James Metzler dead at 69

Nunc Dimittis

William Thomas Farrell, III, died April 27. He was born May 20, 1934, in San Antonio, Texas. He attended San Antonio College, studying organ performance with Donald Willing.

Farrell’s interest in the organ would change from performing to building, voicing, and maintenance of instruments, and he was accepted as an apprentice to Aeolian-Skinner Organ Company’s tonal finisher, Roy Perry, who was based in Kilgore, Texas. He also became affiliated with Jimmy and Nora Williams, the regional installers for Aeolian-Skinner. Farrell assisted in the installation of the firm’s pipe organs in San Antonio’s Central Christian Church and the Madison Square Presbyterian Church, as well as Southwestern University, Georgetown, Texas, before relocating to New York City in 1960. There, he was curator of instruments at St. Patrick’s Cathedral, St. Paul’s Chapel, Columbia University, and Philharmonic Hall (now David Geffen Hall), Lincoln Center for the Performing Arts, among others. Farrell would install the pipe organ in the residence of Virgil Fox as well as assisting with many of Fox’s later recordings.

Returning to San Antonio in the early 1970s, Farrell maintained many instruments in Texas, including the Aeolian-Skinner organ at the University of Texas, now relocated to a church in Amarillo, and he tonally finished the first large analog organs built by Rodgers Instruments of Hillsboro, Oregon. In addition, he rebuilt instruments in New Orleans, Louisiana, and Tulsa, Oklahoma, also providing tonal finishing and new installations in the United States for Fratelli Ruffatti of Padua, Italy.

Tom Farrell was predeceased just a few weeks before his death by his partner of 57 years, Louis A. Goedecke, himself a master craftsman in woodworking. Together, they had formed the Farrell Organ Company of San Antonio.

James R. Metzler of Sylvania, Ohio, internationally known organist and choral conductor, died suddenly May 19. He was born June 20, 1947, in Worcester, Massachusetts. He began his musical career as a boy chorister in the Choir of Men and Boys at All Saints’ Episcopal Church in Worcester. While a member of the choir, he began lessons on the church’s Aeolian-Skinner organ. 

Metzler earned a Bachelor of Music degree from Westminster Choir College, Princeton, New Jersey, and a Master of Music degree from the Hartt School of Music at the University of Hartford, Connecticut. He also pursued doctoral studies in organ and musicology at the University of Michigan, Ann Arbor. His organ teachers included Henry Hokans, Robert Carwithen, Alec Wyton (improvisation), John Holtz, Marilyn Mason, and Martin Neary at Winchester Cathedral in England. Additional studies were taken at the Royal School of Church Music, Addington Palace, Croydon, England.

James Metzler served as organist/choirmaster/director of music at Trinity Episcopal Church, Toledo, Ohio, from 1972 to 1996; Trinity Episcopal Cathedral, Little Rock, Arkansas, from 1996 to 2006, where he was appointed Canon of Music; and churches in Grand Rapids, Michigan, from 2006 until 2016.

Metzler received the Choir Master certificate from the American Guild of Organists, earning the highest score in the country, and he was awarded the S. Lewis Elmer Award for the highest score of all diploma candidates. He held a Fellowship diploma from the Cambridge (England) Society of Musicians (FCSM); a Fellowship diploma from the Guild (England) of Musicians and Singers (FGMS); a Fellowship diploma from the Honourable Company of Organists (FHCO), Toronto; and an Honorary Fellowship diploma from the National College of Music and Arts (HonFNCM), London, for services to music. In addition, he was a member of the American Guild of Organists, the Organ Historical Society, and the Royal School of Church Music. 

Metzler presented organ recitals in the United States and abroad, including three in Westminster Abbey, London, two in St. Paul’s Cathedral, London, as well as in Notre Dame Cathedral, Paris, which he considered to be the highlight of his performing career, Norwich Cathedral (UK), King’s College Chapel (Cambridge University, UK), Westminster Cathedral, London, Worcester Cathedral (UK), Ely Cathedral (UK), St. Thomas Church Fifth Avenue, New York City, Washington National Cathedral, and, most recently, at the Church of the Madeleine, Paris, in April 2017. Recordings of his organ and choral performances are available at www.YouTube.com/TheCathedralOrganist. 

As an educator, he taught on the music department faculties at Mitchell College, New London, Connecticut; the University of Toledo, Ohio; and at Grand Valley State University, Allendale, Michigan. As a choral conductor, Metzler directed over 25 choral residencies to England, leading the music for more than 100 services in Westminster Abbey, St. Paul’s Cathedral, York Minster Cathedral, Canterbury Cathedral, Durham Cathedral, Salisbury Cathedral, Norwich Cathedral, Guildford Cathedral, Southwark Cathedral, Chester Cathedral, Liverpool Cathedral, St. Martin-in-the-Fields (Trafalgar Square), Ely Cathedral, Christ Church (Oxford), and St. George’s Chapel (Windsor). In August 1995, he was privileged to direct the music for the British VJ Day 50th Anniversary Commemoration Service in York Minster Cathedral.

A funeral Mass was held at Our Lady, Queen of the Most Holy Rosary Cathedral, Toledo, Ohio, on May 24, 2017.

Nunc Dimittis

Margaret Smith McAlister died September 11, 2017. Born November 20, 1923, she was a lifelong resident of Tampa, Florida. McAlister’s early organ study began at the age of 13 with Nella Crandall, organist of First Christian Church, Tampa. At age 14, McAlister became organist at Highland Avenue Methodist Church. She earned her bachelor’s degree in music education and a certificate in organ studies from Florida State College for Women (now Florida State University), where she studied with Margaret Whitney Dow and Ramona Beard. Her organ studies continued as a graduate student at The Juilliard School in New York City with Vernon de Tar.

In 1947, McAlister became organist at First Presbyterian Church, Tampa, where she served faithfully until her retirement in 2012. During her 65-year tenure at the church, she also served as music director at various times. She served two terms as dean of the Tampa Chapter of the American Guild of Organists and several terms as AGO district convener for Florida. Each year, the Tampa Chapter of the AGO provides a scholarship in McAlister’s name to a local organ student. 

McAlister was a member of Pi Kappa Lambda, national music honorary, and was a member of the music faculties at University of Tampa and Clearwater Christian College. She served as music department accompanist for 25 years at Hillsborough Community College, Ybor Campus, Tampa. McAlister served as state chairman and member of the national executive board of the Presbyterian Association of Musicians, and was a Certified Associate Church Musician in that organization. McAlister also served as a member of the worship subcommittee of the Presbytery of Tampa Bay.

Margaret Smith McAlister is survived by a sister, six children, seven grandchildren, and three great grandchildren. A funeral service was held September 23 at First Presbyterian Church, Tampa. The choir, which she had accompanied for 65 years, performed her favorite anthem, My Eternal King, by Jane Marshall, as well as two responses composed by McAlister.

Hugh John McLean, organist, choirmaster, and musicologist, died July 30, 2017, in Naples, Florida. He was born in Winnipeg, Manitoba, Canada, on January 5, 1930. McLean began organ study as a teenager with Hugh Bancroft in Vancouver. At age 15, he was appointed organist to St. Luke’s Anglican Church, Winnipeg, and at 17, presented his first broadcast organ recital on CBC. Attending the Royal College of Music, England, on an organ scholarship in 1949, studying with Arthur Benjamin (piano), William Harris (organ), and W. S. Lloyd Webber (composition), McLean was the first Canadian to be named Mann Organ Scholar at King’s College Chapel, Cambridge, under Boris Ord, 1951–1956. He made his London debut in 1955 at the Royal Festival Hall with Adrian Boult and the London Philharmonic Orchestra in the premiere of Malcolm Arnold’s Organ Concerto, a command performance in the presence of Queen Elizabeth II. Returning to Vancouver, Hugh served as organist and choirmaster at Ryerson United Church (1957–1973). He founded and conducted the Vancouver Cantata Singers, the Hugh McLean Consort, and the CBC Vancouver Singers. He taught at the universities of Victoria (1967–1969) and British Columbia (1969–1973) before joining the faculty of music at the University of Western Ontario, London. While at Western (1973–1995) he served as dean (1973–1980) and taught organ, harpsichord, and music history. During his tenure as organist at St. John the Evangelist, London, he collaborated with organbuilder Gabriel Kney on the installation of an organ for the church, and again for the Roy Thompson Hall organ, Toronto, performing at the instrument’s inaugural gala concert in 1985.

McLean retired from University of Western Ontario to assume the post of organist and choirmaster at All Saints’ Episcopal Church, Winter Park, Florida (1995–2010). The parish Senior Choir undertook four summer sojourns as guest choir in residence in Anglican cathedrals of the UK and Ireland. In addition to broadcasts on the CBC, McLean also broadcast with the BBC, the Australian Broadcasting Corporation, Swiss Radio, and NHK Japan. The first Canadian organist to tour the USSR, he also performed in San Francisco, Los Angeles, Chicago, and two of Bach’s churches (Muhlhausen and Leipzig’s Thomaskirche). He gave many Canadian premieres including Hindemith’s Organ Concertos No. 1 and No. 2, Vancouver (1970–1972) and appeared as organ soloist with the Toronto Symphony in 1979, 1982, and 1985. Specializing in 17th- and 18th-century musicology studies and awarded Canada Council grants to research at archives in Japan, Poland, and the the former East Germany, he served on the editorial board of the new C. P. E. Bach edition and wrote 19 articles for the New Grove Dictionary of Music and Musicians.

Hugh John McLean is survived by his wife, Florence Anne, and their children, Ross Alan and Olivia Anne, his sons Robert Andreas, John Stuart, and Hugh Dundas (by his late wife, Gunlaug Julie Gaberg), nine grandchildren, two sisters, and several nieces and nephews.

Organist, choir director, composer, and teacher Roberta Bitgood died on April 15 at Lawrence and Memorial Hospital, New London, Connecticut, after a brief illness. She was 99. Dr. Bitgood, formerly of Quaker Hill, had been a resident of the Odd Fellows Home of Connecticut (Fairview) in Groton. She was also known locally as Roberta Wiersma, her married name.
During a long career in sacred music, Bitgood served as minister of music and organist in churches and synagogues throughout the United States. She worked first in New Jersey (Bloomfield), later in California (Riverside), and later still in Connecticut (Mystic and Waterford), as well as in upper New York state (Buffalo) and Michigan (Detroit, Bay City, and Battle Creek). She published more than 70 choral and organ compositions, including several pieces for organ and other instruments, and two choral cantatas based on biblical narratives. Her enthusiasm for making music accessible to all, and the broad scope of her musical activities, made her one of the most well-known 20th-century American music educators. She was known to organists worldwide as a committed yet down-to-earth professional leader, and to volunteer choir singers in many states as an inspiring and witty teacher.
Roberta Bitgood was born in New London on January 15, 1908, and began study of the violin at age 5. As a student at the Williams Memorial Institute (1920–24), she was already well known as a gifted performer on the violin and organ in local churches and school orchestras. Graduating with honors from Connecticut College for Women, she received postgraduate and conservatory training in New York, where she was awarded the William C. Carl Medal upon graduation from the Guilmant Organ School (1930), became a Fellow of the American Guild of Organists (also 1930), and earned a master’s degree in music education from Teacher’s College at Columbia University (1932), a master’s degree in sacred music from Union Theological Seminary (1935), and later the doctoral degree in sacred music (1945), also from Union.
Dr. Bitgood was honored for her achievements and service to her profession and maintained an active relationship with her alma mater through fundraising efforts and performances at annual college reunions. In 1974 she was awarded the Connecticut College Medal, and in 1975 was elected president of the American Guild of Organists, continuing until 1981. In 1976, upon retirement from full-time employment in Michigan, Dr. Bitgood returned to her family home in Connecticut, serving for another 18 years in local churches and synagogues.
In 1993, the New London AGO chapter established an annual scholarship competition for new organists in Dr. Bitgood’s honor, as part of a celebration of her contributions to sacred music and her 85th birthday. After retiring from professional life in 1999, Dr. Bitgood remained at home under the care of her family until 2003, when she moved to Groton. A memorial service took place April 21 at St. James Church, New London. Contributions may be made to the New London AGO-Bitgood Scholarship (P.O. Box 423, Quaker Hill, CT 06375), or to the Visiting Nurses Association of Southeastern Connecticut (Waterford).

Giuseppe G. Englert died of cancer on March 29 in Paris. He was 80. Born to Swiss parents in Fiesole, Italy, in 1927, he studied theory and composition with Willy Burkhard at the Zurich Conservatory (1945–48). From 1958 to 1963 he took part in the international summer courses at Darmstadt, attending seminars given by Leibowitz and Cage, among others. From 1970 to 1982 he taught at the University of Paris VIII–Vincennes, where he became a member of the computer department’s Art et Informatique group in 1973. From 1964 to 1969 he was a co-director of the Centre de Musique, an organization founded by Keith Humble that promoted performances of new music at the American Center for Students and Artists in Paris. He joined the Groupe Art et Informatique de Vincennes (GAIV) in the computer department of the same university in 1973. As a composer and performer he toured Europe, Israel, and the United States. Since 1986 he was associated with the Groupe d’Etude et Réalisation Musicales (GERM) founded by Pierre Mariétan in Paris.
In the 1950s Englert studied organ with André Marchal and substituted for him at the church of St. Eustache in Paris. He accompanied André Marchal on a number of his American tours and gave lectures on organbuilding at several American universities. In 1956 he attended the Organ Institute at Methuen Memorial Hall, where he was the translator for André Marchal. He assisted Peter Bartok in the Unicorn recordings of Marchal in 1957 at MIT in Cambridge. In 1961 in Oberlin, Ohio, he lectured on French organbuilding and at the 1963 Midwinter Conference on Church Music at Northwestern University, Evanston. He was married to Jacqueline Marchal in 1954. American organists familiar with Langlais’ Organ Book may remember that it was dedicated to Jacqueline Marchal as a wedding gift and the last piece, “Pasticcio,” contains the names of both Jacqueline and Giuseppe.
Englert’s works include orchestral pieces, chamber music, compositions for organ, cello, and works for ‘new music theatre’ and electronic music on tape for live performance using analog and digital means of production. In 1975 and 1976 he worked in the digital electronic music studio at SUNY/Albany, in 1977 at the New York Experimental Intermedia Foundation, and in 1978 in San Diego for the Ford Foundation at the Center for Music Experiment (CME).
Englert’s works for organ include: Palestra 64 (1959–64) and GZ50 Musica Barbara pro Organo (1979), the latter recorded by Gerd Zacher. In reference to his compositions for organ he stated:
The organ has always played a major role in my musical thinking. But it may be precisely because I know the instrument so well that I’ve written so little for it. The problem with the organ is that no two instruments are identical. Consequently the interpreter needs far more freedom because he or she has to play a piece differently depending on the instrument and the hall or church in which it stands. When I began working with a computer, I was thrilled by the possibility of programming the necessary freedom into an organ composition, in other words, of using a computer program to determine and define indeterminacy. That led to GZ50, the organ piece I wrote for Gerd Zacher’s fiftieth birthday. It gives Zacher enormous freedom of interpretation. Time values are notated proportionally, but the duration of each page is not fixed. That leaves tempo completely to the performer, and the same holds true for tone color.
Until his last days he was surrounded by his former students and his nurses who recalled that they took him to a piano where he improvised a fugue. A large number of friends, colleagues, and former students attended the graveside funeral held April 2 at Père-Lachaise Cemetery. During the interment, Marchal’s recordings of portions of Bach’s Orgelbüchlein were played, interspersed with readings and tributes. Englert is survived by his wife, Jacqueline Englert-Marchal, a nephew and a niece. Contributions may be made to the Académie André Marchal, c/o Ralph Tilden, “Longview,” P.O. Box 2254, Banner Elk, NC 28604.
—Ann Labounsky

Kenneth W. Matthews died January 19 in San Francisco at the age of 54. Born in Atlanta, Georgia, his first music lessons were with his father, who played organ in churches and in restaurants. Matthews earned a BA in music from Stetson University in 1976 and an MA in sacred music from Yale Divinity School in 1978. He then moved to San Francisco to study with Richard Purvis at Grace Cathedral. He also studied in Paris with Marie-Louise Langlais and played recitals in France.
Matthews was director of music at Old First Presbyterian Church in San Francisco from 1998 until his death. He had previously served All Saints Episcopal Church and the First Church of Christ, Scientist, in San Francisco, the First Unitarian Church of Berkeley, and St. Stephen’s Episcopal Church in Belvedere. He also supervised the support staff at Boalt Hall at the University of California, Berkeley, 1990–96. He played recitals at the California Palace of the Legion of Honor and at national conventions of the Organ Historical Society. A memorial service took place at Old First Presbyterian Church on February 24.
Monsignor Richard J. Schuler, a major figure in sacred music in the 20th century and founder of the Church Music Association of America, died April 20 at the age of 87. Monsignor Schuler served as pastor at St. Agnes Church in St. Paul, Minnesota, for 32 years, from 1969–2001, and was the founding director of the Twin Cities Catholic Chorale in 1956.
Born in Minneapolis, Minnesota, December 30, 1920, he attended DeLaSalle High School and the College of St. Thomas before entering the St. Paul Seminary. He was ordained a priest on August 18, 1945, and was assigned to Nazareth Hall Preparatory Seminary to teach Latin and music. He held music degrees from the Eastman School of Music (M.A.) and the University of Minnesota (Ph.D.), and in 1954 spent a year of study of Renaissance music manuscripts at the Vatican Library on a Fulbright scholarship from the United States government.
An excellent organist and overall musician, he was also a pioneer in the use of large-scale polyphony and symphonic sung Masses after the Second Vatican Council. He is the author of many articles and lengthy studies on music and the liturgy. A funeral mass took place on April 24 at St. Agnes Church in St. Paul. Members of the Twin Cities Catholic Chorale sang the Mozart Requiem with orchestral accompaniment.

Gordon T. Whitley died April 20 at Obici Hospital in Suffolk, Virginia, from congestive heart failure. He was 66. Born November 16, 1940, to Moses and Mary Whitley in Suffolk, he attended Peabody Conservatory. His business included ownership of a beauty salon located in his home. Churches he had served as organist and choirmaster included St. Bride’s Episcopal, Norfolk, Virginia, Faith Lutheran Church in Suffolk, and Murfreesboro (North Carolina) Baptist Church. At the time of his death he was a countertenor in the choir at Trinity Episcopal Church in Portsmouth, Virginia.
Whitley was a member of St. Grace and St. Peter’s Episcopal Church in Baltimore. A former dean of AGO chapters in Maryland and Virginia, he was a member of Northeastern North Carolina AGO chapter, serving as dean from 1997–1999. He was a member of the Association of Anglican Musicians and the Friends of European Cathedrals. Survivors include a niece and a sister-in-law. A memorial service was held on April 22 at R. W. Baker Funeral Home Chapel in Suffolk.
—Rodney Trueblood

Alec Wyton died on March 18 at Danbury Hospital in Danbury, Connecticut, at the age of 85. He had been a resident of Ridgefield, Connecticut, for the last 20 years. His career included two decades as organist and choirmaster at the Cathedral of St. John the Divine in New York City. He was president of the American Guild of Organists 1964–69 and twice served as dean of the New York City chapter.
Born in London on August 3, 1921, he received his early musical training as a boy chorister and held his first job as organist at age 11. He earned the BA from the Royal Academy of Music and the MA from Oxford University and was awarded fellowships in five professional societies. In 1946 he was appointed organist-choirmaster at St. Matthew’s Church, Northampton, and also served as conductor of the Northampton Bach Choir and Orchestra. In 1950 he was appointed organist-choirmaster at Christ Church Cathedral in St. Louis, Missouri. In 1954 he was appointed to the Cathedral of St. John the Divine in New York City, where he also served as headmaster of the cathedral choir school 1954–62.
Wyton left the cathedral in 1974 to become organist-choirmaster at St. James’ Church, Madison Avenue, in New York City. At that time he also became coordinator of the Standing Commission on Church Music that produced The Hymnal 1982 for the Episcopal Church. In 1987 he left St. James’ Church to become minister of music at St. Stephen’s Episcopal Church in Ridgefield, Connecticut, a position he held until his retirement in 1997.
Wyton’s published compositions number more than 100. In addition to his work on the Standing Commission on Church Music, he edited numerous publications, including Anglican Chant Psalter (Church Publishing, Inc.), and he was a member of the editorial team that produced Ecumenical Praise (Hope Publishing).
Wyton founded the church music department at the Manhattan School of Music in 1984, serving as chairman until 1990. He also taught at Union Theological Seminary in New York City and was chairman of the music department at Westminster Choir College in Princeton, New Jersey. He was awarded honorary doctorates from Susquehanna University and Virginia Theological Seminary. Services were held at St. Stephen’s Episcopal Church in Ridgefield, Connecticut.

James Leslie Boeringer, born March 4, 1930, in Pittsburgh, Pennsylvania, died January 12 of pancreatic cancer. He earned a BA in organ performance from the College of Wooster (Ohio) in 1952, an MA in musicology from Columbia University in 1954, a doctorate in sacred music from the former Union Theological Seminary in New York, New York, in 1964, and completed post-doctoral studies at New York University. Boeringer received associate certification from the American Guild of Organists in 1953. He presented recitals in organ and harpsichord in 20 of the United States, and in England and France.

Beginning with his first church position, as organist of Homewood Baptist Church in Pittsburgh in November 1947, he served churches in Ohio, New Jersey, New York City, South Dakota, Oklahoma, Pennsylvania, North Carolina, and London, England. He moved to the Washington, D.C., area in 1992 and served as organist at Church of the Pilgrims (Presbyterian) Washington, Messiah Lutheran Church in Germantown, and Fifth Church of Christ, Scientist, in Georgetown, playing his last service December 29, 2013, just two weeks before his death.  

Boeringer served as executive director of the Moravian Music Foundation in Winston-Salem, North Carolina, as university organist and on the faculty at the University of South Dakota in Vermillion, Oklahoma Baptist University in Shawnee; at Susquehanna University in Selinsgrove, Pennsylvania, he was a professor and chair of the music department. A Phillips Distinguished Visitor at Haverford College, he founded the Krisheim Church Music Conference in Philadelphia, and directed the Creative Arts Festival at Susquehanna University from 1972 to 1975, and the Moravian Music Festival in 1981 and 1984.  

As a composer Boeringer wrote 23 published original works for chorus and organ, organ solo, chamber ensemble, and other combinations, including a cantata and a song cycle; and about 50 unpublished pieces, including an oratorio with full orchestra. He wrote more than 25 hymn tunes and hymn texts, some of which appear in Baptist, Lutheran, Mennonite, Moravian, and ecumenical hymnals. Selected works are available through the International Music Score Library Project (IMSLP) website (imslp.org).  

He authored the three-volume Organa Britannica: Organs in Great Britain, 1660–1860, as well as other books on hymnody and biographies of organists and composers of church music. His essays were published in periodicals and books. 

A widely published arts critic and scholar, he wrote numerous articles and reviews, which appeared in the Journal of Church Music; Moravian Music Journal; Music, the A.G.O. Magazine; The Organ Yearbook (Netherlands); The Musical Times (London); The New York Times; The American Organist; The Diapason; and The Tracker. He was the editor for the Society for Organ History and Preservation.  

Boeringer published fiction under a pseudonym. A member of Equity, he has a long list of theater credits in a variety of roles including actor, singer, director, music director, composer, narrator, and chorus arranger. He had an abiding interest in historic buildings and moved and restored two log cabins in his lifetime, and was an avid gardener.  

James Leslie Boeringer is survived by his wife of 58 years, Grace, and children Lisa Stocker, Greta, and Daniel, and a brother David.  

Peter Rasmussen Hallock died April 27, 2014, in Fall City, Washington; he was 89. A composer, organist, liturgist, and countertenor, among other activities, he was long associated with St. Mark’s Episcopal Cathedral of Seattle. Hallock began organ study with Clayton Johnson of Tacoma. He enrolled at the University of Washington, but was drafted into the United States Army, serving from June 1943 until February 1946 as chaplain’s assistant and sharpshooter in the Pacific theater during World War II. Returning to the University of Washington, he studied organ with Walter Eichinger and composition with George McKay, then studied at the College of St. Nicholas at the Royal School of Church Music (RSCM) in Canterbury, England, becoming the first American choral scholar at Canterbury Cathedral, under the direction of Gerald Knight. He completed the RSCM program and received a bachelor of arts degree in music from the University of Washington in 1951 and master of arts degree in music from the same institution in 1958.

Peter Hallock became organist/choirmaster of St. Mark’s Episcopal Cathedral, Seattle, on October 28, 1951, a position he held until retirement in 1991. At St. Mark’s, he founded a chant study group in the mid 1950s that became known as the Compline Choir, which remains in the forefront of the resurgence of interest in the Office of Compline. He was instrumental in the cathedral’s acquisition of a four-manual Flentrop mechanical-action organ in 1965. At the cathedral, Hallock also introduced Advent and Good Friday processions as well as liturgical drama. He was named Canon Precentor, the first lay person in the Episcopal Church to hold this title, named an associate of the RSCM, and was honored with an honorary doctor of music degree by the Church Divinity School of the Pacific. In 1992, he became organist at St. Clement of Rome Episcopal Church, Seattle, remaining until March 2013. Hallock was also well known and respected for his countertenor concerts, with performances throughout the United States. As a composer, Peter Hallock created more than 250 works, from occasional church music to extended anthems, dramatic works (sacred and secular) to music specifically written for the Compline Choir. Among his many publications was The Ionian Psalter.

Peter Rasmussen Hallock is survived by his sisters, Matilda Ann Milbank of Los Altos, California, and Barbara Hallock of Kent, Washington, as well as several nieces, nephews, grandnieces, and grandnephews. Memorial gifts may be made to the Compline Choir of St. Mark’s Cathedral or to the Cathedral Foundation of the Diocese of Olympia, Seattle.

Robert Burgess Lynn, 83 years old, passed away February 11 in Houston, Texas. A native of Colorado Springs, he studied organ and piano with Roy Harris, Frederick Boothroyd, and Joanna Harris while in high school. In 1952, he earned a BA at Colorado College (where he studied with Frederick Boothroyd and Max Lanner, and was chapel organist), and a master’s in organ from the Juilliard School of Music, received Honorable Mention in the AGO Young Artists’ Contest in Organ Playing in San Francisco, and married Elaine Steele, also a musician. In 1956, Lynn received a Fulbright Scholarship to study organ playing and construction with Finn Viderø under the auspices of the University of Copenhagen. His studies were briefly delayed when the family’s ship, the Stockholm, collided with the Andrea Doria, which subsequently sank. During his time in Copenhagen, he saw and played several great organs, including the organ at Sweden’s Malmö Museum, built in 1520, and at the Royal Chapel in Copenhagen, built in 1827. Lynn became a Fellow of the AGO in 1964, receiving the highest marks of any candidate in Section I of the FAGO examinations. 

Robert Lynn taught from 1954 to 1971 at Allegheny College as an assistant professor of music. In 1973, he received his PhD in musicology from Indiana University; his dissertation was entitled “Renaissance Organ Music for the Proper of the Mass in Continental Sources.” From 1971 to 1997, he served as professor of musicology at the University of Houston where he also directed the Collegium Musicum and the graduate studies program. His monograph, Valentin Haussmann (1565/70–Ca. 1614): A Thematic-Documentary Catalogue of His Works, was published by Pendragon Press. In 1997, he was named professor emeritus. 

Lynn also enjoyed visiting professorships at Rice University, Indiana University, and the University of Siegen. While a resident of Houston, Lynn was well known for his organ recitals in addition to his role as harpsichord soloist, playing in many concerts associated with the Houston Harpsichord Society (now Houston Early Music). From 1982 to 2004, he was the founding director of the Houston Bach Choir and Orchestra at Christ the King Lutheran Church. Lynn served as director of music and organist at St. Francis Episcopal Church for 25 years, and also as long-term interim organist at St. Christopher’s Episcopal Church. Memorial contributions may be made to the Bach Society Houston, 2353 Rice Blvd, Houston, TX 77005, or to the Christ Church Cathedral Music Program, 1117 Texas Ave., Houston, TX 77002.

Fred S. Mauk died on April 7, two weeks before his 83rd birthday, after a short illness. Mauk did his undergraduate study at Stetson University and Rollins College, where he earned a degree in music, and received his master’s degree in 1958 from the School of Sacred Music at Union Theological Seminary in New York City. He held church music positions in Missouri, South Carolina, North Carolina, and Florida, his last position being director of music for 33 years at St. Mark’s Presbyterian Church in Altamonte Springs, Florida, where he retired in 2011; at St. Mark’s he installed a pipe organ (purchased from a church in North Carolina) in the sanctuary.

An active member of the Central Florida AGO chapter, Mauk served in many chapter positions, including dean, and was instrumental in coordinating the 1993 regional AGO convention in Orlando. He was also known for his encouragement of young musicians, his sense of humor, his organizational skills, his many interests, including old cars and antique car shows, and his ability to work well with everyone. 

Mary Lou McCarthy-Artz, age 78, died at her home in Plymouth, Indiana, on May 7. Born November 18, 1935, Mary Lou Smith graduated from high school in 1953, marrying her first husband, Joseph L. Merkel, two years later. She studied piano at the Jordan Conservatory of Music, Butler University, in Indianapolis. After her husband’s death, she married Rodney Evans and moved to Covington, Indiana, where they lived for more than twenty years. It was there, while holding down a full-time job as an executive secretary, that she began working part-time as organist at nearby Catholic parishes: St. Joseph, Covington; St. Bernard, Crawfordsville; and Holy Family, Danville, Illinois. In 1993, she began full-time ministry as organist and choir director for the motherhouse of the Poor Handmaids of Jesus Christ, Ancilla Domini, in Donaldson, Indiana. A long-time member of the American Guild of Organists, she had served as chapter dean and had recently earned her CAGO certificate. Mary Lou McCarthy-Artz is survived by her husband, Donald Artz, two daughters, Nancy Merkel Starkey of Jacksonville, Florida, and Janet Evans Snyder of Georgetown, Illinois, as well as two grandchildren. ν

Richard Hillert died February 18. He was Distinguished Professor of Music Emeritus at Concordia University Chicago, River Forest, Illinois, and was best known for his work as a composer and composition teacher. One of his most noted works is Worthy Is Christ, of which “This is the Feast of Victory” has been widely published in various worship books.
Hillert received his bachelor’s degree in education from Concordia, and master’s and doctoral degrees in composition from Northwestern University. He also studied composition with Italian composer Goffredo Petrassi. Hillert taught at Concordia from 1959 to 2003. He edited eleven volumes of the Concordia Hymn Prelude Series and was associate editor of the journal Church Music (1966–80).
Hillert’s compositions and publications include liturgical music for congregation, choral motets, hymns and hymn anthems, psalm settings and organ works, concertatos, and cantatas, including settings of The Christmas Story According to Saint Luke and The Passion According to Saint John. Richard Hillert is survived by his wife Gloria Bonnin Hillert, and children Kathryn Brewer, Virginia Hillert, and Jonathan Hillert.

Rev. Richard D. Howell died January 26 in Dallas, Texas. Born June 24, 1932 in Great Bend, Kansas, he earned a master of sacred music degree from Southern Methodist University, and was ordained a deacon in the United Methodist Church. He started playing for church services at age 13, and went on to serve numerous United Methodist congregations in Texas and taught elementary music for the Richardson and Dallas school districts. He played for children’s, youth, and adult choirs and directed handbell choirs, serving as the chairman of the Dallas Handbell Festival. He was active in many organizations, including the American Guild of Organists, Choristers Guild, and the Fellowship of United Methodist Musicians. Richard D. Howell is survived by his wife of 52 years, Bradley Sue Howell, children Mark and Teri Howell, Celeste and Martin Hlavenka, and Jane Walker, along with grandchildren, sisters-in-law, and numerous nieces and nephews.

Richard Proulx died February 18 at age 72. From 1980 to 1994, he was organist–music director at the Cathedral of the Holy Name in Chicago, where he was also responsible for the planning and installation of two new mechanical-action organs for the cathedral: Casavant II/19 (Quebec, 1981) and Flentrop IV/71 (Holland, 1989). Before coming to Chicago, he served at St. Thomas Church, Medina/Seattle (1970–1980), and was organist at Temple de Hirsch Sinai. Previous positions included St. Charles Parish, Tacoma; St. Stephen’s Church, Seattle; and 15 years (1953–1968) at the Church of the Holy Childhood in St. Paul.
A native of St. Paul, Minnesota, he attended MacPhail College and the University of Minnesota, with further studies undertaken at the American Boychoir School at Princeton, St. John’s Abbey, Collegeville, and the Royal School of Church Music in England. He studied organ with Ruth Dindorf, Arthur Jennings, Rupert Sircom, Gerald Bales, and Peter Hallock; choral conducting with Bruce Larsen, Donald Brost, and Peter Hallock; composition with Leopold Bruenner, Theodore Ganshaw, Bruce Larsen, and Gerald Bales.
Proulx was a widely published composer of more than 300 works, including congregational music, sacred and secular choral works, song cycles, two operas, and instrumental and organ music. He served as consultant for The Hymnal 1982, the New Yale Hymnal, the Methodist Hymnal, Worship II and III, and contributed to the Mennonite Hymnal and the Presbyterian Hymnal.

Phyllis J. Stringham, of Waukesha, Wisconsin, died February 12 at the age of 79. Born January 30, 1931 in Grand Rapids, Michigan, she earned her Bachelor of Arts degree from Calvin College and a Master of Music degree in organ performance at the University of Michigan. Her organ teachers included John Hamersma, Robert Noehren, and Marilyn Mason. She pursued additional study at the American Conservatory in Fontainebleau, France, studying with Nadia Boulanger and André Marchal. In 1966 she studied with Marie-Claire Alain and Anton Heiller at the Summer Academy for Organists in Haarlem, Holland. While on sabbatical leave in 1972, she spent five months studying at the Hochschule für Musik in Vienna, Austria. Further study was done at the Eastman School of Music with Russell Saunders, and with Delbert Disselhorst at the University of Iowa.
For 43 years, Stringham was Professor of Music and College Organist at Carroll University, Waukesha, Wisconsin (1959–2002). After retirement from teaching, she retained her position as College Organist and Curator of the Organ. In 2007 she was named Organist Emeritus. Her earlier teaching career began at Chatham Hall, an Episcopal school in Virginia. She is listed in Who’s Who in the World of Music. From the late 1960s to 2007 she operated the Phyllis Stringham Concert Management agency. She served the AGO as dean of the Milwaukee chapter and as Wisconsin State Chair.
Phyllis Stringham is survived by her brother James A. (Gladys), nephews, many grandnephews, nieces, other relatives and friends. A memorial service was held February 18 at St. Luke’s Lutheran Church, Waukesha.

Gail Walton, director of music at the University of Notre Dame’s Basilica of the Sacred Heart, died February 24 in Indianapolis after a long illness. She was 55 years old. Dr. Walton had served as director of music in the Basilica since 1988, directing the Notre Dame Liturgical Choir as well as the Basilica Schola, which she founded in 1989. She held degrees from Westminster Choir College and the Eastman School of Music, where she earned the doctor of musical arts degree in organ performance, and was awarded the performer’s certificate. Before joining the basilica staff, she taught organ at Goshen College.
Gail Walton performed throughout the midwestern United States and played concerts in the German cities of Bonn, Heidenheim, Mainz, and Rottenburg/Neckar in the summer of 1991. In the summer of 1995, she took the Notre Dame Liturgical Choir on a tour of Italy, giving performances in Florence, Milan, Assisi, and Rome. She frequently played duo recitals with her husband, organist and Notre Dame music professor Craig Cramer.

Allan Wicks, a leading cathedral organist of his generation, died February 4 at age 86. He played a crucial role during the 1950s and 60s in bringing modern works by Messiaen, Maxwell Davies, Stravinsky, and Britten into the regular cathedral repertory. Born in Harden, Yorkshire, on June 6, 1923, the son of a clergyman, Wicks became organ scholar at Christ Church, Oxford in 1942, where he studied under Thomas Armstrong. He became sub-organist at York Minster in 1947, then in 1954 organist and master of the choristers of Manchester Cathedral. During his time there, he oversaw the rebuilding of the war-damaged organ, and championed the music of Peter Maxwell Davies and Malcolm Williamson. He also regularly conducted Stravinsky’s Canticum Sacrum.
In 1961 he was appointed organist and master of the choristers of Canterbury Cathedral, a post he held until 1988.There he regularly performed music by such composers as Messiaen, Ligeti, Tippett, Lennox Berkeley, and Alan Ridout. Wicks made several recordings, released on LP but yet to be issued on CD, of works by Alan Ridout, Messiaen (notably La nativité du Seigneur), Bach, Mendelssohn, Liszt, Franck, Widor, Alain and Reger. Wicks retired from Canterbury in 1988, having served under three archbishops and taught several generations of choristers.

William Robert “Bob” Brittenham died March 17 in New York City. He was 82. Born in Rock Island, Illinois, he graduated from Augustana College in Rock Island, and earned a master’s degree in mathematics from the University of Wisconsin-Madison in 1952. He worked as a computer programmer in Milwaukee and later for IBM in Poughkeepsie, where he received numerous awards, including a corporate award for creating and designing the system programming language PL/S.
Mr. Brittenham began playing the organ at age 14, and held positions at Capitol Drive Lutheran Church in Milwaukee, Our Savior Lutheran Church in Fishkill, New York, and First Presbyterian Church in Poughkeepsie, New York, for which he compiled a ten-CD musical history, along with other organ and choral recordings. He served in the 33rd Seabee Battalion in the South Pacific during World War II, playing the organ for church services while on the island of Peleliu. He is survived by his wife Marjorie Lorraine, five children, nine grandchildren, brother Rex Rollins Brittenham, and nieces and nephews.

Mary Sherman Caskey died on March 20 at the age of 83, in Cornwall, New York. Born in Fremont, Ohio, she received a music degree from Oberlin College, and also attended Westminster Choir College in Princeton, New Jersey, where she studied organ with her friend and mentor Claire Coci.
Mrs. Caskey served as organist at Bantam Episcopal Church in Bantam, Connecticut, Moulton Memorial Baptist Church in Newburgh, New York, St. John’s Episcopal Church in Cornwall, and at Grace Episcopal Church in Middletown, New York for 30 years, where she created the Festival Brass Group, with whom she presented a concert at St. Patrick’s Cathedral in New York City. She was active in local organizations, including with Meals on Wheels and the local AGO chapter. Mary Caskey is survived by her son Jeremy Carroll, his wife Anne, and son Tyler.

Bess Hieronymus, 85 years old, died March 22 in San Antonio, Texas. Professor emerita in the University of Texas at San Antonio Department of Music, she had developed and spearheaded the organ studies program there.
Born in Temple, Texas, she began playing piano at age three and had her first organist position at age twelve. She earned a bachelor of music degree in piano from the University of Mary Hardin-Baylor, which awarded her an honorary doctorate in humanities in 1995, and a master’s degree in music from Smith College, where she wrote her thesis under the direction of Alfred Einstein. She earned a DMA in organ performance and musicology from the University of Texas at Austin.
Dr. Hieronymus served on the faculty of Trinity University, San Antonio College, and for over 30 years at the University of Texas at San Antonio, the first woman to be appointed full professor there. She built a nationally known organ department and supervised the installation of the 1982 Casavant organ, named the Bess Hieronymus Pipe Organ in 2004, in the school’s Recital Hall. The Bess Hieronymus Scholarship Endowment in Organ and an eponymous faculty endowment were established in her honor. Dr. Hieronymus also organized the William Hall Pipe Organ Competition in San Antonio.
She concertized in many countries and served as organist-choir director at Madison Square Presbyterian Church in San Antonio, Alamo Heights Methodist Church, Temple Beth-El, and at the First Presbyterian Church, where she served for over 27 years and was named organist emerita. Her numerous awards include the Yellow Rose of Texas Education Award, and a resolution from the Texas House of Representatives for her musical contributions to the State of Texas. Bess Hieronymus was preceded in death by her parents and older brother.

David Ramsey died January 17 in Memphis, Tennessee. He was 68 years old. He made his debut as an organist at age nine, at Woodbine Cumberland Presbyterian Church in Nashville. He received a bachelor of music degree in 1961 from Southwestern at Memphis (now Rhodes College), and a master of sacred music degree from Union Theological Seminary in New York City, studying with Vernon deTar and Alec Wyton. He joined the faculty of Rhodes College as accompanist and associate conductor of the college choir, and was named Distinguished Service Professor of Music in 2001. He served as director of music-organist at Holy Communion (Episcopal), St. John’s United Methodist, and First Presbyterian churches in Memphis.
A 50-year member of the AGO, he served as dean of the Memphis chapter five times. A skilled improviser, Mr. Ramsey also played for the local professional baseball team, often quoting hymns during his playing if he knew a church group was in attendance. David Ramsey is survived by his sister Gayla Sutton, brother-in-law Barry Sutton, nephew Eric, and aunt, Charlene Turner.

Rev. Dr. Jaroslav J. Vajda, composer, hymn writer, and musician, died on May 10. A Lutheran pastor, Rev. Vajda was named editor of Concordia Publishing House’s This Day magazine in 1963, and served Concordia as book developer and editor from 1971 until his retirement in 1986. Vajda was the author of over 200 hymn texts, including “Now the Silence,” “God of the Sparrow,” “Christ Goes Before,” “Go, My Children, with My Blessing,” and “Now the Silence.” He also made effective translations from Slavic languages. His hymns and translations can be found in nearly 50 hymnals of various Christian denominations worldwide. Pastor Vajda was named a Fellow of the Hymn Society in the United States and Canada. The complete collection of his hymns, Sing Peace, Sing Gift of Peace, was published in 2003. He is survived by his wife of 63 years, Louise, two daughters and two sons, and grandchildren and great-grandchildren.