Nunc dimittis

Roger Allen Banks died June 5 in Oklahoma City, Oklahoma. He was born October 12, 1940, in Lawrence, Kansas, and grew up in the funeral business in Wichita, Kansas, though developing an interest in music early in life. His first experience maintaining organs was with the theater pipe organ in his uncle’s basement. He attended the University of Kansas, majoring in electrical engineering, but moved with his parents to Oklahoma City in 1960 and earned a Bachelor of Arts in Music degree in 1965 from Oklahoma City University. Because of his uncle’s affiliation with the Reuter Organ Company in Lawrence, he had the opportunity to work on pipe organ projects while in school. He then went to work full-time for Reuter upon graduation where he was responsible for new installations around the country, in addition to tuning and maintenance. He met his wife Betsy while installing a large instrument at Old South Church in Boston, Massachusetts, and told her if he married an organist, he would build her a pipe organ. He built her a home practice organ that, each time they moved, dictated where they could live. His last project was to convert the practice organ to a digital instrument for their new, smaller home.

The Bankses moved to Oklahoma City in 1970 where he eventually became manager with Oklahoma Wilbert Vaults and was active in the Oklahoma Funeral Directors Association. He established his own organ maintenance business in the early 1980s, also serving as sales representative for the Reuter Organ Company. He was a long-time member and former vestry member at St. Mary’s Episcopal Church in Edmond.

Roger Allen Banks is survived by his wife of 49 years, Betsy; his daughter, Jennifer McGrew of Edmond and her husband, Shane; son, Chris of Edmond; two grandchildren, one sister, and one brother. A memorial service was held June 18 at Westminster Presbyterian Church, Oklahoma City. A scholarship has been established in his name at the University of Oklahoma to benefit organbuilding and technology students. Memorials should be addressed to: OU Foundation, Banks Fund #33905, c/o The American Organ Institute, 2101 W. Tecumseh Rd., Suite C, Norman, OK 73069.

Jane Manton Marshall, 94, composer of sacred music, author, choral conductor, clinician, and educator, died May 29 in Dallas, Texas. Jane Manton was born December 5, 1924, in Dallas. Her earliest musical studies were with piano teacher Hazel Cobb.

Marshall had a long association with Southern Methodist University, Dallas, earning both Bachelor of Music (1945) and Master of Music (1968) degrees there. She studied organ with Dora Poteet Barclay and was a member of Sigma Kappa, Alpha Lambda Delta, and Mortar Board. A year after completing her undergraduate degree, she married high school classmate Elbert Hall Marshall, a mechanical engineer and also an SMU graduate.

At various times she taught in the SMU English department, in the Music department at Meadows School of the Arts, and at Perkins School of Theology. From 1975 to 2010 she led the Church Music Summer School at Perkins. In 1965 she received the Woman of Achievement Award from SMU, and she was named a Distinguished Alumna in 1992. In addition, she received the Roger Deschner Award from the Fellowship of United Methodist Musicians (1997) and was honored twice by the Southern Baptist Musicians Conference for her contributions to church music.

As a composer, she is perhaps best remembered for her anthem “My Eternal King,” her first published work, cited by publisher Carl Fischer as one of its 15 or so best-selling anthems of all time, and considered a favorite of many church musicians. Other notable compositions include “He Comes to Us,” a setting of the closing words of Albert Schweitzer’s “The Quest for the Historical Jesus;” “Awake, My Heart,” winner of the Best New Anthem prize of the American Guild of Organists in 1957; “Fanfare for Easter,” “Sing Alleluia Forth,” and many others. Her catalog extended to over 200 published anthems for adult and children’s choirs and three collections of children’s choir music.

Later in her career she focused her attention on the writing of hymn tunes and texts, as in “What Gift Can We Bring,” for which she wrote both words and music. Her work is represented in the hymnals of every major Protestant denomination, and she was a frequent contributor to church music journals. Other writings include Grace, Noted, a book of sermons and essays on music making.

Jane Manton Marshall is survived her husband Elbert Marshall; children Shoshana Lash of Ansonia, Connecticut, David Marshall of Lewisville, Texas, and Peter Marshall of Atlanta, Georgia. A memorial service is planned for a later date. Memorial gifts may be made to Perkins School of Theology at SMU and to Northaven United Methodist Church, Dallas.

Nancianne B. Parrella, 83, died June 2 in Cincinnati, Ohio. She was born November 14, 1935, in Trenton, New Jersey, and earned degrees in music from Trenton State College, now known as the College of New Jersey. She began teaching music in the Princeton, New Jersey, public schools in 1957. Her church music career began at First Presbyterian Church and Trinity Episcopal Cathedral in Trenton. She continued advanced organ studies with Vernon deTar in New York City in the 1960s.

As an organist, Parrella presented solo recitals and concerto performances with orchestras; she was best known as a collaborative artist, particularly as a choral accompanist. In Princeton, she was co-director with William Trego of the Princeton High School Choir, and she joined the faculty of Westminster Choir College of Rider University, where she was accompanist and assistant director of the Westminster Choir and Symphonic Choir directed by the late Joseph Flummerfelt, with which she toured and recorded in Europe, America, Taiwan, and Korea.

Parrella taught in summer programs at Westminster, performing with major choral conductors; and she assisted at the Spoleto Festivals in Italy and in Charleston, South Carolina, where she was the founding director of the chamber music series “Intermezzo.” She worked with Maurice Duruflé on the first performances of his Requiem in the United States.

Parrella was long associated with Robert Shaw, with whom she worked in summer choral workshops and later in France with his Festival Singers, and toured and recorded in America, France, and Brazil. She also collaborated with other conductors of the era—Kurt Masur, Charles Dutoit, and Lorin Maazel with the New York Philharmonic; Wolfgang Sawallisch of the Philadelphia Orchestra; Zdenek Macal and Neeme Järvi of the New Jersey Symphony; and James Bagwell and Louis Langrée in New York’s Mostly Mozart Festival.

As a church musician, she worked with Kent Tritle and later Scott Warren at the Church of St. Ignatius Loyola, New York City, and its concert series Sacred Music in a Sacred Space, where she served for over 20 years. Also in New York, from 1978–1992 she worked with Frederick Grimes in the Bach Vespers program at Holy Trinity Lutheran Church and was a frequent accompanist for other conductors, including Dennis Keene and Voices of Ascension. For 14 years she worked with Greg Funfgeld and the Bethlehem Bach Choir in its historic festivals in Pennsylvania, and she also served at Trinity Episcopal Church, Princeton, with John Bertalot.

After moving with her husband Joachim E. Parrella to Cincinnati, she commuted to New York City to continue to play at St. Ignatius Loyola and to work with Andrew Henderson at Madison Avenue Presbyterian Church. She was also active in music programs in Cincinnati: Christ Church Cathedral with Stephan Casurella, Knox Presbyterian, Covenant First Presbyterian, Collegium Cincinnati, Summer Sing, Indian Hill Episcopal Presbyterian Church, and for community events at Deupree House.

Nancianne B. Parrella was preceeded in death by her husband Joachim E. Parrella in 2013. She is survived by her two daughters: Amy Noznesky, her husband David, and their daughter Megan Strauss, of Hobe Sound, Florida; and Lisa O’Connell, her husband Terry, and their daughters Catherine Rose and Madeline Kellett, of Loveland, Ohio. A funeral service was held June 11 at Christ Church Cathedral, Cincinnati, and a memorial service will be held September 21, at St. Ignatius Loyola, New York City.

Delbert Disselhorst

Delbert Disselhorst, 81, of Iowa City, Iowa, died September 1. He was born November 3, 1940, in Keokuk, Iowa, and attended public schools in Hamilton, Illinois. He enrolled at the University of Illinois where he graduated as a Bronze Tablet Scholar in 1962. Disselhorst was awarded a Fulbright scholarship for study with Helmut Walcha in Frankfurt, Germany. He returned to the United States in 1964 and earned a Master of Music degree in organ from the University of Illinois the following year.

Disselhorst taught at Hastings College, Hastings, Nebraska, from 1965 until 1968. He then went to the University of Michigan, Ann Arbor, and graduated with a Doctor of Musical Arts degree in organ in 1970, receiving the Palmer Christian citation as a distinguished graduate of the organ department.

Disselhorst was professor of organ at the University of Iowa, Iowa City, from 1970 until his retirement in 2008. He was affiliated for many years with Phyllis Stringham concert management, Waukesha, Wisconsin, and played recitals and gave masterclasses throughout the United States and in Germany, France, Denmark, and Korea. He was guest artist at international festivals and concert series including the International Organ Days at Trier Cathedral in Germany; Freiburg Munster; and the Cathedral of Notre Dame in Paris. He played at regional and national conventions of the American Guild of Organists and served as visiting professor of organ at the University of Notre Dame for the 2011–2012 academic year. Disselhorst recorded on the Arkay and Pro Organo labels. His two volumes of the chorale preludes of Helmut Walcha recorded at First Presbyterian Church in Springfield, Illinois, were released by the Naxos label in 2013. Recordings of an all-Bach recital that Disselhorst played in 1999 at Clapp Recital Hall on the University of Iowa campus are available at http://www.kaltura.com/tiny/03760.

Disselhorst served on the board of directors for Iowa City Early Keyboard Society. He was a long-time member of Trinity Episcopal Church, Iowa City, before joining First Presbyterian Church, Iowa City, where he was a member at the time of his death. Memorial contributions in Disselhorst’s memory may be made to the Frederick T. Rahn, Jr., Memorial Fund at the University of Iowa School of Music, payable to the University of Iowa Center for Advancement, P. O. Box 4550, Iowa City, Iowa 52244; or Bethel Presbyterian Church, Hamilton, Illinois.

A memorial service for Delbert Disselhorst was held September 24 at Gloria Dei Lutheran Church, Iowa City. Burial will take place at Oakwood Cemetery, Hamilton, Illinois.

Glen A. Douglas, M.D.

Glen A. Douglas, M.D., died March 1, 2021, in Houston, Texas. Born in Little Rock, Arkansas, he attended Little Rock Central High School; Hendrix College, Conway, Arkansas; University of Arkansas for Medical Sciences, Little Rock; and Tulane University, New Orleans, Louisiana. He served as a flight surgeon for the United States Air Force, stationed in Taiwan and throughout the American Southwest during the Vietnam conflict. Professionally, he served as medical director for occupational medicine for Texaco and later ExxonMobil.

Douglas’s all-consuming passions were adopting rescue dogs and building the pipe organ that stands in his home, Aeolian Manor, in Houston. He presented performers in concert on the ever-evolving instrument, and he created the Aeolian Manor Foundation to assist young organists with training and developing careers around the pipe organ. Douglas was always on the lookout for young talent he could present in recital at Aeolian Manor, and he gave generously toward student attendance at conventions and at the East Texas Pipe Organ Festival. He was a member of the American Guild of Organists, the Organ Historical Society, and the American Theatre Organ Society.

A memorial service for Glen Douglas at Aeolian Manor will be planned for a later date. The Aeolian Manor Foundation will continue its work according to Douglas’s wishes, and the organ and home will remain intact and in use. The foundation has begun expanding its offerings by providing music lessons of all types to underprivileged Houstonians and becoming involved in local arts festivals and musical celebrations of all cultures.

In lieu of customary remembrances, readers are encouraged to adopt a pet, attend an organ recital, fund a young person’s piano or organ lessons, fund a young person’s attendance at an organ convention, and give to the Aeolian Manor Foundation. For information: aeolianmanorfoundation.org.

Walter Lee Hillsman

Walter Lee Hillsman, 79, died August 19. He was born February 25, 1943, in Dallas, Texas, and began organ lessons at an early age. As a teenager, Hillsman was awarded a scholarship to attend a choral workshop at Westminster Choir College, Princeton, New Jersey. During that trip, he met Alexander McCurdy, head of the organ department at Curtis Institute of Music in Philadelphia, Pennsylvania. Hillsman was subsequently awarded a three-year scholarship to Curtis. He left Woodrow Wilson High School in Dallas to complete his high school education at Lincoln College Preparatory School, Philadelphia, while he studied at Curtis. In 1964 he graduated from Curtis with a Bachelor of Arts degree in music. During his time in Philadelphia, he served as organist and choirmaster of Immanuel Evangelical Lutheran Church and Old Christ Church.

After his graduation from Curtis, Hillsman was encouraged to apply to Oxford or Cambridge universities by one of his mentors, Robert Evans, professor of theology and organist at University of Pennsylvania. Hillsman was granted a scholarship to attend New College, Oxford University. He obtained a Bachelor of Arts degree from Oxford in 1967, his Master of Arts degree in 1971, and his Doctor of Philosophy degree in 1985. During his time at New College, Hillsman served as an organ scholar to David Lumsden, New College organist. At Oxford, Hillsman won a Fulbright scholarship to study with Karl Richter at the Staatliche Hochschule für Musik in Munich, Germany.

Hillsman was active with organ performances, articles, presentations, broadcast recitals, and positions as organist, choirmaster, instructor, lecturer, and performer during the years he lived in Oxford. He played recitals at Westminster Abbey, St. Paul’s Cathedral, Notre-Dame Cathedral, Chartres Cathedral, Washington National Cathedral, St. Thomas Church Fifth Avenue, Cathedral of St. John the Divine, and at Oxford, Cambridge, Edinburgh, Glasgow, Columbia, and Yale universities. Hillsman gave broadcast recitals for the BBC and Radio France. He recorded on the Vista label in England and the Teldec label in Germany. He taught at Trinity College of Music in London, Reading University, and as a member of the faculty of music at Oxford University. In 1966, Hillsman was chosen as accompanist for a performance by the joint choirs of New College, Oxford, and Magdalen College, Oxford, as they sang in a recital that was part of a concert series commemorating the 900th anniversary of the founding of Westminster Abbey.

In 1993, Hillsman moved back to Dallas where he held various positions, including as a German instructor at Eastfield College and as a customer service representative for Neiman Marcus. He obtained his brokerage license and worked for Fidelity Investments for fourteen years.

In 2015 Hillsman and his brother Roger moved together to Houston into an apartment at Clarewood House senior living facility. Roger Hillsman died in April 2022.

A memorial service for Walter Hillsman was held October 1 at Memorial Oaks Funeral Home Chapel, Houston, followed by graveside committal. Memorial contributions in the name of Hillsman may be directed to Help Musicians, Musicians Benevolent Fund in the UK (helpmusicians.org.uk) or to the New Organist Fund of the American Guild of Organists in the United States (agohq.org).

Reverend Richard F. Jones

Reverend Richard F. Jones died August 28. He was born July 17, 1956. Prior to retiring in 2020, he served for 25 years as pastor of First Parish Church of Bolton, Massachusetts. He was a leader in the cultural life of the Worcester, Massachusetts, area and an advocate for music and history throughout the region. As Hook organ curator and development officer of historic Mechanics Hall, Worcester, he instituted the popular free noontime Brown Bag concert series and worked with many well-known personalities from cellist Yo-Yo Ma to civil rights pioneer Rosa Parks. Jones served numerous organizations including two terms as dean of the Worcester Chapter of the American Guild of Organists and as board member of the Organ Historical Society. In his work as chapter dean, Jones instituted a public school program that educated thousands of students about the pipe organ. In 1985, he organized the Fuller International Organ Festival with organists including Simon Preston, Peter Hurford, and David Higgs. He further served as education director of the Worcester Historical Museum, was a contributing writer for Worcester Magazine, hosted a radio program on the local NPR station, The Art of the Organ, served as musical consultant for the Merchant-Ivory film, The Bostonians, and was an active member of the Worcester Shakespeare Club. He served on the organ restoration committees of both the 1864 E. & G. G. Hook Opus 224 in Mechanics Hall and the 1933 W. W. Kimball K.P.O. 7119 in Worcester Auditorium.

A memorial service for Reverend Richard F. Jones was held October 11 at Mechanics Hall, Worcester. A tribute concert is being planned at the hall for 2023. Memorial donations may be sent to the 1864 Hook Organ Fund at Mechanics Hall, 321 Main Street, Worcester, Massachusetts 01608, or donate at: MechanicsHall.app.neoncrm.com/forms/the-worcester-organ.

Robert Graham Lent

Robert Graham Lent, 72, of Lyndhurst, Virginia, died August 27. Born October 18, 1949, in Richmond, Virginia, he married Jean Ellen Taomina on March 3, 1981. Lent was a veteran having served his country honorably as a Corporal with the United States Marine Corps from 1971 until 1973. Following his service to his country, he worked as a police officer in Berkeley Township, New Jersey, from 1973 until 1978.

In 1986 Lent moved to Waynesboro, Virginia, where he worked for Klann Organ Supply. He worked as a pipe organ mechanic for over 60 years and later owned and operated Shenandoah Organ Studio, Inc. As an organist, he served as house organist at Tower Theater in Philadelphia, Pennsylvania, 1969–1975; Byrd Theater in Richmond, Virginia, 1989–1990; and other places around the country. He was a member of the Marine Corps League and the Mid-East Division of the Military Order of the Devil Dogs in which he served as the 48th Past Chief.

Survivors of Robert Graham Lent include his wife, Jean Ellen Lent of Lyndhurst; sons, Robert Harding Lent and wife Lynne of Dayton, Virginia, and Raymond Taliaferro Lent of Lyndhurst; grandson Robert Edward Lent of Dayton, Virginia; two sisters, Nancy Moore of Robbinsville, New Jersey, and Charlotte Lent of Newfoundland, Pennsylvania; and brother, Russell Lent. He was buried with military honors September 23 at Quantico National Cemetery, Triangle, Virginia. Memorial contributions may be made to the Augusta Health Foundation, c/o Shenandoah Hospice House, P. O. Box 1000, Fishersville, Virginia 22939, or the Navy-Marine Corps Relief Society, attn: Development Department, 875 North Randolph Street, Suite 225, Arlington, Virginia 22203, or online at support.nmcrs.org/a/homepage.

Charles Huddleston Heaton

Charles Huddleston Heaton, Sr., 92, died June 11, in Huntsville, Alabama. He was born November 1, 1928, in Centralia, Illinois. Heaton earned his Bachelor of Music degree from DePauw University, Greencastle, Indiana, in 1950, studying with Van Denman Thompson. He then went to New York City for his Master of Sacred Music degree at the School of Sacred Music of Union Theological Seminary, completed in 1952. After service in the United States Army, he returned to Union Seminary in September 1954 for his Doctor of Sacred Music degree. Among his teachers at Union were Hugh Porter and Harold Friedell.

In 1954, while a student, Heaton was appointed chapel organist for Kirkpatrick Chapel, Rutgers University, in New Brunswick, New Jersey, playing a three-manual Skinner organ. The following year, while still a student, he became organist and choir director for the Presbyterian Church of Bound Brook, New Jersey. He was awarded his doctoral degree in 1957.

In 1956 Heaton was named organist and director of music for Second Presbyterian Church, St. Louis, Missouri. He would become organist for Temple Israel of the same city in 1959. From 1962 to 1964, he taught organ at Southern Illinois University at Carbondale.

Heaton then served as organist and director of music for East Liberty Presbyterian Church, Pittsburgh, Pennsylvania, from 1972 until 1993. During his tenure at the church, he recorded the disc, Music Till Midnight, named for a series of concerts he formulated at East Liberty beginning in 1976. He was a lecturer in music at Pittsburgh Theological Seminary between 1973 and 1976.

Following retirement Heaton was organist-in-residence at Trinity Episcopal Cathedral (1993–1996 and 1997–2002) and served as interim organist for a year each at Calvary Episcopal (1996–1997) and Oakmont Presbyterian Churches, all in Pittsburgh. Heaton was a Fellow of the American Guild of Organists (1957), penned two books—How to Build a Church Choir (1958) and A Guidebook to Worship Services of Sacred Music (1961)—published several anthems, and was editor of the Hymnbook for Christian Worship, published by Judson Press in 1970. He was a staff reviewer of new recordings for The Diapason magazine and was pleased to have a complete run of the journal, which he had bound and donated to DePauw University. He also contributed to journals such as Clavier and The American Organist. A 90th birthday celebration concert in Heaton’s honor was held at St. Andrew’s Episcopal Church in the Highland Park neighborhood of Pittsburgh on November 3, 2018, with several local organists performing.

On April 17, 1954, Heaton married Jane Pugh, who predeceased him in September 1999. They had three children, who survive: Rebecca Lynn Turner (Patrick) of Herndon, Virginia; Charles Huddleston Heaton, Jr. (Miki), of Brierfield, Alabama; and Matthew Aaron Heaton (Shannon) of Medford, Massachusetts, along with four grandchildren and two great-grandchildren.

A memorial service for Charles Huddleston Heaton, Sr., will take place in September at St. Andrew’s Episcopal Church, Pittsburgh. Burial will be in Crystal Lake, Michigan, where the Heatons spent their summers. Memorial contributions may be made to a scholarship in Heaton’s memory to the American Guild of Organists, 475 Riverside Drive, Suite 1260, New York, New York 10115, attention: F. Anthony Thurman.

Fritz Noack

Fritz Noack, 86, died June 2. Born in Germany in 1935, he apprenticed in organ building with Rudolf von Beckerath in Hamburg between 1954 and 1958. He would work with Klaus Becker and Ahrend & Brunzema, also in Germany, before coming to the United States, working briefly for the Estey Organ Company in Brattleboro, Vermont, and later with Charles Fisk, then with the Andover Organ Company in Methuen, Massachusetts.

In 1960, he founded the Noack Organ Company, then located in Lawrence, Massachusetts. The workshop would move to Andover, Massachusetts, in 1965 for larger space. In 1970, the company moved to its present location, a former schoolhouse in Georgetown, Massachusetts, where an erecting room was added to the building. More than a dozen organ builders, including the principal personnel of various other firms, have received their training there.

Noack was active in various professional organizations, including service as the president of the International Society of Organbuilders from 2000 to 2006; he also served two terms as president of the Associated Pipe Organ Builders of America. He taught organ construction and building at New England Conservatory, Boston.

In early 2015, Noack retired from his company, turning its leadership over to Didier Grassin. At that point, the firm had built nearly 160 instruments, installed throughout the United States and abroad in locations such as Iceland and Japan.

William E. Randolph, Jr.

William E. Randolph, Jr., died May 15. In 1979, he earned his Bachelor of Music degree from the Manhattan School of Music, New York City, studying with Frederick Swann. He would further study with Jean Langlais in Paris and Christopher Dearnley in London.

Randolph worked at the Episcopal Church of the Intercession in New York City from 1983 until 1993. He then served at St. Philip’s Episcopal Church and at St. George’s Episcopal Church, New York City. He returned to Church of the Intercession in 2002 where he remained until his death. He also was adjunct organist at Columbia University, organist at the Marymount School for Girls, and assistant organist at the Cathedral of St. John the Divine, all of New York City. A memorial service for Randolph was held at the Cathedral of St. John the Divine on June 10.

Carl Schalk 

Carl Flentge Schalk, 91, died January 24 in Melrose Park, Illinois. He was born September 26, 1929, and attended high school and college at Concordia Teachers College, River Forest, Illinois (now Concordia University Chicago), graduating in 1952 with a Bachelor of Science degree in education. He proceeded to earn a Master of Music degree from the Eastman School of Music and a Master of Arts in Religion degree from Concordia Seminary in Saint Louis, Missouri. His first call was to Zion Lutheran Church and School, Wausau, Wisconsin, as fifth and sixth grade teacher and church musician. From 1958 to 1965, Schalk was music director for radio broadcasts of The Lutheran Hour.

From 1965 until his retirement in 1993, Schalk was professor of church music at Concordia University, River Forest. During this time, he guided the development of the university’s Master of Church Music degree, which has since graduated more than 200 students, edited the journal Church Music, and coordinated the annual Lectures in Church Music, which brings church musicians, performers, conductors, and educators together for a three-day conference. Schalk was a member of the Inter-Lutheran Commission on Worship, which produced the Lutheran Book of Worship in 1978, and the board of directors of Lutheran Music Program, the parent organization of the Lutheran Summer Music Academy and Festival. He was honored with the Faithful Servant award from the Association of Lutheran Church Musicians, was named a fellow of the Hymn Society of the United States and Canada, and received numerous other awards and several honorary doctorates. In 2002, Schalk was named the American Guild of Organist’s Composer of the Year.

At Grace Lutheran Church, River Forest, Illinois, adjacent to the Concordia campus, Schalk assisted Paul Bouman in church music; together they founded the Bach Cantata Vesper Series that continues to this day. Schalk is well known for his numerous choral compositions as well as his hymn tunes and carols, which number over one hundred. He had ongoing collaborations with poets Jaroslav Vajda and Herbert Brokering, producing tunes for several of their hymn texts. Schalk’s hymn tunes may be found in modern Christian hymnals of various denominations. In 2013, Nancy Raabe’s critical biography, Carl F. Schalk: A Life in Song, was published, and in 2015, Singing the Church’s Song, a collection of articles and essays about church music by Carl Schalk was released. As recently as 2020, his book, Singing the Faith: A Short Introduction to Christian Hymnody, was also printed (see the March 2021 issue of The Diapason, p. 21). He was preceded in death by his wife Noël Roeder, and is survived by three children and four grandchildren.

David Martin Barnett

David Martin Barnett, 75, of Richmond, Virginia, died November 8, 2022. Born on December 6, 1946, he led a varied career in advertising, broadcasting, computers, welfare agencies, and administration of churches and non-profit organizations, including positions as building administrator of Second Presbyterian Church, Richmond, 2009–2014; and as facilities manager of St. James’s Episcopal Church, Richmond, 2010–2013.

Barnett served as treasurer of the Organ Historical Society from 1983 until 2010 and managed the OHS catalog between 2007 and 2010. He was vice president and operations manager of Duboy Advertising, 1974–1999, a Richmond firm specializing in advertising via broadcast media for automobile dealers nationwide. There, he wrote and produced more than 10,000 radio and television commercials for hundreds of clients. Barnett also operated DMB & Co., 1988–2011, designing and building computers and networks for small businesses and homes.

From 1965 until 1986, Barnett was weekend news anchor at radio station WLEE in Richmond and from 1965 until 1970 was announcer, studio engineer, traffic manager, and sales manager at radio station WFMV, Richmond’s classical music FM station. In 1964 and 1965, he worked at the Richmond Times-Dispatch as a newsroom copy boy. 

As an audio components salesman, Barnett was employed between 1969 and 1975 by Audio Fidelity Corporation, a central Virginia audio salon. Between 1970 and 1974, he worked for the City of Richmond as a welfare eligibility technician, supervisor, and child welfare eligibility supervisor, and in a similar role in 1972 for the state. He attended the University of Richmond following graduation from George Wythe High School in 1964.

Barnett served as an officer or member of the National Trust for Historic Preservation, Theatre Historical Society of America, American Theatre Organ Society (several chapters), Organ Historical Society, Cinema Organ Society (UK), Association for the Preservation of Virginia Antiquities, and Virginia Museum of Fine Arts. He volunteered extensively for the Mosque Theater (now the Landmark Theatre) and the Byrd Theatre, where he served as announcer beginning in 1982. 

With friends, Barnett installed a nine-rank Wurlitzer organ in his Richmond home. Following closure of Monumental Episcopal Church, Richmond, he helped renovate the 1926 Skinner Organ Company Opus 574 before it was relocated in 1975 to St. Bridget’s Catholic Church, Richmond, and subsequently was incorporated into the organ completed in 2014 by Kegg Pipe Organ Builders at the Cathedral of the General Church of the New Jerusalem, Bryn Athyn, Pennsylvania.

James H. Litton

James H. Litton, 87, died November 1, 2022, in Florham Park, New Jersey. He was born December 31, 1934, in Charleston, West Virginia. Recognizing his talent and passion for music, his parents purchased a piano and provided piano lessons at the Mason College of Music and Fine Arts in Charleston. His piano teacher encouraged him to progress to the organ, securing him a position as his assistant organist at a local church to get access to a practice instrument. That teacher later convinced him to pursue his college education at Westminster Choir College, Princeton, New Jersey, studying with Alexander McCurdy. He earned bachelor’s and master’s degrees in music and continued postgraduate studies at Canterbury Cathedral in England with Allan Wicks.

Litton’s choral music career spanned more than 60 years, serving as organist, choirmaster, and music director at the American Boychoir School, Princeton, New Jersey; Washington National Cathedral, Washington, DC; St. Bartholomew’s Church, New York City; Trinity Episcopal Church, Princeton; Christ Church Cathedral, Indianapolis, Indiana; and Trinity Episcopal Church, Southport, Connecticut. He also served as organist at several churches during his graduate and undergraduate studies at Westminster Choir College (now Rider University) and while in high school.

Litton toured with his various choirs and led choral festivals worldwide. He prepared his choirs for performances of major works with many of the world’s orchestras and for several dozen recordings, including a track with the American Boychoir on a platinum album by Michael W. Smith, Go West Young Man. As organist, Litton played organ recitals throughout the United States, Canada, Europe, South Africa, and Asia.

Litton was assistant professor of organ and head of the church music department at Westminster Choir College and the C. F. Seabrook Director of Music at Princeton Theological Seminary. He also served as visiting lecturer at Virginia Theological Seminary, Alexandria, and at Sewanee: The University of the South.

A Fellow of the Royal School of Church Music, Litton was awarded honorary Doctor of Music degrees from the University of Charleston and from Westminster Choir College of Rider University. The Litton-Lodal music directorship of the American Boychoir School was endowed by a gift from Jan and Elizabeth Lodal in honor of his career.

As a member and vice chairman of the Episcopal Church’s Standing Commission on Church Music, he participated in the preparation and publication of The Hymnal 1982. He was also the editor of The Plainsong Psalter for the Episcopal Church. Litton was a co-founder in 1966 and former president of the Association of Anglican Musicians. He also founded choral ensembles in West Virginia, Connecticut, Indiana, New Jersey, and New York.

James Litton met his late wife, Lou Ann, in seventh grade in Charleston, West Virginia, brought together by their mutual love of music. They married after graduating from college in 1957. 

James H. Litton was predeceased by his wife Lou Ann. He is survived by his son Bruce Litton and daughter-in-law Patricia of Bedminster, New Jersey; daughter Deborah Purdon of Maplewood, New Jersey; son David Litton and daughter-in-law Carol Dingeldey of West Hartford, Connecticut; and son Richard Litton and daughter-in-law Alysia of Wall Township, New Jersey; sister Betty Ray of Charlottesville, Virginia; and three grandchildren. A funeral was held on November 12 at Trinity Church, Princeton. Burial will take place at a later date at the Church of St. Mary the Virgin in the village of Litton in Somerset County and the Diocese of Bath and Wells in England. Memorial gifts may be made to the Association of Anglican Musicians James Litton Grant for Choral Training (anglicanmusicians.org/litton-gift) and the Alzheimer’s Association (alz.org).

Wayne Kerr Riddell

Wayne Kerr Riddell, 86, died November 6, 2022. Born September 10, 1936, in Lachute, Québec, Canada, he began playing organ in the local United Church when he was 14. Graduating in 1960 from McGill University, Montréal, he taught music and singing in the public school system. In 1968 he joined McGill’s faculty, where he taught keyboard harmony, ear training, and choral conducting, and was head of choral studies. At the same time, he worked in church music for congregations including Westmount Park Church, Erskine United Church, and American United Church. For 14 years he was director of music at the Church of St. Andrew and St. Paul. In 1976, he founded The Tudor Singers, a professional choir that toured the United States, Canada, and Europe. McGill University awarded him a Doctor of Music degree in 2014. He would serve as competition adjudicator, choral workshop clinician, guest conductor, mentor, and philanthropist. 

Wayne Kerr Riddell was predeceased by his life partner, Norman Beckow. A memorial service was held at the Church of St. Andrew and St. Paul on November 22. Memorial gifts may be given to the Wayne Riddell Choral Scholarship Fund, McGill University (mcgill.ca), or to the music program, the Church of St. Andrew and St. Paul, Montréal (standrewstpaul.com).

Ned Rorem

Ned Rorem, 99, died November 18, 2022, in New York, New York. He was born in Richmond, Indiana, on October 23, 1923. The family would move to Chicago where Rorem was educated at the University of Chicago Laboratory Schools and the American Conservatory of Music. He studied at Northwestern University before attending the Curtis Institute of Music, Philadelphia, and The Juilliard School, New York City. Rorem was raised a Quaker, and this influenced the composition of his organ work, A Quaker Reader, based on Quaker texts.

In 1966 he published The Paris Diary of Ned Rorem. This was followed by Later Diaries 1951–1972 in 1974 and The Nantucket Diary of Ned Rorem, 1973–1985 in 1987. Rorem wrote essays collected in the anthologies Music from Inside Out (1967), Music and People (1968), Pure Contraption (1974), Setting the Tone (1983), Settling the Score (1988), and Other Entertainment (1996). He was the subject of a 2005 film, Ned Rorem: Word & Music. He composed in a wide variety of genres, including operas, orchestral, and chamber music. He also wrote extensively for organ and organ with choral and orchestral forces.

Ned Rorem was predeceased by his life partner, organist James Roland Holmes, in 1999.

Frederick Lewis Swann

Frederick Lewis Swann, 91, died November 13, 2022. Born July 30, 1931, in Lewisburg, West Virginia, he was the son of a Methodist pastor (and later bishop). He began taking piano lessons at age five from the organist at Market Street Methodist Church, Winchester, Virginia, and soon thereafter began taking organ lessons. He began playing his first church services at age ten at Braddock Street Methodist Church, Winchester, where his father was pastor.

Swann’s family moved to Staunton, Virginia, in 1943, and Frederick continued organ study with Carl Broman. After graduating from high school, Swann entered the School of Music at Northwestern University, Evanston, Illinois, studying with Thomas Matthews and John Christensen. Upon graduation, he attended the School of Sacred Music at Union Theological Seminary in New York City, studying with Hugh Porter and Charles M. Courboin. After serving as interim organist at Brick Presbyterian Church during the illness of Clarence Dickinson and serving as Harold Friedell’s assistant at St. Bartholomew’s Church, Swann entered the United States Army for two years.

From 1952 until 1982, Swann worked for The Riverside Church, New York City, first as a substitute organist for Virgil Fox and then appointed organist in 1957. With the retirement of Richard Weagly as choir director in 1966, Swann became director of music and organist through 1982.

At that time, Swann was appointed director of music and organist at the Crystal Cathedral (now Christ Cathedral), Garden Grove, California, where he conducted the choir and presided over the five-manual, 265-rank Hazel Wright organ, appearing weekly on the internationally televised Hour of Power worship services. In 1988, Swann became organist of First Congregational Church, Los Angeles, which houses the largest church organ in the world, serving there until 2001.

Frederick Swann performed recitals throughout North America, Europe, South America, and Asia, including such venues as Notre Dame Cathedral, Paris; St. Paul’s Cathedral and Westminster Abbey, London; and the cathedrals of Cologne and Passau in Germany. His accomplishments include more than 3,000 recitals in all 50 of the United States and 12 other countries, including events dedicating new, rebuilt, and restored instruments. He performed with orchestras such as the Chicago Symphony Orchestra and the San Francisco Symphony. Swann announced his retirement as a concert organist with a series of programs beginning in August 2016 at age 85. He would continue to serve as artist-in-residence at St. Margaret’s Episcopal Church, Palm Desert, California. For decades he was represented in North America by Karen McFarlane Artists, Inc.

Swann served on the adjunct faculties of the Guilmant Organ School, Union Theological Seminary School of Sacred Music, and Teacher’s College of Columbia University, all in New York City. He also served on the faculty of Manhattan School of Music and was the school’s organ department chair. From 2007 until 2018, he was university organist and artist teacher of organ at University of Redlands in California.

Swann was active in the American Guild of Organists, serving in various capacities including the organization’s president from 2002 until 2008. Also in 2002, he was named International Performer of the Year by the New York City AGO Chapter. At the 2010 AGO national convention in Washington, DC, he was presented the Edward A. Hansen Leadership Award. In 2015, the Royal Canadian College of Organists named Swann a Fellow, honoris causa, and in 2018 the AGO honored him as the organization’s first honoris causa recipient of its Fellow certificate (FAGO). Swann received the honorary Doctor of Music degree from University of Redlands upon his retirement in 2018.

Frederick Swann published more than three dozen anthems for choir, as well as organ works based on hymntunes. Perhaps his best-known composition is his Trumpet Tune in D Major. Swann’s discography of organ and choral recordings includes albums featuring the organs of The Riverside Church, Crystal Cathedral, First Congregational Church of Los Angeles, and the Basilica of the National Shrine of the Immaculate Conception.

For more information, see Steven Egler’s interview, “A conversation with Frederick Swann, Crown Prince of the King of Instruments,” in the November 2014 issue, pages 20–24.

A memorial service for Frederick Lewis Swann will take place January 25, 10:30 a.m., at St. Margaret’s Episcopal Church, Palm Desert, California. Memorial gifts may be made to The American Guild of Organists Frederick Swann Scholarship, The American Guild of Organists Herrmann/Swann Fund (agohq.org), or to the Fred Swann Music Endowment, St. Margaret’s Episcopal Church, Palm Desert, California (stmargarets.org).