Joseph Edwin Lee, Jr., dead at 95

Nunc Dimittis

Joseph Edwin Lee, Jr., 95, of Knoxville, Tennessee, died February 6. He was born January 22, 1922, in Moscow, Idaho, and raised in rural towns of North Dakota and Wisconsin. Lee attended Concordia College, Moorhead, Minnesota, graduating in 1944 with a Bachelor of Arts degree. He moved to Oak Ridge, Tennessee, that year to participate in the Manhattan Project of World War II as an electrical engineer. Having studied piano and organ, he formed Lee Organ, Inc., building and maintaining organs in Tennessee, North Carolina, South Carolina, and Alabama. Lee was a charter member of the American Institute of Organbuilders. Joseph Edwin Lee, Jr., is survived by his six children: Pat (Dave) Arnett of Florida, Becky Szymanski of Oak Ridge, Tennessee, Debbie Ice of Texas, Joe (Julie) Lee of Oak Ridge, Cathy Lee of Kansas, and Ardyce Lee of Oak Ridge; one brother, Reverend Paul (Barbara) Lee of Wisconsin; six grandchildren, and two great grandchildren.

Helen Skuggedal Reed, 68, died March 19 in Evansville, Indiana. An organist, harpsichordist, and pianist, she also served as librarian of the William H. Miller Library in the Vanderburgh Circuit and Superior Courts, Evansville, for more than 30 years.

Born June 19, 1948, in Halifax, Nova Scotia, Canada, she began piano studies at age three, later studying piano, organ, and music theory with Maitland Farmer. She earned an associate diploma (Piano) from the Royal Conservatory of Music, Toronto. She earned a Bachelor of Arts degree (English) with honors from Dalhousie University, Halifax, in 1969, and a Master of Music degree in organ performance from the University of Michigan as a student of Robert Glasgow in 1971.

At the University of Evansville, she served as organist of Neu Chapel (1976–-1983) and as adjunct professor of organ and harpsichord (since 2015). She also served as organist of Washington Avenue Presbyterian Church, Evansville (1984–1990), and Eastminster Presbyterian Church, Evansville (since 1991). She performed as principal harpsichordist of the Evansville Philharmonic Orchestra (since 1984) and was recently honored for “20 Years of Excellence.” She was a founding member and harpsichordist of the Evansville Chamber Orchestra (1981) and performed with the Harmonie Consort and the Evansville Chamber Singers.

Helen Reed performed numerous solo harpsichord and organ recitals throughout the eastern United States and Canada, for the Royal Canadian College of Organists National Convention in Halifax and for the Historical Keyboard Society of North America Conference at McGill University. Most recently, she was the treasurer for HKSNA. She was an active member of the Evansville AGO chapter for which she served as dean for several years.

Reed’s work as librarian began at the University of Michigan Law School where she worked as an assistant (1972–73). She then became the librarian of the Hochstein Music School, Rochester, New York (1973–1975). After serving as acting archivist in the University of Southern Indiana library (1978–1980), she worked at the William H. Miller Law Library in Evansville. She served as archival consultant of Evansville Museum of Arts and Sciences (1984–85) and executive board member of Four Rivers Area Library (1988–1991).

Helen Skuggedal Reed is survived by her son, Eric Reed; daughter-in-law Sarah Zun; grandson, Oliver Reed; brother and sister-in-law, John Skuggedal and Deirdre Floyd; and former spouse, continued friend, and trusted colleague, Douglas Reed.

A memorial service and concert will be held at First Presbyterian Church, Evansville, on May 20. Contributions may be made to the Evansville Chapter AGO for the restoration of the historic Giesecke Organ, named in her memory: 609 SE Second Street, Evansville, Indiana 47713.

Lukas Foss, composer, performer, and teacher, died in New York on February 2. He was 86. German-born, Foss was trained in Germany, in Paris, and at the Curtis Institute in Philadelphia; he had studied composition with Randall Thompson and Paul Hindemith, and conducting with Fritz Reiner and Serge Koussevitzky. Known for composing in different musical styles, he often combined past and present influences and techniques. He served as the pianist of the Boston Symphony Orchestra from 1944–50, and he conducted numerous orchestras including the Brooklyn Philharmonic, the Jerusalem Symphony, and the Milwaukee Symphony. He taught composition and conducting at UCLA from 1953–62 and had served as composer-in-residence at Carnegie-Mellon University, Harvard University, the Manhattan School of Music, Yale University, and Boston University. Foss’s compositional output included many orchestral, chamber, and choral works, as well as several works for piano, and two organ compositions, Four Etudes (1967) and War and Peace (1995). Lukas Foss is survived by his wife Cornelia.

James Barclay Hartman died on January 23 at the age of 84. He was predeceased by his wife Pamela in 1983. Born in Winnipeg, Manitoba, Canada on January 12, 1925, he was educated at the University of Manitoba (BA 1948, MA 1951), Brown University, Providence, Rhode Island, and Northwestern University, Evanston, Illinois (Ph.D.). He began a teaching career at Iowa State University, Ames, Iowa, returning to Canada in 1967 to teach at Scarborough College, University of Toronto. In 1974 he was appointed director of development and external affairs at Algoma University College, Laurentian University in Sault Ste. Marie, Ontario, and in 1980 joined the Continuing Education Division at the University of Manitoba as associate professor and director, humanities and professional studies. At the time of his retirement he held the position of senior academic editor.
A skilled photographer, he did commercial photography to help finance his university education. His great passion was music, especially the music of J. S. Bach, and in particular the works for organ and for harpsichord, both of which he played. He served for many years as book reviewer for The Diapason, and authored reviews and articles for numerous academic journals. His chief publication was the book The Organ in Manitoba, published by the University of Manitoba Press in 1997.
Dr. Hartman’s articles published in The Diapason include: “The World of the Organ on the Internet” (February 2005); “Alternative Organists” (July 2004); “Seven Outstanding Canadian Organists of the Past” (September 2002); “Families of Professional Organists in Canada” (May 2002); “Organ Recital Repertoire: Now and Then” (November 2001); “Prodigy Organists of the Past” (December 2000); “Canadian Organbuilding” (Part 1, May 1999; Part 2, June 1999); “Purcell’s Tercentenary in Print: Recent Books” (Part I, November 1997; Part II, December 1997); “The Golden Age of the Organ in Manitoba: 1875–1919” (Part 1, May 1997; Part 2, June 1997); “The Organ: An American Journal, 1892–1894” (December 1995); and “The Search for Authenticity in Music—An Elusive Ideal?” (June 1993).

Thomas A. Klug, age 61, died suddenly at his home in Minneapolis on January 8. He received his bachelor’s degree in music from Lawrence University in Appleton, Wisconsin, and his master’s degree from Northwestern University, Evanston, Illinois. An accomplished organist for 44 years, he began his musical career at St. Michael’s United Church of Christ in West Chicago, Illinois. He went on to serve the First United Methodist Church in Elgin, Illinois, Olivet Congregational Church in St. Paul, Minnesota, and most recently was the organist for 20 years at St. Michael’s Lutheran Church in Roseville, Minnesota. Tom was a member of the American Guild of Organists and the Organ Historical Society, an outdoor enthusiast, gardener, and an accomplished cook. He will be deeply missed by his family and friends. A memorial service was held January 13 at St. Michael’s Lutheran Church, Roseville. He is survived by his parents, Armin and Marjorie Klug, brothers Kenneth (Cindy) and James (Diane Donahue), five nieces and nephews, one great-niece, and special friend Doug Erickson.
—Frank Rippl

Dutch organist and musicologist Ewald Kooiman died on January 25, on vacation in Egypt. He died in his sleep; the cause was heart failure.
Ewald Kooiman was born on June 14, 1938 in Wormer, just north of Amsterdam. He studied French at the VU University in Amsterdam and at the University of Poitiers, taking the doctorate in 1975 with a dissertation on the Tombel de Chartrose, a medieval collection of saints’ lives. He then taught Old French at the VU University, where he was appointed Professor of Organ Art in 1988.
As a teenager, Kooiman studied organ with Klaas Bakker. After passing the State Examination and encouraged by members of the committee to pursue music studies at a higher level, he continued with Piet Kee at the Conservatory of Amsterdam, earning a Prix d’Excellence—the equivalent of a doctorate—in 1969. While studying French at Poitiers, he simultaneously studied organ with Jean Langlais at the Paris Schola Cantorum, taking the Prix de Virtuosité in 1963.
Kooiman had a long and impressive international career as a concert organist. He twice recorded the complete organ works of Bach—first on LP, then on CD—and was awarded the Prize of German Record Critics in 2003. He was in the midst of recording his third complete Bach set—on SACD, using Silbermann organs in Alsace—which was scheduled to come out in late 2009 or early 2010.
Although Bach was at the heart of his musical activities, Kooiman took an interest in many other parts of the organ repertoire, for example the French Baroque. His study of this repertoire and the relevant treatises was, of course, greatly facilitated by his knowledge of the French language. His interest in the French Baroque organ also led to the construction of the so-called Couperin Organ (Koenig/Fontijn & Gaal, 1973) in the auditorium of the VU University.
But he also loved playing—and teaching—Reger and Reubke; he very much enjoyed learning Widor’s Symphonie gothique when he was asked to play the work as part of a complete Widor series in Germany; and he admitted to having “a weak spot” for Guilmant’s Variations on “Was Gott tut das ist wohlgetan.”
As a scholar, Kooiman edited some 50 volumes of mostly unknown organ music in the series Incognita Organo (published by the Dutch publisher Harmonia). Much of the series was devoted to organ music of the second half of the eighteenth and of the early nineteenth century, traditionally considered a low point in history of organ music. He also published widely on eighteenth- and nineteenth-century performance practice, mainly in the Dutch journal Het Orgel. His inaugural address as Professor of Organ Art was about the nineteenth-century roots of the French Bach tradition.
Besides teaching at the famous International Summer Academy for Organists at Haarlem—at first French Baroque repertoire, later Bach—Ewald Kooiman was for many years chairman of the jury for the improvisation competition in the same city. His fluency—besides French—in English and German and his ability to listen critically to the opinions of his colleagues made him the ideal person for such a job.
Although he was never the titulaire of one of the major historical Dutch organs, Kooiman served as University Organist of the VU University, playing the Couperin Organ in recitals and for university functions. But he also played organ for the Sunday morning services in the chapel of the university hospital.
In 1986, Kooiman succeeded Piet Kee as Professor of Organ at the Conservatory of Amsterdam, mostly teaching international students at the graduate level. I had the pleasure of studying with him for three years before graduating with a BM in 1989, having previously studied with Piet Kee for two years. Although much time was naturally spent with Bach—I learned at least two trio sonatas with him—he also taught later repertoire very well: Mozart, Mendelssohn, Reubke, Reger, Hindemith, Franck, and Alain come to mind. From time to time, I had to play a little recital, and he personally took care of “organizing” an audience by inviting his family.
As Professor Ars Organi at the VU University, Ewald was the adviser for three Ph.D. dissertations, all dealing with organ art at the dawn of Modernism: Hans Fidom’s “Diversity in Unity: Discussions on Organ Building in Germany 1880–1918” (2002); David Adams’s “‘Modern’ Organ Style in Karl Straube’s Reger Editions” (2007); and most recently René Verwer’s “Cavaillé-Coll and The Netherlands 1875–1924” (2008).
Ewald Kooiman was a Knight in the Order of the Dutch Lion; an honorary member of the Royal Dutch Society of Organists; and a bearer of the Medal of Merit of the City of Haarlem. For his 70th birthday, the VU University organized a conference in his honor and a group of prominent colleagues—including American Bach scholars Christoph Wolff and George Stauffer—offered him a collection of essays entitled Pro Organo Pleno (Veenhuizen: Boeijenga, 2008). Piet Kee’s contribution was the organ work Seventy Chords (and Some More) for Ewald. Earlier, Cor Kee (Piet’s father, the famous improviser and improvisation teacher) had dedicated his Couperin Suite (1980) as well as several short pieces to Ewald.
Though clearly part of a tradition and full of respect for his teachers, Kooiman was in many ways an individualist. He enjoyed frequent work-outs at the gym, not only because it kept him physically fit and helped him deal with the ergonomic challenges of playing historic organs, but also because he liked talking with “regular” people. Among colleagues—particularly in Germany—he was famous for wearing sneakers instead of more orthodox organ shoes. One of his favorite stories about his studies with Langlais was that the latter was keen on teaching him how to improvise a toccata à la française, a genre that Kooiman described as “knockabout-at-the-organ”—not exactly his cup of tea. “Non maître, je n’aime pas tellement ça,” he claimed to have answered: “No professor, I don’t like that too much.”
Ewald Kooiman is survived by his wife Truus, their children Peter and Mirjam, and two grandchildren. The funeral service took place at the Westerkerk in Amsterdam on February 4.
—Jan-Piet Knijff

Joseph F. MacFarland, 86, died on December 29, 2008, at the Westport Health Care Center in Westport, Connecticut. A native and lifelong resident of Norwalk, Connecticut, he was born on February 14, 1922. He earned bachelor’s and master’s degrees from the Juilliard School in New York, and studied organ with David McK. Williams and Jack Ossewarde at St. Bartholomew’s Church. For 56 years MacFarland served as organist-choirmaster at the First Congregational Church on the Green in Norwalk. He also was the accompanist for the Wilton Playshop, Staples High School, and Norwalk High School. He was a lifelong member of First United Methodist Church, Norwalk, Connecticut, and a member of the Bridgeport AGO chapter. He was a veteran of World War II, having served in the U.S. Army Air Corps.

Richard H. (Dick) Peterson died at age 83 on January 29, fourteen years after suffering a debilitating stroke. Besides spending time with Carol, his devoted wife of 53 years, and with his other family members, Richard’s greatest passion in life was applying modern technology to pipe organ building. His goal was always to make organs better, more affordable, and consequently more available for people to enjoy. During his long and prolific career, he was awarded over 70 U.S. and foreign patents.
Dick Peterson was born on February 26, 1925 in Chicago. He served in the U.S. Army as a radio engineer from 1943 until 1946 and studied electronics at the City College of New York. While stationed in New York City, he often visited Radio City Music Hall and loved the room-filling sound of the organ there while also being fascinated by the mechanics of pipe organs. It was during that time that he told his parents his goal in life was to “perfect the organ.”
Mr. Peterson soon co-founded the Haygren Church Organ Company in Chicago, which built 50 electronic organs for churches all around the Midwest. Soon thereafter, he founded Peterson Electro-Musical Products, currently in Alsip, Illinois. In 1952, he presented a prototype spinet electronic organ to the Gulbransen Piano Company. Gulbransen’s president was thrilled with the sound of the instrument, and they soon negotiated an arrangement where Richard would help the piano company get into the organ business and, as an independent contractor, he would develop and license technology to be used in building a line of classical and theatre-style home organs for Gulbransen to sell. One particularly notable accomplishment was Gulbransen’s introduction of the world’s first fully transistorized organ at a trade show in 1957. Gulbransen would ultimately sell well over 100,000 organs based on Peterson inventions.
Meanwhile, many of Peterson’s developments for electronic organs evolved into applications for real pipe organs. Especially notable among over 50 of Dick’s innovative products for the pipe organ are the first digital record/playback system; the first widely used modular solid state switching system; the DuoSet solid state combination action; a line of “pedal extension” 16-foot and 32-foot voices; and the first commercially available electronic swell shade operator. Many thousands of pipe organs worldwide utilize control equipment that is the direct result of Richard’s pioneering efforts. Also carrying his name is a family of musical instrument tuners familiar to countless thousands of school band students and widely respected by professional musicians, recording artists, musical instrument manufacturers and technicians.
In the 1950s, Dick Peterson enjoyed learning to fly a Piper Cub airplane, and in more recent times preceding his illness enjoyed ham radio, boating, and restoring and driving his collection of vintage Volkswagens. He was a longtime member of Palos Park Presbyterian Community Church in his home town of Palos Park, Illinois.
Memorial donations may be made to the American Guild of Organists “New Organist Fund,” where a scholarship is being established in Richard Peterson’s name.
—Scott Peterson

William J. (Bill) Stephens, 84, of Lawrence, Kansas, died suddenly at home of heart failure on December 19, 2008. Born in Jacksonville, Texas on June 28, 1924, his organ playing career began at the Episcopal Church in Jacksonville while in his early teens. He later studied organ with Roy Perry in Kilgore, Texas, and became interested in organ building at the workshop of William Redmond in Dallas. He graduated from the University of North Texas in 1949 with a bachelor’s degree in organ, where he was a pupil of Helen Hewitt. Stephens served in the Navy during WWII as a gunner’s mate 2nd class in the Pacific theater. He subsequently studied organ at the University of Colorado, Boulder, where he was a teaching assistant in organ and a pupil of Everett Jay Hilty in organ and Cecil Effinger in theory.
Stephens taught public school music in south Texas, was the organist-choirmaster of Trinity Episcopal and Trinity Lutheran Churches in Victoria, Texas, and was south Texas representative for the Reuter Organ Company, Lawrence, Kansas. He married Mary Elizabeth Durett of Memphis, Tennessee, in Denton on November 19, 1946. In 1968 Bill moved his family to Lawrence, Kansas, and installed Reuter pipe organs in all of the 50 states except Alaska. He operated an organ building and maintenance service business, covering most of the Midwest. He was also organist-choirmaster at Grace Episcopal Church, Ottawa, Kansas, for three years.
During his years at Reuter he taught many young men the mechanics, care and feeding of pipe organs and was very proud of their work when they became full-fledged “Organ Men.” For 40 years he was curator of organs at Christ Church Cathedral, Houston, and was proud of the recognition he received upon retiring. He also took special pride in rebuilding the organ at Trinity Episcopal Church, Aurora, Illinois. It had been water-soaked and inoperable for 25 years. Kristopher Harris assisted, and Christopher Hathaway played the dedication recital November 11, 2001.
Bill Stephens was a member of the Organ Historical Society. He is survived by his wife, Mary Elizabeth Durett Stephens, five children, four grandchildren, and two great-grandchildren.
—Rumsey-Yost Funeral Home
Lawrence, Kansas

Marguerite Long Thal died December 5, 2008, in Sylvania, Ohio. She was 73. Born January 27, 1935, in Quinter, Kansas, she studied organ with Marilyn Mason at the University of Michigan, where she earned bachelor’s and master’s degrees in music. After graduation, she received a Fulbright grant to study in Paris, France for two years, where she attended the American University and studied with Jean Langlais and Nadia Boulanger. Returning to the U.S., she was appointed minister of music at the First Congregational Church in Toledo, Ohio, and taught organ at Bowling Green State University. In 1961, she married Roy Thal Jr., and they moved to Sylvania, where they remained for more than 40 years.
Active in the AGO, Mrs. Thal was a past dean of the Toledo chapter and served as Ohio district convener. She served as minister of music at Sylvania United Church of Christ for 18 years, gave many solo performances, and appeared with Prinzipal VI, a group of six organists who performed regionally. She is survived by her husband, Norman, two daughters, and three grandchildren.

Donald Trowbridge Bryant, age 95, died on April 11. Born in Chesterville, Ohio, he began piano study at age 8, and received bachelor’s degrees in music education and composition at Capital University in Columbus, Ohio. After four years of service in the Army during World War II, he entered the Juilliard School of Music in 1946; he earned a master’s degree in piano, studied singing with Mack Harrell, and served as Harrell’s studio accompanist.

During the next 20 years, Donald Bryant served as director/pianist of the Columbus Boychoir, now known as the American Boychoir. The choir toured Japan, Italy, and South America, recorded ten albums for RCA and Columbia, and appeared many times on NBC-TV. The Columbus Boychoir was involved in such performances in New York as the official opening of Lincoln Center, the American premieres of Leonard Bernstein’s Symphony No. 3 (“Kaddish”) and Britten’s War Requiem, and numerous concerts under Arturo Toscanini.  

In 1969, Bryant moved to Michigan to become the music director of the University Musical Society (UMS) Choral Union and director of music at First Presbyterian Church in Ann Arbor. At the church, he established the annual Boar’s Head Festival and Festival Sundays, which featured larger choral works.

Bryant’s compositions included anthems and responses, and an opera, The Tower of Babel. Commissions included settings for the poems of Hungarian poet Sandor Weores and Polish-American Nobel Laureate Ciesław Miłosz; a choral work, Death’s Echo, set to poetry of W. H. Auden for performance at the 1984 Ann Arbor Summer Festival; and a Missa Brevis, premiered at First Presbyterian in 1988. In honor of his retirement as director of the Choral Union, the UMS commissioned the three-act oratorio Genesis, given its world premiere in a special tribute concert to Bryant on January 14, 1990. In 1992, the U of M’s Museum of Art commissioned him to compose a choral work on the biblical Esther, which was premiered in conjunction with an exhibit featuring the museum’s painting by Guercino of Esther before Ahasuerus. 

After his retirement from First Presbyterian Church, Bryant continued to compose: A Requiem for Our Mothers (premiered at the Chapel of the Holy Trinity at Concordia University in Ann Arbor on June 5, 1999); a set of piano miniatures, Pictures from Childhood; and several songs based on texts by his ancestor, William Cullen Bryant. He also continued to conduct a small choir that performed several times a year, and to practice piano every day, performing a recital as recently as February 27, 2014, for his friends and new acquaintances at Chelsea Retirement Community. 

Bryant was awarded an honorary doctorate by Westminster Choir College in Princeton, New Jersey; an Annie Award by the Washtenaw Council of the Arts in Ann Arbor; and was named a Paul Harris Fellow by the Rotary Club of Ann Arbor. 

Donald Trowbridge Bryant was preceded in death by his wife of 62 years, Lela Neoma Cultice Bryant. He is survived by his sister, Doris (Theodore) Bruckner; his son, Milton Travis Bryant of New York City; son and daughter-in-law, Stephen Lee Bryant and Caryl Heaton Bryant of Montclair, New Jersey; grandsons David and Andrew Bryant; and friends and former students.

James K. Hill, age 72, died on April 16 in Bay City, Michigan. He received a bachelor’s degree in music education and a master’s degree in organ performance from Central Michigan University, and a master’s degree in education from Michigan State University. He was a music and elementary teacher in the Essexville-Hampton Public Schools, and a member of the Saginaw Valley AGO chapter. Hill played organ at several regional churches, sang with the Bay Chorale, and played with the Saginaw Valley State University Collegium. 

James K. Hill is survived by his wife Rosemary, a son, a daughter, a granddaughter, a brother, a sister, a niece, and a nephew. 

Frances Kelly Holland died in Charlotte, North Carolina, on April 3; she was 92. Born in Mount Holly, North Carolina, she received a bachelor of music degree from Greensboro College in 1938. She served as organist and choir director at the First United Methodist Church, and the First Presbyterian Church, both in Mount Holly, for many years, until her retirement in 1984. Holland was an officer of the Charlotte AGO chapter for 22 years, and was certified as an organist by the Presbyterian Association of Musicians. Frances Kelly Holland is survived by her husband of 69 years, Thomas Marshall Holland, two children, five grandchildren, and six great-grandchildren. 

Ronald A. Nelson died April 18 at the age of 86. Born in Rockford, Illinois, he received a B.Mus. from St. Olaf College in Northfield, Minnesota, and an M.Mus. from the University of Wisconsin, Madison. In 1955 he became music minister at Westwood Lutheran Church in suburban Minneapolis, serving for 37 years; he directed nine choirs and a resident orchestra and founded a children’s choir school. His compositions were published by Augsburg Fortress, GIA, Santa Barbara, and Selah; he is well known as the composer of Setting 2 of the Communion Service in the Lutheran Book of Worship. Nelson received the Distinguished Alumnus Award from St. Olaf College and the F. Melius Christiansen Award from Minnesota American Choral Directors Association.

Ronald A. Nelson is survived by his wife, Betty Lou, daughter Rachel, sons Peter and Paul, and
a grandson.

Robert J. Schaffer died on May 20 at the age of 92 in Edgewood, Kentucky. Born in 1921 in St. Bernard, Ohio, he received his early education in Cincinnati. During World War II, he served in England in a U.S. Army band, which played the national anthem for Gen. Dwight D. Eisenhower during the embarkation ceremony for troops heading to fight on Normandy’s beaches. After the war, he returned to Cincinnati, serving as an organist, freelance trombonist, and pianist, while studying Gregorian chant at the Athenaeum of Ohio and earning a bachelor’s degree in music from the Cincinnati Conservatory of Music. He moved to New York and earned a master’s degree in musicology from New York University. 

In 1949 Schaffer was hired as organist by the Cathedral Basilica of the Assumption in Covington, Kentucky, beginning an association that would endure for more than sixty years. After a short break to conclude his doctoral studies, he returned in 1952, and was named director of music in 1958. In 1953, Schaffer married his wife of 55 years, Rita, former organist at Cincinnati’s Christ Church Cathedral and Church of the Redeemer. She died in 2009. Schaffer composed several Masses and other compositions, which were published by World Library Publications. He taught music in the parish elementary school, in high schools, at Villa Madonna College (later Thomas More College) in Covington, and at St. Pius X Seminary, and served as an organist for the Cincinnati Symphony Orchestra. In 1975, to celebrate the addition of the Matthias Schwab Organ to what were eventually the three organs of the basilica (the pipes and other parts were dismantled and carried two blocks from Old St. Joseph Church, which had formerly housed the instrument), Schaffer began the Cathedral Concert Series. Robert J. Schaffer is survived by his son Gregory Schaffer, daughter Rebecca Wells, and four grandchildren. 

Carlo Curley, Margaret Garrett Hayward, Daniel T. Moe, The Rev. Carl E. Schroeder, Florence Emily Westrum

Carlo Curley died at his home in Melton Mowbray, England, on August 11. He was 59. Born into a musical family in North Carolina in 1952, he attended the North Carolina School of the Arts. His organ studies were with Arthur Poister, Robert Elmore, Virgil Fox, and George Thalben-Ball.

Early in his career, he was invited by the President to play at the White House, and made history as the first classical organist to give a solo organ recital there. Carlo Curley played before crowned heads of Europe, including the late Princess Grace of Monaco, the Princess Royal of England, and several Command Performances for the Danish Royal Family; he made private recordings for the Sultan of Oman. Curley played in every state and province in North America and Canada, as well as Europe, Asia, Australia, and Hong Kong; he recently toured Japan with the King’s Singers. 

Carlo Curley also appeared on TV and radio. His network TV appearances in the United States, England, Australia, and Japan are well known. In England, he made innumerable appearances for the BBC, including organ spectaculars from the cathedrals at Ely, Lichfield, Norwich, Guildford, and Gloucester. Recently the U.K.’s Classic FM broadcast live his concert at Westminster Abbey, given in aid of the Abbey Choir School and the Royal School of Church Music. Carlo Curley’s recordings included CDs and the first-ever commercial video of a classical organ performance, Organ Imperial. His recordings have been voted “Best of the Month” by Stereo Review in the USA, “Record of the Year” in Scandinavia, and “Laser Disc of Exceptional Merit” by FM Fan in Japan, where his CDs enjoy particularly brisk sales.

Margaret Garrett Hayward of Centerport, New York, died February 1. She was 94 years old. A 1938 graduate of Skidmore College, she studied organ with a number of teachers, including Stanley Saxton, Palmer Christian, Paul Callaway, and Thomas Richner. She played at churches on Long Island for nearly 55 years, including 17 years at Locust Valley Dutch Reformed Church; she also served at Bayshore Methodist, Old First Presbyterian of Huntington, St. Paul’s Methodist, Trinity Episcopal, Huntington Episcopal, and others. Margaret Hayward retired in 1998 but continued to play as a substitute.

Daniel T. Moe died May 24 at age 85 in Sarasota, Florida. Born in Fargo, North Dakota, Moe served in the Naval Air Corps (1944–46) as a clarinetist and saxophonist. He later graduated from Concordia College in Moorhead, Minnesota, and earned master’s (University of Washington) and doctoral (University of Iowa) degrees. Moe was a faculty member at the Oberlin Conservatory from 1972–92, where he directed the choral ensembles. He retired to Sarasota, Florida; at the time of his death he was conductor emeritus of the Key Chorale, and composer in residence at the Church of the Redeemer. His composition Cantata for Peace was performed in 1993 during the visit of Pope John Paul II. Daniel T. Moe is survived by his wife, five sons, seven grandchildren, two brothers, and a sister. 

The Rev. Carl E. Schroeder died June 12 in Mount Joy, Pennsylvania. He was 78. Schroeder earned three diplomas from the Peabody Conservatory; he served two large Lutheran churches in Baltimore, then came to Lancaster, Pennsylvania in 1964, where he served as organist and choirmaster of Trinity Lutheran Church, the former Zion Lutheran Church, the former St. Stephen’s Lutheran Church, and All Saints Anglican Church. He also taught organ, piano, and theory at Elizabethtown College, founded and directed the Music Sacra choral society, and served five terms as dean of the Lancaster AGO chapter. Other activities included private teaching, writing book and music reviews, music composition, and playing recitals. Schroeder studied at Scott Seminary in Richmond, Virginia, and was ordained a priest, after which he became the rector at All Saints Anglican Church in Lancaster. He retired from All Saints in 2010. Rev. Carl E. Schroeder is survived by his wife, Jane Elizabeth (Hymes), a daughter, a son, four grandchildren, two sisters, and two brothers.

Florence Emily Westrum died August 6 in Ann Arbor, Michigan. She was Organist Emerita at First Presbyterian Church, Ann Arbor. Born in Beardsley, Minnesota, February 15, 1921, she earned a bachelor’s degree in music education at Hamline University and taught school for a year before moving to Berkeley, California, to work at the Lawrence Livermore Laboratory, where her future husband, Edgar F. Westrum, Jr., was working on the Manhattan Project. After their marriage, the couple moved to Chicago and then to Ann Arbor, where Edgar became professor of chemistry at the University of Michigan. Florence was a founding member of the First Presbyterian Church, where she served initially as music director and organist, and then as organist. She was active in the American Guild of Organists and in the Faculty Women’s Club, and volunteered at the University Hospital and Ronald McDonald House. Florence Emily Westrum is survived by her husband of 69 years, Edgar F. Westrum, Jr., four children, six grandchildren, and four great-grandchildren.

Stefania Björnson Denbow died October 18 in Athens, Ohio. She was 91. Born in Minneota, Minnesota, to Icelandic immigrants, she earned BA and MA degrees from the University of Minnesota, where she studied organ with Arthur Poister, and where she established an organ scholarship a decade ago. A homemaker, organist, scholar of Greek history and art history, and composer, Denbow based a number of her compositions on Icelandic poetry. Her works included Surtsey String Quintet, Four Songs of the Eremite Isle, Magnificat, an anthem based on Jesus, Thou Divine Companion, and Exaltatio, which was premiered by G. Dene Barnard at the First Congregational Church in Columbus, Ohio, later broadcast on Pipedreams, and also performed in Germany by Stephen Tharp. Stefania Denbow served as a church organist, including at the Church of the Good Shepherd and Christ Lutheran Church, in Athens, Ohio. She was a member of the Southeast Ohio AGO chapter, Mu Phi Epsilon, and Phi Alpha Theta. Stefania Denbow is survived by two daughters, a son, six grandchildren, a great-granddaughter, and nieces and nephews.

Constance Hunter Greenwell (Connie) died on February 8. Born in 1927 in Knoxville, Tennessee, she was a long-time member of the Dallas chapter of the American Guild of Organists; she served as membership secretary, and as hospitality chair for the 1994 AGO national convention in Dallas. She was a church organist and her other interests included horses, sailing, and travel. Constance Hunter Greenwell was preceded in death by her husband of 57 years, Gene.

Joel H. Kuznik, 72, died on April 3 at St. Vincent’s Hospital in Manhattan, where he had been since suffering a stroke in late February. Born June 29, 1936 in Waukegan, Illinois, he began his education at the local public school, but then attended Northwestern Prep and College in Watertown, Wisconsin to begin studying for the ministry, later attending Concordia Senior College in Ft. Wayne, Indiana, where he received a BA summa cum laude in 1959.
Realizing that he was called to the ministry of sacred music, he entered Concordia Seminary in St. Louis, Missouri, where he received a Master of Divinity in 1962. Joel often spoke of his Vicarage year at Bethlehem Lutheran Church in Sheboygan, Wisconsin, as one of the best years of his life. During his last year at seminary, he studied at the Eastman School of Music in Rochester, New York, where he received a Master of Music degree in 1963.
Kuznik was ready for a call in 1963, but the seminary offered a year-long fellowship that led to his Master of Sacred Theology in 1969. He was ordained a pastor at Redeemer Lutheran Church in Waukegan, Illinois, in August 1964. He began his career as a professor at Concordia College, St. Paul, Minnesota, where he was assistant professor of religion and conductor of the college choir. In 1966 he received a call from his alma mater, Concordia Senior College, where he became associate professor of music and college organist through 1976. In 1975 he spent a sabbatical leave in Paris, Haarlem, and Cambridge.
When the college closed in 1976, Joel moved to New York. In 1979 he began his career in the insurance industry, retiring in 1995 from MetLife. Most recently, he served as assistant pastor at Holy Trinity Lutheran Church, New York City, until August 2008. At the time of his death, he was serving as an assistant priest at St. Luke in the Fields Episcopal Church.
Joel’s love affair with organ music (and Bach in particular) began very early in his life. He would call Bach “The fifth Evangelist,” and once he retired he began to become involved again in organizations and activities that celebrated Bach’s music and life. He attended the Bachfest in Leipzig in 2003, which was the beginning of a flurry of activity centered around anything related to classical music, the organ and most often Bach. He has over 60 articles in print and was working on at least three new articles at the time of his death.
Joel Kuznik was named to the Music Critics Society of North America in May 2005. He was a member of the American Bach Society and served on the board of the Bach Vespers at Holy Trinity Lutheran Church in New York. He was a long time member of the American Guild of Organists and served as dean of the Ft. Wayne chapter, on the executive board of the New York City chapter, and on the national financial board. He studied organ with Austin C. Lovelace, Frederick Swann, Ronald Arnatt, David Craighead, Jean Langlais, Marie-Madeleine Duruflé-Chevalier and Anton Heiller.
—Sean M. Scheller

Jacques Mequet Littlefield died January 7 at the age of 59 in Portola Valley, California. A member of the Peninsula AGO chapter, Littlefield received bachelor’s and MBA degrees from Stanford University, where he studied under Stanford University organist Herbert Nanney; a large 45-stop Fisk organ is housed in a custom-built hall attached to his home. He worked for Hewlett-Packard as a manufacturing engineer before focusing solely on building his museum and restoration facility for his collection of more than 150 military vehicles, which included a World War II-era U.S. Army M3A1 wheeled scout car, a Soviet-era Scud missile launcher, and Sherman and Patton tanks. In 1998, Littlefield set up the Military Vehicle Technology Foundation, to manage the collection and help serve the interests of authors, historians, veterans groups, and others. Jacques Littlefield is survived by his wife, Sandy Montenegro Littlefield, five children, his mother, brother, sister, and a grandson.

Jeffrey M. Peterson, 48, of Staunton, Virginia, passed away in Erie, Pennsylvania on January 18. Born in Erie June 9, 1960, he was the son of Ronald and Virginia Buzanowski Peterson, and graduated from Fort LeBeouf High School, Erie, Pennsylvania. He was a pipe maker, first with Rodgers Organ Company in Hillsboro, Oregon, then at Organ Supply Industries in Erie, Pennsylvania. Since 1997 he worked at Taylor & Boody Organ Builders in Staunton, Virginia.
Peterson enjoyed his Harley and was a member of A.B.A.T.E. He was a hunter and enjoyed shooting and playing cards, and belonged to the Moose Club in Virginia. He is survived by his parents, Ronald and Virginia, of Summit Township, two brothers, Chris Peterson of Staunton and Brian Peterson, of Erie; a nephew, Nicholas Peterson and a niece, Laura Peterson.
—John H. Boody

Clyde J. “Cj” Sambach, age 60, died in Brick, New Jersey on February 27. He earned a degree in organ performance from Westminster Choir College; he served as organist-choir director at Holmdel Community Church, and as organist at St. Agnes Roman Catholic Church in Clark, New Jersey. Sambach concertized extensively and was a frequent conference clinician; he developed a special program, The Pipe Organ INformance®, to interest young people in the organ. Using large display posters, organ pipes, musical excerpts, and simple explanations, Sambach provided a basic understanding of the instrument from both the performer’s and the listener’s viewpoints. He also worked at Ocean County College and at Ocean County Vocational and Technical School in their accounting department. Cj Sambach is predeceased by his parents, Warren and Thalia Sambach; he is survived by his brothers Warren and Dean, cousins, and longtime friend Anthony Snyder.