an additional 25,000 BF
will reward the best improvisation. Participants should send their completed
applications to the Royal Carillon School "Jef Denyn"
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before April 30, 1998. After their
repertoire has been approved, the full list of regulations and practical
information will be sent to each competitor. The obligatory piece will be sent
to the participants two months before the beginning of the competition.
Participants are granted a per diem of 1000 BF for as long as they take part in
the competition.

For information and applications, contact
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the Royal Carillon School "Jef
Denyn"; Frederik de Merodestraat 63; 2800 Mechelen; Belgium. Phone:
32.15.20.47.92. Fax: 32.15.20.31.76.

McLellan appointed at MSU

Ray McLellan has been appointed University Carillonneur at Michigan State University in East Lansing, Michigan. His responsibilities include playing weekly recitals, teaching carillon and organ, coordinating and
producing the MSU Summer Carillon Recital Series. Ray studied carillon with
Margo Hal-sted at the University of Michigan and with Todd Fair at the
Netherlands Carillon School. He earned the Bachelor of
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Arts degree at Florida Southern College
in Lakeland and the Master of Music and Doctor of Musical Arts degrees at the
University of Michigan. He also studied on full scholarship at the
Pädagogische Hochschule in Freiburg, Germany. Besides the position at MSU,
Dr. McLellan continues in his church and temple positions.

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