Nunc Dimittis

Clyde Holloway died December 18, 2013, in Houston, Texas. He was 77 years old. The Herbert S. Autrey Professor Emeritus of Organ at Rice University’s Shepherd School of Music in Houston, Holloway earned B.Mus. (1957) and M.Mus. (1959) degrees from the University of Oklahoma, studying with Mildred Andrews, and the S.M.D. degree in 1974 from Union Theological Seminary, studying with Robert Baker.

Holloway’s concert career began in 1964 when he won the National Young Artists Competition of the American Guild of Organists (AGO) in Philadelphia. He performed under the auspices of Karen McFarlane Artists, and was a featured artist at numerous AGO conventions, also appearing in recital in Mexico City, the West Indies, and Europe.

His doctoral dissertation, The Organ Works of Olivier Messiaen and Their Importance in His Total Oeuvre, remains an important monograph concerning this music. Holloway worked with the composer on several occasions, examined his works at the organ of the Church of the Holy Trinity in Paris, and performed under his supervision. As a Fulbright Scholar at the Amsterdam Conservatory, he worked with Gustav Leonhardt in the study of organ, harpsichord, and chamber music.

Clyde Holloway began his teaching career in 1965 as the youngest member of the Indiana University School of Music faculty. In 1977, he joined the faculty of Rice University’s Shepherd School of Music, where he established the organ program and served as Chairman of the Keyboard Department and Director of Graduate Studies. The school’s widely acclaimed Fisk-Rosales organ embodies his unique understanding of how numerous organ-building traditions and tonal designs are manifested in organ literature and will be considered his most profound contribution to Rice University, Houston, and the larger musical world. He also served as organist and choirmaster of Christ Church Cathedral in Houston for many years; in 1993, he was named Honorary Lay Canon and Organist and Choirmaster Emeritus.

Renowned as a gifted pedagogue, Dr. Holloway served on the AGO’s Committee for Professional Education, addressed two conferences of the National Conference on Organ Pedagogy, led workshops and masterclasses, and served as a member of the jury for numerous competitions, including the Concours de Europe, the Fort Wayne Competition, the Music Teachers National Association Competition, the National Young Artists Competition of the American Guild of Organists, and the Grand Prix de Chartres. In 1994 he was invited to perform for the Bicentennial Festival of the celebrated Clicquot organ in the Cathedral of Poitiers, France, and served as a member of the jury for the international competition held at the end of the ten-day festival. 

Sylvie Poirier, 65 years old, passed away December 21, 2013 in Montréal of cancer. Born in Montréal on February 15, 1948 into a family of artists, her father was a goldsmith jeweller, and her mother, a painter and sculptor, was a pupil of the renowned painter Paul-Emile Borduas. Influenced by her parents, she began drawing and painting, and studied piano from an early age and later studied organ at l’Ecole de Musique Vincent d’Indy, Montréal. In 1970 she gained her baccalaureat in the class of Françoise Aubut and went on to study at the Conservatoire de Musique de Montréal with Bernard Lagacé, with whom she obtained her Premier Prix in 1975. In 1976 Poirier studied at l’Université de Montréal with the blind French organist Antoine Reboulot. From 1977–1983 she was professeur affilié at l’Ecole de Musique Vincent d’Indy, presenting private music and drawing courses around Montréal.

In 1983 she became the Founding President of “Unimusica Inc.” whose objective was to bring together the art forms of music, painting, enamels, as well as poetry and photography. At the invitation of the oncologist founder of “Vie nouvelle” at Hôtel-Dieu Hospital, Montréal, Poirier taught a course specifically designed for cancer patients entitled “Psychology of Life through Drawing” in the 1980s. 

She gave recitals in North America and Europe and broadcast many times for Radio Canada. Her organ duet career with her husband Philip Crozier spanned eighteen years, with eight commissioned and premièred works, numerous concerts in many countries, several broadcasts at home and abroad, and three CDs of original organ duets.

Sylvie Poirier also recorded Jean Langlais’ Première Symphonie, and Petr Eben’s Job and The Labyrinth of the World and the Paradise of the Heart; she gave the latter work’s North American première of the published version in Montréal in 2005. Poirier was also an accomplished painter and portraitist; examples of her work can be found at sylviepoirier.com.

She was predeceased by her only son Frédéric (30) in 2007. Sylvie Poirier is survived by her husband, Philip Crozier.

Phares L. Steiner died in Louisville, Kentucky, on September 14, 2013 at age 85. Born in Lima, Ohio, Steiner earned a bachelor’s degree in organ at the Cincinnati Conservatory of Music, and a master’s degree in organ performance at the University of Michigan in 1952, where he studied with Robert Noehren and where he began his career as an organ builder, at first working with Noehren. In 1953 with Noehren as consultant, Steiner designed the prototype of an electric-action slider chest. After service in the Army he worked with Fouser Associates in Birmingham, Michigan from 1955 to 1957. He established Steiner Organs Inc. in 1959 in Cincinnati, Ohio, and in 1962 relocated to Louisville, where he was joined in 1966 by Gottfried Reck from Kleuker in Germany. They incorporated in 1968 as Steiner Reck Inc.; Steiner was responsible for tonal matters of more than 90 organs, many of which were mechanical action. 

After retiring from Steiner Reck in 1988, he continued pipe organ work on a freelance basis, including working at Webber & Borne Organ Builders, and R.A. Daffer in the Washington, D.C. area while living in Columbia, Maryland. Phares Steiner returned to Louisville in 2003 with his family, where they became members of the Cathedral of the Assumption, home to one of his largest instruments.  

A charter member of the American Institute of Organbuilders, Steiner was also an active member of APOBA at Steiner Reck and a member of Phi Mu Alpha music fraternity. He also served as organist at several churches, including St. Louis Catholic Church in Clarkesville, Maryland, and Trinity Catholic Church, Louisville. 

Phares L. Steiner is survived by his wife Ellen Heineman Steiner, daughter Adrienne, son Paul, and brother, Donald F. Steiner M.D.

Marianne Webb, 77, of Carbondale, Illinois, died December 7, 2013, at Parkway Manor in Marion, Illinois, from metastatic breast cancer, which she had for the past 20 years. She enjoyed a lengthy and distinguished career as a recitalist and professor of music at Southern Illinois University Carbondale (SIUC).

Miss Webb was born on October 4, 1936, in Topeka, Kansas where she exhibited an early passion for organ music. While in Topeka, she began her studies with Richard M. Gayhart and continued with Jerald Hamilton at Washburn University, where she earned her Bachelor of Music degree, summa cum laude, in 1958. She obtained the Master of Music degree, with highest distinction, from the University of Michigan (1959), as a scholarship student of Marilyn Mason. Further study was with Max Miller of Boston University and Robert Noehren at the University of Michigan.

After teaching organ and piano at Iowa State University for two years, she continued her studies in Paris as a Fulbright scholar with André Marchal. Further graduate study was with Arthur Poister at Syracuse University and Russell Saunders at the Eastman School of Music.

Marianne Webb taught organ and music theory and served as university organist at Southern Illinois University Carbondale from 1965 until her retirement in 2001 as professor emerita of music. She continued to serve as visiting professor and distinguished university organist for an additional 11 years. During her tenure, she built a thriving organ department and established, organized, and directed the nationally acclaimed SIUC Organ Festivals (1966–1980), the first of their kind in the country. The school’s 58-rank Reuter pipe organ she sought funding for and designed was named in her honor.

Miss Webb married David N. Bateman on October 3, 1970, in Carbondale. Together they gave the endowment that established in perpetuity the Marianne Webb and David N. Bateman Distinguished Organ Recital Series that presents each year outstanding, well-established concert organists in recital for the residents of southern Illinois.

As a concert artist, Marianne Webb toured extensively throughout the United States, performing for American Guild of Organists (AGO) chapters, churches, colleges and universities. In addition, she maintained an active schedule of workshops, master classes, and seminars for church music conferences. A member of the AGO, she served the guild as a member of the national committees on Educational Resources, Chapter Development, and Membership Development and Chapter Support. Locally, she re-established the Southern Illinois Chapter of the AGO in 1983 and served as its dean for six years. She performed recitals and presented workshops at numerous AGO national and regional conventions. For many years she concertized under the auspices of the Phillip Truckenbrod Concert Artists. She recorded on the ProOrgano and Pleiades labels and was featured on the nationally syndicated American Public Media program “Pipedreams.” 

Miss Webb maintained a balanced career as both performer and teacher. Her students have distinguished themselves by winning local, area, and national competitions. A sought-after adjudicator, Miss Webb was a member of the jury for many of the country’s most prestigious competitions. She also served as an organ consultant to numerous churches in the Midwest.

A special collection, which bears her name, is housed in the University Archives of Morris Library on the SIUC campus. Upon completion, this collection will include all of her professional books, music, recordings, and papers. Her “Collection of Sacred Music” has been appraised as “one of the largest private gatherings of sacred music in the world with a particular emphasis on the pipe organ.”

Among numerous honors during her long and distinguished career, Miss Webb has received the Distinguished Service Award from Southern Illinois University Carbondale, life membership in the Fulbright Association, the AGO’s Edward A. Hansen Leadership Award recognizing her outstanding leadership in the Guild, and the St. Louis AGO Chapter’s Avis Blewett Award, given for outstanding contributions to the field of organ and/or sacred music. From the Theta Chapter of Sigma Alpha Iota at Washburn University she received the Sword of Honor and the Honor Certificate.

Miss Webb is survived by her twin sister, Peggy Westlund; a niece, Allison Langford; a nephew, Todd Westlund; a godson, R. Kurt Barnhardt, PhD; and her former husband, Dr. David N. Bateman.

Throughout her lifetime Miss Webb was confronted with great adversities, which she overcame to become a nationally recognized organ teacher and recitalist. She leaves an impressive legacy of students holding positions of prominence in colleges and churches throughout the United States. She will be remembered not only for her musical artistry and excellence in teaching, but as a woman of quiet strength, courage, and abiding faith. In gratitude to God for her lifelong career, she established the St. Cecilia Recital Endowment in 2007 to present world-renowned concert organists in recital during the biennial national conventions of the American Guild of Organists.

At a later date, a memorial organ recital played by Paul Jacobs will take place in Shryock Auditorium, Southern Illinois University Carbondale. Memorials may be sent to SIU Foundation to benefit the Distinguished Organ Recital Series Endowment. 

—Dennis C. Wendell

Leonard Edwin Bearse Sr. died in Amesbury, Massachusetts on May 4, at the age of 73. Born in Hyannis, Bearse had his first church job at age 14, at the First Baptist Church there. He studied the organ in Germany while serving with the Armed Forces there, and studied choral conducting with Robert Shaw. He earned a master of music degree from the New England Conservatory of Music in Boston, studying organ with Donald Willing. He was a public school teacher in various eastern Massachusetts towns, and held music positions in various churches, most recently as minister of music at the Congregational Church in Kensington, New Hampshire, where he played his last service on March 16. Leonard Bearse is survived by his wife, Ellen, and his children Leonard E. Jr., Bruce, and Stephanie.

Michael Cohen, age 69, died June 21 in Asheville, North Carolina. A native of Tampa, Florida, he earned bachelor’s and master’s degrees in music from Florida State University–Tallahassee. He taught music in the Florida public schools for 39 years, and was organist-music director for the Church of the Holy Spirit in Apopka, Florida, for the past 17 years. A past dean of the Central Florida AGO chapter, he was a member of the Winter Park Bach Festival Choir. Michael Cohen is survived by his partner, Carl Brown; his brother Paul (and wife Donna), and brother Joel (and partner Barry Dingman).

Robert E. Glasgow, Professor Emeritus at the University of Michigan School of Music, noted concert organist, and one of the most widely respected artists in the field of organ performance and pedagogy, died on September 10 in Ann Arbor, Michigan. He was 83.
Professor Glasgow taught organ at the University of Michigan School of Music for 44 years. He received his B.M. and M.M. degrees from the Eastman School of Music in 1950 and 1951, respectively, earning Eastman’s Performer’s Certificate as well. At Eastman, he studied with Harold Gleason. From 1951 to 1962, he was associate professor of organ and college organist at MacMurray College in Jacksonville, Illinois. He joined the University of Michigan School of Music in 1962 as assistant professor, and was promoted to associate professor in 1964, full professor in 1973, and professor emeritus in 2006.
In 1973, Glasgow was awarded the Doctor of Musical Arts degree, honoris causa, by MacMurray College in Jacksonville, Illinois. The New York Chapter of the American Guild of Organists named him International Performer of the Year for 1997. Glasgow returned to his alma mater in January 2002, where he was given the school’s Alumni Achievement Award. On the same occasion, he taught a masterclass, influencing yet another generation of Eastman students. Glasgow’s faculty colleagues at the University of Michigan also recognized his pedagogical efforts by awarding him the Harold Haugh Award for excellence in the teaching of performance.
For over 50 years, he successfully combined a brilliant teaching career with an impressive career as a concert organist, both in the United States and abroad. He was best known for his stirring performances of the organ literature of the 19th century, and was regarded by some as the greatest living interpreter of Romantic organ music. He was a regularly featured performer for national and regional conventions of the American Guild of Organists as well as the International Congress of Organists. He was selected to perform and teach at the American Classic Organ Symposium on the occasion of the completion of the renovation of the great Tabernacle Organ at the Church of Jesus Christ of Latter-day Saints in Salt Lake City, Utah.
Dr. Glasgow’s performances of the music of Liszt, Mendelssohn, Schumann, Widor, Vierne, and especially César Franck were legendary; in one review he was given the appropriate nickname “the Philadelphia Orchestra of Organists.” In addition to a number of broadcast recordings for the BBC, Glasgow made one commercial recording for Prestant Records in 1987, Robert Glasgow plays César Franck, recorded on the Aeolian-Skinner organ in All Saints Church, Worcester, Massachusetts.
A leading educator of uncompromising standards, Robert Glasgow helped to form some of the most gifted organists in the world. His students are to be found in important church and academic positions throughout the United States. He was an artist in the truest sense, and a teacher who constantly reminded his students that they must not strive merely to be organists, but always musicians— communicating musical ideas in spite of the inherent difficulty of the instrument.
Robert Ellison Glasgow was born on May 30, 1925 in Oklahoma City, Oklahoma, the son of Floyd Lafayette Glasgow and Elizabeth Mary Jenkins. His death is mourned by his many devoted students, friends, and colleagues. (See the interview with Stephen Egler, “Robert Glasgow at 80,” The Diapason, May 2005.)
—Ray Henry
Rochester, Michigan

Walter A. Guzowski died September 17 in Fort Lauderdale, Florida. He was 68. Born and raised in Buffalo, New York, his career had a dramatic beginning. While still a high school student, he observed an organ technician tuning the Schlicker organ at his church, and informed the pastor that he could do what the technician had done, and save the church some money. Later, while doing some tuning, Guzowski slipped off the walkboard onto the chest below, crushing numerous pipes; to rectify this, his father brought him to Herman Schlicker, and Guzowski began working at the Schlicker Organ Company, where he worked (except for two years serving in the Army) until 1979. While at Schlicker he became head voicer and tonal finisher, working on a range of instruments, from two-rank residence organs to the large organ at First Congregational Church in Los Angeles. After moving to Fort Lauderdale in 1979, he founded a service business, which with John A. Steppe and Christopher B. Kane, became Guzowski & Steppe Organbuilders, Inc. in 1983. Walter Guzowski is survived by his sister Margaret, her husband Walter, and cousins and friends.

Gerhard Krapf died in Edmonton, Alberta, Canada, on July 2. He was 83. Krapf was renowned for his organ, choral, and vocal compositions, his scholarly writings on the organ, his teaching at the University of Alberta (1977–87, for which he was named professor emeritus), and for designing the 1978 Casavant organ there. He contributed significantly to the development of graduate programs in keyboard and library resources at the University of Alberta; in the 1960s, he had established and built the undergraduate and graduate organ programs at the University of Iowa’s School of Music. Gerhard Krapf is survived by his wife, Trudl, three daughters, a son, a brother, sister, and four grandchildren.

John S. Peragallo, Jr. died Friday, September 12 at the Hospice of New Jersey, Wayne, New Jersey, at age 76. Born in New York City and a lifelong resident of Paterson, he took several classes at the Newark College of Engineering, and served in the U.S. Army during the Korean Conflict as a chaplain’s assistant and in the honor guard.
As a boy he helped his father in the family business, the Peragallo Pipe Organ Company, founded by his father, John Peragallo, Sr., in 1918. John Jr. joined the company in 1949. He was responsible for the construction and care of many of the pipe organs of New Jersey and the complete renovation of the organs at St. Patrick’s Cathedral, New York City. John Jr.’s sons, John III and Frank, have been actively involved in the family business since the 1980s and now have a fourth generation of Peragallos, Janine, Anthony and John IV, to work alongside them. The company has installed almost 700 new instruments and currently maintains approximately 400 instruments, up and down the East Coast of the United States, including the organs of St. Patrick’s Cathedral in New York.

Martha Novak Clinkscale, American musicologist and researcher in the history of the early piano, died in Dallas on April 24 from injuries sustained in an automobile accident. Born in Akron, Ohio (June 16, 1933), Dr. Clinkscale held piano performance degrees from the University of Louisville (Kentucky) and Yale University, and the PhD in musicology from the University of Minnesota. Her two-volume study Makers of the Piano 1700–1820 and Makers of the Piano 1820–1860 (both published by Oxford University Press) comprises nearly a thousand pages of carefully detailed information about extant instruments: an invaluable and oft-quoted source.
The introductory essays to these books immediately reveal both a mastery of vocabulary and the wide-ranging extent and geographical distribution of the many colleagues who contributed information about the instruments listed. Two short examples from the second volume: “Those musicians who preferred the caress of the clavichord’s tangent found in the early square pianoforte a felicitous addition to their musical experience” (p. ix); “[This book] is not intended to be a frivolous addition to its owners’ libraries. It seeks to inform . . .” (p. x).
Precise and carefully crafted prose as well as the avowed intent to maintain a consistency of style were also hallmarks of the author’s approach to life. John Watson, creator of the technical drawings accompanying the second volume and primary collaborator in a related online database Early Pianos 1720–1860, summed it up succinctly: “She was an elegant woman.”
Martha Clinkscale served the American musical community in many capacities, including as editor of the Journal of the American Musical Instrument Society (1993–6) and as treasurer of the Southeastern Historical Keyboard Society (2004–8). She taught at the University of California, Riverside (1979–96) and the Meadows School of the Arts at Southern Methodist University (1998–2004), where she was also a member of the organ department’s examining juries each semester of her years in Dallas.
Survivors include daughter Lise Loeffler-Welton and son Thor Loeffler, as well as professional colleagues and friends on both sides of the Atlantic Ocean.
—Larry Palmer

Anna G. Fiore-Smith died in Fall River, Rhode Island, on November 11, 2009, at the age of 81. She studied piano at the New England Conservatory and the Juilliard School, and studied organ with Homer Humphrey and later with George Faxon at the New England Conservatory; she also studied with Nadia Boulanger at Fontainebleau, France, winning first prizes in piano, organ, chamber music, and solfège. Fiore-Smith served as organist and choir director at St. Stephen’s Church, the Church of the Ascension, and Temple Beth El, all in Providence, R.I., and later at the Barrington Congregational Church; she also taught organ at Barrington College. A former dean of the Rhode Island AGO chapter, her name was given to a chapter award that is bestowed on a member organist who typifies her devotion to the organ. She was also active in the Greater Fall River Symphony Society, and was a member of its first executive board. Anna G. Fiore-Smith was preceded in death by her husband, Harold N. Smith; she is survived by her brother and sister-in-law, Faust D. and Susanne Fiore, and many nieces and nephews.

Martin Owen Gemoets died on February 3 in Galveston, Texas. He was 42. He earned a bachelor’s degree at the University of Houston, and a master’s degree in organ from the University of North Texas at Denton in 1996. A member of the Dallas and later Fort Worth AGO chapter, Gemoets held the AAGO and ChM certifications and promoted interest in the certification exams, writing articles on music history for the Fort Worth chapter’s newsletter. He was working toward his FAGO certification. He had recently relocated to Galveston. Martin Owen Gemoets was interred next to his father in Houston during a private graveside service.

Donald M. Gillett died April 3 in Hagerstown, Maryland, at the age of 90. He was the last president of the Aeolian-Skinner Organ Company of Boston, Massachusetts, which closed in 1972. Born April 8, 1919, in Southwick, Massachusetts, he earned a degree in business administration from the University of Maryland. He served four years in the Army Air Corps, stationed in Midland, Texas, as a chaplain’s assistant.
Don’s musical interest started when he was four years old, his parents having taken him to a number of organ recitals at the Municipal Auditorium in Springfield, Massachusetts. He started piano lessons at age six with Dorothy Mulroney, the Municipal Auditorium organist. After moving to Washington, D.C., he studied piano and organ with Lewis Atwater, organist at All Souls Unitarian Church and also Washington Hebrew Congregation. Don’s interest in organbuilding also started with the study of the organ.
His first organbuilding job was with Lewis & Hitchcock in Washington, D.C. Four years later in 1951, with a desire to learn voicing and tonal finishing, he was hired at Aeolian-Skinner, working under G. Donald Harrison and reed voicer Herbert Pratt. In later years, Don became a vice president and head tonal finisher. Upon the retirement of Joseph Whiteford in 1968, Don was offered the opportunity to buy up controlling interest in Aeolian-Skinner, and then became president and tonal director.
In the early 1970s, Aeolian-Skinner was building its last three instruments: St. Bartholomew’s NYC, Trinity Wall Street, and the Kennedy Center in Washington, D.C. The company was in the final stages of Chapter 11 and eventual closing. Don’s last finishing for Aeolian-Skinner was the Kennedy Center.
In March 1972, Riley Daniels, president of the M. P. Möller Organ Company in Hagerstown, offered Don a job at Möller as head flue pipe voicer. After the death of John Hose, Möller’s tonal director, Don became tonal director, and eventually vice president. He retired from Möller in 1991.
Also an avid art collector, he served on the Board of Directors of the Washington County (Maryland) Museum of Fine Arts. Donald M. Gillett is survived by his companion of 40 years, Warren S. Goding of Hagerstown; sister-in-law, Jane Mace of Palm City, Florida; and cousin, Mary Davis of Fort Lee, New Jersey.
—Irv Lawless
Hagerstown, Maryland

Frances M. Heusinkveld, 83 years old, died February 22 in Forest City, Iowa. She attended Northwestern Junior College in Orange City, Iowa, and Central College in Pella, where she studied piano and began organ lessons. She pursued a master’s degree in piano at the University of Iowa and later eared a Ph.D. in organ literature there. Heusinkveld taught in various schools in Iowa, including Upper Iowa University and for 33 years at Buena Vista College in Storm Lake, where she taught theory, music appreciation, piano, and organ. She was also organist of the United Methodist Church in Storm Lake, where she helped the church install a Bedient organ in 2002. Heusinkveld earned the Service Playing, Colleague, and AAGO certifications, and served as dean of the Buena Vista AGO chapter; she also played the cello and was a member of the Cherokee Symphony Orchestra. She enjoyed the study of foreign languages and traveled extensively. Frances M. Heusinkveld is survived by two brothers and many nieces and nephews.

Richard Dunn Howell died January 26 in Dallas. He was 78. Born in Great Bend, Kansas, he began playing for church services at Grace Presbyterian Church in Wichita at the age of 13. He graduated from Wichita University in 1954 and Perkins School of Theology at Southern Methodist University in 1957; he received a master of sacred music degree from Southern Methodist University in 1966. Howell taught elementary music in Richardson and Dallas, and played for many children’s, youth, and adult choirs. He also directed various handbell ensembles. In the course of his activities, he worked with Austin Lovelace and Lloyd Pfautsch. Richard Dunn Howell is survived by his wife of 52 years, Bradley Sue, three children, and three grandchildren.

Austin C. Lovelace, composer and church organist, and Minister of Music, Emeritus, at Wellshire Presbyterian Church in Denver, died April 25 at the age of 91. Born March 26, 1919, in Rutherfordton, North Carolina, he began serving as a church organist when he was 15 and went on to do workshops and recitals in 45 states and six countries. He earned his bachelor’s degree in music at High Point College in North Carolina in 1939 and his master’s (1941) and doctorate (1950) in sacred music from Union Theological Seminary in New York City.
Lovelace was a chaplain’s assistant in the Navy and served as minister of music at a number of churches, including First Baptist Church and First Methodist in High Point, North Carolina; Holy Trinity Episcopal, Lincoln, Nebraska; Myers Park Presbyterian Church and Myers Park Baptist, Charlotte, North Carolina; First Presbyterian Church, Greensboro; First Methodist, Evanston, Illinois; Christ Methodist, New York City; Lover’s Lane Methodist in Dallas, and Montview Boulevard Presbyterian Church and Wellshire Presbyterian in Denver.
He was still filling in as organist at area churches when he was 87. He taught at several colleges, including Queen’s College and Davidson College in North Carolina, Union Theological Seminary, Iliff School of Theology in Denver, and Garrett Theological Seminary in Evanston, Illinois.
Lovelace was fond of jazz. Twice, he had Dave Brubeck and Duke Ellington, both with their bands, join the choir at Montview Boulevard Presbyterian Church for performances. Lovelace, known for his sense of humor, wrote five books, including “Hymns That Jesus Would Not Have Liked.” A prolific writer and composer, Lovelace has several hundred compositions in print, as well as numerous articles and books on church hymnody; he was involved with twenty denominations in the development of their hymnals. A past president and Fellow of the Hymn Society of America, Lovelace was also active in the American Guild of Organists, including serving as dean of the North Shore chapter. In 2009 he received the American Music Research Center’s Distinguished Achievement Award, and was honored by the Denver Chapter of the American Guild of Organists with a hymn festival.
Austin Lovelace is survived by his wife of 69 years, Pauline Palmer (“Polly”) Lovelace, daughter Barbara Lovelace Williams, and a grandson.

Stefania Björnson Denbow died October 18 in Athens, Ohio. She was 91. Born in Minneota, Minnesota, to Icelandic immigrants, she earned BA and MA degrees from the University of Minnesota, where she studied organ with Arthur Poister, and where she established an organ scholarship a decade ago. A homemaker, organist, scholar of Greek history and art history, and composer, Denbow based a number of her compositions on Icelandic poetry. Her works included Surtsey String Quintet, Four Songs of the Eremite Isle, Magnificat, an anthem based on Jesus, Thou Divine Companion, and Exaltatio, which was premiered by G. Dene Barnard at the First Congregational Church in Columbus, Ohio, later broadcast on Pipedreams, and also performed in Germany by Stephen Tharp. Stefania Denbow served as a church organist, including at the Church of the Good Shepherd and Christ Lutheran Church, in Athens, Ohio. She was a member of the Southeast Ohio AGO chapter, Mu Phi Epsilon, and Phi Alpha Theta. Stefania Denbow is survived by two daughters, a son, six grandchildren, a great-granddaughter, and nieces and nephews.

Constance Hunter Greenwell (Connie) died on February 8. Born in 1927 in Knoxville, Tennessee, she was a long-time member of the Dallas chapter of the American Guild of Organists; she served as membership secretary, and as hospitality chair for the 1994 AGO national convention in Dallas. She was a church organist and her other interests included horses, sailing, and travel. Constance Hunter Greenwell was preceded in death by her husband of 57 years, Gene.

Joel H. Kuznik, 72, died on April 3 at St. Vincent’s Hospital in Manhattan, where he had been since suffering a stroke in late February. Born June 29, 1936 in Waukegan, Illinois, he began his education at the local public school, but then attended Northwestern Prep and College in Watertown, Wisconsin to begin studying for the ministry, later attending Concordia Senior College in Ft. Wayne, Indiana, where he received a BA summa cum laude in 1959.
Realizing that he was called to the ministry of sacred music, he entered Concordia Seminary in St. Louis, Missouri, where he received a Master of Divinity in 1962. Joel often spoke of his Vicarage year at Bethlehem Lutheran Church in Sheboygan, Wisconsin, as one of the best years of his life. During his last year at seminary, he studied at the Eastman School of Music in Rochester, New York, where he received a Master of Music degree in 1963.
Kuznik was ready for a call in 1963, but the seminary offered a year-long fellowship that led to his Master of Sacred Theology in 1969. He was ordained a pastor at Redeemer Lutheran Church in Waukegan, Illinois, in August 1964. He began his career as a professor at Concordia College, St. Paul, Minnesota, where he was assistant professor of religion and conductor of the college choir. In 1966 he received a call from his alma mater, Concordia Senior College, where he became associate professor of music and college organist through 1976. In 1975 he spent a sabbatical leave in Paris, Haarlem, and Cambridge.
When the college closed in 1976, Joel moved to New York. In 1979 he began his career in the insurance industry, retiring in 1995 from MetLife. Most recently, he served as assistant pastor at Holy Trinity Lutheran Church, New York City, until August 2008. At the time of his death, he was serving as an assistant priest at St. Luke in the Fields Episcopal Church.
Joel’s love affair with organ music (and Bach in particular) began very early in his life. He would call Bach “The fifth Evangelist,” and once he retired he began to become involved again in organizations and activities that celebrated Bach’s music and life. He attended the Bachfest in Leipzig in 2003, which was the beginning of a flurry of activity centered around anything related to classical music, the organ and most often Bach. He has over 60 articles in print and was working on at least three new articles at the time of his death.
Joel Kuznik was named to the Music Critics Society of North America in May 2005. He was a member of the American Bach Society and served on the board of the Bach Vespers at Holy Trinity Lutheran Church in New York. He was a long time member of the American Guild of Organists and served as dean of the Ft. Wayne chapter, on the executive board of the New York City chapter, and on the national financial board. He studied organ with Austin C. Lovelace, Frederick Swann, Ronald Arnatt, David Craighead, Jean Langlais, Marie-Madeleine Duruflé-Chevalier and Anton Heiller.
—Sean M. Scheller

Jacques Mequet Littlefield died January 7 at the age of 59 in Portola Valley, California. A member of the Peninsula AGO chapter, Littlefield received bachelor’s and MBA degrees from Stanford University, where he studied under Stanford University organist Herbert Nanney; a large 45-stop Fisk organ is housed in a custom-built hall attached to his home. He worked for Hewlett-Packard as a manufacturing engineer before focusing solely on building his museum and restoration facility for his collection of more than 150 military vehicles, which included a World War II-era U.S. Army M3A1 wheeled scout car, a Soviet-era Scud missile launcher, and Sherman and Patton tanks. In 1998, Littlefield set up the Military Vehicle Technology Foundation, to manage the collection and help serve the interests of authors, historians, veterans groups, and others. Jacques Littlefield is survived by his wife, Sandy Montenegro Littlefield, five children, his mother, brother, sister, and a grandson.

Jeffrey M. Peterson, 48, of Staunton, Virginia, passed away in Erie, Pennsylvania on January 18. Born in Erie June 9, 1960, he was the son of Ronald and Virginia Buzanowski Peterson, and graduated from Fort LeBeouf High School, Erie, Pennsylvania. He was a pipe maker, first with Rodgers Organ Company in Hillsboro, Oregon, then at Organ Supply Industries in Erie, Pennsylvania. Since 1997 he worked at Taylor & Boody Organ Builders in Staunton, Virginia.
Peterson enjoyed his Harley and was a member of A.B.A.T.E. He was a hunter and enjoyed shooting and playing cards, and belonged to the Moose Club in Virginia. He is survived by his parents, Ronald and Virginia, of Summit Township, two brothers, Chris Peterson of Staunton and Brian Peterson, of Erie; a nephew, Nicholas Peterson and a niece, Laura Peterson.
—John H. Boody

Clyde J. “Cj” Sambach, age 60, died in Brick, New Jersey on February 27. He earned a degree in organ performance from Westminster Choir College; he served as organist-choir director at Holmdel Community Church, and as organist at St. Agnes Roman Catholic Church in Clark, New Jersey. Sambach concertized extensively and was a frequent conference clinician; he developed a special program, The Pipe Organ INformance®, to interest young people in the organ. Using large display posters, organ pipes, musical excerpts, and simple explanations, Sambach provided a basic understanding of the instrument from both the performer’s and the listener’s viewpoints. He also worked at Ocean County College and at Ocean County Vocational and Technical School in their accounting department. Cj Sambach is predeceased by his parents, Warren and Thalia Sambach; he is survived by his brothers Warren and Dean, cousins, and longtime friend Anthony Snyder.

Caroline B. (Casort) Stone died May 24 in Endicott, New York. She was 80 years old. Born in Coffeyville, Kansas, she studied organ in high school and became organist at St. Paul’s Episcopal Church in Coffeyville; she graduated from Coffeyville College of Arts and Science and taught public school music. Following her marriage to Darrell Stone, the couple moved to France while he served in the U.S. Army and she served as chapel organist for the 866th E.A.B. Returning to the U.S., the Stones settled in Endicott, New York, where she served as organist for St. Paul’s Episcopal Church for 30 years. She was active in several organizations, and served as dean of the Binghamton (NY) AGO chapter, and as co-chairperson of the local chapter of the National Guild of Piano Teachers. Caroline B. Stone is survived by her husband Darrell, daughter and son-in-law Mary Jane Stone-Bush and Wayne Bush; son and daughter-in-law David Stone and Donna June; four grandchildren, and sister Alice Evans.

H. Edward Tibbs died September 16 at age 77. He was professor of music at Samford University in Birmingham, Alabama from 1959 until his retirement in 2002, serving also as university organist and chair of the keyboard division. After his retirement, he continued as university organist and adjunct professor. He served as organist of Southside Baptist Church from 1960 until his death, and also served as a lifetime deacon of that church. His final public performance occurred on August 31 at the opening convocation for the Beeson Divinity School at Samford University, when he was honored for his many decades of dedication to teaching and Christian service.
A graduate of the Eastman School of Music as a pupil of Catharine Crozier, and of the University of Michigan in the classes of Robert Noehren and Marilyn Mason, Tibbs was the first full-time American pupil of Jean Langlais at the Church of St. Clotilde in Paris. In 1983, he received the Palmer Christian Award from the University of Michigan. Along with activities on the boards of numerous organizations, Dr. Tibbs played numerous recitals in this country and in Europe, and was the designer of over 50 pipe organs in the South, including the Samford Memorial Organ at Southside Baptist Church.
Tibbs served in the armed forces as a chaplain’s assistant stationed at Fort Holabird, Maryland, during which time he was interim organist at the National Cathedral in Washington, D.C. Among his numerous activities in the musical life of Birmingham, he served as president of the Birmingham Music Club, an organization he rescued from bankruptcy in the early 1980s; president of the Birmingham Chamber Music Society; and dean of the Birmingham AGO chapter. For 15 years, he was the organist for the Alabama Symphony, having designed their organ used in the Birmingham-Jefferson Civic Center.
Dr. Tibbs was also honored by the city of Birmingham with the Silver Bowl Award for outstanding contributions to music in the Birmingham area. In the mid-1990s, he collaborated with Catharine Crozier in preparing the eleventh edition of The Method of Organ Playing by Harold Gleason. He is survived by a sister and brother, numerous nieces and nephews, and extended family. A memorial service was held at Southside Baptist Church. Memorial contributions can be made to the H. E. Tibbs Organ Concert Series at Southside Baptist Church, or to a Samford Music Scholarship for young organists at Samford University.
—Charles Kennedy

Robert Frederick Wolfersteig died June 7 in Atlanta at the age of 81. Born in Kingston, New York, he began organ study at age twelve. He completed undergraduate studies in 1950 at the Cincinnati College-Conservatory of Music, studying organ with Parvin Titus, and received the MMus degree in from Westminster Choir College, where he was a student of Alexander McCurdy. In 1961 Wolfersteig received a Fulbright grant and spent a year in Berlin at the Hochschule für Musik. He received the DMus from Indiana University in 1963, where he studied organ with Oswald Ragatz.
In 1965 he became professor of music at Georgia College, Milledgeville, where he taught until 1991. He served several local churches, including First Presbyterian Church, St. Stephen’s Episcopal Church, and Hope Lutheran Church, and was dean of the Macon AGO chapter from 1987–89. He played his last service on January 24, 2010 at St. James Episcopal Church, Clayton, Georgia, where he had served as organist since 2007. Robert Wolfersteig is survived by his wife, Eloise, daughter Patricia Albritton, and granddaughter Kendall Albritton.

Arthur Carkeek, professor emeritus of organ and theory at DePauw University, Greencastle, Indiana, died October 19, 2003 at the age of 80. Born April 7, 1923, in Detroit, Michigan, he was a chorister at St. Paul's Cathedral in Detroit. Following high school he attended Wayne State University and the Detroit Institute for Musical Arts simultaneously. While serving in World War II as a chaplain's assistant and waiting to be sent to Europe, Mr. Carkeek assisted in the maintenance of the organ in the Atlantic City Convention Hall, later writing his master's thesis on that unique organ. He also gave weekly radio recitals on the Convention Hall organ. Following his Army discharge, he completed his undergraduate work at DePauw University, graduating in 1948 and receiving his AAGO certificate the same year.

Arthur Carkeek graduated from Union Theological Seminary in 1950 and returned to DePauw to teach at the bidding of his former teacher, Van Denman Thompson. Upon Thompson's retirement in 1956, Carkeek became the university organist at DePauw. During his 38-year teaching career at DePauw University, Arthur Carkeek produced many outstanding students, who went on to careers as organists, university professors, clergy, organ builders, competition winners and Fulbright scholars. He was active as a performer, lecturer, panelist and writer. Receiving grants from the Great Lakes Conference and the Ford Foundation as well as sabbatical leaves from DePauw, Carkeek studied organ building with Rudolph von Beckerath and organ with Charles Letestu. He performed many concerts on historic instruments in Germany, including a recital in Altenbruch.

Carkeek produced a number of scholarly articles, most notably a series of articles on his long-time friend Rudolph von Beckerath, published in four installments in The American Organist (1996). A further article on Beckerath will be published posthumously in the Encylopedia of Keyboard Instruments, Vol. 2, The Organ Encylopedia. In 1972 Carkeek made a recording of several organs by Charles Fisk at Harvard, Old West Church (Boston) and DePauw.

In demand as an organ consultant, Arthur Carkeek constantly supported the cause of many fine instruments. He acted in that capacity at Christ Church Cathedral in Indianapolis where a Hellmuth Wolff organ was installed in the chancel and a Taylor & Boody organ was installed in the rear gallery.

Arthur Carkeek served as the director of music at Gobin United Methodist Church and St. Andrew's Episcopal Church, both in Greencastle, Indiana. In 1998 a fire at St. Andrew's destroyed the existing pipe organ that Carkeek had nurtured over the years. That instrument was replaced in September, 2002 with Op. 1 built by Joseph Zamberlan and was dedicated in honor of Arthur Carkeek.

In 2001, Arthur Carkeek was given a lifetime honorary membership in the American Guild of Organists by the Indianapolis Chapter. He was also a member of Pi Kappa Lambda and the Association of Anglican Musicians.

A Solemn Evensong and Eucharist was celebrated on October 24, 2003 at St. Andrew's. Participants included former students, DePauw faculty, and members of the choir of Christ Church Cathedral, Indianapolis. The Arthur Carkeek Memorial Concert Fund has been established at St. Andrew's Episcopal Church, Greencastle, Indiana. He is survived by his wife Maureen  (McCormick) Carkeek, a daughter, a son, and two grandchildren.

--Richard Konzen

Halbert Scranton Gillette, chairman of the board and CEO of Scranton Gillette Communications, which publishes The Diapason, died on November 22, 2003, at his home in Lake Forest, Illinois, after a long battle with cancer. He was 81.

Born in Chicago, Illinois, June 29, 1922, the son of Edward Scranton Gillette and Claribel Reed Thornton, and raised in Chicago and Winnetka, Illinois, Mr. Gillette attended The Chicago Latin School and graduated from the Philips Exeter Academy. In 1944 he graduated from Massachusetts Institute of Technology with a degree in mechanical engineering and business. He was commissioned U.S. Navy 1944-1946, and served in the U.S. mainland during World War II and in the Naval Reserves. He was chairman of the board and CEO of Scranton Gillette Communications, Inc., which was founded in 1906 by his grandfather. Mr. Gillette started as a salesman for Gillette Publishing in 1947. In 1960, two-thirds of Gillette Publishing Co. was sold to Reuben H. Donnelley, which then was merging with Dun & Bradstreet. Mr. Gillette also moved to Donnelley/Dun & Bradstreet as a publisher and a vice president. In 1970, he rejoined his father's firm, then Scranton Publishing Company, and shortly become president of the firm, which was renamed Scranton Gillette Communications.

Mr. Gillette served as past president of the Chicago Business Papers Association, as well as on the board of several insurance companies. He was the former Chairman of the Board of Occidental Life Insurance. He served as alderman in Lake Forest, Illinois, 1979-1986, and served on the Public Safety and Waterfront committees. He was co-chairman of the committee that oversaw the creation of the city's current beachfront.

He was a member of the Church of the Holy Spirit in Lake Forest, and Church of the Holy Innocents, in Lahaina, Hawaii. He was also a member of the Onwentsia Club of Lake Forest; the Les Cheneaux Club, Cedarville, Michigan; and the Lahaina Yacht Club, Hawaii. Husband of Karla Ann Spiel Gillette; father of Anne, Susan, James, Halbert and Edward; grandfather of Alexander, Madeline, Carolyn, Julia, and Isabelle.

Thyra Nichols Plass died on October 27, 2003, in Bryan, Texas, at the age of 89. She was born in Green Valley, Illinois, on April 8, 1914, and lived in Bryan since 1968. Mrs. Plass earned her bachelor's and master's degrees from the University of Chicago, and her doctor of sacred music from Union Theological Seminary in New York City. A retired organist and choirmaster, she was a member of the Brazos Valley Chapter of the American Guild of Organists, the Association of Anglican Musicians, and of St. Andrew's Episcopal Church, Bryan, Texas. In addition she was a member of The Women's Club, a founding member of the Arts Council of the Brazos Valley, co-founder of the annual children's symphony concerts, and a member of OPAS Guild. She is survived by her husband Gilbert Norman Plass, a daughter, and six grandchildren.