Peter DuBois named new host of <i>With Heart and Voice</i>

Richard Gladwell, host of WXXI’s With Heart and Voice, died October 15, after battling brain cancer. Since 1989 his weekly program of choral and organ music was heard Sunday mornings on Classical 91.5/90.3, and on more than 100 radio stations across the country. Gladwell amassed a collection of about 8,500 choral and organ recordings from around the world, which he shared with his With Heart and Voice listeners every week. His collection spanned the full range of Western religious music, from the Gothic period through the 20th century.
A special tribute to Richard Gladwell was co-hosted by Jeanne Fisher and Peter DuBois. The program included portions of interviews that Gladwell recorded over the years, and featured some of his favorite music. Selections included Parry’s I Was Glad, “How Lovely Is Thy Dwelling Place” from the Brahms Requiem, “Steal Away” as sung by Jesse Norman, John Rutter’s Requiem, and hymns by Stanford and Vaughan Williams. The With Heart and Voice Tribute to Richard Gladwell can be heard on the Web at <A HREF="http://www.wxxi.org/listen">www.wxxi.org/listen</A&gt;.
On March 29, 2009, Gladwell received the Benemerenti Medal, one of the Vatican’s highest honors to the laity. Rochester Bishop Matthew Clark presented the medal before more than 700 guests at a special concert in Gladwell’s honor at Sacred Heart Cathedral.
Richard Gladwell was born and educated in London, England. At age six, he auditioned and was accepted as a chorister in an East London church. He was firmly entrenched in the choral tradition of the Anglican Church and its repertory. Gladwell later received his musical education through the extramural program of Birmingham University in conjunction with the British Broadcasting Council. He came to the United States in 1955 and worked in management positions for both Xerox and Kodak. As a collector of recordings, he was interested in radio and was given a part-time job as an announcer for a Rochester classical music station.

Paul Manz died October 28 in St. Paul, Minnesota. See the “In Memoriam” article by Scott M. Hyslop on pages 38–39 of this issue.

Critically acclaimed as a “world class talent,” Peter DuBois is in frequent demand as a recitalist around the United States and abroad. In recent seasons, he has performed recitals at St. Paul’s Cathedral in London, the Cathédrale Notre-Dame de Paris, the Basilica of Ste. Clotilde in Paris, and the Cathédrale du Saint-Saveur in Aix-en-Provence. Additionally, he has performed at the Piccolo Spoleto Festival in Charleston, the Washington National Cathedral, and the Kennedy Center for the Performing Arts. Since 2009, Mr.

The 2006 EROI Festival was presented by the Eastman School of Music and the Westfield Center October 12–15. The topic was “Aspects of American Organ Building in the 20th Century with emphasis on E. M. Skinner and John Brombaugh.”

The Eastman Rochester Organ Initiative (EROI)

When the Eastman School of Music opened its doors in 1921, it housed the largest and most lavish organ collection in the nation, befitting the interests of its founder, George Eastman. Mr. Eastman provided the school with opulent facilities and stellar faculty, creating an expansive vision for organ art and education in the 20th century.
Over the years, the Eastman School has built on this vision by offering one of the most distinguished organ programs in the world. In keeping with this tradition of excellence, the Eastman School of Music has embarked on a long-range plan, the Eastman Rochester Organ Initiative (EROI), which will extend George Eastman’s vision into the 21st century.
With the aim of making Rochester a global center for organ performance, research, building, and preservation, the Eastman School will assemble a collection of new and historic organs unparalleled in North America. An incomparable teaching resource, this collection will offer access to organs of diverse styles and traditions to talented young musicians from around the world.
Tourists, scholars, and music lovers will be drawn to Rochester to hear the varied sounds of these extraordinary instruments. The Italian Baroque organ inaugurated within the frame of the EROI Festival 2005 marks the first concrete milestone in EROI Phase One. A new instrument closely modeled after a Lithuanian organ built by Casparini in 1776 will be constructed and installed in Christ Church (Episcopal) by 2008, in cooperation with the Episcopal Diocese of Rochester.
The restoration of the historic Skinner organ, housed in the Eastman School’s Kilbourn Hall, and the restoration and replacement of the school’s fourteen practice organs, will complete the initial phase of this ten-year plan.
—The EROI Brochure 2006

See for information on Eastman, EROI Festivals, and for a PDF file of the 2006 Festival brochure, which has the complete festival program, biographies of participants, and detailed documentation of all the instruments played, with specifications and historical background for venues and organs. For information on organbuilders with links to E. M. Skinner and John Brombaugh, see .
Photo composition and text: Joel H. Kuznik Photo credit: Nicole Marane<.i>

Organs

At the opening of the EROI Festival William Porter, known for his traditional improvisatory skills, delighted attendees with an authentic performance on the mighty Wurlitzer Opus 1492 (1926, 121 stops, 12 ranks; restored by the Rochester Theatre Organ Society) at the Rochester Museum and Science Center.
Bozeman-Gibson Opus 24 (1984, 23 stops, 31 ranks, with gifts of Vox Humana by Paul Fritts, 2005, and Pedal 16' Posaunenbass by Flentrop Orgelbouw, 2006), modeled on Gottfried Silbermann’s instrument at Grosshartmansdorf, Germany. Currently on loan to Eastman and housed at Asbury First United Methodist Church.
“Gleason’s Dream Machine” designed by the legendary Harold Gleason for Eastman’s Kilbourn Hall, Skinner Opus 325 (1922, 6,030 pipes, 91 ranks, 83 stops), scheduled to be restored by 2010. Today it is Rochester’s largest organ.
John Brombaugh’s landmark 1972 Opus 9 (20 stops, 29 ranks), originally built for Ashland Avenue Baptist in Toledo, Ohio; now on loan to Sacred Heart Cathedral (RC), Rochester until 2008, when they receive a 52-stop Paul Fritts organ. The compact casework and pipework of extraordinary craftsmanship complement the remarkable sound.
Holtkamp organ (1962, 40 stops, 45 ranks) at the Lutheran Church of the Incarnate Word, with its modern façade and neo-baroque tonal concept, typical of the mid-20th century.
Builder John Brombaugh discusses the concept of his Opus 9 and the importance of “vocale” voicing, inspired by his experience as a boy singer and found in old instruments throughout Europe, typically in Principal sounds to imitate the human voice.
Historic Pennsylvania Samuel Bohler organ (1869, 8 stops, 7 ranks), with a clear, crisp sound, at the Lutheran Church of the Incarnate Word. Built for Muddy Creek Presbyterian Church, Pennsylvania; restored by R. J. Brunner and Co. in 2006.
Console of the South End Organ, Aeolian Opus 947 (1904, 59 stops, 66 ranks), in the George Eastman House, where Harold Gleason played for breakfast each day and musicales twice a week with a resident string quartet. Still playable by rolls or console.
Computer image of the Craighead-Saunders organ to be installed in Christ Church (Episcopal) beginning July 2007, with completion in 2008. The organ is modeled on the exceptional Casparini organ (1776) at the Holy Ghost Church in Vilnius, Lithuania.
John Brombaugh and friends—how many do you know? Left to right: builder Martin Pasi, Aaron Reichert (Taylor & Boody), Munetaka Yokota (GOArt, Göteborg), John Brombaugh, builder George Taylor, builder Paul Fritts, Bruce Shull (Paul Fritts), Frits Elhout (Flentrop), and Mats Arvidsson (GOArt, Göteborg).

Stefania Björnson Denbow died October 18 in Athens, Ohio. She was 91. Born in Minneota, Minnesota, to Icelandic immigrants, she earned BA and MA degrees from the University of Minnesota, where she studied organ with Arthur Poister, and where she established an organ scholarship a decade ago. A homemaker, organist, scholar of Greek history and art history, and composer, Denbow based a number of her compositions on Icelandic poetry. Her works included Surtsey String Quintet, Four Songs of the Eremite Isle, Magnificat, an anthem based on Jesus, Thou Divine Companion, and Exaltatio, which was premiered by G. Dene Barnard at the First Congregational Church in Columbus, Ohio, later broadcast on Pipedreams, and also performed in Germany by Stephen Tharp. Stefania Denbow served as a church organist, including at the Church of the Good Shepherd and Christ Lutheran Church, in Athens, Ohio. She was a member of the Southeast Ohio AGO chapter, Mu Phi Epsilon, and Phi Alpha Theta. Stefania Denbow is survived by two daughters, a son, six grandchildren, a great-granddaughter, and nieces and nephews.

Constance Hunter Greenwell (Connie) died on February 8. Born in 1927 in Knoxville, Tennessee, she was a long-time member of the Dallas chapter of the American Guild of Organists; she served as membership secretary, and as hospitality chair for the 1994 AGO national convention in Dallas. She was a church organist and her other interests included horses, sailing, and travel. Constance Hunter Greenwell was preceded in death by her husband of 57 years, Gene.

Joel H. Kuznik, 72, died on April 3 at St. Vincent’s Hospital in Manhattan, where he had been since suffering a stroke in late February. Born June 29, 1936 in Waukegan, Illinois, he began his education at the local public school, but then attended Northwestern Prep and College in Watertown, Wisconsin to begin studying for the ministry, later attending Concordia Senior College in Ft. Wayne, Indiana, where he received a BA summa cum laude in 1959.
Realizing that he was called to the ministry of sacred music, he entered Concordia Seminary in St. Louis, Missouri, where he received a Master of Divinity in 1962. Joel often spoke of his Vicarage year at Bethlehem Lutheran Church in Sheboygan, Wisconsin, as one of the best years of his life. During his last year at seminary, he studied at the Eastman School of Music in Rochester, New York, where he received a Master of Music degree in 1963.
Kuznik was ready for a call in 1963, but the seminary offered a year-long fellowship that led to his Master of Sacred Theology in 1969. He was ordained a pastor at Redeemer Lutheran Church in Waukegan, Illinois, in August 1964. He began his career as a professor at Concordia College, St. Paul, Minnesota, where he was assistant professor of religion and conductor of the college choir. In 1966 he received a call from his alma mater, Concordia Senior College, where he became associate professor of music and college organist through 1976. In 1975 he spent a sabbatical leave in Paris, Haarlem, and Cambridge.
When the college closed in 1976, Joel moved to New York. In 1979 he began his career in the insurance industry, retiring in 1995 from MetLife. Most recently, he served as assistant pastor at Holy Trinity Lutheran Church, New York City, until August 2008. At the time of his death, he was serving as an assistant priest at St. Luke in the Fields Episcopal Church.
Joel’s love affair with organ music (and Bach in particular) began very early in his life. He would call Bach “The fifth Evangelist,” and once he retired he began to become involved again in organizations and activities that celebrated Bach’s music and life. He attended the Bachfest in Leipzig in 2003, which was the beginning of a flurry of activity centered around anything related to classical music, the organ and most often Bach. He has over 60 articles in print and was working on at least three new articles at the time of his death.
Joel Kuznik was named to the Music Critics Society of North America in May 2005. He was a member of the American Bach Society and served on the board of the Bach Vespers at Holy Trinity Lutheran Church in New York. He was a long time member of the American Guild of Organists and served as dean of the Ft. Wayne chapter, on the executive board of the New York City chapter, and on the national financial board. He studied organ with Austin C. Lovelace, Frederick Swann, Ronald Arnatt, David Craighead, Jean Langlais, Marie-Madeleine Duruflé-Chevalier and Anton Heiller.
—Sean M. Scheller

Jacques Mequet Littlefield died January 7 at the age of 59 in Portola Valley, California. A member of the Peninsula AGO chapter, Littlefield received bachelor’s and MBA degrees from Stanford University, where he studied under Stanford University organist Herbert Nanney; a large 45-stop Fisk organ is housed in a custom-built hall attached to his home. He worked for Hewlett-Packard as a manufacturing engineer before focusing solely on building his museum and restoration facility for his collection of more than 150 military vehicles, which included a World War II-era U.S. Army M3A1 wheeled scout car, a Soviet-era Scud missile launcher, and Sherman and Patton tanks. In 1998, Littlefield set up the Military Vehicle Technology Foundation, to manage the collection and help serve the interests of authors, historians, veterans groups, and others. Jacques Littlefield is survived by his wife, Sandy Montenegro Littlefield, five children, his mother, brother, sister, and a grandson.

Jeffrey M. Peterson, 48, of Staunton, Virginia, passed away in Erie, Pennsylvania on January 18. Born in Erie June 9, 1960, he was the son of Ronald and Virginia Buzanowski Peterson, and graduated from Fort LeBeouf High School, Erie, Pennsylvania. He was a pipe maker, first with Rodgers Organ Company in Hillsboro, Oregon, then at Organ Supply Industries in Erie, Pennsylvania. Since 1997 he worked at Taylor & Boody Organ Builders in Staunton, Virginia.
Peterson enjoyed his Harley and was a member of A.B.A.T.E. He was a hunter and enjoyed shooting and playing cards, and belonged to the Moose Club in Virginia. He is survived by his parents, Ronald and Virginia, of Summit Township, two brothers, Chris Peterson of Staunton and Brian Peterson, of Erie; a nephew, Nicholas Peterson and a niece, Laura Peterson.
—John H. Boody

Clyde J. “Cj” Sambach, age 60, died in Brick, New Jersey on February 27. He earned a degree in organ performance from Westminster Choir College; he served as organist-choir director at Holmdel Community Church, and as organist at St. Agnes Roman Catholic Church in Clark, New Jersey. Sambach concertized extensively and was a frequent conference clinician; he developed a special program, The Pipe Organ INformance®, to interest young people in the organ. Using large display posters, organ pipes, musical excerpts, and simple explanations, Sambach provided a basic understanding of the instrument from both the performer’s and the listener’s viewpoints. He also worked at Ocean County College and at Ocean County Vocational and Technical School in their accounting department. Cj Sambach is predeceased by his parents, Warren and Thalia Sambach; he is survived by his brothers Warren and Dean, cousins, and longtime friend Anthony Snyder.

Clyde Holloway died December 18, 2013, in Houston, Texas. He was 77 years old. The Herbert S. Autrey Professor Emeritus of Organ at Rice University’s Shepherd School of Music in Houston, Holloway earned B.Mus. (1957) and M.Mus. (1959) degrees from the University of Oklahoma, studying with Mildred Andrews, and the S.M.D. degree in 1974 from Union Theological Seminary, studying with Robert Baker.

Holloway’s concert career began in 1964 when he won the National Young Artists Competition of the American Guild of Organists (AGO) in Philadelphia. He performed under the auspices of Karen McFarlane Artists, and was a featured artist at numerous AGO conventions, also appearing in recital in Mexico City, the West Indies, and Europe.

His doctoral dissertation, The Organ Works of Olivier Messiaen and Their Importance in His Total Oeuvre, remains an important monograph concerning this music. Holloway worked with the composer on several occasions, examined his works at the organ of the Church of the Holy Trinity in Paris, and performed under his supervision. As a Fulbright Scholar at the Amsterdam Conservatory, he worked with Gustav Leonhardt in the study of organ, harpsichord, and chamber music.

Clyde Holloway began his teaching career in 1965 as the youngest member of the Indiana University School of Music faculty. In 1977, he joined the faculty of Rice University’s Shepherd School of Music, where he established the organ program and served as Chairman of the Keyboard Department and Director of Graduate Studies. The school’s widely acclaimed Fisk-Rosales organ embodies his unique understanding of how numerous organ-building traditions and tonal designs are manifested in organ literature and will be considered his most profound contribution to Rice University, Houston, and the larger musical world. He also served as organist and choirmaster of Christ Church Cathedral in Houston for many years; in 1993, he was named Honorary Lay Canon and Organist and Choirmaster Emeritus.

Renowned as a gifted pedagogue, Dr. Holloway served on the AGO’s Committee for Professional Education, addressed two conferences of the National Conference on Organ Pedagogy, led workshops and masterclasses, and served as a member of the jury for numerous competitions, including the Concours de Europe, the Fort Wayne Competition, the Music Teachers National Association Competition, the National Young Artists Competition of the American Guild of Organists, and the Grand Prix de Chartres. In 1994 he was invited to perform for the Bicentennial Festival of the celebrated Clicquot organ in the Cathedral of Poitiers, France, and served as a member of the jury for the international competition held at the end of the ten-day festival. 

Sylvie Poirier, 65 years old, passed away December 21, 2013 in Montréal of cancer. Born in Montréal on February 15, 1948 into a family of artists, her father was a goldsmith jeweller, and her mother, a painter and sculptor, was a pupil of the renowned painter Paul-Emile Borduas. Influenced by her parents, she began drawing and painting, and studied piano from an early age and later studied organ at l’Ecole de Musique Vincent d’Indy, Montréal. In 1970 she gained her baccalaureat in the class of Françoise Aubut and went on to study at the Conservatoire de Musique de Montréal with Bernard Lagacé, with whom she obtained her Premier Prix in 1975. In 1976 Poirier studied at l’Université de Montréal with the blind French organist Antoine Reboulot. From 1977–1983 she was professeur affilié at l’Ecole de Musique Vincent d’Indy, presenting private music and drawing courses around Montréal.

In 1983 she became the Founding President of “Unimusica Inc.” whose objective was to bring together the art forms of music, painting, enamels, as well as poetry and photography. At the invitation of the oncologist founder of “Vie nouvelle” at Hôtel-Dieu Hospital, Montréal, Poirier taught a course specifically designed for cancer patients entitled “Psychology of Life through Drawing” in the 1980s. 

She gave recitals in North America and Europe and broadcast many times for Radio Canada. Her organ duet career with her husband Philip Crozier spanned eighteen years, with eight commissioned and premièred works, numerous concerts in many countries, several broadcasts at home and abroad, and three CDs of original organ duets.

Sylvie Poirier also recorded Jean Langlais’ Première Symphonie, and Petr Eben’s Job and The Labyrinth of the World and the Paradise of the Heart; she gave the latter work’s North American première of the published version in Montréal in 2005. Poirier was also an accomplished painter and portraitist; examples of her work can be found at sylviepoirier.com.

She was predeceased by her only son Frédéric (30) in 2007. Sylvie Poirier is survived by her husband, Philip Crozier.

Phares L. Steiner died in Louisville, Kentucky, on September 14, 2013 at age 85. Born in Lima, Ohio, Steiner earned a bachelor’s degree in organ at the Cincinnati Conservatory of Music, and a master’s degree in organ performance at the University of Michigan in 1952, where he studied with Robert Noehren and where he began his career as an organ builder, at first working with Noehren. In 1953 with Noehren as consultant, Steiner designed the prototype of an electric-action slider chest. After service in the Army he worked with Fouser Associates in Birmingham, Michigan from 1955 to 1957. He established Steiner Organs Inc. in 1959 in Cincinnati, Ohio, and in 1962 relocated to Louisville, where he was joined in 1966 by Gottfried Reck from Kleuker in Germany. They incorporated in 1968 as Steiner Reck Inc.; Steiner was responsible for tonal matters of more than 90 organs, many of which were mechanical action. 

After retiring from Steiner Reck in 1988, he continued pipe organ work on a freelance basis, including working at Webber & Borne Organ Builders, and R.A. Daffer in the Washington, D.C. area while living in Columbia, Maryland. Phares Steiner returned to Louisville in 2003 with his family, where they became members of the Cathedral of the Assumption, home to one of his largest instruments.  

A charter member of the American Institute of Organbuilders, Steiner was also an active member of APOBA at Steiner Reck and a member of Phi Mu Alpha music fraternity. He also served as organist at several churches, including St. Louis Catholic Church in Clarkesville, Maryland, and Trinity Catholic Church, Louisville. 

Phares L. Steiner is survived by his wife Ellen Heineman Steiner, daughter Adrienne, son Paul, and brother, Donald F. Steiner M.D.

Marianne Webb, 77, of Carbondale, Illinois, died December 7, 2013, at Parkway Manor in Marion, Illinois, from metastatic breast cancer, which she had for the past 20 years. She enjoyed a lengthy and distinguished career as a recitalist and professor of music at Southern Illinois University Carbondale (SIUC).

Miss Webb was born on October 4, 1936, in Topeka, Kansas where she exhibited an early passion for organ music. While in Topeka, she began her studies with Richard M. Gayhart and continued with Jerald Hamilton at Washburn University, where she earned her Bachelor of Music degree, summa cum laude, in 1958. She obtained the Master of Music degree, with highest distinction, from the University of Michigan (1959), as a scholarship student of Marilyn Mason. Further study was with Max Miller of Boston University and Robert Noehren at the University of Michigan.

After teaching organ and piano at Iowa State University for two years, she continued her studies in Paris as a Fulbright scholar with André Marchal. Further graduate study was with Arthur Poister at Syracuse University and Russell Saunders at the Eastman School of Music.

Marianne Webb taught organ and music theory and served as university organist at Southern Illinois University Carbondale from 1965 until her retirement in 2001 as professor emerita of music. She continued to serve as visiting professor and distinguished university organist for an additional 11 years. During her tenure, she built a thriving organ department and established, organized, and directed the nationally acclaimed SIUC Organ Festivals (1966–1980), the first of their kind in the country. The school’s 58-rank Reuter pipe organ she sought funding for and designed was named in her honor.

Miss Webb married David N. Bateman on October 3, 1970, in Carbondale. Together they gave the endowment that established in perpetuity the Marianne Webb and David N. Bateman Distinguished Organ Recital Series that presents each year outstanding, well-established concert organists in recital for the residents of southern Illinois.

As a concert artist, Marianne Webb toured extensively throughout the United States, performing for American Guild of Organists (AGO) chapters, churches, colleges and universities. In addition, she maintained an active schedule of workshops, master classes, and seminars for church music conferences. A member of the AGO, she served the guild as a member of the national committees on Educational Resources, Chapter Development, and Membership Development and Chapter Support. Locally, she re-established the Southern Illinois Chapter of the AGO in 1983 and served as its dean for six years. She performed recitals and presented workshops at numerous AGO national and regional conventions. For many years she concertized under the auspices of the Phillip Truckenbrod Concert Artists. She recorded on the ProOrgano and Pleiades labels and was featured on the nationally syndicated American Public Media program “Pipedreams.” 

Miss Webb maintained a balanced career as both performer and teacher. Her students have distinguished themselves by winning local, area, and national competitions. A sought-after adjudicator, Miss Webb was a member of the jury for many of the country’s most prestigious competitions. She also served as an organ consultant to numerous churches in the Midwest.

A special collection, which bears her name, is housed in the University Archives of Morris Library on the SIUC campus. Upon completion, this collection will include all of her professional books, music, recordings, and papers. Her “Collection of Sacred Music” has been appraised as “one of the largest private gatherings of sacred music in the world with a particular emphasis on the pipe organ.”

Among numerous honors during her long and distinguished career, Miss Webb has received the Distinguished Service Award from Southern Illinois University Carbondale, life membership in the Fulbright Association, the AGO’s Edward A. Hansen Leadership Award recognizing her outstanding leadership in the Guild, and the St. Louis AGO Chapter’s Avis Blewett Award, given for outstanding contributions to the field of organ and/or sacred music. From the Theta Chapter of Sigma Alpha Iota at Washburn University she received the Sword of Honor and the Honor Certificate.

Miss Webb is survived by her twin sister, Peggy Westlund; a niece, Allison Langford; a nephew, Todd Westlund; a godson, R. Kurt Barnhardt, PhD; and her former husband, Dr. David N. Bateman.

Throughout her lifetime Miss Webb was confronted with great adversities, which she overcame to become a nationally recognized organ teacher and recitalist. She leaves an impressive legacy of students holding positions of prominence in colleges and churches throughout the United States. She will be remembered not only for her musical artistry and excellence in teaching, but as a woman of quiet strength, courage, and abiding faith. In gratitude to God for her lifelong career, she established the St. Cecilia Recital Endowment in 2007 to present world-renowned concert organists in recital during the biennial national conventions of the American Guild of Organists.

At a later date, a memorial organ recital played by Paul Jacobs will take place in Shryock Auditorium, Southern Illinois University Carbondale. Memorials may be sent to SIU Foundation to benefit the Distinguished Organ Recital Series Endowment. 

—Dennis C. Wendell