Nunc Dimittis

Dona Lee Brandon died June 16 in Davis, California. She was 81. She began organ study while in high school and earned a bachelor’s degree in music from Park College in Missouri, and a master of sacred music degree from Union Theological Seminary, where she studied organ with Robert Baker. At UTS she met fellow student George Brandon, and married him in 1954. The Brandons taught at Eureka College in Illinois, and William Penn College in Iowa. In 1962 they moved to Davis, California, where Mrs. Brandon worked as an organist and choir director, serving at Davis Community Church (1963–67) and at St. Martin’s Episcopal Church (from 1967 until her retirement in 1995). She was also affiliated with the Music School at the University of California–Davis, accompanying choral groups, teaching organ, and playing recitals and for commencement ceremonies. A longtime member of the Sacramento AGO chapter, she proclaimed her enthusiasm for the music of Bach with her license plate, “JSB FAN.” Dona Lee Brandon was preceded in death by her husband George, and is survived by her daughter and son-in-law, Barbara and Jim, and her sister Melva Ann.

Richard W. Litterst died August 9 at age 83 in Loves Park, Illinois. Born in Decatur, Illinois, February 4, 1926, he attended the University of Louisville, served in the U.S. Navy, and then completed his studies at the University of Illinois and Union Theological Seminary School of Sacred Music. He served as organist, choirmaster, and handbell director at churches in Westfield, New Jersey; Omaha, Nebraska; and Rockford and Freeport, Illinois. In 1959, he was appointed to Second Congregational Church, Rockford. He also conducted the Rockford Pops Orchestra for more than 30 years, and taught at Rockford College, Rock Valley College, and Beloit College.
Litterst served as dean of the Rockford AGO chapter and was a member of the Mendelssohn Club and Rotary. He was an early member of the American Guild of English Handbell Ringers, serving the organization in many capacities, including as president. He was nationally known as a handbell director and for his arrangements and compositions for handbells. Most recently he served as organist for the First Church of Christ, Scientist in Rockford, playing his last service there on July 22.
A memorial service was held August 14 at First Presbyterian Church, Rockford, with a number of organists from the Rockford AGO and the Rockford Pipe Band participating, with alumni of the Martin Ringers of Second Congregational Church playing music by Litterst; other music in the service was by Karg-Elert, Franck, and Widor. Richard W. Litterst is survived by his wife Judy, son, two daughters, and grandson.

Ivan Ronald Olson died June 16 in Sacramento, California. Born in Soldier, Iowa, on March 15, 1928, he played his first church service while in the sixth grade and then took over as organist after confirmation on through high school until he left for college in 1946. He received a BA in music from the University of Iowa in 1950 and taught music at Morehead, Iowa, where he served as choir director at Bethesda Lutheran Church. He then earned a master’s degree from the University of Texas, Austin, and began teaching at Concordia Lutheran College of Austin in 1952, where he continued until 1964. During that tenure he served as organist-choirmaster at First English Lutheran Church and Redeemer Lutheran Church in Austin. He married Danna Foster in July 1956.
Olson took a leave of absence from Concordia to study at Union Theological Seminary in New York City, where he was awarded a Doctor of Sacred Music degree in 1963. In 1964 he joined the faculty at American River College, Sacramento, California, and became the organist-choirmaster at St. Paul’s Episcopal Church. He also served as accompanist for many vocal recitals.
Olson moved to Fair Oaks in the summer of 1967 and joined the staff at Pioneer Congregational Church in 1969. He was an active member of the American Guild of Organists and served as dean of the Sacramento chapter. He retired in 1992 from American River College and Pioneer Congregational Church, and then served as interim organist-choirmaster at St. John’s Lutheran Church, where he had been a member since 1967. At St. John’s he worked in adult education, served on the church council, and looked after the concert series for three seasons. He did substitute organist work until grandchildren began to arrive. Ivan Olson belonged to the Rose Society and spent many happy hours tending his many roses and a vegetable garden.

Theodore W. Ripper died on July 2 at age 83. Born on August 1, 1925 in Coraopolis, Pennsylvania, he earned bachelor’s and master’s degrees from Carnegie Mellon University in Pittsburgh. He served as university organist at the University of South Dakota and then taught at Carnegie Mellon University from 1949 to 1955. He married Gladys McMillan on June 15, 1953 in Coraopolis. They moved to Atlanta in 1955, where he was minister of music for Peachtree Christian Church for 10 years.
Ripper then taught at Millikin University and served at First United Methodist Church in Decatur, Illinois, 1965–75, and was director of music at Grace United Methodist Church in Venice, Florida, 1975–84. He next served as director of music at First United Methodist Church, Carlsbad, New Mexico, for eight years. After retirement, he continued to work in Roswell as music director for St. Andrew’s Episcopal Church.

Mark P. Schantz died at age 58 on June 13 at his home in Walton Hills, Ohio. The son of Bruce and Grace Putnam Schantz of Orrville, Ohio, he was a graduate of Otterbein College and had a lengthy career with American Greetings of Cleveland, from which he took early retirement to start his own business, Schantz Woods, which designed, fabricated, and restored furniture. He also served on the board of directors of the Schantz Organ Company of Orrville, assisting his brother Victor, the president of the firm. Mark P. Schantz is survived by his wife Lee, children Kate, Jessa, Erick, and John, and siblings Ann Schantz Perlmutter, Victor Schantz, Jill Schantz Frank, Ted Schantz, and Peter Schantz.

Elise Murray Cambon died December 30, 2007, at Touro Infirmary, New Orleans, Louisiana. Dr. Cambon received a B.A. from Newcomb College in 1939, a Master of Music in organ from the University of Michigan (1947), and a Ph.D. from Tulane (1975). For 62 years she served St. Louis Cathedral as organist, music minister, and director of the St. Louis Cathedral Choir and Concert Choir. She was named Director Emerita in 2002.
A Fulbright Scholar, Dr. Cambon studied in Germany in 1953, attended Hochschule fur Musik in Frankfurt-am-Main, and continued her studies in organ with Helmut Walcha, harpsichord with Marie Jaeger Young, and conducting with Kurt Thomas. She also did post-graduate work at Syracuse University, Oberlin College, and Pius X School of Liturgical Music in Purchase, New York. She spent a summer at the Benedictine Abbey of Solesmes, France, studying Gregorian chant.
Dr. Cambon was a professor in Loyola’s College of Music (1961 to 1982), founding their Department of Liturgical Music, and also taught music at the Louise S. McGehee School and Ursuline Academy. She was one of the founders of the local chapter of the American Guild of Organists. She received the Order of Chevalier des Arts et des Lettres from the French government for encouraging French music in New Orleans. She led the St. Louis Cathedral Concert Choir on five pilgrimages to Europe, where they sang at St. Peter’s in Rome, Notre Dame de Paris, and other famous cathedrals and churches. In 2004, she made a gift of a new Holtkamp organ for the cathedral. Dr. Cambon was interviewed by Marijim Thoene for The Diapason (“Her Best Friends Were Archbishops—An interview with Elise Cambon, organist of New Orleans’ St. Louis Cathedral for 62 years,” October 2004).

Anita Jeanne Shiflett Graves died September 16, 2007, at age 86. Born September 20, 1920, in Lincoln, Illinois, she attended Macalester College in St. Paul, Minnesota, and earned a master’s degree in music at Northwestern University. She had worked as a church organist, choir director and funeral home organist, and taught at Drake University and San Jose State University. A funeral service was held at Campbell United Methodist Church in Campbell, California.

Kay Wood Haley died July 10, 2007, at age 90 in Fairhope, Alabama. Born March 26, 1917, in Sumner, Illinois, she began playing for church services in Flora, Alabama, at age 14. She attended Stephens College in Columbia, Missouri, and then transferred to the Eastman School of Music, where she studied with Harold Gleason and graduated in 1938. From 1939–1983, Mrs. Haley was organist at Judson College in Marion, Alabama, and at First Baptist, First Presbyterian, and St. Paul’s Episcopal churches, all in Selma, Alabama. She helped found the Selma Choral Society and the Selma Civic Chorus, and helped lead the Alabama Church Music Workshop.

Gerald W. Herman Sr. died August 25, 2007 at age 81 in Gainesville, Florida. Born November 9, 1925, he began his 61-year organist career on April 28, 1946, at Rockville United Brethren Church in Harrisburg, Pennsylvania, and played for several other churches in the area. A job transfer with Nationwide Insurance in 1979 brought him to Gainesville, Florida, where he served as organist at Kanapaha Presbyterian Church and then at Bethlehem Presbyterian Church in Archer, Florida. He is survived by his wife of 61 years, Charlotte, a daughter, and a son.

Theodore C. Herzel died September 28, 2007, in York, Pennsylvania. Born October 10, 1927, in Conshohocken, Pennsylvania, he held church positions in Lynchburg, Virginia, and Detroit, Michigan, and served as organist-director of music for 28 years at First Presbyterian Church, York, Pennsylvania, retiring in 1988. He earned a bachelor’s degree at Westminster Choir College and a master’s at the Eastman School of Music. He was an active member of the York AGO chapter and the Matinee Music Club.
H. Wiley Hitchcock, musicologist, author, teacher, editor and scholar of American as well as baroque music, died December 5 at the age of 84. In 1971 he founded the Institute for Studies in American Music at Brooklyn College of the City of New York, and in 1986 he edited, with Stanley Sadie, the New Grove Dictionary of American Music. He retired from CUNY in 1993 as a Distinguished Professor, but maintained a consulting relationship with ISAM until the end.
Born on September 28, 1923, in Detroit, Michigan, Hitchcock earned his B.A. in 1944 from Dartmouth College and served in the military during WW II. After the war he studied music with Nadia Boulanger at the Conservatoire Américan and at the University of Michigan, from which he earned his Ph.D. in 1954. His dissertation was on the sacred music of Marc-Antoine Charpentier.
He started teaching in 1950 at Michigan and in 1961 moved to Hunter College in New York. A decade later he went to Brooklyn College and became founding director of ISAM. In his honor, the ISAM is to be renamed the Hitchcock Institute for Studies in American Music. In addition to his work on Grove, Hitchcock edited numerous publications. His last book, Charles Ives: 129 Songs (Music of the United States of America), was published by A-R Editions in 2004.

Everett W. Leonard died June 9, 2007, in Katy, Texas, at age 96. Born March 4, 1911, in Franklin, New Hampshire, he began piano lessons at age nine and organ lessons in high school. He worked for 40 years for the U.S. Postal Service in Washington, DC. In addition, he served as organist at Central Presbyterian Church and Mount Olivet Methodist Church, both in Arlington, Virginia, and at the Episcopal Church of the Good Shepherd, Punta Gorda, Florida, and at the Lutheran Church of the Cross, Port Charlotte, Florida. A longtime member of the AGO, he served as dean of the District of Columbia chapter.

W. Gordon Marigold, longtime author and reviewer for The Diapason, died November 25, 2007, in Urbana, Illinois. Born May 24, 1926, in Toronto, he earned a B.A. and Ph.D. from the University of Toronto, and earned an M.A. from Ohio State University. He also studied in Munich, Germany. Dr. Marigold taught German at the University of Western Ontario, Trinity College Schools, the University of Virginia, and at Union College in Barbourville, Kentucky. At Union College, he was a department head, division chairman, and college organist, and he supervised the installation of a new organ by Randall Dyer in 1991. He retired as professor emeritus of German in 1991, and moved to Urbana, Illinois.
Dr. Marigold received his musical training in piano, organ, and voice at the Royal Conservatory of Music in Toronto, and in Munich. He served as organist at churches in Toronto, at First Methodist Church in Charlottesville, Virginia, where he gave an annual series of recitals, and churches in Columbus, Ohio. He was heard in radio organ recitals broadcast by station WOSU in Columbus, and played on the annual Bach recital at St. Andrew’s Lutheran Church in Champaign, Illinois.
Professor Marigold was an internationally known scholar of German Baroque literature and music, and author of five books, countless articles in scholarly journals (including The Diapason, Musical Opinion, and The Organ), hundreds of reviews of German literature for Germanic Notes and Reviews, and countless reviews of recordings and books for The Diapason. He was a recipient of many research grants for study and research in Germany.
Dr. Marigold is survived by his wife Constance Young Marigold, whom he married on August 22, 1953. A Requiem Eucharist was celebrated on December 1 at the Chapel of St. John the Divine in Champaign, Illinois. Linda Buzard, parish organist and choirmaster, provided music by Bach, Purcell, Byrd, and Willan, along with hymns Lobe den Herren, Austria, Slane, and Darwall’s 148th.
In addition to numerous reviews of new recordings and books, Dr. Marigold’s Diapason bibliography includes:
“Max Drischner and his organ writings: a neglected modern,” Oct 1955;
“Austrian church music experiences extensive revival,” May 1956;
“The organs at the Marienkirche at Lübeck,” Dec 1969;
“A visit to Preetz, Germany,” April 1971;
“Some interesting organs in Sweden,” May 1971;
“Organs and organ music of South Germany,” Oct 1974;
“Organs in Braunschweig: some problems of organ placement,” Aug 1982;
“18th-century organs in Kloster Muri, Switzerland,” Feb 1986;
“Organ and church music activity in Munich during the European Year of Music,” Aug 1986;
“A variety of recent German organs,” April 1989;
“Dyer organ for Union College, Barbourville, KY,” Dec 1991.
(Dr. Marigold continued to write reviews to within weeks of his death. The Diapason will publish these reviews posthumously.—Ed.)

Johnette Eakin Schuller died September 21, 2007, at age 66 in Brewster, Massachusetts. She earned degrees from the College of Wooster, Ohio, and the Eastman School of Music. She and her husband, Rodney D. Schuller, served for 31 years as ministers of sacred music and organists at the Reformed Church of Bronxville, New York. Johnette Schuller also held positions at Andrew Price Memorial United Methodist Church in Nashville, Tennessee; the Presbyterian Church in Bound Brook, New Jersey; the Post Chapel in Fort George G. Meade, Maryland; and Calvary Lutheran Church in Verona, New Jersey.

Martha Novak Clinkscale, American musicologist and researcher in the history of the early piano, died in Dallas on April 24 from injuries sustained in an automobile accident. Born in Akron, Ohio (June 16, 1933), Dr. Clinkscale held piano performance degrees from the University of Louisville (Kentucky) and Yale University, and the PhD in musicology from the University of Minnesota. Her two-volume study Makers of the Piano 1700–1820 and Makers of the Piano 1820–1860 (both published by Oxford University Press) comprises nearly a thousand pages of carefully detailed information about extant instruments: an invaluable and oft-quoted source.
The introductory essays to these books immediately reveal both a mastery of vocabulary and the wide-ranging extent and geographical distribution of the many colleagues who contributed information about the instruments listed. Two short examples from the second volume: “Those musicians who preferred the caress of the clavichord’s tangent found in the early square pianoforte a felicitous addition to their musical experience” (p. ix); “[This book] is not intended to be a frivolous addition to its owners’ libraries. It seeks to inform . . .” (p. x).
Precise and carefully crafted prose as well as the avowed intent to maintain a consistency of style were also hallmarks of the author’s approach to life. John Watson, creator of the technical drawings accompanying the second volume and primary collaborator in a related online database Early Pianos 1720–1860, summed it up succinctly: “She was an elegant woman.”
Martha Clinkscale served the American musical community in many capacities, including as editor of the Journal of the American Musical Instrument Society (1993–6) and as treasurer of the Southeastern Historical Keyboard Society (2004–8). She taught at the University of California, Riverside (1979–96) and the Meadows School of the Arts at Southern Methodist University (1998–2004), where she was also a member of the organ department’s examining juries each semester of her years in Dallas.
Survivors include daughter Lise Loeffler-Welton and son Thor Loeffler, as well as professional colleagues and friends on both sides of the Atlantic Ocean.
—Larry Palmer

Anna G. Fiore-Smith died in Fall River, Rhode Island, on November 11, 2009, at the age of 81. She studied piano at the New England Conservatory and the Juilliard School, and studied organ with Homer Humphrey and later with George Faxon at the New England Conservatory; she also studied with Nadia Boulanger at Fontainebleau, France, winning first prizes in piano, organ, chamber music, and solfège. Fiore-Smith served as organist and choir director at St. Stephen’s Church, the Church of the Ascension, and Temple Beth El, all in Providence, R.I., and later at the Barrington Congregational Church; she also taught organ at Barrington College. A former dean of the Rhode Island AGO chapter, her name was given to a chapter award that is bestowed on a member organist who typifies her devotion to the organ. She was also active in the Greater Fall River Symphony Society, and was a member of its first executive board. Anna G. Fiore-Smith was preceded in death by her husband, Harold N. Smith; she is survived by her brother and sister-in-law, Faust D. and Susanne Fiore, and many nieces and nephews.

Martin Owen Gemoets died on February 3 in Galveston, Texas. He was 42. He earned a bachelor’s degree at the University of Houston, and a master’s degree in organ from the University of North Texas at Denton in 1996. A member of the Dallas and later Fort Worth AGO chapter, Gemoets held the AAGO and ChM certifications and promoted interest in the certification exams, writing articles on music history for the Fort Worth chapter’s newsletter. He was working toward his FAGO certification. He had recently relocated to Galveston. Martin Owen Gemoets was interred next to his father in Houston during a private graveside service.

Donald M. Gillett died April 3 in Hagerstown, Maryland, at the age of 90. He was the last president of the Aeolian-Skinner Organ Company of Boston, Massachusetts, which closed in 1972. Born April 8, 1919, in Southwick, Massachusetts, he earned a degree in business administration from the University of Maryland. He served four years in the Army Air Corps, stationed in Midland, Texas, as a chaplain’s assistant.
Don’s musical interest started when he was four years old, his parents having taken him to a number of organ recitals at the Municipal Auditorium in Springfield, Massachusetts. He started piano lessons at age six with Dorothy Mulroney, the Municipal Auditorium organist. After moving to Washington, D.C., he studied piano and organ with Lewis Atwater, organist at All Souls Unitarian Church and also Washington Hebrew Congregation. Don’s interest in organbuilding also started with the study of the organ.
His first organbuilding job was with Lewis & Hitchcock in Washington, D.C. Four years later in 1951, with a desire to learn voicing and tonal finishing, he was hired at Aeolian-Skinner, working under G. Donald Harrison and reed voicer Herbert Pratt. In later years, Don became a vice president and head tonal finisher. Upon the retirement of Joseph Whiteford in 1968, Don was offered the opportunity to buy up controlling interest in Aeolian-Skinner, and then became president and tonal director.
In the early 1970s, Aeolian-Skinner was building its last three instruments: St. Bartholomew’s NYC, Trinity Wall Street, and the Kennedy Center in Washington, D.C. The company was in the final stages of Chapter 11 and eventual closing. Don’s last finishing for Aeolian-Skinner was the Kennedy Center.
In March 1972, Riley Daniels, president of the M. P. Möller Organ Company in Hagerstown, offered Don a job at Möller as head flue pipe voicer. After the death of John Hose, Möller’s tonal director, Don became tonal director, and eventually vice president. He retired from Möller in 1991.
Also an avid art collector, he served on the Board of Directors of the Washington County (Maryland) Museum of Fine Arts. Donald M. Gillett is survived by his companion of 40 years, Warren S. Goding of Hagerstown; sister-in-law, Jane Mace of Palm City, Florida; and cousin, Mary Davis of Fort Lee, New Jersey.
—Irv Lawless
Hagerstown, Maryland

Frances M. Heusinkveld, 83 years old, died February 22 in Forest City, Iowa. She attended Northwestern Junior College in Orange City, Iowa, and Central College in Pella, where she studied piano and began organ lessons. She pursued a master’s degree in piano at the University of Iowa and later eared a Ph.D. in organ literature there. Heusinkveld taught in various schools in Iowa, including Upper Iowa University and for 33 years at Buena Vista College in Storm Lake, where she taught theory, music appreciation, piano, and organ. She was also organist of the United Methodist Church in Storm Lake, where she helped the church install a Bedient organ in 2002. Heusinkveld earned the Service Playing, Colleague, and AAGO certifications, and served as dean of the Buena Vista AGO chapter; she also played the cello and was a member of the Cherokee Symphony Orchestra. She enjoyed the study of foreign languages and traveled extensively. Frances M. Heusinkveld is survived by two brothers and many nieces and nephews.

Richard Dunn Howell died January 26 in Dallas. He was 78. Born in Great Bend, Kansas, he began playing for church services at Grace Presbyterian Church in Wichita at the age of 13. He graduated from Wichita University in 1954 and Perkins School of Theology at Southern Methodist University in 1957; he received a master of sacred music degree from Southern Methodist University in 1966. Howell taught elementary music in Richardson and Dallas, and played for many children’s, youth, and adult choirs. He also directed various handbell ensembles. In the course of his activities, he worked with Austin Lovelace and Lloyd Pfautsch. Richard Dunn Howell is survived by his wife of 52 years, Bradley Sue, three children, and three grandchildren.

Austin C. Lovelace, composer and church organist, and Minister of Music, Emeritus, at Wellshire Presbyterian Church in Denver, died April 25 at the age of 91. Born March 26, 1919, in Rutherfordton, North Carolina, he began serving as a church organist when he was 15 and went on to do workshops and recitals in 45 states and six countries. He earned his bachelor’s degree in music at High Point College in North Carolina in 1939 and his master’s (1941) and doctorate (1950) in sacred music from Union Theological Seminary in New York City.
Lovelace was a chaplain’s assistant in the Navy and served as minister of music at a number of churches, including First Baptist Church and First Methodist in High Point, North Carolina; Holy Trinity Episcopal, Lincoln, Nebraska; Myers Park Presbyterian Church and Myers Park Baptist, Charlotte, North Carolina; First Presbyterian Church, Greensboro; First Methodist, Evanston, Illinois; Christ Methodist, New York City; Lover’s Lane Methodist in Dallas, and Montview Boulevard Presbyterian Church and Wellshire Presbyterian in Denver.
He was still filling in as organist at area churches when he was 87. He taught at several colleges, including Queen’s College and Davidson College in North Carolina, Union Theological Seminary, Iliff School of Theology in Denver, and Garrett Theological Seminary in Evanston, Illinois.
Lovelace was fond of jazz. Twice, he had Dave Brubeck and Duke Ellington, both with their bands, join the choir at Montview Boulevard Presbyterian Church for performances. Lovelace, known for his sense of humor, wrote five books, including “Hymns That Jesus Would Not Have Liked.” A prolific writer and composer, Lovelace has several hundred compositions in print, as well as numerous articles and books on church hymnody; he was involved with twenty denominations in the development of their hymnals. A past president and Fellow of the Hymn Society of America, Lovelace was also active in the American Guild of Organists, including serving as dean of the North Shore chapter. In 2009 he received the American Music Research Center’s Distinguished Achievement Award, and was honored by the Denver Chapter of the American Guild of Organists with a hymn festival.
Austin Lovelace is survived by his wife of 69 years, Pauline Palmer (“Polly”) Lovelace, daughter Barbara Lovelace Williams, and a grandson.

Henry Murlin Kelsay,
82, died August 23 in Springfield, Missouri. He was born on February 17, 1923
in Versailles, Missouri. After graduation from high school in Booneville,
Missouri, he enlisted in the Army Air Corps in 1942, rising to the rank of 1st
lieutenant and serving as an air corps navigator. He fought in several World
War II battles and air campaigns in southern France and Italy, and was
decorated with numerous medals and citations. Kelsay graduated from Union
Theological Seminary in New York City, and went on to serve as music director
at several churches in the Little Rock, Arkansas area, including Pulaski
Heights Methodist Church and Christ Episcopal Church. He served as dean of the
Central Arkansas AGO chapter 1954-55 and 1959-61. Later in life he
became interested in interior decorating and was successful in that endeavor.

At the time of his death, Kelsay was a member of St. James
Episcopal Church in Springfield, Missouri. A memorial service took place there
on September 17. He is survived by his sister-in-law and three nephews.

--Virginia Strohmeyer-Miles

Noel Mander, MBE,
FSA, prominent British organbuilder, died September 18 at his home in Suffolk,
England, at the age of 93.

Born on May 19, 1912 in Crouch near Wrotham, Mander was
brought up in South London. Having left school (which he hated), he went to
work for A & C Black, publishers. The office work did not suit him,
however, and through his uncle, Frederick Pike, he met Ivor Davis who had
worked for Hill, Norman & Beard. After working with him for a while, Mander
started on his own in 1936, the first organ being that at St. Peter’s
Bethnal Green opposite St. Peter’s School, which years later was to
become the organ works. Unfortunately, Christ Church Jamaica Street, Stepney, where
he rented workspace, together with the organ he was working on and all his
equipment, were lost in the first air raid on East London 1940.

Shortly after that, he joined the Royal Artillery, seeing
service in North Africa and Italy, where he worked on a number of instruments,
including the organ in Algiers Cathedral, which had been silent for years.
Having been invalided out of active service in Italy, he joined the Army
Welfare Service and during his convalescence he repaired a 17th-century organ
in Trani.

After the war he assisted the London Diocese in getting
organs working again in bomb-damaged churches. He set up a workshop in an old
butcher’s shop in Collier Street before moving in 1946 into the old
buildings of St. Peter’s School in Bethnal Green, where the firm remains
to this day. In 1948 he married Enid Watson with whom he had five children,
living over the workshop in Bethnal Green. Most of his early work revolved
around the rebuilding of organs, many of which survive to this day.

He always had an affection for historic instruments and
restored a number of antique chamber organs, setting new standards for the time
with his sympathetic appreciation and restoration of them. Of particular note
was the restoration of the 17th-century organ at Adlington Hall in Cheshire in
1958-59, which was in a completely desolate state. It had not been
playable for perhaps a century, 
but with painstaking care the organ was restored and remains one of the
most important survivors in England.

In the 1960s he became aware that interest was growing in
tracker-action organs in the rest of Europe, and this encouraged him to
investigate this form of action himself, initially in the restoration of
instruments (which otherwise might have been electrified) and then in new
organs. Ultimately a number of such instruments were built including the export
of some to places such as Bermuda and the Sir Winston Churchill Memorial
Foundation in Fulton, Missouri.

Having been involved with the rebuilding of a number of
large organs, he was awarded the contract to rebuild the organ in St.
Paul’s Cathedral in London during the 1970s. This project, lasting almost
five years, was perhaps his greatest pride and was completed just in time for
the Queen’s Silver Jubilee celebrations at St. Paul’s. In 1978 H.M.
Queen Elizabeth made him a Member of the Order of the British Empire (MBE). He
retired in 1983 to his home in Suffolk, but retained an interest in what the
firm was doing right to the end. The 60th anniversary of the Mander firm was
marked in 1996 by publication of a collection of essays in his honor entitled
Fanfare for an Organ Builder.

Noel Mander’s interests were by no means restricted to
organs. He was a keen historian and an avid bookworm. He was a Fellow of the
Society of Antiquaries and very active in the Council of Christians and Jews
for many years. He became a very popular member of the Earl Soham community in
Suffolk, where he retired to in 1983. He was also the British representative
for the Sir Winston Churchill Foundation in Missouri and secured a number of
significant pieces of antique furniture for the Wren church rebuilt there,
including, during the last year of his life, a fine 18th-century pulpit that
had once stood in a City church.

Philip Marshall, who
served as organist at both Ripon and Lincoln cathedrals, died on July 16. Born
in Brighouse in 1921, his early studies were with Whiteley Singleton, a pupil
of Edward Bairstow. He gained an Associateship of the Royal College of Music,
and in 1946 won three prizes in the Fellowship examination of the Royal College
of Organists. He earned his BMus at Durham in 1950, by which time he was
assistant to Melville Cook at Leeds Parish Church. He also served as organist
at All Souls, Haley Hill, Halifax, where he met Margaret Bradbury, whom he
married in 1951, and who survives him. The Marshalls moved that year to Boston,
working at the Parish Church and Grammar School. By 1957,
style="mso-spacerun: yes">  Philip Marshall had completed his
doctorate at Durham, studying with Bairstow’s York successor, Francis
Jackson, and was appointed organist at Ripon Cathedral. Founding the choir
school, rebuilding the cathedral instrument and producing a chant book were
highlights of his tenure at Ripon.

An accomplished model engineer, organbuilder and composer as
well as an outstanding organist, accompanist and teacher, Dr. Marshall served
as organist and master of the choristers at Lincoln Cathedral for 20 years
until retirement in 1986. The Dean and Chapter named him Organist Emeritus in
the early 1990s.

Dorothy Hildegard Nordblad died of congestive heart failure on September 9 at the Moorings, a
retirement community in Arlington Heights, Illinois. She was 93. A lifelong
member of Ebenezer Lutheran Church in Chicago, she served for 37 years as
organist and director of junior choirs at Edison Park Lutheran Church, where
she directed 60 children in three choirs. Nordblad also taught history, math
and music to hundreds of children, serving the Chicago public schools for 40
years.

The daughter of Swedish immigrants, she was born in Chicago
in 1911 and graduated from Senn High School before attending Northwestern
University, where she received her bachelor’s degree in education in 1932
and a master’s degree in education in 1946.

Her teaching career began at Stewart School, and in the late
1950s Nordblad moved to Beaubien Elementary School on the Northwest Side. In
addition to teaching, she was assistant principal, a position she held until
her retirement in the 1970s. After she moved to the Moorings retirement home,
she organized and directed the choir there, continuing as its director for more
than seven years. Funeral services were held on September 14 at Ebenezer
Lutheran Church, Chicago.

Donald W. Williams,
of Ann Arbor, died September 22 at the Chelsea Retirement Center, Chelsea,
Michigan, following a seven-month battle with cancer. He was 66.

Williams received his bachelor’s degree (1961) and
master’s degree (1962) from Peabody College in Nashville, Tennessee,
where he studied with Scott Withrow. In 1979 he received the DMA from the
University of Michigan, where he studied with Marilyn Mason. At Michigan, he
was given the Palmer Christian Award by the Organ Department of the School of
Music in recognition of his accomplishments in teaching, performing, and choral
conducting.

Dr. Williams served as organist and choirmaster at Zion
Lutheran Church in Ann Arbor from 1963 until 1995, when he became
organist-choirmaster at Chelsea First United Methodist Church, a position he
held until his death. He was a member of the organ faculty of the National
Music Camp in Interlochen, Michigan, from 1966 to 1970, and was adjunct
lecturer in organ at the University of Michigan in the early 1970s. He taught
organ performance and church music at Concordia University in Ann Arbor (1976-95,
1999 until his death). He was co-founder of the Ann Arbor Youth Chorale, which
he directed with Richard Ingram and Ruth Datz from 1987 to 2001, and was
founder and conductor of the American Chorale of Sacred Music.

Williams performed at churches and cathedrals in this
country and abroad, including the National Cathedral and the Shrine of the
Immaculate Conception in Washington, D.C., St. Thomas Episcopal Church in New
York City, St. Joseph’s Oratory in Montreal, and various European venues.
From 1981 to 1985 he performed as a member of Principal VI, a group of
organists from the greater Ann Arbor area. In 1986, he gave the world premiere
of Vincent Persichetti’s last composition, Give Peace, O God.

In addition to the various positions he held in the Ann
Arbor chapter of the American Guild of Organists, Williams was chair of worship
standards and repertoire of the American Choral Directors’ Association
(1995-2001), and a member of the board of the Boy Choir of Ann Arbor from
2000 until his death. He was a life member of Phi Mu Alpha Sinfonia.

Funeral services were held on September 26 at First
Presbyterian Church of Ann Arbor. Williams is survived by his 97-year-old
father, Joel Williams, of Marietta, Georgia.

Herbert E. Nuechterlein passed away May 22, just days before his 90th birthday, which the family did celebrate in his honor as planned. The funeral followed on May 27 at Emmanuel Lutheran Church, where he had long served as director of music. In recognition of his loyalty to his alma mater, the University of Michigan where he received BMus, MMus, and Ph.D. degrees, the Emmanuel choir, in an otherwise traditional Lutheran funeral, sang an unexpected and exuberant performance of the Wolverine Fight Song.
He was born in Bay City (Frankenlust), Michigan on May 26, 1918, and is survived by his wife, Jeanne, three children, five grandchildren, two great grandchildren, and his twin sister. During World War II he served in the U.S. Army as a band leader in the USA and in Germany. He received a Lutheran Teacher Colloquy from Concordia Teacher’s College, River Forest, Illinois, and in addition to his degrees at Michigan he studied at Northwestern University, the Army Music School, and the Westphalian Church Music School in Herford, Germany.
Nuechterlein taught instrumental music in the Grosse Pointe, Michigan public schools from 1946–51, and from 1951–77 served as chair of the music departments at Concordia Junior College and Concordia Senior College, while also an associate professor at Indiana-Purdue, Fort Wayne. From 1952–56 he served as conductor of the Ft. Wayne Philharmonic Chorus, but throughout his years in Ft. Wayne he had a close association with the Philharmonic, using its musicians in the Vespers series he created at Concordia Senior College. Based on an expanded form of the Lutheran liturgy, the Vespers were presented in an architectural masterpiece, Kramer Chapel, designed by Eero Saarinen, with its 90-foot pitched ceiling, reverberant acoustics, and the 53-rank landmark Schlicker organ. The organ put Schlicker on the map and was one of the first instruments of its kind in the U.S. to have a more typically North European specification and voicing with a dramatic open display of pipework.
Nuechterlein’s choirs toured 42 states and Canada and were featured in the Choral Vespers four times a year, which drew capacity attendances. These performances became a vibrant focus in local church music, featuring classics of the Lutheran tradition and an ecumenical breadth of repertoire from the Renaissance to the 20th century. They included motets, settings of the Passion, and 32 Bach cantatas, many of which were first performances in Ft. Wayne. With the closing of the Senior College, the last Vespers in May 1976 featured Brahms’s Ein deutsches Requiem with the full Ft. Wayne Philharmonic.
During his tenure, many famous organists performed in Kramer Chapel, including E. Power Biggs, who played the dedicatory recital of the Schlicker organ, David Craighead, Michael Schneider, Gerre Hancock, Anton Heiller, Piet Kee, Paul Manz, Robert Noehren, Daniel Roth, and Heinz Wunderlich. Dr. Nuechterlein served as music critic for the Ft. Wayne News-Sentinel from 1961–86, provided program notes for the Philharmonic’s Freimann concert series, and contributed articles to several national music and church periodicals.
He was a member of the American Guild of Organists, Association of Lutheran Church Musicians, Music Critics Association (MCANA), American Musicology Society, and Music Educators National Conference. In 1993 Zion Lutheran Church in Dallas, Texas, through its “Heritage Series” honored Dr. Nuechterlein as a “vibrant churchman steadfastly supportive of the gospel and for his devoted Christian service and extensive music ministry.” He was director of music at Emmanuel Lutheran Church, Ft. Wayne from 1951–96 and served as organist at Trinity Lutheran Church, 1988–2007, playing well into his 89th year.
—Joel H. Kuznik

Jerry Ray Witt died January 12 in San Diego, California, at the age of 76. Born November 3, 1931, in La Crosse, Kansas, he began piano lessons at age seven and studied voice and organ in high school. He earned a bachelor of music degree from Bethany College, Lindsborg, Kansas, and then moved to California, where he began a 41-year career in church music in San Diego: at Christ Lutheran Church, Pacific Beach; All Hallows Catholic Church, La Jolla; and finally 28 years at St. Brigid Catholic Church in Pacific Beach before retiring in 1995. He provided funds for a 51-rank Martin Ott organ installed at St. Brigid in 1993 in memory of his mother, as well as an endowment for ongoing concerts. Witt served on the boards of the San Diego AGO chapter, the Spreckels Organ Society, and the Lyric Opera San Diego, as well as on the music and liturgy commission for the Diocese of San Diego. After retirement he sang in the parish choir at Nativity Church in Rancho Santa Fe.

Organist, choir director, composer, and teacher Roberta Bitgood died on April 15 at Lawrence and Memorial Hospital, New London, Connecticut, after a brief illness. She was 99. Dr. Bitgood, formerly of Quaker Hill, had been a resident of the Odd Fellows Home of Connecticut (Fairview) in Groton. She was also known locally as Roberta Wiersma, her married name.
During a long career in sacred music, Bitgood served as minister of music and organist in churches and synagogues throughout the United States. She worked first in New Jersey (Bloomfield), later in California (Riverside), and later still in Connecticut (Mystic and Waterford), as well as in upper New York state (Buffalo) and Michigan (Detroit, Bay City, and Battle Creek). She published more than 70 choral and organ compositions, including several pieces for organ and other instruments, and two choral cantatas based on biblical narratives. Her enthusiasm for making music accessible to all, and the broad scope of her musical activities, made her one of the most well-known 20th-century American music educators. She was known to organists worldwide as a committed yet down-to-earth professional leader, and to volunteer choir singers in many states as an inspiring and witty teacher.
Roberta Bitgood was born in New London on January 15, 1908, and began study of the violin at age 5. As a student at the Williams Memorial Institute (1920–24), she was already well known as a gifted performer on the violin and organ in local churches and school orchestras. Graduating with honors from Connecticut College for Women, she received postgraduate and conservatory training in New York, where she was awarded the William C. Carl Medal upon graduation from the Guilmant Organ School (1930), became a Fellow of the American Guild of Organists (also 1930), and earned a master’s degree in music education from Teacher’s College at Columbia University (1932), a master’s degree in sacred music from Union Theological Seminary (1935), and later the doctoral degree in sacred music (1945), also from Union.
Dr. Bitgood was honored for her achievements and service to her profession and maintained an active relationship with her alma mater through fundraising efforts and performances at annual college reunions. In 1974 she was awarded the Connecticut College Medal, and in 1975 was elected president of the American Guild of Organists, continuing until 1981. In 1976, upon retirement from full-time employment in Michigan, Dr. Bitgood returned to her family home in Connecticut, serving for another 18 years in local churches and synagogues.
In 1993, the New London AGO chapter established an annual scholarship competition for new organists in Dr. Bitgood’s honor, as part of a celebration of her contributions to sacred music and her 85th birthday. After retiring from professional life in 1999, Dr. Bitgood remained at home under the care of her family until 2003, when she moved to Groton. A memorial service took place April 21 at St. James Church, New London. Contributions may be made to the New London AGO-Bitgood Scholarship (P.O. Box 423, Quaker Hill, CT 06375), or to the Visiting Nurses Association of Southeastern Connecticut (Waterford).

Giuseppe G. Englert died of cancer on March 29 in Paris. He was 80. Born to Swiss parents in Fiesole, Italy, in 1927, he studied theory and composition with Willy Burkhard at the Zurich Conservatory (1945–48). From 1958 to 1963 he took part in the international summer courses at Darmstadt, attending seminars given by Leibowitz and Cage, among others. From 1970 to 1982 he taught at the University of Paris VIII–Vincennes, where he became a member of the computer department’s Art et Informatique group in 1973. From 1964 to 1969 he was a co-director of the Centre de Musique, an organization founded by Keith Humble that promoted performances of new music at the American Center for Students and Artists in Paris. He joined the Groupe Art et Informatique de Vincennes (GAIV) in the computer department of the same university in 1973. As a composer and performer he toured Europe, Israel, and the United States. Since 1986 he was associated with the Groupe d’Etude et Réalisation Musicales (GERM) founded by Pierre Mariétan in Paris.
In the 1950s Englert studied organ with André Marchal and substituted for him at the church of St. Eustache in Paris. He accompanied André Marchal on a number of his American tours and gave lectures on organbuilding at several American universities. In 1956 he attended the Organ Institute at Methuen Memorial Hall, where he was the translator for André Marchal. He assisted Peter Bartok in the Unicorn recordings of Marchal in 1957 at MIT in Cambridge. In 1961 in Oberlin, Ohio, he lectured on French organbuilding and at the 1963 Midwinter Conference on Church Music at Northwestern University, Evanston. He was married to Jacqueline Marchal in 1954. American organists familiar with Langlais’ Organ Book may remember that it was dedicated to Jacqueline Marchal as a wedding gift and the last piece, “Pasticcio,” contains the names of both Jacqueline and Giuseppe.
Englert’s works include orchestral pieces, chamber music, compositions for organ, cello, and works for ‘new music theatre’ and electronic music on tape for live performance using analog and digital means of production. In 1975 and 1976 he worked in the digital electronic music studio at SUNY/Albany, in 1977 at the New York Experimental Intermedia Foundation, and in 1978 in San Diego for the Ford Foundation at the Center for Music Experiment (CME).
Englert’s works for organ include: Palestra 64 (1959–64) and GZ50 Musica Barbara pro Organo (1979), the latter recorded by Gerd Zacher. In reference to his compositions for organ he stated:
The organ has always played a major role in my musical thinking. But it may be precisely because I know the instrument so well that I’ve written so little for it. The problem with the organ is that no two instruments are identical. Consequently the interpreter needs far more freedom because he or she has to play a piece differently depending on the instrument and the hall or church in which it stands. When I began working with a computer, I was thrilled by the possibility of programming the necessary freedom into an organ composition, in other words, of using a computer program to determine and define indeterminacy. That led to GZ50, the organ piece I wrote for Gerd Zacher’s fiftieth birthday. It gives Zacher enormous freedom of interpretation. Time values are notated proportionally, but the duration of each page is not fixed. That leaves tempo completely to the performer, and the same holds true for tone color.
Until his last days he was surrounded by his former students and his nurses who recalled that they took him to a piano where he improvised a fugue. A large number of friends, colleagues, and former students attended the graveside funeral held April 2 at Père-Lachaise Cemetery. During the interment, Marchal’s recordings of portions of Bach’s Orgelbüchlein were played, interspersed with readings and tributes. Englert is survived by his wife, Jacqueline Englert-Marchal, a nephew and a niece. Contributions may be made to the Académie André Marchal, c/o Ralph Tilden, “Longview,” P.O. Box 2254, Banner Elk, NC 28604.
—Ann Labounsky

Kenneth W. Matthews died January 19 in San Francisco at the age of 54. Born in Atlanta, Georgia, his first music lessons were with his father, who played organ in churches and in restaurants. Matthews earned a BA in music from Stetson University in 1976 and an MA in sacred music from Yale Divinity School in 1978. He then moved to San Francisco to study with Richard Purvis at Grace Cathedral. He also studied in Paris with Marie-Louise Langlais and played recitals in France.
Matthews was director of music at Old First Presbyterian Church in San Francisco from 1998 until his death. He had previously served All Saints Episcopal Church and the First Church of Christ, Scientist, in San Francisco, the First Unitarian Church of Berkeley, and St. Stephen’s Episcopal Church in Belvedere. He also supervised the support staff at Boalt Hall at the University of California, Berkeley, 1990–96. He played recitals at the California Palace of the Legion of Honor and at national conventions of the Organ Historical Society. A memorial service took place at Old First Presbyterian Church on February 24.
Monsignor Richard J. Schuler, a major figure in sacred music in the 20th century and founder of the Church Music Association of America, died April 20 at the age of 87. Monsignor Schuler served as pastor at St. Agnes Church in St. Paul, Minnesota, for 32 years, from 1969–2001, and was the founding director of the Twin Cities Catholic Chorale in 1956.
Born in Minneapolis, Minnesota, December 30, 1920, he attended DeLaSalle High School and the College of St. Thomas before entering the St. Paul Seminary. He was ordained a priest on August 18, 1945, and was assigned to Nazareth Hall Preparatory Seminary to teach Latin and music. He held music degrees from the Eastman School of Music (M.A.) and the University of Minnesota (Ph.D.), and in 1954 spent a year of study of Renaissance music manuscripts at the Vatican Library on a Fulbright scholarship from the United States government.
An excellent organist and overall musician, he was also a pioneer in the use of large-scale polyphony and symphonic sung Masses after the Second Vatican Council. He is the author of many articles and lengthy studies on music and the liturgy. A funeral mass took place on April 24 at St. Agnes Church in St. Paul. Members of the Twin Cities Catholic Chorale sang the Mozart Requiem with orchestral accompaniment.

Gordon T. Whitley died April 20 at Obici Hospital in Suffolk, Virginia, from congestive heart failure. He was 66. Born November 16, 1940, to Moses and Mary Whitley in Suffolk, he attended Peabody Conservatory. His business included ownership of a beauty salon located in his home. Churches he had served as organist and choirmaster included St. Bride’s Episcopal, Norfolk, Virginia, Faith Lutheran Church in Suffolk, and Murfreesboro (North Carolina) Baptist Church. At the time of his death he was a countertenor in the choir at Trinity Episcopal Church in Portsmouth, Virginia.
Whitley was a member of St. Grace and St. Peter’s Episcopal Church in Baltimore. A former dean of AGO chapters in Maryland and Virginia, he was a member of Northeastern North Carolina AGO chapter, serving as dean from 1997–1999. He was a member of the Association of Anglican Musicians and the Friends of European Cathedrals. Survivors include a niece and a sister-in-law. A memorial service was held on April 22 at R. W. Baker Funeral Home Chapel in Suffolk.
—Rodney Trueblood

Alec Wyton died on March 18 at Danbury Hospital in Danbury, Connecticut, at the age of 85. He had been a resident of Ridgefield, Connecticut, for the last 20 years. His career included two decades as organist and choirmaster at the Cathedral of St. John the Divine in New York City. He was president of the American Guild of Organists 1964–69 and twice served as dean of the New York City chapter.
Born in London on August 3, 1921, he received his early musical training as a boy chorister and held his first job as organist at age 11. He earned the BA from the Royal Academy of Music and the MA from Oxford University and was awarded fellowships in five professional societies. In 1946 he was appointed organist-choirmaster at St. Matthew’s Church, Northampton, and also served as conductor of the Northampton Bach Choir and Orchestra. In 1950 he was appointed organist-choirmaster at Christ Church Cathedral in St. Louis, Missouri. In 1954 he was appointed to the Cathedral of St. John the Divine in New York City, where he also served as headmaster of the cathedral choir school 1954–62.
Wyton left the cathedral in 1974 to become organist-choirmaster at St. James’ Church, Madison Avenue, in New York City. At that time he also became coordinator of the Standing Commission on Church Music that produced The Hymnal 1982 for the Episcopal Church. In 1987 he left St. James’ Church to become minister of music at St. Stephen’s Episcopal Church in Ridgefield, Connecticut, a position he held until his retirement in 1997.
Wyton’s published compositions number more than 100. In addition to his work on the Standing Commission on Church Music, he edited numerous publications, including Anglican Chant Psalter (Church Publishing, Inc.), and he was a member of the editorial team that produced Ecumenical Praise (Hope Publishing).
Wyton founded the church music department at the Manhattan School of Music in 1984, serving as chairman until 1990. He also taught at Union Theological Seminary in New York City and was chairman of the music department at Westminster Choir College in Princeton, New Jersey. He was awarded honorary doctorates from Susquehanna University and Virginia Theological Seminary. Services were held at St. Stephen’s Episcopal Church in Ridgefield, Connecticut.