Ronald Cameron Bishop dies at age 74

Ronald Bishop had been the curator of Radio City Music Hall’s Grand Organ and was CEO of his own pipe organ maintenance business for more than 40 years. He had also been a sales representative for the Schantz Organ Company since 1987, and was the co-owner of Center Stage Dance Studio in Westfield, New York. He had been an active member of the First Presbyterian Church and Society of Westfield and served as a church elder. He was also a train enthusiast. He was the author of “What a Time It Was: A Fond Remembrance,” The Diapason, January 2009, pp. 23–27.

Ronald Bishop is survived by his wife of 51 years, Emma E. (Stiffler) Bishop, two sons, and two grandchildren.

William Lusk Brice died January 14; he was 80 years old. A Knoxville, Tennessee native, he received a bachelor’s degree in pre-med from Emory University, and an MMus degree in organ from the University of Michigan, where he studied with Marilyn Mason. He also studied choral conducting with Harold Friedell at the Juilliard School, and chant and conducting with Ray Francis Brown at General Theological Seminary in New York City. An organist and choirmaster for more than 50 years, he served cathedrals in Knoxville, Decatur, and Tulsa. Brice recorded with RCA, and was an organ designer as well as recitalist. He served as dean of the Knoxville and Memphis AGO chapters, and was a member of the RCCO. William Lusk Brice is survived by his wife, Mary, a stepson, and a sister and brother.

Paul E. Engle, 95 years old, died January 9. A Pennsylvania native, Engle learned to love organ music from his aunt; a member of the Pittsburgh AGO chapter, Engle was not an organist but was responsible for recording many Pittsburgh organs and chapter members’ organ recitals, for more than 50 years. He always gave a copy of the recording to the performer without charge. Engle’s recording efforts have helped to document many Pittsburgh organs that are no longer playable. A member of the Pittsburgh Area Theatre Organ Society and the American Legion, Engle had served in World War II, fighting in the Battle of the Bulge, for which he was awarded the Purple Heart. Paul E. Engle is survived by his wife of 69 years, Emma Sue (Susie), and three daughters.

Bart Ferguson Harris died January 13 at age 85. He studied music at the University of Mississippi, the Juilliard School, and McGill University. Harris served as organist at various churches, including Bethlehem Lutheran Church in Brooklyn, the Church of the Holy Communion in Norwood, New Jersey, St. Clements Anglican Church, Montreal, and the Verdun United Church of Canada. He was a longtime member of the New York City AGO chapter. Bart Ferguson Harris is survived by his life partner, John Heinz Olmer.

Thomas Hunter Russell died February 8 in Los Angeles at the age of 71. A graduate of Chapman College and the University of Southern California, he ran a successful law practice until his retirement in 2009. He began playing the organ at an early age, and served as assistant organist at the First Congregational Church of Los Angeles, where he was one of the founders of the church’s organ concert series. In 1969, under his guidance, the Frank C. Noon Memorial Organ was installed in the west gallery of the sanctuary. Through his years of dedication and leadership, more additions were made to the chancel organ, and the north and south transept organs were installed. He also helped establish the Friends of the Los Angeles Bach Festival, and served on the board until his death. 

Mary Ann Dodd died January 1 in Cooperstown, New York. She was University Organist Emerita at Colgate University in Hamilton, New York, where she had served as university organist and special instructor in organ from 1973–93. In 1976 she selected Holtkamp to build the three-manual Brehmer Memorial Organ. She also taught at the State University of New York in Binghamton as an adjunct lecturer 1987–90 and as the Link Visiting Professor in organ in 1989.
Born and raised in Pullman, Washington, Dodd held the BMus degree from the University of Arkansas (1956) and the MMus degree from the University of Tennessee (1971). She performed and lectured throughout the United States with special emphasis on contemporary organ music. An active member of the American Guild of Organists, she had been a member of its national committee on new music and the committee for the AGO improvisation competition, and served on the national council as Region II councillor. Her reviews and articles appeared frequently in The American Organist and The Diapason. She was co-author (with Jayson Engquist) of the book Gardner Read: A Bio-bibliography (1996). At the time of her death, Mary Ann Dodd was working on a book on contemporary organ music, focusing on the career of the late Leonard Raver.
She is survived by her husband of 55 years, Jack G. Dodd, a son, a daughter, and three grandchildren.

H. Ronald Poll, age 70, passed away January 28 at home in Salt Lake City, Utah. A charter member of the American Institute of Organbuilders, he served three years as the organization’s president. He also served on several committees and was dedicated to strong positive goals, art and technology, and in furthering the cause, reputation and expansion of true pipe organs.
Ron’s love for the pipe organ had its roots as a young boy when he and his brother David would sit for hours listening to their organist mother’s 78-rpm, and later 331⁄3-rpm LP, recordings. He was impressed with the beauty and musical expression of the pipe organ.
After a time with the Utah National Guard and service as a missionary for the Church of Jesus Christ of Latter-day Saints, Ron worked for a period doing installation, voicing and tuning with his M. P. Möller representative brother David, the Wicks Organ Co., and others. He was employed by the Church of Jesus Christ of Latter-day Saints as an organ technician and supervisor. Among the dozens of organs he worked on is the Salt Lake Mormon Tabernacle instrument of G. Donald Harrison.
Ron organized his own organ building and service firm, H. Ronald Poll & Associates, employing two sons, Michael and Timothy, who are continuing the firm’s operation. Ron’s code was well stated by Henry Ward Beecher: “Hold yourself responsible for a higher standard than anybody else expects of you. Never excuse yourself.” Ron constantly sought for perfection. He was faithful to the highest ethical and performance standards and in bringing joy to others through his creation.
Ron worked on many instruments from coast to coast. Among his more recent accomplishments are the three-manual instruments for St. Paul’s Episcopal Church in Salt Lake City and the Provo L.D.S. Tabernacle.
Ron is survived by his wife, Mary, nine children, 19 grandchildren and two great-grandchildren, his mother, four brothers and five sisters. Services were held February 2 in Taylorsville, Utah, where Mormon Tabernacle organist Clay Christiansen provided the music on one of Ron’s smaller instruments.
—David Poll

Bruce V. Schantz died on January 5 in Orrville, Ohio, at the age of 93. Born October 17, 1913, in Orrville, he began studies at Oberlin College, but left to handle the sales department of the Schantz Organ Company with his cousin Paul Schantz. He covered territory in Ohio and Indiana during the Depression and took night classes at the University of Akron. He was hired by Goodyear Aircraft just before the U.S. entered World War II, and worked there in management during the war years. He then returned to Orrville to join the family business. Bruce Schantz managed the Schantz Organ Company along with his brother John, his son Victor, his cousin Paul, and Jack Sievert. He served as the company’s president, chairman of the board, and chairman emeritus. He was involved in many community projects, including the transformation of the Community Chest into the Orrville United Way and chairing the drive that made Wayne College possible. He was a past president of the Orrville Chamber of Commerce and the Exchange Club. In 1970 he was named the Paul L. Powell Citizen of the Year for the City of Orrville. He is survived by his wife Grace, two daughters, five sons, a brother, and 12 grandchildren. A funeral was held January 13 at Christ Church, United Church of Christ, and a memorial service was held January 21 at Wayne College.

Malcolm Wechsler died November 16, 2006 in New Fairfield, Connecticut, at the age of 70. Born in the Bronx, New York, and raised in Stamford, Connecticut, he studied piano as a child and earned a bachelor’s in organ performance at Oberlin College. In 1963 he received a master’s in organ performance from the Juilliard School of Music. He held a number of church positions and in 1966 was appointed music director at St. Paul’s Anglican Cathedral in London, Ontario, also teaching at the University of Western Ontario. He later taught at Laurentian University, Sudbury, Ontario. In 1985 Wechsler returned to New York to work with the Opera Orchestra of New York and begin Ph.D. studies at City College of New York. In 1987 he was appointed American sales representative for N. P. Mander, and in 1994 he became organist of St. Andrew’s Episcopal Church, Stamford, Connecticut. An active member of the AGO and the OHS, he reported on the OHS conventions in 2001 (North Carolina) and 2003 (Pennsylvania) for The Diapason. A funeral service was held at St. Andrew’s Church on November 21, 2006.

Martin H. Wittig, 66, of North Little Rock, Arkansas, died at his home on January 18. Born August 12, 1940 in Waymart, Pennsylvania, he was a Vietnam War veteran who served with the U.S. Air Force in Okinawa, Japan. At the time of his death, he was organist at St. Patrick’s Catholic Church in North Little Rock. He previously served as organist at St. Mary’s Catholic Church in North Little Rock. His many business ventures included ownership of a gas station and three car washes. He is survived by his wife of 41 years, Diane Wittig, seven grandchildren, and two great-grandchildren.

Lukas Foss, composer, performer, and teacher, died in New York on February 2. He was 86. German-born, Foss was trained in Germany, in Paris, and at the Curtis Institute in Philadelphia; he had studied composition with Randall Thompson and Paul Hindemith, and conducting with Fritz Reiner and Serge Koussevitzky. Known for composing in different musical styles, he often combined past and present influences and techniques. He served as the pianist of the Boston Symphony Orchestra from 1944–50, and he conducted numerous orchestras including the Brooklyn Philharmonic, the Jerusalem Symphony, and the Milwaukee Symphony. He taught composition and conducting at UCLA from 1953–62 and had served as composer-in-residence at Carnegie-Mellon University, Harvard University, the Manhattan School of Music, Yale University, and Boston University. Foss’s compositional output included many orchestral, chamber, and choral works, as well as several works for piano, and two organ compositions, Four Etudes (1967) and War and Peace (1995). Lukas Foss is survived by his wife Cornelia.

James Barclay Hartman died on January 23 at the age of 84. He was predeceased by his wife Pamela in 1983. Born in Winnipeg, Manitoba, Canada on January 12, 1925, he was educated at the University of Manitoba (BA 1948, MA 1951), Brown University, Providence, Rhode Island, and Northwestern University, Evanston, Illinois (Ph.D.). He began a teaching career at Iowa State University, Ames, Iowa, returning to Canada in 1967 to teach at Scarborough College, University of Toronto. In 1974 he was appointed director of development and external affairs at Algoma University College, Laurentian University in Sault Ste. Marie, Ontario, and in 1980 joined the Continuing Education Division at the University of Manitoba as associate professor and director, humanities and professional studies. At the time of his retirement he held the position of senior academic editor.
A skilled photographer, he did commercial photography to help finance his university education. His great passion was music, especially the music of J. S. Bach, and in particular the works for organ and for harpsichord, both of which he played. He served for many years as book reviewer for The Diapason, and authored reviews and articles for numerous academic journals. His chief publication was the book The Organ in Manitoba, published by the University of Manitoba Press in 1997.
Dr. Hartman’s articles published in The Diapason include: “The World of the Organ on the Internet” (February 2005); “Alternative Organists” (July 2004); “Seven Outstanding Canadian Organists of the Past” (September 2002); “Families of Professional Organists in Canada” (May 2002); “Organ Recital Repertoire: Now and Then” (November 2001); “Prodigy Organists of the Past” (December 2000); “Canadian Organbuilding” (Part 1, May 1999; Part 2, June 1999); “Purcell’s Tercentenary in Print: Recent Books” (Part I, November 1997; Part II, December 1997); “The Golden Age of the Organ in Manitoba: 1875–1919” (Part 1, May 1997; Part 2, June 1997); “The Organ: An American Journal, 1892–1894” (December 1995); and “The Search for Authenticity in Music—An Elusive Ideal?” (June 1993).

Thomas A. Klug, age 61, died suddenly at his home in Minneapolis on January 8. He received his bachelor’s degree in music from Lawrence University in Appleton, Wisconsin, and his master’s degree from Northwestern University, Evanston, Illinois. An accomplished organist for 44 years, he began his musical career at St. Michael’s United Church of Christ in West Chicago, Illinois. He went on to serve the First United Methodist Church in Elgin, Illinois, Olivet Congregational Church in St. Paul, Minnesota, and most recently was the organist for 20 years at St. Michael’s Lutheran Church in Roseville, Minnesota. Tom was a member of the American Guild of Organists and the Organ Historical Society, an outdoor enthusiast, gardener, and an accomplished cook. He will be deeply missed by his family and friends. A memorial service was held January 13 at St. Michael’s Lutheran Church, Roseville. He is survived by his parents, Armin and Marjorie Klug, brothers Kenneth (Cindy) and James (Diane Donahue), five nieces and nephews, one great-niece, and special friend Doug Erickson.
—Frank Rippl

Dutch organist and musicologist Ewald Kooiman died on January 25, on vacation in Egypt. He died in his sleep; the cause was heart failure.
Ewald Kooiman was born on June 14, 1938 in Wormer, just north of Amsterdam. He studied French at the VU University in Amsterdam and at the University of Poitiers, taking the doctorate in 1975 with a dissertation on the Tombel de Chartrose, a medieval collection of saints’ lives. He then taught Old French at the VU University, where he was appointed Professor of Organ Art in 1988.
As a teenager, Kooiman studied organ with Klaas Bakker. After passing the State Examination and encouraged by members of the committee to pursue music studies at a higher level, he continued with Piet Kee at the Conservatory of Amsterdam, earning a Prix d’Excellence—the equivalent of a doctorate—in 1969. While studying French at Poitiers, he simultaneously studied organ with Jean Langlais at the Paris Schola Cantorum, taking the Prix de Virtuosité in 1963.
Kooiman had a long and impressive international career as a concert organist. He twice recorded the complete organ works of Bach—first on LP, then on CD—and was awarded the Prize of German Record Critics in 2003. He was in the midst of recording his third complete Bach set—on SACD, using Silbermann organs in Alsace—which was scheduled to come out in late 2009 or early 2010.
Although Bach was at the heart of his musical activities, Kooiman took an interest in many other parts of the organ repertoire, for example the French Baroque. His study of this repertoire and the relevant treatises was, of course, greatly facilitated by his knowledge of the French language. His interest in the French Baroque organ also led to the construction of the so-called Couperin Organ (Koenig/Fontijn & Gaal, 1973) in the auditorium of the VU University.
But he also loved playing—and teaching—Reger and Reubke; he very much enjoyed learning Widor’s Symphonie gothique when he was asked to play the work as part of a complete Widor series in Germany; and he admitted to having “a weak spot” for Guilmant’s Variations on “Was Gott tut das ist wohlgetan.”
As a scholar, Kooiman edited some 50 volumes of mostly unknown organ music in the series Incognita Organo (published by the Dutch publisher Harmonia). Much of the series was devoted to organ music of the second half of the eighteenth and of the early nineteenth century, traditionally considered a low point in history of organ music. He also published widely on eighteenth- and nineteenth-century performance practice, mainly in the Dutch journal Het Orgel. His inaugural address as Professor of Organ Art was about the nineteenth-century roots of the French Bach tradition.
Besides teaching at the famous International Summer Academy for Organists at Haarlem—at first French Baroque repertoire, later Bach—Ewald Kooiman was for many years chairman of the jury for the improvisation competition in the same city. His fluency—besides French—in English and German and his ability to listen critically to the opinions of his colleagues made him the ideal person for such a job.
Although he was never the titulaire of one of the major historical Dutch organs, Kooiman served as University Organist of the VU University, playing the Couperin Organ in recitals and for university functions. But he also played organ for the Sunday morning services in the chapel of the university hospital.
In 1986, Kooiman succeeded Piet Kee as Professor of Organ at the Conservatory of Amsterdam, mostly teaching international students at the graduate level. I had the pleasure of studying with him for three years before graduating with a BM in 1989, having previously studied with Piet Kee for two years. Although much time was naturally spent with Bach—I learned at least two trio sonatas with him—he also taught later repertoire very well: Mozart, Mendelssohn, Reubke, Reger, Hindemith, Franck, and Alain come to mind. From time to time, I had to play a little recital, and he personally took care of “organizing” an audience by inviting his family.
As Professor Ars Organi at the VU University, Ewald was the adviser for three Ph.D. dissertations, all dealing with organ art at the dawn of Modernism: Hans Fidom’s “Diversity in Unity: Discussions on Organ Building in Germany 1880–1918” (2002); David Adams’s “‘Modern’ Organ Style in Karl Straube’s Reger Editions” (2007); and most recently René Verwer’s “Cavaillé-Coll and The Netherlands 1875–1924” (2008).
Ewald Kooiman was a Knight in the Order of the Dutch Lion; an honorary member of the Royal Dutch Society of Organists; and a bearer of the Medal of Merit of the City of Haarlem. For his 70th birthday, the VU University organized a conference in his honor and a group of prominent colleagues—including American Bach scholars Christoph Wolff and George Stauffer—offered him a collection of essays entitled Pro Organo Pleno (Veenhuizen: Boeijenga, 2008). Piet Kee’s contribution was the organ work Seventy Chords (and Some More) for Ewald. Earlier, Cor Kee (Piet’s father, the famous improviser and improvisation teacher) had dedicated his Couperin Suite (1980) as well as several short pieces to Ewald.
Though clearly part of a tradition and full of respect for his teachers, Kooiman was in many ways an individualist. He enjoyed frequent work-outs at the gym, not only because it kept him physically fit and helped him deal with the ergonomic challenges of playing historic organs, but also because he liked talking with “regular” people. Among colleagues—particularly in Germany—he was famous for wearing sneakers instead of more orthodox organ shoes. One of his favorite stories about his studies with Langlais was that the latter was keen on teaching him how to improvise a toccata à la française, a genre that Kooiman described as “knockabout-at-the-organ”—not exactly his cup of tea. “Non maître, je n’aime pas tellement ça,” he claimed to have answered: “No professor, I don’t like that too much.”
Ewald Kooiman is survived by his wife Truus, their children Peter and Mirjam, and two grandchildren. The funeral service took place at the Westerkerk in Amsterdam on February 4.
—Jan-Piet Knijff

Joseph F. MacFarland, 86, died on December 29, 2008, at the Westport Health Care Center in Westport, Connecticut. A native and lifelong resident of Norwalk, Connecticut, he was born on February 14, 1922. He earned bachelor’s and master’s degrees from the Juilliard School in New York, and studied organ with David McK. Williams and Jack Ossewarde at St. Bartholomew’s Church. For 56 years MacFarland served as organist-choirmaster at the First Congregational Church on the Green in Norwalk. He also was the accompanist for the Wilton Playshop, Staples High School, and Norwalk High School. He was a lifelong member of First United Methodist Church, Norwalk, Connecticut, and a member of the Bridgeport AGO chapter. He was a veteran of World War II, having served in the U.S. Army Air Corps.

Richard H. (Dick) Peterson died at age 83 on January 29, fourteen years after suffering a debilitating stroke. Besides spending time with Carol, his devoted wife of 53 years, and with his other family members, Richard’s greatest passion in life was applying modern technology to pipe organ building. His goal was always to make organs better, more affordable, and consequently more available for people to enjoy. During his long and prolific career, he was awarded over 70 U.S. and foreign patents.
Dick Peterson was born on February 26, 1925 in Chicago. He served in the U.S. Army as a radio engineer from 1943 until 1946 and studied electronics at the City College of New York. While stationed in New York City, he often visited Radio City Music Hall and loved the room-filling sound of the organ there while also being fascinated by the mechanics of pipe organs. It was during that time that he told his parents his goal in life was to “perfect the organ.”
Mr. Peterson soon co-founded the Haygren Church Organ Company in Chicago, which built 50 electronic organs for churches all around the Midwest. Soon thereafter, he founded Peterson Electro-Musical Products, currently in Alsip, Illinois. In 1952, he presented a prototype spinet electronic organ to the Gulbransen Piano Company. Gulbransen’s president was thrilled with the sound of the instrument, and they soon negotiated an arrangement where Richard would help the piano company get into the organ business and, as an independent contractor, he would develop and license technology to be used in building a line of classical and theatre-style home organs for Gulbransen to sell. One particularly notable accomplishment was Gulbransen’s introduction of the world’s first fully transistorized organ at a trade show in 1957. Gulbransen would ultimately sell well over 100,000 organs based on Peterson inventions.
Meanwhile, many of Peterson’s developments for electronic organs evolved into applications for real pipe organs. Especially notable among over 50 of Dick’s innovative products for the pipe organ are the first digital record/playback system; the first widely used modular solid state switching system; the DuoSet solid state combination action; a line of “pedal extension” 16-foot and 32-foot voices; and the first commercially available electronic swell shade operator. Many thousands of pipe organs worldwide utilize control equipment that is the direct result of Richard’s pioneering efforts. Also carrying his name is a family of musical instrument tuners familiar to countless thousands of school band students and widely respected by professional musicians, recording artists, musical instrument manufacturers and technicians.
In the 1950s, Dick Peterson enjoyed learning to fly a Piper Cub airplane, and in more recent times preceding his illness enjoyed ham radio, boating, and restoring and driving his collection of vintage Volkswagens. He was a longtime member of Palos Park Presbyterian Community Church in his home town of Palos Park, Illinois.
Memorial donations may be made to the American Guild of Organists “New Organist Fund,” where a scholarship is being established in Richard Peterson’s name.
—Scott Peterson

William J. (Bill) Stephens, 84, of Lawrence, Kansas, died suddenly at home of heart failure on December 19, 2008. Born in Jacksonville, Texas on June 28, 1924, his organ playing career began at the Episcopal Church in Jacksonville while in his early teens. He later studied organ with Roy Perry in Kilgore, Texas, and became interested in organ building at the workshop of William Redmond in Dallas. He graduated from the University of North Texas in 1949 with a bachelor’s degree in organ, where he was a pupil of Helen Hewitt. Stephens served in the Navy during WWII as a gunner’s mate 2nd class in the Pacific theater. He subsequently studied organ at the University of Colorado, Boulder, where he was a teaching assistant in organ and a pupil of Everett Jay Hilty in organ and Cecil Effinger in theory.
Stephens taught public school music in south Texas, was the organist-choirmaster of Trinity Episcopal and Trinity Lutheran Churches in Victoria, Texas, and was south Texas representative for the Reuter Organ Company, Lawrence, Kansas. He married Mary Elizabeth Durett of Memphis, Tennessee, in Denton on November 19, 1946. In 1968 Bill moved his family to Lawrence, Kansas, and installed Reuter pipe organs in all of the 50 states except Alaska. He operated an organ building and maintenance service business, covering most of the Midwest. He was also organist-choirmaster at Grace Episcopal Church, Ottawa, Kansas, for three years.
During his years at Reuter he taught many young men the mechanics, care and feeding of pipe organs and was very proud of their work when they became full-fledged “Organ Men.” For 40 years he was curator of organs at Christ Church Cathedral, Houston, and was proud of the recognition he received upon retiring. He also took special pride in rebuilding the organ at Trinity Episcopal Church, Aurora, Illinois. It had been water-soaked and inoperable for 25 years. Kristopher Harris assisted, and Christopher Hathaway played the dedication recital November 11, 2001.
Bill Stephens was a member of the Organ Historical Society. He is survived by his wife, Mary Elizabeth Durett Stephens, five children, four grandchildren, and two great-grandchildren.
—Rumsey-Yost Funeral Home
Lawrence, Kansas

Marguerite Long Thal died December 5, 2008, in Sylvania, Ohio. She was 73. Born January 27, 1935, in Quinter, Kansas, she studied organ with Marilyn Mason at the University of Michigan, where she earned bachelor’s and master’s degrees in music. After graduation, she received a Fulbright grant to study in Paris, France for two years, where she attended the American University and studied with Jean Langlais and Nadia Boulanger. Returning to the U.S., she was appointed minister of music at the First Congregational Church in Toledo, Ohio, and taught organ at Bowling Green State University. In 1961, she married Roy Thal Jr., and they moved to Sylvania, where they remained for more than 40 years.
Active in the AGO, Mrs. Thal was a past dean of the Toledo chapter and served as Ohio district convener. She served as minister of music at Sylvania United Church of Christ for 18 years, gave many solo performances, and appeared with Prinzipal VI, a group of six organists who performed regionally. She is survived by her husband, Norman, two daughters, and three grandchildren.

Noel Goemanne, Catholic Church musician and composer, died January 12 in Dallas. He was 83. Born in 1926 in Poperinge, Belgium, Goemanne was a graduate of the Lemmens Institute of Belgium, and studied organ and improvisation with Flor Peeters, and at the Royal Conservatory of Liege. During World War II, he refused an offer from the Nazis to become a composer for the Third Reich; he was later arrested for playing the music of Mendelssohn during the Nazi occupation of Belgium.
In 1952 he and his wife Janine immigrated to the United States, settling in Victoria, Texas, where he was organist at St. Mary’s Catholic Church. In response to the liturgical changes brought about in the 1960s by the Second Vatican Council, he composed the first Vatican II-approved Masses in English. During that time he gave sacred music workshops on college campuses; he also established the sacred music program at St. Joseph College in Rensselaer, Indiana.
Goemanne held organist and choirmaster positions in the Detroit area, at St. Rita’s Catholic Church and Our Lady Queen of Martyrs Church, and in Dallas, at St. Monica’s Catholic Church, Holy Trinity Seminary, and Christ the King Church, where he served from 1972 until this past summer.
His compositional output includes over 200 sacred compositions, with over 20 Masses. His organ work Trilogy for Dallas was the first work commissioned for the Lay Family Organ at the Morton H. Meyerson Symphony Center.
Goemanne’s many honors include an award from the Institute of Sacred Music in Manila, Philippines in 1974; the Pro Ecclesia et Pontifice Cross from Pope Paul VI in 1977; honorary doctorates from St. Joseph College in Rensselaer in 1980 and Madonna University in Livonia, Michigan in 1999; and numerous ASCAP awards. Goemanne was a member of the American Society of Composers, Authors and Publishers, the American Guild of Organists, the American Choral Directors Association, and the National Association of Pastoral Musicians. He is survived by his wife Janine, daughter Claire Page and husband Mike, son Luc and wife Candy, and three grandchildren.

John B. Haney, longtime Canon Organist and Choirmaster of Trinity Episcopal Cathedral, Columbia, South Carolina, died February 13 at age 77. Born in Illinois, he earned bachelor’s and master’s degrees in organ from the University of Illinois, and received the Master of Sacred Music degree from Union Theological Seminary in New York City.
In 1970 he moved to Columbia, South Carolina, to become organist and choirmaster at what was then Trinity Episcopal Church, where he served for the next 33 years. Prior to that, he held positions at Reveille United Methodist Church, Richmond, Virginia; Central Presbyterian Church, Montclair, New Jersey; and Temple Emanu-El, New York City.
While at Trinity, he began the cathedral choir’s periodic residencies at English cathedrals and developed the Wednesdays at Trinity concert series. Haney was a member of the American Guild of Organists and the Association of Anglican Musicians.

John Wright Harvey died December 31, 2009. “Organ—my hobby, my work, my play, my vocation, my recreation. Recital work a specialty.” So wrote Professor Harvey on a faculty information sheet dated October 26, 1961. He went on to list “Carillon—(and bells of all sorts)—a lifelong interest.” These dual interests defined John’s 24 years as professor of music at the University of Wisconsin-Madison, a career which began in September 1960, and ended with his retirement in June 1984. In 1962 the UW Memorial Carillon received 27 new bells and two claviers, enlarging it to a total of 51 bells. On February 2, 3, and 4, 1970, John gave identical recitals initiating the Austin Organ Company’s Opus 2498 in the University’s Eastman Recital Hall. John taught organ and carillon to students from freshman level to doctoral candidates. Announcements of his carillon recitals appeared regularly and often.
John Harvey was born in Marion, Indiana, on June 15, 1919. He began piano study at age 8, trombone at age 14, and organ at 15. He completed a Bachelor of Music degree in organ from Oberlin Conservatory in 1941. The degree was awarded in absentia since John was by then stationed aboard a destroyer participating in the Battle of Midway. While in the Navy, John served as a musician, a signalman, and a quartermaster. He survived the loss of the USS Atlanta, sunk off Guadalcanal in November 1942. Following the war, John received a bachelor’s degree in music education from Oberlin in 1946 and a master’s degree from the School of Sacred Music at Union Theological Seminary in 1952. His master’s thesis was on the history and development of the organ in the chapel at West Point. Before coming to Madison, he served the First Presbyterian Church in Englewood, New Jersey; Webb Horton Memorial Presbyterian Church in Middletown, New York; Central Union Church in Honolulu, and National City Christian Church in Washington, D.C.
Beginning in 1947, John was active in the American Guild of Organists. In 1952 he organized the Northern Valley chapter in Englewood, serving as dean for its first three years and scholarship chairman for two years. In 1958 he was secretary of the Washington, D.C. chapter. In Madison he was dean of the AGO chapter from 1964–66. In 1953–56 John contributed to The American Organist, including a three-issue story on the West Point organ.
In Madison and beyond the university, John was active as well. He was organist at First Congregational Church. He also served as organ consultant and advisor to many congregations, including St. John’s Lutheran, Luther Memorial, Bethany Methodist, and Mt. Olive Lutheran. He was particularly involved with the design of the Austin organ at First United Methodist. An instrument of interest was the Hinners organ at St. Mary’s in Pine Bluff. John gave recitals statewide, in venues large and small, including several on the Casavant organ at St. Norbert’s Abbey in DePere.
John Harvey’s interests extended well beyond music. Pictures of Clarissa, his 1932 Chevy roadster, appeared in the newspaper, as did pictures of his model railroad. He also collected disc recordings from the early 1900s.
John married Jean Cochran on May 25, 1945, and was the father of three daughters, Ann, Carol, and Jane. John suffered from Alzheimer’s and died on December 31, 2009. Survivors include his wife, Jean, his daughters, and a brother.
—John R. Krueger
Madison, Wisconsin

August “Ed” Linzel, Jr., died January 19 in Arlington, Texas, at the age of 84. Born in Little Rock, Arkansas, he attended the Princeton School of Music, and served as organist and choirmaster at St. Mary the Virgin Episcopal Church in New York City for 16 years. He was active in the American Guild of Organists, performing as organist, harpsichordist, and conductor at national (1948, 1950, 1952) and regional conventions. Linzel also served as dean of the New York City AGO chapter from 1956–59. In 1964 he served as organist-choirmaster at St. Paul’s Episcopal Church in Indianapolis, Indiana, and in 1972 he served in that same capacity at St. Boniface Episcopal Church in Sarasota, Florida. He later returned to Little Rock, where he was organist at Pulaski Heights Presbyterian Church, Christ Episcopal Church, and First Presbyterian Church in Jacksonville, Arkansas. August Linzel, Jr. is survived by his sons Ted and John, daughters Patricia and Jennifer, and brothers Milton and Jesse.

William Bernard MacGowan, concert organist, choir director, and college professor, died December 15, 2009 in Gainesville, Florida. He began organ study with Nelson Brett in Jacksonville, and during the 1940s studied organ with Robert Baker and piano with Percy Grainger at the Interlochen Center for the Arts in Michigan. He earned bachelor’s and master’s degrees from the University of Michigan, where he studied with Palmer Christian, Robert Noehren, and Maynard Klein. A naval communications officer during the Korean War, MacGowan established choirs and singing groups on the ships where he served. When in port, he studied choral conducting with Robert Shaw and musicology with Julius Herford.
His many positions included those at St. Philip’s Church in Durham, North Carolina; Old North Church in Boston, Maple Street Congregational Church, Trinity Episcopal Church, and the Tanglewood Music Center, in Massachusetts; All Saints Episcopal Church in Pasadena, California; and Bethesda by the Sea Episcopal Church in Palm Beach, St. Bartholomew’s Episcopal Church in High Springs, and St. Michael’s Episcopal Church in Gainesville, in Florida. As a recitalist, he performed at important venues in New York City, Washington, D.C., San Francisco, and in Assisi, Italy, and in Germany. MacGowan was a member of the American Guild of Organists, Society of St. Hubert, Phi Gamma Delta, and Phi Mu Alpha Sinfonia; his hobbies included scuba diving and snorkeling.
William Bernard MacGowan is survived by brothers Bradford and John and their wives, two nephews, and two nieces.

Richard Thornton White died on December 8, 2009, in Memphis, Tennessee, in his home across the street from St. John’s Episcopal Church, where he served for 36 years. He was 95. His first organ study was with Adolph Steuterman; in 1935, he was awarded the William C. Carl Scholarship to the Guilmant Organ School in New York City. In 1937, he won a gold medal in performance from that school. The Diapason (July 1, 1937), in reporting the event, noted that “Guilmant graduates have built up an enviable reputation for brilliancy, interpretative power, and poise in their playing, and the class of this year sustained that reputation.” White also studied with Frank Wright and Frederick Schlieder. He held organist-choirmaster positions in New York City and New Jersey, served in the U.S. Army in the South Pacific during World War II, and in 1950 returned to Memphis to serve at St. John’s Episcopal Church, where he led the music program until his retirement in 1986. White was also active in the Sewanee Church Music Conference, which he served as a faculty member and secretary/registrar.
He earned Associate (1938) and Fellow (1940) certifications with the American Guild of Organists, of which he was a member for 74 years, serving the Memphis chapter as dean several times, and also as chapter examination coordinator.
Richard Thornton White is survived by his wife Anna, whom he married in 1938, sons Richard White, Albert White and his wife Betsy, two grandchildren, and nieces and nephews.

Fayola Foltz Ash died March 15 in Ann Arbor, Michigan, at age 85. Born in Lansing, Michigan, February 24, 1926, she received her bachelor’s degree from Michigan State University in 1948. She taught piano for over 50 years, mostly in Ann Arbor, was organist at First Methodist Church, Chelsea, for over 15 years, and directed the children’s choir at Westminster Presbyterian Church, Ann Arbor, for many years. She was a member of the American Guild of Organistsand the Ann Arbor Area Piano Teacher’s Guild. Ash accompanied many soloists and substituted at various churches as choir director, organist, and pianist.

George Evans Boyer died March 16 in Pennsylvania. He was 64. A graduate of St. Clair High School, West Chester University (1969), and Temple University (1974), Boyer was director of choral activities at William Allen High School in the Allentown School District from 1970–2000, and local sales representative of the Allen Organ Company following his retirement from teaching. Boyer served as a music director and organist for 49 years, at Temple Beth El Synagogue, St. John’s UCC, St. Thomas More Roman Catholic Church, and Christ Lutheran Church (all in Allentown), and Christ the King Roman Catholic Church in Yonkers, New York. He also led European summer tours, and was a member of many musical organizations, including the New York City AGO chapter. George Evans Boyer is survived by his wife of 40 years, Susan Carol Boyer, and a cousin.

Jeanne Norman Briggs died March 30 in Hartwick, New York, at the age of 61. She received a bachelor’s degree from the University of Idaho in 1972, and studied with Claire Coci at the American Music Academy in New Jersey. Briggs had played recitals in Europe and New York City, and served as organist for the First United Presbyterian Church in Oneonta, and for St. Andrew’s Episcopal Church in New Berlin. She was a member of the Oneonta AGO chapter. Jeanne Norman Briggs is survived by her husband John, whom she married in 1980, two stepchildren, two brothers, a sister, and her caregiver.

Otis Herbert Colvin Jr. died January 21 in Waco, Texas, at the age of 87. He earned a BA from Baylor University in 1944, and then served in the Navy during World War II, until 1946, when he returned to Baylor and earned his music degree in 1948, followed by an MMus degree from the University of Colorado in 1950. Colvin earned his PhD from the Eastman School of Music in 1958. He taught music for five years at Texas Tech University; at Baylor University he taught music theory, piano, and carillon for more than 40 years, and was university carillonneur. As a pianist and organist, Colvin served in Waco at Central Christian, Columbus Avenue Baptist, and Seventh and James Baptist churches. He was a member of the AGO, and was a 32nd degree Baptist Mason. A composer and editor of music, his compositions include organ voluntaries based on early American hymn tunes, and other organ works. Otis Herbert Colvin Jr. is survived by his wife Mary Ila Colvin, three daughters, a sister, a brother, six grandchildren, and three great-granddaughters.

Virginia Herrmann died at age 96, on March 17 in Storrs, Connecticut. She graduated from Indiana University, and earned master’s degrees from the Eastman School of Music and Yale University, where she studied with Paul Hindemith. While at Yale, she met and married Heinz Herrmann, her husband of 65 years; they moved to Storrs in 1955, where she was appointed adjunct organ professor at the University of Connecticut, and music director-organist at St. Mark’s Chapel. Herrmann had studied the Chinese language and Asian music, and had edited several collections of Asian music. In 2005, the Herrmanns established the Heinz and Virginia
Herrmann Distinguished Lecture Series on Human Rights and the Life Sciences at the University of Connecticut. Virginia Herrmann is survived by a daughter, a niece, and many friends.
Sebron Yates Hood Jr., 79 years old, died December 17, 2010, in Myrtle Beach, South Carolina. He began playing piano for the Matthews Baptist Church in Matthews, North Carolina, while in high school; he received his bachelor’s degree in music from Erskine College in 1953, and an MSM in 1955 from Union Theological Seminary in New York City, where he studied with Vernon deTar. From 1955–65 Hood served as organist and choirmaster at Sardis Presbyterian Church in Charlotte, North Carolina, and at Trinity Episcopal Church from 1967 until his retirement in 1992. He was a past dean of the Charlotte AGO chapter, a founding member of the Strand AGO chapter, and of the Oratorio Singers of Charlotte. Sebron Yates Hood Jr. is survived by his wife of 54 years, Belle Miller Spivey Hood, a daughter, two sons, a brother, seven grandchildren, and nieces and nephews.

Sarah Fant Jones died March 26 in Union, South Carolina. She studied at Converse College and Union Theological Seminary School of Sacred Music in New York City. She had served as organist for area churches that included Cane Creek Presbyterian Church, the Episcopal Church of the Nativity, Grace United Methodist Church, and First Presbyterian Church. A member of the Spartanburg AGO chapter, Jones and her family helped to secure the 1954 III/30 Schantz organ at the First Baptist Church of Union; in 1995 the instrument was restored and expanded by Schantz. Sarah Fant Jones is survived by four nephews.

David A. Pizarro, 79 years old, died February 23 in Nyack, New York. He studied at Yale University School of Music, where he earned a BMus in 1952 and an MMus in 1953; he was the recipient of a Fulbright grant from 1953–55 at the State Academy of Detmold, Germany. Pizarro had studied organ with Norman Coke-Jephcott, Michael Schneider, and Marcel Dupré. A visiting faculty member at the University of North Carolina in 1960–61, Pizarro held positions at North Carolina State College, Durham, in 1962–65, and was on the faculty of the Longy School in Cambridge, Massachusetts, 1965–71. He served as organist-choirmaster at St. Stephen’s Episcopal Church on the campus of Brown University, Providence, Rhode Island, from 1972–74, as master of the choristers at the Cathedral of St. John the Divine in 1974–77, and as organist at Emanuel Lutheran Church in Pleasantville, New York, 1983–96, and Sinai Temple in Mount Vernon from 1985–89. Pizarro was a member of the Royal College of Organists, a fellow of Trinity College of Music, London, and the Westminster AGO chapter; he had served the Durham AGO chapter as dean from 1962–65.

John Albert Stokes died May 15 in Princeton, New Jersey. Born December 21, 1937, he lived in New Brunswick and Princeton. He served in the U.S. Coast Guard from 1961–1964. A self-taught musician, organist, and composer, Stokes worked as a pipe organ builder and piano tuner. For many years he served as organist for the Sayreville United Methodist Church. He was a member of the Middlesex, Monmouth, and Central Jersey AGO chapters. His compositions were played at many AGO members’ recitals, including a favorite Ode to St. Lucy’s Day. In addition, his skills as an organ builder were used for education, giving demonstrations and presentations to colleagues, providing old pipes for educational purposes. John Albert Stokes is survived by a brother and a sister.

Fayola Foltz Ash died March 15 in Ann Arbor, Michigan, at age 85. Born in Lansing, Michigan, February 24, 1926, she received her bachelor’s degree from Michigan State University in 1948. She taught piano for over 50 years, mostly in Ann Arbor, was organist at First Methodist Church, Chelsea, for over 15 years, and directed the children’s choir at Westminster Presbyterian Church, Ann Arbor, for many years. She was a member of the American Guild of Organistsand the Ann Arbor Area Piano Teacher’s Guild. Ash accompanied many soloists and substituted at various churches as choir director, organist, and pianist.

George Evans Boyer died March 16 in Pennsylvania. He was 64. A graduate of St. Clair High School, West Chester University (1969), and Temple University (1974), Boyer was director of choral activities at William Allen High School in the Allentown School District from 1970–2000, and local sales representative of the Allen Organ Company following his retirement from teaching. Boyer served as a music director and organist for 49 years, at Temple Beth El Synagogue, St. John’s UCC, St. Thomas More Roman Catholic Church, and Christ Lutheran Church (all in Allentown), and Christ the King Roman Catholic Church in Yonkers, New York. He also led European summer tours, and was a member of many musical organizations, including the New York City AGO chapter. George Evans Boyer is survived by his wife of 40 years, Susan Carol Boyer, and a cousin.

Jeanne Norman Briggs died March 30 in Hartwick, New York, at the age of 61. She received a bachelor’s degree from the University of Idaho in 1972, and studied with Claire Coci at the American Music Academy in New Jersey. Briggs had played recitals in Europe and New York City, and served as organist for the First United Presbyterian Church in Oneonta, and for St. Andrew’s Episcopal Church in New Berlin. She was a member of the Oneonta AGO chapter. Jeanne Norman Briggs is survived by her husband John, whom she married in 1980, two stepchildren, two brothers, a sister, and her caregiver.

Otis Herbert Colvin Jr. died January 21 in Waco, Texas, at the age of 87. He earned a BA from Baylor University in 1944, and then served in the Navy during World War II, until 1946, when he returned to Baylor and earned his music degree in 1948, followed by an MMus degree from the University of Colorado in 1950. Colvin earned his PhD from the Eastman School of Music in 1958. He taught music for five years at Texas Tech University; at Baylor University he taught music theory, piano, and carillon for more than 40 years, and was university carillonneur. As a pianist and organist, Colvin served in Waco at Central Christian, Columbus Avenue Baptist, and Seventh and James Baptist churches. He was a member of the AGO, and was a 32nd degree Baptist Mason. A composer and editor of music, his compositions include organ voluntaries based on early American hymn tunes, and other organ works. Otis Herbert Colvin Jr. is survived by his wife Mary Ila Colvin, three daughters, a sister, a brother, six grandchildren, and three great-granddaughters.

Virginia Herrmann died at age 96, on March 17 in Storrs, Connecticut. She graduated from Indiana University, and earned master’s degrees from the Eastman School of Music and Yale University, where she studied with Paul Hindemith. While at Yale, she met and married Heinz Herrmann, her husband of 65 years; they moved to Storrs in 1955, where she was appointed adjunct organ professor at the University of Connecticut, and music director-organist at St. Mark’s Chapel. Herrmann had studied the Chinese language and Asian music, and had edited several collections of Asian music. In 2005, the Herrmanns established the Heinz and Virginia
Herrmann Distinguished Lecture Series on Human Rights and the Life Sciences at the University of Connecticut. Virginia Herrmann is survived by a daughter, a niece, and many friends.
Sebron Yates Hood Jr., 79 years old, died December 17, 2010, in Myrtle Beach, South Carolina. He began playing piano for the Matthews Baptist Church in Matthews, North Carolina, while in high school; he received his bachelor’s degree in music from Erskine College in 1953, and an MSM in 1955 from Union Theological Seminary in New York City, where he studied with Vernon deTar. From 1955–65 Hood served as organist and choirmaster at Sardis Presbyterian Church in Charlotte, North Carolina, and at Trinity Episcopal Church from 1967 until his retirement in 1992. He was a past dean of the Charlotte AGO chapter, a founding member of the Strand AGO chapter, and of the Oratorio Singers of Charlotte. Sebron Yates Hood Jr. is survived by his wife of 54 years, Belle Miller Spivey Hood, a daughter, two sons, a brother, seven grandchildren, and nieces and nephews.

Sarah Fant Jones died March 26 in Union, South Carolina. She studied at Converse College and Union Theological Seminary School of Sacred Music in New York City. She had served as organist for area churches that included Cane Creek Presbyterian Church, the Episcopal Church of the Nativity, Grace United Methodist Church, and First Presbyterian Church. A member of the Spartanburg AGO chapter, Jones and her family helped to secure the 1954 III/30 Schantz organ at the First Baptist Church of Union; in 1995 the instrument was restored and expanded by Schantz. Sarah Fant Jones is survived by four nephews.

David A. Pizarro, 79 years old, died February 23 in Nyack, New York. He studied at Yale University School of Music, where he earned a BMus in 1952 and an MMus in 1953; he was the recipient of a Fulbright grant from 1953–55 at the State Academy of Detmold, Germany. Pizarro had studied organ with Norman Coke-Jephcott, Michael Schneider, and Marcel Dupré. A visiting faculty member at the University of North Carolina in 1960–61, Pizarro held positions at North Carolina State College, Durham, in 1962–65, and was on the faculty of the Longy School in Cambridge, Massachusetts, 1965–71. He served as organist-choirmaster at St. Stephen’s Episcopal Church on the campus of Brown University, Providence, Rhode Island, from 1972–74, as master of the choristers at the Cathedral of St. John the Divine in 1974–77, and as organist at Emanuel Lutheran Church in Pleasantville, New York, 1983–96, and Sinai Temple in Mount Vernon from 1985–89. Pizarro was a member of the Royal College of Organists, a fellow of Trinity College of Music, London, and the Westminster AGO chapter; he had served the Durham AGO chapter as dean from 1962–65.

John Albert Stokes died May 15 in Princeton, New Jersey. Born December 21, 1937, he lived in New Brunswick and Princeton. He served in the U.S. Coast Guard from 1961–1964. A self-taught musician, organist, and composer, Stokes worked as a pipe organ builder and piano tuner. For many years he served as organist for the Sayreville United Methodist Church. He was a member of the Middlesex, Monmouth, and Central Jersey AGO chapters. His compositions were played at many AGO members’ recitals, including a favorite Ode to St. Lucy’s Day. In addition, his skills as an organ builder were used for education, giving demonstrations and presentations to colleagues, providing old pipes for educational purposes. John Albert Stokes is survived by a brother and a sister