Bryan Anderson

Performed on the Aeolian organ at Longwood Gardens, Kennett Square, Pennsylvania: four manuals, 146 ranks, and 10,010 pipes.

Bryan Anderson is the 2023 First Prize Winner of the Longwood Gardens International Organ Competition, where he also received the Philadelphia AGO Chapter Prize for the best performance of a prescribed work by the judges. He also took prizes at the 2021 Canadian International Organ Competition and the 2019 Longwood Gardens International Organ Competition, and is a past first-prize winner of the Albert Schweitzer Organ Competition. 

Bryan serves as director of music at St. Thomas’ Episcopal Church and School in Houston, Texas, where he trains all ages of choirs from elementary ages through adults, oversees eight sung services per week, and organizes a concert season of guest artists and in-house ensembles. He serves as co-manager of the RSCM Gulf Coast choral residency program and has also worked as the Preparatory Choir Director for the Houston Children’s’ Chorus. 

Bryan Anderson, as part of his Longwood prize, is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC.  www.concertartists.com

He is a member of The Diapason’s “20 under 30” Class of 2017.

Tambourin, op. 6, no. 3, by Maurice Duruflé, transcribed by Bryan Anderson

There exist only a few non-organ or choral works by Duruflé; the largest in scale, and the only one conceived originally for orchestra without reference to an existing keyboard work, is the Trois Danses pour orchestre.  While the entire work was published in 1932, the third movement, “Tambourin,” was written separately, five years earlier.  According to Duruflé’s memoirs, referenced by Ronald Ebrecht, it was written to be background music for a “primitive” dance scene in a play by Édouard Dujardin.  “Dujardin, whom Mallarmé described as a cross between a coarse seaman and a cow . . . met Duruflé and demonstrated his idea with wild gestures and guttural sounds.”  After Duruflé completed the “Tambourin,” “the playwright found it not at all what he wanted and they never saw each other again.”  This explains why Duruflé found a different use for the piece in the subsequent years!
Around 1932, Duruflé published not only the orchestral score of the Trois Danses, but a version for piano and a version for four-hands piano.  With all three of these accessible, a huge amount of the work required for an organ transcription was already done, with many questions already answered as to how the composer would adapt orchestral writing to the keyboard.  The “Tambourin” is unlike any other Duruflé work except the Opus 5 Toccata in its unrelenting energy and speed.  Many touches of Stravinskian primitivism are obvious, as befits the work’s origins, but within the inter-war Parisian style; it might be the furthest from chant that he ever got in a composition!

Bryan Anderson plays Live Wire by Iain Farrington.

Performed on the Aeolian organ at Longwood Gardens, Kennett Square, Pennsylvania: four manuals, 146 ranks, and 10,010 pipes.

Bryan Anderson is the 2023 First Prize Winner of the Longwood Gardens International Organ Competition, where he also received the Philadelphia AGO Chapter Prize for the best performance of a prescribed work by the judges. He also took prizes at the 2021 Canadian International Organ Competition and the 2019 Longwood Gardens International Organ Competition, and is a past first-prize winner of the Albert Schweitzer Organ Competition. 

Bryan serves as director of music at St. Thomas’ Episcopal Church and School in Houston, Texas, where he trains all ages of choirs from elementary ages through adults, oversees eight sung services per week, and organizes a concert season of guest artists and in-house ensembles. He serves as co-manager of the RSCM Gulf Coast choral residency program and has also worked as the Preparatory Choir Director for the Houston Children’s’ Chorus. 

Bryan Anderson, as part of Longwood prize, is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC. www.concertartists.com

He is a member of The Diapason’s “20 under 30” Class of 2017.

Bryan Anderson writes about Live Wire:

"My own introduction to Iain Farrington’s music was through his “Blues Service” Magnificat and Nunc Dimittis; after performing that work I was pleased to discover that he had written a number of solo organ works in a similar style.  This is manic jazz, dangerous and sparking, as the title suggests; the percussion of the Longwood organ is given many opportunities to shine! Iain Farrington is an in-demand arranger of orchestral music as well as a composer and pianist; while he is British, a sizable percentage of the rest of the world has seen him at least once, as he played piano opposite Rowan Atkinson as Mr. Bean in the opening ceremonies of the 2012 London Olympics!"

Live Wire is an upbeat work in which the various aspects of a jazz ensemble are evoked. The piece is based on the Baroque 'ritornello' form, where improvisatory solos in various keys are interspersed with a recurring theme. It is playable on any two manual organ, and registration can be as simple or varied as the performer wishes.  https://www.iainfarrington.com/live-wire.html 

"There is no shortage of organists who make their instruments roar; and while her power was never in question, 
Demers made the instrument sing.” (Peter Reed, Classical Source.com, England, 2016) 

With playing described as having “bracing virtuosity” (Chicago Classical Review) and being “fearless and extraordinary” (Amarillo-Globe News), organist Isabelle Demers has enraptured critics, presenters, and audience members around the globe for her entrancing performances. Her 2010 recital for the joint International Society of Organbuilders-American Institute of Organbuilders convention so enchanted the audience that she “left the entire congress in an atmosphere of ‘Demers fever’.” That same year, her recital at the national convention of the American Guild of Organists, in Washington, D.C., was received with great acclaim not only by critics, who deemed it “one of the most outstanding events of the convention” (The American Organist), but also by the standing-room-only audience, which called her back to the stage five times.

She has appeared in recital at the cathedrals of Cologne and Regensburg (Germany), the ElbPhilharmonie (Hamburg), St. Paul’s Cathedral, Westminster Cathedral, Westminster Abbey, and the Royal Festival Hall (London), the Royal Opera House of Muscat (Oman), Melbourne Town Hall (Australia), Auckland Town Hall (New Zealand), as well as major universities and concert halls in the United States, among them Davies Hall (San Francisco), Disney Hall (Los Angeles), the Kimmel Center (Philadelphia), the Wanamaker Organ (Philadelphia), Yale University, the Eastman School of Music, Benaroya Hall (Seattle), Spivey Hall (Georgia), and the Spreckels Pavilion (San Diego).

Ms. Demers is in continual demand by her fellow colleagues as witnessed by repeat performances for regional and national conventions of the American Guild of Organists (Minneapolis, 2008; Washington D.C., 2010; Hartford, 2013; Austin, 2013; Indianapolis, 2015; Houston, 2016), the joint convention of the American Institute of Organ Builders and International Society of Organbuilders (Montréal, 2010), the Royal Canadian College of Organists (Toronto, 2009; Kingston, Ontario, 2016), and the Organ Historical Society (Vermont, 2013 and Minnesota, 2017).

Her debut recording on Acis label was met with critical acclaim. On a recent broadcast of Pipedreams, radio host Michael Barone featured the Fugue from Reger's Opus 73, describing it as "a masterful score, here masterfully played," and Isabelle Demers as, “definitely a talent to watch, to hear.” The RSCM's Church Music Quarterly awarded the “exciting, expressive and successful” recording its highest recommendation for its “profound and searching” performances. Fanfare Magazine proclaimed the “superbly produced” and “clear, tightly focused” recording as a “brilliantly played program.” Her second disc, featuring the organ works of Rachel Laurin, was released in June 2011, and her recording of Max Reger’s Seven Chorale-Fantasias in November 2012. Her fourth CD, Bach, Bull, and Bombardes (Pro Organo), was released in May 2013, and includes works of Bach, Bull, Reger, Widor, Tremblay, Mendelssohn, Daveluy, and Thalben-Ball. She also appears as solo organ accompanist in a recording of Maurice Duruflé’s Requiem with the Baylor University Choir, recorded at Duruflé’s church, St. Étienne-du-Mont, in Paris. Her latest CD, recorded at Chicago’s Rockefeller Chapel, was released in January 2020, and includes works of Reger, Laurin, Dupré, Mendelssohn, Tchaikovsky, and Macmillan. 

A native of Québec and a doctoral graduate of the Juilliard School, Dr. Demers is the newly-appointed Associate Professor of Organ at McGill University (Montréal, Québec). She was formerly the Joyce Bowden Chair in Organ and Head of the Organ Program at Baylor University (Waco, Texas). 

Isabelle Demers is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC. 
www.concertartists.com
E-mail:  [email protected]
Phone: 860/560-7800
10 Abbott Lane, Dearborn, MI 48120-1001

Described as “scintillating” and “tremendously virtuosic” (The Straits Times, Singapore), Michael Hey has established himself as a reputable concert organist in the U.S. and abroad. Hey performs solo and collaboratively, from organ concertos with top American orchestras to organ performances in historic cathedrals and churches.

In 2023, Michael was appointed director of music and organist of the historic Marble Collegiate Church in Manhattan. Founded in 1628, it is the oldest church congregation in New York State. Michael also serves as assistant music director at Park Avenue Synagogue on Manhattan’s Upper East Side.

Prior to his appointment at Marble Collegiate Church, Michael served at two other distinguished congregations on Fifth Avenue, most notably as associate director of music and organist of the famed Saint Patrick’s Cathedral in New York City from 2015–2023, where one of his first major tasks was to perform for the first U.S. visit of Pope Francis. Michael played at Saint Patrick’s Cathedral for services throughout the week and had been heard by millions visiting the cathedral or on live broadcasts via Sirius XM radio, television, and online. From 2010–2015, Michael was assistant organist at Fifth Avenue Presbyterian Church.

Michael has performed solo recitals and lectured for several American Guild of Organists conventions and conferences. In 2017, Michael received first prize in the First Shanghai Conservatory of Music International Organ Competition, held at the Shanghai Oriental Arts Theater. In 2017, Michael released his premiere solo CD recording, Michael T. C. Hey plays the Great Organ of Saint Patrick’s Cathedral in New York, by the JAV recording label. In 2016, he was recognized as one of the top “20 Under 30” organists by The Diapason magazine and was a finalist in the Longwood Gardens Organ Competition.

Michael has appeared with the San Francisco Symphony on several occasions. In 2014, he was the featured organ soloist for the New York City Ballet’s newly commissioned work Acheron. Set to the music of Francis Poulenc’s Organ Concerto, his performance at its premiere was "vividly played" (The New York Times, 2014). Michael has performed at notable venues such as Lincoln Center (New York), Carnegie Hall (New York), Madison Square Garden (New York), the Kimmel Center (Philadelphia), the Kennedy Center (Washington D.C.), the Esplanade (Singapore), and Overture Hall (Madison).

Not exclusively a solo organist, Michael enjoys a varied career that includes collaborations with other musicians, solo piano recitals, improvising, and transcribing works. He is a proponent of new works for organ and has premiered a number of compositions. He performs works and arrangements for violin and organ with violinist Christiana Liberis in the Hey-Liberis duo.

A native of Milwaukee, Wisconsin, Michael graduated from the accelerated five-year degree program at The Juilliard School, where he received both his Bachelor of Music and Master of Music degrees in organ performance under Paul Jacobs.

Michael Hey is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC. 
www.concertartists.com
E-mail:  [email protected]
Phone: 860-560-7800
10 Abbott Lane, Dearborn, MI 48120-1001 

Bryan Anderson plays Overture to “Der fliegende Holländer” by Richard Wagner, transcribed by Edwin Lemare. Recorded at Longwood Gardens, where he won the Firmin Swinnen Second Prize at the Longwood Gardens Organ Competition in 2019.

Anderson is the 2023 First Prize Winner of the Longwood Gardens International Organ Competition.
https://www.thediapason.com/news/longwood-gardens-international-organ-competition-1

Bryan Anderson, as part of his Longwood prize, is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC. 
www.concertartists.com 

He is Director of Music at St. Thomas’ Episcopal Church and School in Houston, Texas, where he trains all ages of choirs from elementary ages through adults, oversees 8 sung services weekly, and organizes a concert season of outside artists and in-house ensembles.

See his Artist Spotlight: https://www.thediapason.com/artists/bryan-anderson