Benjamin Sheen plays Percy Whitlock Scherzetto

Bryan Anderson plays Overture to “Der fliegende Holländer” by Richard Wagner, transcribed by Edwin Lemare. Recorded at Longwood Gardens, where he won the Firmin Swinnen Second Prize at the Longwood Gardens Organ Competition in 2019.

Anderson is the 2023 First Prize Winner of the Longwood Gardens International Organ Competition.
https://www.thediapason.com/news/longwood-gardens-international-organ-competition-1

Bryan Anderson, as part of his Longwood prize, is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC. 
www.concertartists.com 

He is Director of Music at St. Thomas’ Episcopal Church and School in Houston, Texas, where he trains all ages of choirs from elementary ages through adults, oversees 8 sung services weekly, and organizes a concert season of outside artists and in-house ensembles.

See his Artist Spotlight: https://www.thediapason.com/artists/bryan-anderson

Bryan Anderson 

2023 First Prize Winner of the Longwood Gardens International Organ Competition

The exceedingly great level of musicality, the fearlessness of his performance, and the exacting technical prowess exhibited by Bryan Anderson compelled the jury of the 2023 Longwood Gardens International Organ Competition to name him, out of 10 stellar competitors, the First Prize Winner of this illustrious event, where he received the $40,000 Pierre S. DuPont Prize (the largest cash prize of any competitive organ event). The Diapason, which named Bryan to its “20 under 30” Class of 2017, has called his playing “brilliant;” Classical Voice of North Carolina has described his playing as “simply first class.”

In the 2023 Longwood Gardens International Organ Competition, Bryan also received the Philadelphia AGO Chapter Prize for the best performance of a prescribed work by the judges. He also took prizes at the 2021 Canadian International Organ Competition and the 2019 Longwood Gardens International Organ Competition, and is a past first-prize winner of the Albert Schweitzer Organ Competition. Bryan has performed at national and regional conventions of the American Guild of Organists and the Organ Historical Society and has been featured numerous times on American Public Media's Pipedreams. He appeared on the album Pipedreams Premieres, vol. 3, performing music of Henry Martin alongside Isabelle Demers, Stephen Tharp, and Ken Cowan. Bryan has completed nearly one dozen original orchestral transcriptions, including works by Duruflé, Alkan, Debussy, and Dave Brubeck, and enjoys utilizing these arrangements in recitals.

In addition to solo work, Bryan enjoys an active performance life as a musical collaborator. As a continuo artist at the organ and harpsichord, Bryan is a regular performer with the early-music groups Harmonia Stellarum Houston and the Oklahoma Bach Choir, and has also appeared recently with Mercury Chamber Orchestra, Houston Grand Opera, Kentucky Baroque Trumpets, and the viols of Les Touches. Bryan is also an experienced collaborative pianist and chamber musician, with many years of work as an instrumental and choral accompanist, including as the current concert accompanist for the Houston Children’s' Chorus. In the realm of orchestral music, Bryan has performed in works such as Strauss' Eine Alpensinfonie, Copland's Appalachian Spring, Poulenc's Organ Concerto, Saint-Säens' Organ Symphony, and the chamber orchestration of the Duruflé Requiem. He is also one of the few current organists to tackle large oratorio repertoire at the organ without orchestra, having performed works such as Poulenc's Gloria and Mendelssohn's complete Elijah score alone in choral performances.

Bryan is employed as Director of Music at Saint Thomas’ Episcopal Church and School in Houston, Texas, where he trains all ages of choirs from elementary ages through adults, oversees eight sung services per week, and organizes a concert season of guest artists and in-house ensembles. He serves as Co-Manager of the RSCM Gulf Coast choral residency program and has also worked as the Preparatory Choir Director for the Houston Children’s’ Chorus. He previously held positions at St. Paul’s United Methodist Church in Houston; Wells Cathedral in Somerset, England; and St. Mark’s Episcopal Church and Tenth Presbyterian Church, both in Philadelphia. He also served as an assistant organist of the Wanamaker Grand Court Organ, Philadelphia.

Bryan received his master’s degree in organ performance from the Shepherd School of Music at Rice University in 2018, where he studied with Ken Cowan. His undergraduate work was completed at the Curtis Institute of Music, resulting in his bachelor’s degree in organ with Alan Morrison and an Artist Diploma in harpsichord with Leon Schelhase  Previous teachers were Jeannine Morrison (piano) and Sarah Martin (organ).

Bryan Anderson, as part of his Longwood prize, is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC. 
www.concertartists.com
E-mail:  [email protected]
Phone: 860-560-7800
10 Abbott Lane, Dearborn, MI 48120-1001

Photo credit: Tam Lan Truong

Sebastian Heindl plays Marcel Dupré's Prelude and Fugue in B Major, op. 7, no. 1.

Recorded at St. Matthias Church Berlin.

See also Sebastian Heindl's artist spotlight.

As part of his first-place prize at the Longwood Gardens International Organ Competition, Sebastian Heindl is represented for three years in North America exclusively by Phillip Truckenbrod Concert Artists, LLC.

Performed on the Aeolian organ at Longwood Gardens, Kennett Square, Pennsylvania: four manuals, 146 ranks, and 10,010 pipes.

Bryan Anderson is the 2023 First Prize Winner of the Longwood Gardens International Organ Competition, where he also received the Philadelphia AGO Chapter Prize for the best performance of a prescribed work by the judges. He also took prizes at the 2021 Canadian International Organ Competition and the 2019 Longwood Gardens International Organ Competition, and is a past first-prize winner of the Albert Schweitzer Organ Competition. 

Bryan serves as director of music at St. Thomas’ Episcopal Church and School in Houston, Texas, where he trains all ages of choirs from elementary ages through adults, oversees eight sung services per week, and organizes a concert season of guest artists and in-house ensembles. He serves as co-manager of the RSCM Gulf Coast choral residency program and has also worked as the Preparatory Choir Director for the Houston Children’s’ Chorus. 

Bryan Anderson, as part of his Longwood prize, is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC.  www.concertartists.com

He is a member of The Diapason’s “20 under 30” Class of 2017.

Tambourin, op. 6, no. 3, by Maurice Duruflé, transcribed by Bryan Anderson

There exist only a few non-organ or choral works by Duruflé; the largest in scale, and the only one conceived originally for orchestra without reference to an existing keyboard work, is the Trois Danses pour orchestre.  While the entire work was published in 1932, the third movement, “Tambourin,” was written separately, five years earlier.  According to Duruflé’s memoirs, referenced by Ronald Ebrecht, it was written to be background music for a “primitive” dance scene in a play by Édouard Dujardin.  “Dujardin, whom Mallarmé described as a cross between a coarse seaman and a cow . . . met Duruflé and demonstrated his idea with wild gestures and guttural sounds.”  After Duruflé completed the “Tambourin,” “the playwright found it not at all what he wanted and they never saw each other again.”  This explains why Duruflé found a different use for the piece in the subsequent years!
Around 1932, Duruflé published not only the orchestral score of the Trois Danses, but a version for piano and a version for four-hands piano.  With all three of these accessible, a huge amount of the work required for an organ transcription was already done, with many questions already answered as to how the composer would adapt orchestral writing to the keyboard.  The “Tambourin” is unlike any other Duruflé work except the Opus 5 Toccata in its unrelenting energy and speed.  Many touches of Stravinskian primitivism are obvious, as befits the work’s origins, but within the inter-war Parisian style; it might be the furthest from chant that he ever got in a composition!

Live in concert, March 18, 2022, at Princeton University Chapel, on the Mander-Skinner organ, Princeton, New Jersey.

In 2015 Michael Hey was appointed Associate Director of Music and Organist of the famed Saint Patrick’s Cathedral in New York City, where one of his first major tasks was to perform for the first U.S. visit of Pope Francis. Michael plays at Saint Patrick’s Cathedral for services throughout the week, which can be heard on broadcasts through Sirius XM radio, television, and online.

A native of Milwaukee, Wisconsin, Michael graduated in 2014 from the accelerated five-year degree program at The Juilliard School where he received both his Bachelor of Music and Master of Music degrees in organ performance under Paul Jacobs.

Michael Hey is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC.  www.concertartists.com 

See his artist spotlight at https://www.thediapason.com/artists/michael-hey

Bryan Anderson plays Live Wire by Iain Farrington.

Performed on the Aeolian organ at Longwood Gardens, Kennett Square, Pennsylvania: four manuals, 146 ranks, and 10,010 pipes.

Bryan Anderson is the 2023 First Prize Winner of the Longwood Gardens International Organ Competition, where he also received the Philadelphia AGO Chapter Prize for the best performance of a prescribed work by the judges. He also took prizes at the 2021 Canadian International Organ Competition and the 2019 Longwood Gardens International Organ Competition, and is a past first-prize winner of the Albert Schweitzer Organ Competition. 

Bryan serves as director of music at St. Thomas’ Episcopal Church and School in Houston, Texas, where he trains all ages of choirs from elementary ages through adults, oversees eight sung services per week, and organizes a concert season of guest artists and in-house ensembles. He serves as co-manager of the RSCM Gulf Coast choral residency program and has also worked as the Preparatory Choir Director for the Houston Children’s’ Chorus. 

Bryan Anderson, as part of Longwood prize, is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC. www.concertartists.com

He is a member of The Diapason’s “20 under 30” Class of 2017.

Bryan Anderson writes about Live Wire:

"My own introduction to Iain Farrington’s music was through his “Blues Service” Magnificat and Nunc Dimittis; after performing that work I was pleased to discover that he had written a number of solo organ works in a similar style.  This is manic jazz, dangerous and sparking, as the title suggests; the percussion of the Longwood organ is given many opportunities to shine! Iain Farrington is an in-demand arranger of orchestral music as well as a composer and pianist; while he is British, a sizable percentage of the rest of the world has seen him at least once, as he played piano opposite Rowan Atkinson as Mr. Bean in the opening ceremonies of the 2012 London Olympics!"

Live Wire is an upbeat work in which the various aspects of a jazz ensemble are evoked. The piece is based on the Baroque 'ritornello' form, where improvisatory solos in various keys are interspersed with a recurring theme. It is playable on any two manual organ, and registration can be as simple or varied as the performer wishes.  https://www.iainfarrington.com/live-wire.html