Timothy Olsen appointed to University of North Carolina School of the Arts and Salem College

Leonard Edwin Bearse Sr. died in Amesbury, Massachusetts on May 4, at the age of 73. Born in Hyannis, Bearse had his first church job at age 14, at the First Baptist Church there. He studied the organ in Germany while serving with the Armed Forces there, and studied choral conducting with Robert Shaw. He earned a master of music degree from the New England Conservatory of Music in Boston, studying organ with Donald Willing. He was a public school teacher in various eastern Massachusetts towns, and held music positions in various churches, most recently as minister of music at the Congregational Church in Kensington, New Hampshire, where he played his last service on March 16. Leonard Bearse is survived by his wife, Ellen, and his children Leonard E. Jr., Bruce, and Stephanie.

Michael Cohen, age 69, died June 21 in Asheville, North Carolina. A native of Tampa, Florida, he earned bachelor’s and master’s degrees in music from Florida State University–Tallahassee. He taught music in the Florida public schools for 39 years, and was organist-music director for the Church of the Holy Spirit in Apopka, Florida, for the past 17 years. A past dean of the Central Florida AGO chapter, he was a member of the Winter Park Bach Festival Choir. Michael Cohen is survived by his partner, Carl Brown; his brother Paul (and wife Donna), and brother Joel (and partner Barry Dingman).

Robert E. Glasgow, Professor Emeritus at the University of Michigan School of Music, noted concert organist, and one of the most widely respected artists in the field of organ performance and pedagogy, died on September 10 in Ann Arbor, Michigan. He was 83.
Professor Glasgow taught organ at the University of Michigan School of Music for 44 years. He received his B.M. and M.M. degrees from the Eastman School of Music in 1950 and 1951, respectively, earning Eastman’s Performer’s Certificate as well. At Eastman, he studied with Harold Gleason. From 1951 to 1962, he was associate professor of organ and college organist at MacMurray College in Jacksonville, Illinois. He joined the University of Michigan School of Music in 1962 as assistant professor, and was promoted to associate professor in 1964, full professor in 1973, and professor emeritus in 2006.
In 1973, Glasgow was awarded the Doctor of Musical Arts degree, honoris causa, by MacMurray College in Jacksonville, Illinois. The New York Chapter of the American Guild of Organists named him International Performer of the Year for 1997. Glasgow returned to his alma mater in January 2002, where he was given the school’s Alumni Achievement Award. On the same occasion, he taught a masterclass, influencing yet another generation of Eastman students. Glasgow’s faculty colleagues at the University of Michigan also recognized his pedagogical efforts by awarding him the Harold Haugh Award for excellence in the teaching of performance.
For over 50 years, he successfully combined a brilliant teaching career with an impressive career as a concert organist, both in the United States and abroad. He was best known for his stirring performances of the organ literature of the 19th century, and was regarded by some as the greatest living interpreter of Romantic organ music. He was a regularly featured performer for national and regional conventions of the American Guild of Organists as well as the International Congress of Organists. He was selected to perform and teach at the American Classic Organ Symposium on the occasion of the completion of the renovation of the great Tabernacle Organ at the Church of Jesus Christ of Latter-day Saints in Salt Lake City, Utah.
Dr. Glasgow’s performances of the music of Liszt, Mendelssohn, Schumann, Widor, Vierne, and especially César Franck were legendary; in one review he was given the appropriate nickname “the Philadelphia Orchestra of Organists.” In addition to a number of broadcast recordings for the BBC, Glasgow made one commercial recording for Prestant Records in 1987, Robert Glasgow plays César Franck, recorded on the Aeolian-Skinner organ in All Saints Church, Worcester, Massachusetts.
A leading educator of uncompromising standards, Robert Glasgow helped to form some of the most gifted organists in the world. His students are to be found in important church and academic positions throughout the United States. He was an artist in the truest sense, and a teacher who constantly reminded his students that they must not strive merely to be organists, but always musicians— communicating musical ideas in spite of the inherent difficulty of the instrument.
Robert Ellison Glasgow was born on May 30, 1925 in Oklahoma City, Oklahoma, the son of Floyd Lafayette Glasgow and Elizabeth Mary Jenkins. His death is mourned by his many devoted students, friends, and colleagues. (See the interview with Stephen Egler, “Robert Glasgow at 80,” The Diapason, May 2005.)
—Ray Henry
Rochester, Michigan

Walter A. Guzowski died September 17 in Fort Lauderdale, Florida. He was 68. Born and raised in Buffalo, New York, his career had a dramatic beginning. While still a high school student, he observed an organ technician tuning the Schlicker organ at his church, and informed the pastor that he could do what the technician had done, and save the church some money. Later, while doing some tuning, Guzowski slipped off the walkboard onto the chest below, crushing numerous pipes; to rectify this, his father brought him to Herman Schlicker, and Guzowski began working at the Schlicker Organ Company, where he worked (except for two years serving in the Army) until 1979. While at Schlicker he became head voicer and tonal finisher, working on a range of instruments, from two-rank residence organs to the large organ at First Congregational Church in Los Angeles. After moving to Fort Lauderdale in 1979, he founded a service business, which with John A. Steppe and Christopher B. Kane, became Guzowski & Steppe Organbuilders, Inc. in 1983. Walter Guzowski is survived by his sister Margaret, her husband Walter, and cousins and friends.

Gerhard Krapf died in Edmonton, Alberta, Canada, on July 2. He was 83. Krapf was renowned for his organ, choral, and vocal compositions, his scholarly writings on the organ, his teaching at the University of Alberta (1977–87, for which he was named professor emeritus), and for designing the 1978 Casavant organ there. He contributed significantly to the development of graduate programs in keyboard and library resources at the University of Alberta; in the 1960s, he had established and built the undergraduate and graduate organ programs at the University of Iowa’s School of Music. Gerhard Krapf is survived by his wife, Trudl, three daughters, a son, a brother, sister, and four grandchildren.

John S. Peragallo, Jr. died Friday, September 12 at the Hospice of New Jersey, Wayne, New Jersey, at age 76. Born in New York City and a lifelong resident of Paterson, he took several classes at the Newark College of Engineering, and served in the U.S. Army during the Korean Conflict as a chaplain’s assistant and in the honor guard.
As a boy he helped his father in the family business, the Peragallo Pipe Organ Company, founded by his father, John Peragallo, Sr., in 1918. John Jr. joined the company in 1949. He was responsible for the construction and care of many of the pipe organs of New Jersey and the complete renovation of the organs at St. Patrick’s Cathedral, New York City. John Jr.’s sons, John III and Frank, have been actively involved in the family business since the 1980s and now have a fourth generation of Peragallos, Janine, Anthony and John IV, to work alongside them. The company has installed almost 700 new instruments and currently maintains approximately 400 instruments, up and down the East Coast of the United States, including the organs of St. Patrick’s Cathedral in New York.

John Courter, organist and carillonneur at Berea College and retired professor of music, died June 21, at the age of 68. Courter joined the Berea College faculty in 1971. After retiring from teaching in 2007, he continued to serve as college organist and carillonneur. In addition, he was organist at Union Church and had been a long-time contributor to the music of St. Clare Catholic Church, both in Berea.
A native of Lansing, Michigan, Courter earned a bachelor’s degree in choral music education from Michigan State University in 1962 and a master of music degree in organ in 1966 from the University of Michigan. He had also studied at the North German Organ Academy and held diplomas from the Netherlands Carillon School.
During his 39 years at Berea, Courter contributed to the musical life of the campus and larger community. He taught organ, piano, chime, and carillon performance, church music, and music theory, and was a former director of the Harmonia Society. A well-known organist in the region, he was dean of the Lexington AGO chapter. He was involved in the renovation of the Holtkamp pipe organ in Gray Auditorium at Berea and the recent restoration of the 10-bell chime in Phelps Stokes Chapel. He was the driving force behind Berea’s 56-bell carillon, the largest in the state of Kentucky.
In 1995 Courter received Berea College’s Seabury Award for Excellence in Teaching, and in 2006 received the Elizabeth Perry Miles Award for Community Service for his numerous contributions to the campus and community as a musician and for volunteer service with Madison County’s public radio station. In 1993, he was awarded the Berkeley Medal for Distinguished Service to the Carillon as a performer and composer. He was a Fellow of the American Guild of Organists and a member of the Guild of Carillonneurs in North America.
Courter won several international prizes for his carillon compositions, and his works have been published in Germany, the Netherlands, and the United States. He has written works commissioned by the Palace of Government in Barcelona, the cities of Utrecht, Kampen, and Almelo (the Netherlands), the Arts Council of Ireland, the University of Michigan, and Grand Valley State University.
In 2005, Courter established the Summer Carillon Concert Series at Berea College, which continues to bring international carillonneurs to Berea’s campus. In his will, Courter provided for the ongoing maintenance of Berea’s carillon, which will be dedicated as the John Courter Carillon during the college’s homecoming this fall.
John Courter is survived by two brothers, two sisters, seven nieces and nephews, nineteen great-nieces and nephews, and special friend and caregiver at the end of his life, Rev. Dr. Theresa Scherf. A memorial service took place June 24 at Union Church in Berea. There will be a special memorial concert later this year.

David Sanger, concert organist, teacher, and past president of the Royal College of Organists, was found dead on May 28. Born in London, Sanger was educated at Eltham College and the Royal Academy of Music, and also studied privately with Susi Jeans, Marie-Claire Alain, and Anton Heiller. He became well known as an organ recitalist when he won first prize in two international competitions: St. Alban’s, England in 1969 and Kiel, Germany in 1972. He recorded over 20 CDs, including the complete organ works of César Franck at the Katarina Church in Stockholm for BIS, and Vierne’s six organ symphonies for Meridian. He acted as consultant on a number of organ projects, including the new Cavaillé-Coll-style instrument at Exeter College, Oxford, and new, restored, or rebuilt organ projects at Bromley Parish Church, Haileybury College, St. Cuthbert’s and Usher Hall in Edinburgh, Sheffield Cathedral, and Trinity Hall, Cambridge.
Sanger also composed music for organ, and for strings and choirs. He authored an organ method book in two volumes for beginners, entitled Play the Organ, which has become the most widely used in Britain in recent years. Together with Jon Laukvik he edited the organ works of Louis Vierne, comprising 13 volumes in a boxed set, published by Carus Verlag, Stuttgart. From 1980–89 David Sanger was professor of organ at the Royal Academy of Music in London, serving as chairman of the organ department from 1987–89. Between 1989–97 he was a consultant professor at the Royal Academy of Music.

Kenneth Vernon Turvey died March 4 in Huntsville, Alabama. He was 81. Born in Dayton, Ohio, his first organ studies were with Frank Michael, and during high school, with Parvin Titus at the University of Cincinnati Conservatory of Music, to which Turvey made a 50-mile bus trip each week for lessons, and where he completed bachelor’s and master’s degrees. After finishing his degrees in 1951, he served in the Army during the Korean War. In 1955, Turvey began a 50-year career as music director for the First United Methodist Church in Huntsville. He also pursued doctoral organ studies with Oswald Ragatz at Indiana University. Turvey served for 42 years as director of the Huntsville Community Chorus, and conductor of the Decatur Civic Chorus for 17 years. He also taught at Athens State University and the University of Alabama in Huntsville, and was a co-founder of the Huntsville AGO chapter. Kenneth Turvey is survived by his wife, Janet, five children, seven grandchildren, and a great-grandaughter.

Jerry P. Whitten, 82 years old, died February 7 in Memphis, Texas. Born in Muskogee, Oklahoma, he received a bachelor’s degree from the University of Oklahoma, studying with Mildred Andrews, and a master’s degree in sacred music from Union Theological Seminary in New York City, studying with Vernon de Tar. Whitten was employed by Tarpley Music Co. in Pampa, Texas, for 43 years, and served as organist-choirmaster at St. Matthew’s Episcopal Church in Pampa for 15 years. Jerry Whitten is survived by his wife Nancy, four stepchildren, three step-grandchildren, three brothers, and two sisters.

James Leslie Boeringer, born March 4, 1930, in Pittsburgh, Pennsylvania, died January 12 of pancreatic cancer. He earned a BA in organ performance from the College of Wooster (Ohio) in 1952, an MA in musicology from Columbia University in 1954, a doctorate in sacred music from the former Union Theological Seminary in New York, New York, in 1964, and completed post-doctoral studies at New York University. Boeringer received associate certification from the American Guild of Organists in 1953. He presented recitals in organ and harpsichord in 20 of the United States, and in England and France.

Beginning with his first church position, as organist of Homewood Baptist Church in Pittsburgh in November 1947, he served churches in Ohio, New Jersey, New York City, South Dakota, Oklahoma, Pennsylvania, North Carolina, and London, England. He moved to the Washington, D.C., area in 1992 and served as organist at Church of the Pilgrims (Presbyterian) Washington, Messiah Lutheran Church in Germantown, and Fifth Church of Christ, Scientist, in Georgetown, playing his last service December 29, 2013, just two weeks before his death.  

Boeringer served as executive director of the Moravian Music Foundation in Winston-Salem, North Carolina, as university organist and on the faculty at the University of South Dakota in Vermillion, Oklahoma Baptist University in Shawnee; at Susquehanna University in Selinsgrove, Pennsylvania, he was a professor and chair of the music department. A Phillips Distinguished Visitor at Haverford College, he founded the Krisheim Church Music Conference in Philadelphia, and directed the Creative Arts Festival at Susquehanna University from 1972 to 1975, and the Moravian Music Festival in 1981 and 1984.  

As a composer Boeringer wrote 23 published original works for chorus and organ, organ solo, chamber ensemble, and other combinations, including a cantata and a song cycle; and about 50 unpublished pieces, including an oratorio with full orchestra. He wrote more than 25 hymn tunes and hymn texts, some of which appear in Baptist, Lutheran, Mennonite, Moravian, and ecumenical hymnals. Selected works are available through the International Music Score Library Project (IMSLP) website (imslp.org).  

He authored the three-volume Organa Britannica: Organs in Great Britain, 1660–1860, as well as other books on hymnody and biographies of organists and composers of church music. His essays were published in periodicals and books. 

A widely published arts critic and scholar, he wrote numerous articles and reviews, which appeared in the Journal of Church Music; Moravian Music Journal; Music, the A.G.O. Magazine; The Organ Yearbook (Netherlands); The Musical Times (London); The New York Times; The American Organist; The Diapason; and The Tracker. He was the editor for the Society for Organ History and Preservation.  

Boeringer published fiction under a pseudonym. A member of Equity, he has a long list of theater credits in a variety of roles including actor, singer, director, music director, composer, narrator, and chorus arranger. He had an abiding interest in historic buildings and moved and restored two log cabins in his lifetime, and was an avid gardener.  

James Leslie Boeringer is survived by his wife of 58 years, Grace, and children Lisa Stocker, Greta, and Daniel, and a brother David.  

Peter Rasmussen Hallock died April 27, 2014, in Fall City, Washington; he was 89. A composer, organist, liturgist, and countertenor, among other activities, he was long associated with St. Mark’s Episcopal Cathedral of Seattle. Hallock began organ study with Clayton Johnson of Tacoma. He enrolled at the University of Washington, but was drafted into the United States Army, serving from June 1943 until February 1946 as chaplain’s assistant and sharpshooter in the Pacific theater during World War II. Returning to the University of Washington, he studied organ with Walter Eichinger and composition with George McKay, then studied at the College of St. Nicholas at the Royal School of Church Music (RSCM) in Canterbury, England, becoming the first American choral scholar at Canterbury Cathedral, under the direction of Gerald Knight. He completed the RSCM program and received a bachelor of arts degree in music from the University of Washington in 1951 and master of arts degree in music from the same institution in 1958.

Peter Hallock became organist/choirmaster of St. Mark’s Episcopal Cathedral, Seattle, on October 28, 1951, a position he held until retirement in 1991. At St. Mark’s, he founded a chant study group in the mid 1950s that became known as the Compline Choir, which remains in the forefront of the resurgence of interest in the Office of Compline. He was instrumental in the cathedral’s acquisition of a four-manual Flentrop mechanical-action organ in 1965. At the cathedral, Hallock also introduced Advent and Good Friday processions as well as liturgical drama. He was named Canon Precentor, the first lay person in the Episcopal Church to hold this title, named an associate of the RSCM, and was honored with an honorary doctor of music degree by the Church Divinity School of the Pacific. In 1992, he became organist at St. Clement of Rome Episcopal Church, Seattle, remaining until March 2013. Hallock was also well known and respected for his countertenor concerts, with performances throughout the United States. As a composer, Peter Hallock created more than 250 works, from occasional church music to extended anthems, dramatic works (sacred and secular) to music specifically written for the Compline Choir. Among his many publications was The Ionian Psalter.

Peter Rasmussen Hallock is survived by his sisters, Matilda Ann Milbank of Los Altos, California, and Barbara Hallock of Kent, Washington, as well as several nieces, nephews, grandnieces, and grandnephews. Memorial gifts may be made to the Compline Choir of St. Mark’s Cathedral or to the Cathedral Foundation of the Diocese of Olympia, Seattle.

Robert Burgess Lynn, 83 years old, passed away February 11 in Houston, Texas. A native of Colorado Springs, he studied organ and piano with Roy Harris, Frederick Boothroyd, and Joanna Harris while in high school. In 1952, he earned a BA at Colorado College (where he studied with Frederick Boothroyd and Max Lanner, and was chapel organist), and a master’s in organ from the Juilliard School of Music, received Honorable Mention in the AGO Young Artists’ Contest in Organ Playing in San Francisco, and married Elaine Steele, also a musician. In 1956, Lynn received a Fulbright Scholarship to study organ playing and construction with Finn Viderø under the auspices of the University of Copenhagen. His studies were briefly delayed when the family’s ship, the Stockholm, collided with the Andrea Doria, which subsequently sank. During his time in Copenhagen, he saw and played several great organs, including the organ at Sweden’s Malmö Museum, built in 1520, and at the Royal Chapel in Copenhagen, built in 1827. Lynn became a Fellow of the AGO in 1964, receiving the highest marks of any candidate in Section I of the FAGO examinations. 

Robert Lynn taught from 1954 to 1971 at Allegheny College as an assistant professor of music. In 1973, he received his PhD in musicology from Indiana University; his dissertation was entitled “Renaissance Organ Music for the Proper of the Mass in Continental Sources.” From 1971 to 1997, he served as professor of musicology at the University of Houston where he also directed the Collegium Musicum and the graduate studies program. His monograph, Valentin Haussmann (1565/70–Ca. 1614): A Thematic-Documentary Catalogue of His Works, was published by Pendragon Press. In 1997, he was named professor emeritus. 

Lynn also enjoyed visiting professorships at Rice University, Indiana University, and the University of Siegen. While a resident of Houston, Lynn was well known for his organ recitals in addition to his role as harpsichord soloist, playing in many concerts associated with the Houston Harpsichord Society (now Houston Early Music). From 1982 to 2004, he was the founding director of the Houston Bach Choir and Orchestra at Christ the King Lutheran Church. Lynn served as director of music and organist at St. Francis Episcopal Church for 25 years, and also as long-term interim organist at St. Christopher’s Episcopal Church. Memorial contributions may be made to the Bach Society Houston, 2353 Rice Blvd, Houston, TX 77005, or to the Christ Church Cathedral Music Program, 1117 Texas Ave., Houston, TX 77002.

Fred S. Mauk died on April 7, two weeks before his 83rd birthday, after a short illness. Mauk did his undergraduate study at Stetson University and Rollins College, where he earned a degree in music, and received his master’s degree in 1958 from the School of Sacred Music at Union Theological Seminary in New York City. He held church music positions in Missouri, South Carolina, North Carolina, and Florida, his last position being director of music for 33 years at St. Mark’s Presbyterian Church in Altamonte Springs, Florida, where he retired in 2011; at St. Mark’s he installed a pipe organ (purchased from a church in North Carolina) in the sanctuary.

An active member of the Central Florida AGO chapter, Mauk served in many chapter positions, including dean, and was instrumental in coordinating the 1993 regional AGO convention in Orlando. He was also known for his encouragement of young musicians, his sense of humor, his organizational skills, his many interests, including old cars and antique car shows, and his ability to work well with everyone. 

Mary Lou McCarthy-Artz, age 78, died at her home in Plymouth, Indiana, on May 7. Born November 18, 1935, Mary Lou Smith graduated from high school in 1953, marrying her first husband, Joseph L. Merkel, two years later. She studied piano at the Jordan Conservatory of Music, Butler University, in Indianapolis. After her husband’s death, she married Rodney Evans and moved to Covington, Indiana, where they lived for more than twenty years. It was there, while holding down a full-time job as an executive secretary, that she began working part-time as organist at nearby Catholic parishes: St. Joseph, Covington; St. Bernard, Crawfordsville; and Holy Family, Danville, Illinois. In 1993, she began full-time ministry as organist and choir director for the motherhouse of the Poor Handmaids of Jesus Christ, Ancilla Domini, in Donaldson, Indiana. A long-time member of the American Guild of Organists, she had served as chapter dean and had recently earned her CAGO certificate. Mary Lou McCarthy-Artz is survived by her husband, Donald Artz, two daughters, Nancy Merkel Starkey of Jacksonville, Florida, and Janet Evans Snyder of Georgetown, Illinois, as well as two grandchildren. ν