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Nunc dimittis: Ray McLellan, Liuwe Tamminga, and Rev. Ralph Verdi

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Ray McLellan died April 30. Born in 1958 in Florida, he learned to play the carillon while earning his Master of Music and Doctor of Musical Arts degrees at the University of Michigan, and he later studied at the Netherlands Carillon School.

A carillonneur member of the Guild of Carillonneurs in North America, McLellan served on a number of GCNA committees, including as an exam juror. He served as university carillonneur at Michigan State University starting in 1997, was an active carillon recitalist in the United States and other countries, and was a faculty member of the North American Carillon School. He taught organ and piano, served as director of music at St. Michael the Archangel Catholic Church, Monroe, Michigan, and was an accompanist for the Kol Halev Choir of Temple Beth Emeth, Ann Arbor, Michigan.

 

Liuwe Tamminga, 68, died April 29. He was born September 25, 1953, in Hemelum, the Netherlands. Having studied at the conservatory of Groningen, he then went to Paris to study with André Isoir at the organ of the abbey of Saint-Germain-des-Prés. Thereafter, he relocated to Italy to tutor with Luigi Ferdinando Tagliavini, with whom he began a thirty-year collaboration working with historic instruments.

From 1982 until his death, he served as organist of the Basilica of San Petronio, Bologna, Italy, which houses historic organs by Lorenzo da Prato (1471–1475) and Baldassarre Malamini (1596). For much of his time at this church, he shared his duties with Tagliavini, who died in 2017. Tamminga was noted for his performances of early Italian music on organ and harpsichord. He played and presented masterclasses throughout Europe and abroad, including the Academy for Italian Organ Music at Pistoia, Italy, and the Haarlem Summer Academy for Organists, Haarlem, the Netherlands. He was a collaborative musician with ensembles such as Odhecaton and Concerto Palatino.

Tamminga served as curator of the Tagliavini collection of instruments acquired in 2010 by Genus Bononiae in the Museum of San Colombano, Bologna. The collection includes organs, harpsichords, clavichords, pianos, and automated instruments from the sixteenth through nineteenth centuries. As a musicologist, he edited publications of the music of Marco Antonio Cavazzoni, Jacques Buus, and others. His numerous recordings from 1991 through 2017 include two compact discs of the organ works of Giacomo Puccini. Other recordings featured works of Frescobaldi, Mozart, Palestrina, Cavazzoni, and Giovanni Gabrieli.

 

Reverend Ralph Verdi, C.PP.S., 76, died May 10 in Carthagena, Ohio. Fr. Verdi was born September 21, 1944, in New York. He entered the Society of the Missionaries of the Precious Blood in 1962 at St. Joseph’s College, Rensselaer, Indiana, and was ordained to the priesthood on June 19, 1971, at St. Charles Seminary, now St. Charles Center, Carthagena, Ohio.

After ordination, Fr. Verdi returned to St. Joseph’s College to teach in its music department. He later attended the Benjamin T. Rome School of Music at the Catholic University of America, Washington, D.C., for graduate studies in music, earning a doctoral degree in composition. He then continued in music and education at St. Joseph’s College, particularly with the Rensselaer Program of Church Music and Liturgy, teaching music theory and composition.

In 2005, he was appointed parochial vicar at Our Lady of Good Counsel Parish, Cleveland, Ohio. In 2010, he served as sacramental minister at St. Rita and Precious Blood Parishes in Dayton, Ohio, later becoming part-time chaplain for the Sisters of the Precious Blood in Dayton.

Fr. Verdi retired to St. Charles Center in 2015. With his health declining, he launched his search for a kidney transplant, which took place in late 2017. He faced numerous medical obstacles during his recovery, but eventually made his way back to St. Charles Center, where he spent his last years.

Fr. Verdi incorporated music into his priestly ministry as a teacher and composer. He composed several hymns to the Precious Blood as well as a “Votive Mass for St. Gaspar del Bufalo” and the Precious Blood Founders Hymn Collection. His compositions were published by GIA Publications, Chicago, Illinois, including “Come, Let Us Adore,” “Psalm for Christmas,” and “Psalm for Pentecost.” He served as a contributing editor to the publisher’s hymnals, Worship II (1975) and Worship, Third Edition (1986).

Reverend Ralph Verdi is survived by his brother Richard (Mary) of Bronx, New York; and his sister Barbara (Frank) Rakas of Yonkers, New York. A funeral Mass was celebrated privately on May 14 at St. Charles Center with burial in the community cemetery. Memorial donations may be made to the Missionaries of the Precious Blood, Cincinnati Province: cpps-preciousblood.org.

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Nunc dimittis: Joseph Burgio and Br. Theophane Woodall, C.PP.S.

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Joseph Burgio

Joseph Burgio, 71, of Rochester, New York, formerly of Chicago, Illinois, died October 10. Born in 1953, he earned his Bachelor of Science degree in music education and organ at Nazareth College, Rochester, and a Master of Arts degree in pastoral music, awarded jointly by Colgate-Rochester Divinity School and the Eastman School of Music, University of Rochester. He studied organ with Barbara Harbach, Will Headlee, and David Craighead and performed in masterclasses at American Guild of Organists conventions for Russell Saunders and Marie-Claire Alain.

Burgio served as musician for Catholic and Lutheran churches in Syracuse, New York; Norfolk, Virginia; and Chicago and Forest Park, Illinois. He performed organ recitals in venues such as the Cathedral of the Holy Name in Chicago and presented workshops at three annual conferences of the Hymn Society of the United States and Canada, which named him a Lovelace Scholar, and for the AGO on local and national levels.

Joseph Burgio is survived by his sister, Carmela (Steve) Key; brother, James (Lisa) Burgio; and nieces and nephews. His funeral Mass was celebrated October 21 at St. Kateri Parish, Christ the King Church, with burial at Holy Sepulchre Cemetery, Rochester.

Br. Theophane (Fred) Woodall, C. PP.S.


Br. Theophane (Fred) Woodall, C.PP.S., 85, died September 28, 2024, in Carthagena, Ohio, where he had lived and ministered for 55 years. He was born February 7, 1939, in Dayton, Ohio, and raised in nearby Miamisburg. He entered the Missionaries of the Precious Blood Congregation in 1953 and was professed as a religious brother on August 15, 1959. He celebrated his 65th anniversary as a religious brother earlier this year.

After his profession, Br. Theophane ministered for nine years at Brunnerdale, the congregation’s former high school seminary near Canton, Ohio. He then served for a year at St. Mary’s Novitiate in Burkettsville, Ohio, before his assignment in 1969 to St. Charles Seminary, now St. Charles Center, Carthagena, Ohio.

Br. Theophane was the coordinator of liturgy and sacristan at St. Charles for many years. He was also the assistant business manager in the 1990s. After he retired as sacristan in 2018 he continued to serve as organist and as St. Charles local director. He also directed the Precious Blood Resource Center there. For 22 years he taught high school religious education classes in several Mercer County parishes. Br. Theophane was an advocate for the preservation and restoration of the historic 1961 Holtkamp Organ Company Job Number 1743 of three manuals in Assumption Chapel at St. Charles Center. The organ was presented the Organ Historical Society’s Historic Organ Citation #408 on April 17, 2012.

Br. Theophane Woodall, C.PP.S., is survived by nieces and a nephew. His funeral Mass was celebrated in Assumption Chapel at St. Charles Senior Living Center, Celina, Ohio, on October 2.

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Nunc Dimittis

William A. Crowle (Bill), 62, died March 16 in Vernon Hills, Illinois. He began piano study at the age of four and violin at six. He attended Eastman School of Music, Rochester, New York, where he studied composition with Joseph Schwantner, Samuel Adler, and Warren Benson and piano with Maria Luisa Faini. He pursued graduate studies at Indiana University, Bloomington, where he studied composition with Frederick Fox and Bernhard Heiden and piano with Enrica Cavallo-Gulli and received both master’s and doctoral degrees in composition with highest distinction. He studied organ with Richard Enright and Leon Nelson.

For the last 25 years Crowle served as organist/accompanist at First Presbyterian Church, Deerfield, Illinois. He also served in parallel years as accompanist to Lakeside Congregation for Reformed Judaism in Highland Park, Illinois. He was the staff accompanist for the music department at Vernon High School until this past year and was accompanist for the Beverly-Morgan Park Community Choir, Chicago, Illinois.

His many musical collaborations included the Waukegan Concert Chorus, the New Classic Singers, Buffalo Grove Symphonic Band, members of the Chicago Symphony Orchestra and Chorus, and he was heard on WFMT radio and WGN-TV. As a composer, he wrote works for a variety of media, including treble choir, piano, recorder, Orff instruments, guitar, bass guitar, and percussion. His versatility as a musician spanned musical genres that stretched from classical, to jazz, to baroque, rock and roll, spiritual, and beyond.

 

Joseph Ross Flummerfelt, 82, died March 1 in Indianapolis, Indiana. He was born February 24, 1937, in Vincennes, Indiana, and he began music studies with his mother, who was organist of First Baptist Church of Vincennes. He studied organ and church music at DePauw University, Greencastle, Indiana, and choral conducting at the Philadelphia Conservatory of Music and University of Illinois, Champaign. Early in his career, he taught at the University of Illinois, DePauw University (1964–1968), and Florida State University, Tallahassee (1968–1971); later he taught for 33 years at Westminster Choir College, Princeton, New Jersey, retiring in 2004. There he conducted the Westminster Choir and Westminster Symphonic Choir.

Flummerfelt was named director of choral activities for Spoleto Festival USA at its inception in 1977 and also served as chorus master of the Festival dei Due Mondi in Spoleto, Italy, from 1971 until 1993. Upon his retirement from Spoleto Festival USA in 2013, he was named director emeritus. In 1979, Flummerfelt founded New York Choral Artists and became chorus master for the New York Philharmonic and music director of Singing City, Philadelphia. He made his New York Philharmonic conducting debut in 1988 with a performance of Haydn’s Creation. He collaborated with dozens of orchestral conductors in preparing their choruses for concerts and recordings. Three of his recordings received Grammy awards.

In 2004, Flummerfelt was named Musical America’s Conductor of the Year, and in his retirement, he held numerous visiting professorships. His honors included Le Prix du President de la Republique from L’Académie du Disque Français and four honorary doctoral degrees.

Joseph Ross Flummerfelt is survived by a brother, Kent, and two sisters, Pam Flummerfelt Rappaport and Carol Flummerfelt Helmling.

 

Peter John Hurford, 88, organist, church musician, performer, recording artist, teacher, composer, and author, died March 3 in St. Albans, UK. He was born November 22, 1930, in Minehead, Somerset, UK, and was educated at Blundell’s School. After brief studies at the Royal College of Music in London, he earned dual degrees in music and law at Jesus College, Cambridge, studying with Harold Darke, later studying organ in Paris, France, with André Marchal.

He served as organist for Holy Trinity Church, Leamington Spa, from 1956 until 1957, while also music master at Bablake School, Coventry, and for Royal Leamington Spa Bach Choir. From 1958 until 1978, he was organist and choirmaster of St. Albans Cathedral Choir, St. Albans. In 1963, Hurford was founder of what became the St. Albans International Organ Festival, as a new Harrison & Harrison organ had been installed at the cathedral, designed by Ralph Downes and Hurford.

In 1956, Hurford performed at Royal Festival Hall, which launched what would become an international performance career. A recording artist as well, he recorded more than fifty discs. His largest recording project included the complete organ works of Bach in the 1970s for Decca (1975–1981) and BBC Radio 3 (1980–1982); he would also record the complete organ works of Mendelssohn, Franck, and Hindemith. He taught at Oxford and Cambridge universities and was an honorary fellow in organ studies at the University of Bristol. He held several international artist residencies and was a consultant for design of the organ of the Sydney Opera House. He was named an Honorary Fellow of Jesus College in 2006, served as a president of the Incorporated Association of Organists and the Royal College of Organists, receiving the latter’s medal in 2013, and was appointed an Officer of the Order of the British Empire in 1984. He served on international competition juries, including Haarlem, Bruges, Prague, Linz, Nürenberg, Berlin, Dublin, and Chartres. Hurford was an honorary member of the Royal Academy of Music and honorary fellow both of the Royal College of Music and of the Royal School of Church Music, and held honorary doctorates in music from the University of Bristol and from Baldwin-Wallace College, Ohio (home of the Riemenschneider Bach Institute).

A composer, his works were mostly published by Oxford University Press and Novello. His book, Making Music on the Organ (Oxford University Press, 1998), was widely distributed. He was diagnosed with Alzheimer’s disease in 2008, retiring from performing in 2009.

In 1955, Hurford married Patricia Matthews, who died in 2017. Peter John Hurford is survived by a daughter Heather, sons Michael and Richard, nine grandchildren, and sister Maureen. A private funeral was held March 18. A memorial service is to be held June 15 at St. Albans Cathedral.

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James Sands “Jock” Darling, Jr.

James Sands “Jock” Darling, Jr., organist, choirmaster, and music director, died January 26, 2021, in Williamsburg, Virginia. Born May 29, 1929, in Hampton, Virginia, he attended Christchurch School, Middlesex County, Virginia, and graduated from Phillips Academy, Andover, Massachusetts, in 1946. He attended Yale University, New Haven, Connecticut, where he earned undergraduate degrees in music theory and piano in 1950 and 1951, and in 1954 he completed a master’s degree in organ at University of Michigan, Ann Arbor. On January 31, 1953, he married Mary Lee Oliver of Gloucester, Virginia.

From 1954 to 1961 he was organist and choir director at Plymouth Church, Shaker Heights, Ohio, and from 1961 to 2006, he held the position of organist and choirmaster at Bruton Parish Church, Williamsburg. At Bruton Parish Church, Darling directed an active program in music for all ages, including offerings for adult, boys, and girls choirs, as well as approximately 125 candlelight concerts annually, which were performed by himself, Bruton Parish associates, local musicians, and visiting artists. He taught organ and harpsichord at the College of William and Mary, Williamsburg, and as music consultant for Colonial Williamsburg Foundation, he presented many concerts in the Governor’s Palace and other historic buildings, often playing and conducting in colonial costume. Among the dignitaries who attended his recitals were four United States presidents and several heads of state. As a guest artist, he also performed throughout the United States and in Europe. Darling published numerous recordings of colonial period music and edited four publications of keyboard music for the Colonial Williamsburg Foundation. In 2003, he authored Let the Anthems Swell, a monograph on the history of music at Bruton Parish Church. He especially enjoyed offering the Saturday morning recitals in William and Mary’s historic Wren Chapel on an 18th-century English chamber organ. This concert series, which he initiated in 1971, continues to this day.

The Darling residence was a musical center, where the family hosted gatherings of visiting musicians, instrument makers, choirs, and for a time, the Wednesday morning meetings of the Williamsburg Music Club, which he helped found in 1964.

James S. Darling is survived by his sister Sarah Winfree “Sally” Darling; children Elizabeth Ann Darling, Russell Christian Darling, James Andrew Darling, Jonathan Lee Darling, Sarah Trevilian Darling, and their spouses and partners; four grandchildren and two great-grandchildren. His wife of 67 years, Mary Lee Oliver Darling, preceded him in death on January 13 of this year.

A memorial service will be held at Bruton Parish Church at a future date. Donations in James S. Darling’s memory may be made to Bruton Parish Church or the Organ Historical Society .

Walter Joseph Gundling

Walter Joseph Gundling, 82, of Mountville, Pennsylvania, died February 17. A native of Lancaster, Pennsylvania, he was active at Sacred Heart Catholic Church in his youth and a member of a family of pipe organ builders. His father, Walter Sebastian Gundling, grandfather, Sebastian, and families came to the United States in 1926 after leaving a family pipe organ building business in Laudenbach, Germany. They settled in Erie, Pennsylvania, working for the Tellers Organ Company, where Walter Sebastian completed his apprenticeship. In 1929, the family settled in Lancaster and founded the Sebastian Gundling & Son Co., which was engaged in maintaining and rebuilding pipe organs as well as building new instruments. In 1953, the firm, now including the teenaged Walter Joseph Gundling, installed the organ in Sacred Heart Church.

After graduation from Lancaster Catholic High School in 1956, Walter Joseph began full-time work for the family business, having completed his apprenticeship. He was the third generation to carry on the business, with clients in 225 churches in Pennsylvania and Maryland. In 1981, Walter Joseph Gundling’s son, Daniel Walter, joined the firm.

On April 28, 1962, Walter Joseph Gundling married Kathleen Ann Wiegand in Lancaster, and they were married for nearly 59 years. Together they raised five children.

Walter Joseph Gundling retired from the business in 2005, at which time the firm closed. The Moravian Church of Lancaster hosted a retirement concert and reception on June 12, 2005, Walter Joseph’s birthday.

Walter Joseph Gundling is survived by his children Daniel Gundling (Patricia) of Emmaus, Pennsylvania; Joseph Anthony Gundling (Janet) of Lebanon, Pennsylvania; Mary Ellen Gundling Koval (Mark) of Wilmington, Delaware; Anne Marie Gundling Williams (Andy) of Lancaster; and Barbara Kathleen Gundling Raihall (James) of Glen Mills, Pennsylvania; as well as ten grandchildren and three great-grandchildren. A funeral Mass was celebrated at Sacred Heart Catholic Church, Lancaster, on February 25. Memorial gifts may be made to the Dominican Nuns of the Perpetual Rosary, 1834 Lititz Pike, Lancaster, Pennsylvania 17601.

J. Samuel Hammond

J. Samuel Hammond, 73, longtime carillonneur at Duke Chapel, Duke University, Durham, North Carolina, died February 25. Hammond retired from the university in December 2018 after 53 years of service spanning six university presidents. He performed daily carillon recitals at 5:00 p.m. on weekdays and on Sundays after chapel services and at university ceremonies. Upon his retirement the university board of trustees dedicated the 50-bell carillon in his honor.

Born August 22, 1947, Hammond came to Duke as an undergraduate student in 1964 from Americus, Georgia, and began playing the chapel carillon shortly after his arrival. He graduated with a Bachelor of Arts degree in history in 1968 and later earned a master’s degree in theological studies, both at Duke, as well as a master’s degree in library science from University of North Carolina-Chapel Hill. Hammond was promoted to chapel carillonneur upon graduation in 1968 and was named university carillonneur in 1986, becoming only the second person to hold the title. In 2018, he was named university carillonneur emeritus. For 41 years, he was a librarian in the university’s rare book room, music library, and other library departments. Upon retirement from the library in 2012, he was honored through the collection’s acquisition of a rare first edition of the illustrated 1612 book, De campanis commentarius (“A Commentary on Bells”). Hammond performed recitals in bell towers of churches and universities across the United States. In addition, for more than 50 years he volunteered as accompanist for young musicians in the Duke String School, playing piano in rehearsals and performances. During his lifetime, Hammond served as organist at Methodist, Episcopal, and Catholic churches, substitute organist at Duke Chapel, and accompanist for the Triangle Jewish Chorale, Durham Savoyards, Longleaf Opera Company, and other groups.

J. Samuel Hammond is survived by his wife Marie, son Christopher and his wife Kelli, son John, and four grandchildren. A memorial service will be held at a later date. Memorial gifts may be made to Urban Ministries of Durham, Triangle Land Conservancy, or a charity of your choice.

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Jennifer Lucy Bate, 75, born in London, UK, November 11, 1944, died March 25. She was the daughter of H. A. Bate, organist of St James’s Muswell Hill from 1924 to 1978. An international concert organist, she was considered an authority on the organ music of Olivier Messiaen, having befriended him within the last twenty years of his life as his organist of choice. In 1986, she gave the first British performance of his Livre du Saint-Sacrement at Westminster Cathedral and later made the world premiere recording of the work under the personal supervision of the composer, winning the Grand Prix du Disque. He also endorsed her earlier recordings of all of his other organ works. Bate owned scores that contain many personal markings and references made by Messiaen. In 1995, Bate opened the Messiaen Festival at l’Église de la Sainte Trinité, Paris, France, where his complete organ works were performed and recorded. Among numerous awards for her CD were the Diapason d’Or (France) and Preis der Deutschen Schallplattenkritik (Germany).

Bate performed and recorded a broad repertoire spanning several centuries, including English organ music, the complete organ works of César Franck, and the complete organ music of Felix Mendelssohn. A frequent performer at organ festivals, she often played works written for her. She also presented numerous masterclasses and lectures. She was instrumental in the formation of the annual Jennifer Bate Organ Academy, a course for young female organists, and she was the lead patron of the Society of Women Organists.

Bate was briefly married (as his second wife) to George Thalben-Ball. She received an honorary doctorate from the University of Bristol in 2007. In 1990, Bate was recognized with the Personnalité de l’Année award by the French-based jury, only the third British artist to achieve this distinction, after Georg Solti and Yehudi Menuhin. In 1996, Bate was granted honorary citizenship of the Italian province of Alessandria for her services to music in Northern Italy over 20 years. In 2002, she was elected a Fellow of the Royal Society of Arts, and in 2008 was appointed Officer of the Order of the British Empire.

In 2011, M. Frédéric Mitterand, minister of culture and communication, awarded Jennifer Bate the rank of Officier de l’ordre des Arts et des Lettres, stating that this honor is awarded to renowned artists and writers who have promoted French culture throughout the world. Subsequently, President Sarkozy appointed Jennifer Bate to the rank of Chevalier in the Ordre National de la Légion d’Honneur, stating that this honor was awarded in recognition of her skill as an organist and her contribution to making Olivier Messiaen’s organ works more widely known throughout the world. She received both awards in 2012.

 

Marillyn Ila Freeman, 85, musician and teacher, died March 24. Born in Marion, Wisconsin, February 23, 1935, she grew up in New London and Appleton, where she began playing the organ for local church services at the age of twelve. She graduated from Appleton High School in 1953 and the Lawrence College Conservatory of Music, Appleton, earning a degree in music performance in 1957. While at Lawrence, she met her future husband Ralph Freeman, and they were married in 1958. Following graduation Freeman taught music at Lawrence and worked in the president’s office at Princeton University, eventually returning to Wisconsin and settling in Green Bay, where she taught piano and played organ in the Moravian church.

In 1965 the Freemans moved to Neenah where a year later she began a 54-year career as organist for St. Paul Lutheran Church. In addition to playing organ and piano, as director of music ministries she planned worship services, directed youth choirs, accompanied the adult Sanctuary Choir, presented church musicals, and guided the church in purchasing a new Dobson organ in 1986. She earned an associate certificate of the American Guild of Organists in 1995 and an associate in music ministry certificate in 2000.

Throughout her career Freeman continued to teach piano and organ, organizing piano recitals, judging piano competitions, and mentoring young musicians in the Fox Valley. She was a member of the Fox Valley Music Teachers, a member of the Sigma Alpha Iota International Music Fraternity, served as treasurer of the North Eastern Wisconsin chapter of the American Guild of Organists, and was active in the Hymn Society of the United States and Canada. For many years she and her husband Ralph, a pianist, violinist, and published author of hymn texts, performed organ and piano duets each August as part of the Lunchtime Organ Recital Series in the Fox Valley region.

Marillyn Ila Freeman is survived by her husband Ralph Freeman, five children: Rebecca Freeman (Stephen Fusfeld) of Neenah; Jennifer Timm (Terry) of Neenah; Robert Freeman (Robin) of Darien, Illinois; Jon Freeman of Whitefish Bay; and Paul Freeman (Nicole Berman) of Stow, Massachusetts; twelve grandchildren, and several great grandchildren.

Memorial gifts may be made to the music ministry program at St. Paul Lutheran Church, 200 N. Commercial Street, Neenah, WI 54956, or to either the Melanoma Research Fund or the Surgical Oncology Outcomes Research and Awareness Fund at the University of Wisconsin (supportuw.org/give).

 

Josephine Lenola Bailey Freund, 90, died February 8 in Carlisle, Pennsylvania. A lifelong musician, she was a professional organist for almost 70 years and taught piano and organ. She performed organ recitals and directed choirs throughout the United States, as well as in Swaziland and Papua New Guinea.

Josephine Bailey was born April 8, 1929, in Indianapolis, Indiana. She began piano lessons at age six and started studying organ at age thirteen. Among her first professional jobs were playing the organ to accompany silent movies and substituting as an accompanist and organist in local churches.

Following graduation from high school in 1946, Bailey attended Wittenberg College, Springfield Ohio, later transferring to Peabody Conservatory of Johns Hopkins University, Baltimore, Maryland. There she earned a teaching certificate in organ and bachelor’s and master’s degrees. In 1952, she was the first female graduate of Peabody to earn a master’s degree in organ performance.

During the 1950s Bailey played at various churches in Maryland, Virginia, and the District of Columbia, including serving as music director for First Baptist, Washington, D.C., which President Truman attended; and St. Anne’s Episcopal Church, Annapolis, Maryland, where she was honored to play for a royal visit by Elizabeth, the Queen Mother. From 1956 until 1961, she was associate professor of music at Longwood College, Farmville, Virginia. She was also organist of First Presbyterian Church, Farmville, and taught music in local public high schools.

In 1963, Bailey became the first full-time director of music at Trinity Lutheran Church, Camp Hill, Pennsylvania. She later returned to Indianapolis to teach in public schools and was the organist and assistant choir director at First Presbyterian Church. In the early 1970s, she moved to East Lansing, Michigan, to work on her doctorate in music theory at Michigan State University. She also was associate professor of music and organist and choir director of Martin Luther Chapel at Michigan State. It was there that she met her future husband Roland Freund who was an Australian agricultural missionary working on his master’s degree. They married in July 1971 and moved to the Highlands of Papua New Guinea.

In 1976, the family moved to Carlisle, Pennsylvania, where Josephine taught piano and was organist at Grace United Methodist Church. The family spent 1982–1984 working on a U.S. AID and Penn State University project in Swaziland, Africa. There she taught music in several schools and directed the largest choir in the country for a performance of Brahms’s Requiem.

Upon returning to Carlisle, Josephine Freund served as organist and choir director at St. John’s Episcopal Church and Gettysburg College Chapel. She was adjunct professor of organ for Dickinson College and an active member and officer of the Harrisburg Chapter of the American Guild of Organists. Freund played her final organ recital in 2010, but continued to teach piano and organ and to substitute and support church services, weddings, and funerals for a few more years. She was a lifetime member of the national honors fraternity for women in music, Sigma Alpha Iota.

Josephine Lenola Bailey Freund is survived by her husband, Roland Paul Freund of Carlisle; her nephew, Matthew Freund of South Australia; and her son, Colonel Ernie Freund, daughter-in-law Megan Sayler Freund, and granddaughters, Amelia Rose and Adelaide Pearl, all from Burke, Virginia.

Funeral services were held February 15 at Trinity Lutheran Church, Camp Hill, Pennsylvania. Memorial contributions may be made to Residential Hospice, 100 Sterling Pkwy #110, Mechanicsburg, PA 17050 or the Traditional Music Fund at Trinity Lutheran Church, 2000 Market Street, Camp Hill, PA 17011.

 

Eleanor Marie Fulton, organist and music educator, died February 23 in New Haven, Connecticut. Born August 9, 1939, in Morristown, Tennessee, she earned her Bachelor of Arts degree from Bennett College, Greensboro, North Carolina, in 1961, and continued her education at the Manhattan School of Music, New York City; the Haydn Conservatory, Eisenstadt, Austria; and the University of Ghana’s International Center for African Music and Dance.

She served as the longtime organist and director of music for Center Church on the Green, New Haven, and was a music teacher for New Haven Public Schools, director of the New Haven Children’s Chorus, assistant organist and director of Christian education for Battell Chapel, Yale University, New Haven, consultant to the New Haven Symphony Orchestra, and a private piano and music instructor. She was the featured performer on a CD released by Raven, performing on the 1971 Beckerath organ of Dwight Chapel, Yale University, with works of Bach, de Grigny, and Mendelssohn (Eleanor Fulton, Organist: Dwight Chapel, Yale University, OAR-810).

 

Odile Pierre, French liturgical and international concert organist, professor, and composer, died in Paris, France, on February 29, shortly before her 87th birthday. Born in Pont-Audemer (in Normandy) on March 12, 1932, she decided to become an organist at age seven, inspired by a recital by Marcel Dupré on the Cavaillé-Coll organ at St. Ouen Abbey in Rouen. After taking lessons with Madeleine Lecoeur, organist at St. Nicaise Church in Rouen at age fifteen, she served as organist and choir director at the St. Martin Church in Barentin (in the Seine-Maritime region of Normandy). From 1950 to 1952, she studied harmony with Albert Beaucamp and organ with Marcel Lanquetuit at the Rouen Conservatory. She then entered the Paris Conservatory, where she was awarded first prizes in the classes of Maurice Duruflé (harmony), Noël Gallon (fugue), Norbert Dufourcq (music history), as well as organ and improvisation with Marcel Dupré and Rolande Falcinelli. At the age of 23, Odile Pierre became the youngest Marcel Dupré student to win a first prize in organ and improvisation at the Paris Conservatory. She won this prestigious prize the same year as Éliane Lejeune-Bonnier (1921–2015), with the unanimous approval of the jury, which included Jeanne Demessieux.

From 1955 to 1957, Odile Pierre officially substituted for Jean-Jacques Grunenwald, then organist at Saint-Pierre de Montrouge Church in Paris. She then studied organ performance with Fernando Germani at Saint-Cecilia Academy in Rome and at Chigiana Music Academy in Sienne, and with Franz Sauer at the Mozarteum in Salzburg. In 1969, she succeeded Jeanne Demessieux as titular organist of the gallery organ of the Madeleine Church and remained in this post until 1979. By coincidence, on the day after she died, Olivier Périn began his functions as the official assistant to François-Henri Houbart, her successor at the Madeleine.

Well known for her mastery of organ repertoire from early to contemporary masters, Odile Pierre performed at least 2,000 concerts throughout the world, including appearances in Japan, Korea, the Philippines, Canada, Iceland, Russia, Germany, Turkey, Italy, Spain, Austria, and the former Czechoslovakia, including twelve tours in the United States and six in Asia. In 1977, she represented France at the Third International Organ Congress in Washington and Philadelphia. She performed organ concertos under the direction of conductors such as Lorin Maazel, Pierre Dervaux, Antoine de Bavier, and Georges Prêtre.

Odile Pierre recorded for RCA, Mitra, Motette, Festivo, Editions Lade, and IFO. At least two of the recordings were made at the Madeleine Church in Paris: Camille Saint-Saëns’ Preludes and Fugues (1972, RCA LSB 4088) and The Great Romantic Toccatas (1978, RCA/RC 8108). In 1991, she recorded (for SCD 814) Jean-François Muno’s reconstitution of Jean de Joyeuse’s 1694 organ at the Auch Cathedral, which she had inaugurated in 1988 with André Isoir. Her Poetic Symphonic Organ Music (Vierne, Debussy, Duruflé, and Odile Pierre) on the Cavaillé-Coll of the Trinity Church in Fécamp and at St. Godard in Rouen (1988, MP/FR 51190 C) calls upon her Normand origins; her record of Widor, Vierne, and Guilmant at the Orléans Cathedral (1993, Motette 11251), reminds us that she lived nearby, in Tigy, in the Loiret department, at the end of her life.

As professor, Odile Pierre taught organ and music history at the Rouen Conservatoire from 1959 until 1969 and then organ and improvisation at the Paris Regional Conservatoire from 1981 until 1992. Among her students were Michael Matthes, Léon Kerremans, D’Arcy Trinkwon, Kristiyan Seynhave, David Di Fiore, and Lionel Coulon (titular organist at the Rouen Cathedral since 1992, he substituted for her at the Madeleine for four years). In 1991, she gave organ classes at the Scuola Internationale d’Alto Perfezionmento Musicale in Perugia, Italy, and gave masterclasses in numerous colleges and universities. She also served on the juries of international organ competitions. In 1977, she was appointed as a member of the Commission on Organs in Paris.

Her organ works were published as early as 1955: Chorale and Fugue on the first antiphon of the Second Vespers for Christmas (1955, Procure du Clergé), and Chorale and Four-Voiced Fugue (1955, republished by Europart-Music in 1988), Four Pilgrimages at the Virgin Mary for four hands, opus 1 (Leduc, 1988), Variations and Fugue on three Christmas Carols (Leduc, 1990), The Martyr of St. Thomas Becket, op. 4 (Bergamo, Carrara 1994), Chorale and Fugue on the Name of Charles-Marie Widor, op. 5 (Mayence, Schott, 1994), and Canonic Variations and Fugue on Two Christmas Carols from Naples, op. 6 (1955). Her edition of some of Alexandre Guilmant’s organ works was printed by Bornemann in 1983 and 1984. In addition, she wrote about Marcel Dupré’s improvisation exams in 1953 and 1954 (Leduc, undated). Odile Pierre received three awards for her contributions to French culture: Officer in the French Legion of Honor, Commander in the French Order of Merit, and the Silver Medal of the City of Paris.

Odile Pierre is survived by her husband, the historian Pierre Aubé.

—Carolyn Shuster Fournier

 

Philip Astor Prince, 89, of New Haven, Connecticut, died February 5. Born January 5, 1931, in Evanston, Illinois, Prince attended the Taft School before entering Yale University with the Class of 1952. He earned his Bachelor of Arts degree in Latin, subsequently studied musicology in the Yale Graduate School, but completed a Master of Music degree from the Yale School of Music in organ performance under H. Frank Bozyan in 1959. Prince was drawn to the Anglo-Catholic liturgy celebrated at Christ Church, New Haven, and became associated with the music program there, succeeding Richard Donovan as organist and choirmaster in 1966. He became respected among colleagues for his English-language arrangements of Gregorian chants and psalmody and for his hymn accompaniments.

Prince published scholarly articles on Max Reger’s organ music (see “Reger and the Organ,” The Diapason, March 1973) and a performing edition of a sonata da chiesa of Johann Gottfried Walther. He also taught organ students at Wesleyan University, Middletown, Connecticut, where he served as university organist for nearly 30 years and played annual recitals. In 1988, he joined the choirs of St. Mary Church, New Haven, and the St. Gregory Society and continued singing with them well into his 80s. Prince became an associate fellow of Ezra Stiles College in 1974. He was a longtime member of both Mory’s and the Elizabethan Club in New Haven, and the American Guild of Organists and Association of Anglican Musicians. Prince was a supporter of the Yale swimming team, and for many years he refereed at swimming matches and tournaments.

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