Nunc dimittis: Chester William Cooke and Andrew Cooper John

Roger Allen Banks died June 5 in Oklahoma City, Oklahoma. He was born October 12, 1940, in Lawrence, Kansas, and grew up in the funeral business in Wichita, Kansas, though developing an interest in music early in life. His first experience maintaining organs was with the theater pipe organ in his uncle’s basement. He attended the University of Kansas, majoring in electrical engineering, but moved with his parents to Oklahoma City in 1960 and earned a Bachelor of Arts in Music degree in 1965 from Oklahoma City University. Because of his uncle’s affiliation with the Reuter Organ Company in Lawrence, he had the opportunity to work on pipe organ projects while in school. He then went to work full-time for Reuter upon graduation where he was responsible for new installations around the country, in addition to tuning and maintenance. He met his wife Betsy while installing a large instrument at Old South Church in Boston, Massachusetts, and told her if he married an organist, he would build her a pipe organ. He built her a home practice organ that, each time they moved, dictated where they could live. His last project was to convert the practice organ to a digital instrument for their new, smaller home.

The Bankses moved to Oklahoma City in 1970 where he eventually became manager with Oklahoma Wilbert Vaults and was active in the Oklahoma Funeral Directors Association. He established his own organ maintenance business in the early 1980s, also serving as sales representative for the Reuter Organ Company. He was a long-time member and former vestry member at St. Mary’s Episcopal Church in Edmond.

Roger Allen Banks is survived by his wife of 49 years, Betsy; his daughter, Jennifer McGrew of Edmond and her husband, Shane; son, Chris of Edmond; two grandchildren, one sister, and one brother. A memorial service was held June 18 at Westminster Presbyterian Church, Oklahoma City. A scholarship has been established in his name at the University of Oklahoma to benefit organbuilding and technology students. Memorials should be addressed to: OU Foundation, Banks Fund #33905, c/o The American Organ Institute, 2101 W. Tecumseh Rd., Suite C, Norman, OK 73069.

Jane Manton Marshall, 94, composer of sacred music, author, choral conductor, clinician, and educator, died May 29 in Dallas, Texas. Jane Manton was born December 5, 1924, in Dallas. Her earliest musical studies were with piano teacher Hazel Cobb.

Marshall had a long association with Southern Methodist University, Dallas, earning both Bachelor of Music (1945) and Master of Music (1968) degrees there. She studied organ with Dora Poteet Barclay and was a member of Sigma Kappa, Alpha Lambda Delta, and Mortar Board. A year after completing her undergraduate degree, she married high school classmate Elbert Hall Marshall, a mechanical engineer and also an SMU graduate.

At various times she taught in the SMU English department, in the Music department at Meadows School of the Arts, and at Perkins School of Theology. From 1975 to 2010 she led the Church Music Summer School at Perkins. In 1965 she received the Woman of Achievement Award from SMU, and she was named a Distinguished Alumna in 1992. In addition, she received the Roger Deschner Award from the Fellowship of United Methodist Musicians (1997) and was honored twice by the Southern Baptist Musicians Conference for her contributions to church music.

As a composer, she is perhaps best remembered for her anthem “My Eternal King,” her first published work, cited by publisher Carl Fischer as one of its 15 or so best-selling anthems of all time, and considered a favorite of many church musicians. Other notable compositions include “He Comes to Us,” a setting of the closing words of Albert Schweitzer’s “The Quest for the Historical Jesus;” “Awake, My Heart,” winner of the Best New Anthem prize of the American Guild of Organists in 1957; “Fanfare for Easter,” “Sing Alleluia Forth,” and many others. Her catalog extended to over 200 published anthems for adult and children’s choirs and three collections of children’s choir music.

Later in her career she focused her attention on the writing of hymn tunes and texts, as in “What Gift Can We Bring,” for which she wrote both words and music. Her work is represented in the hymnals of every major Protestant denomination, and she was a frequent contributor to church music journals. Other writings include Grace, Noted, a book of sermons and essays on music making.

Jane Manton Marshall is survived her husband Elbert Marshall; children Shoshana Lash of Ansonia, Connecticut, David Marshall of Lewisville, Texas, and Peter Marshall of Atlanta, Georgia. A memorial service is planned for a later date. Memorial gifts may be made to Perkins School of Theology at SMU and to Northaven United Methodist Church, Dallas.

Nancianne B. Parrella, 83, died June 2 in Cincinnati, Ohio. She was born November 14, 1935, in Trenton, New Jersey, and earned degrees in music from Trenton State College, now known as the College of New Jersey. She began teaching music in the Princeton, New Jersey, public schools in 1957. Her church music career began at First Presbyterian Church and Trinity Episcopal Cathedral in Trenton. She continued advanced organ studies with Vernon deTar in New York City in the 1960s.

As an organist, Parrella presented solo recitals and concerto performances with orchestras; she was best known as a collaborative artist, particularly as a choral accompanist. In Princeton, she was co-director with William Trego of the Princeton High School Choir, and she joined the faculty of Westminster Choir College of Rider University, where she was accompanist and assistant director of the Westminster Choir and Symphonic Choir directed by the late Joseph Flummerfelt, with which she toured and recorded in Europe, America, Taiwan, and Korea.

Parrella taught in summer programs at Westminster, performing with major choral conductors; and she assisted at the Spoleto Festivals in Italy and in Charleston, South Carolina, where she was the founding director of the chamber music series “Intermezzo.” She worked with Maurice Duruflé on the first performances of his Requiem in the United States.

Parrella was long associated with Robert Shaw, with whom she worked in summer choral workshops and later in France with his Festival Singers, and toured and recorded in America, France, and Brazil. She also collaborated with other conductors of the era—Kurt Masur, Charles Dutoit, and Lorin Maazel with the New York Philharmonic; Wolfgang Sawallisch of the Philadelphia Orchestra; Zdenek Macal and Neeme Järvi of the New Jersey Symphony; and James Bagwell and Louis Langrée in New York’s Mostly Mozart Festival.

As a church musician, she worked with Kent Tritle and later Scott Warren at the Church of St. Ignatius Loyola, New York City, and its concert series Sacred Music in a Sacred Space, where she served for over 20 years. Also in New York, from 1978–1992 she worked with Frederick Grimes in the Bach Vespers program at Holy Trinity Lutheran Church and was a frequent accompanist for other conductors, including Dennis Keene and Voices of Ascension. For 14 years she worked with Greg Funfgeld and the Bethlehem Bach Choir in its historic festivals in Pennsylvania, and she also served at Trinity Episcopal Church, Princeton, with John Bertalot.

After moving with her husband Joachim E. Parrella to Cincinnati, she commuted to New York City to continue to play at St. Ignatius Loyola and to work with Andrew Henderson at Madison Avenue Presbyterian Church. She was also active in music programs in Cincinnati: Christ Church Cathedral with Stephan Casurella, Knox Presbyterian, Covenant First Presbyterian, Collegium Cincinnati, Summer Sing, Indian Hill Episcopal Presbyterian Church, and for community events at Deupree House.

Nancianne B. Parrella was preceeded in death by her husband Joachim E. Parrella in 2013. She is survived by her two daughters: Amy Noznesky, her husband David, and their daughter Megan Strauss, of Hobe Sound, Florida; and Lisa O’Connell, her husband Terry, and their daughters Catherine Rose and Madeline Kellett, of Loveland, Ohio. A funeral service was held June 11 at Christ Church Cathedral, Cincinnati, and a memorial service will be held September 21, at St. Ignatius Loyola, New York City.

Richard French Davidson

Richard French Davidson, 80, died July 13 in Brick, New Jersey. Born June 18, 1942, and raised in Upper Montclair, New Jersey, he was active in the liturgical music of the Episcopal Church from an early age, serving as a chorister at his home parish of St. Luke’s Episcopal Church, Montclair, New Jersey, as well as seasonally at the Cathedral of St. John the Divine in New York City under the direction of Norman Coke-Jephcott.

Davidson graduated from Wagner College, Staten Island, New York, in 1964, earning a degree in clinical psychology while pursuing parallel studies in computer programming. He maintained a full-time career in data management with Chase Manhattan Bank in New York City throughout the 1960s and 1970s.

Continuing his involvement with the musical and liturgical life of the Episcopal Church, Davidson began in the late 1970s to be retained by churches and other institutions as a consultant on organ design and installations, both pipe and electronic, the latter being an area where he applied his postgraduate study and knowledge of psychoacoustics (the relationship between sound and its reception/interpretation by the human ear and mind) to the custom design of loudspeakers for organ installations. He expanded this business beyond the organ trade to the commercial design of loudspeakers for home stereo equipment in the high-end audiophile market, earning several awards and citations by trade groups and audiophile societies.

After leaving Chase, he assembled his various business pursuits under the umbrella of his own company, establishing Innovative Techniques Corporation (ITC) in Herbertsville, New Jersey, in 1980. In that decade, with his work as a consultant increasingly focused on pipe organ projects, he began studying pipe organ tuning and maintenance with organ builder Donald Davett in Hartford, Connecticut, pipe voicing with Gilbert Adams and Hans Schmidt, and tonal finishing with Ronald Thayer.

Having developed a regular pipe organ tuning and maintenance clientele in central New Jersey, Davidson began to design and build new pipe organs under the ITC nameplate after relocating the firm to Jackson, New Jersey, in 1992, where he expanded his facilities to include a complete organ shop, entering into partnership with Edward Hillis, formerly of Gress-Miles. During the 1990s the firm designed six new instruments, ranging from seven to 32 ranks, and rebuilt and revoiced several others in the New York and New Jersey area. In his approach to tonal design, Davidson would often cite “Father” Henry Willis, Ernest Skinner, and Cuthbert Harrison as his greatest influences.

In the late 1990s and early 2000s Davidson’s focus returned to electronic instruments, working first with Makin and later with Phoenix, designing compact and portable tone cabinets, their size facilitating ease of transport as well as placement and configuration during installation. During this period he also tonally finished instruments employing the customizable Hauptwerk system in several New Jersey churches. Davidson closed the ITC pipe organ shop in 2008 but continued to tune and maintain pipe organs through 2015. Davidson was in demand as a bass chorister, singing regularly at numerous Episcopal and Methodist churches in New Jersey, as well as Rutgers University, the annual choir festival in Ocean Grove, New Jersey, and various community choruses.

Richard Davidson was predeceased in 1994 by his wife of 29 years, Ethel Burkey Davidson, an organist and fellow Episcopal Church chorister, who often served as demonstration organist on recordings of his instruments. Both were active members of the Monmouth County and Ocean County, New Jersey, chapters of the American Guild of Organists. The Davidsons were well known for their gracious hospitality, and their home was often a salon for singers and musicians. In his last years, as a widower and retiree, Davidson became a founding member of Franciscan Servants of God’s Grace, a group dedicated to caring for and ministering to elderly and infirm individuals in hospitals and nursing homes, many of whom had no other surviving families to care for their needs, and continued this charitable activity until just a few weeks before his death.

Richard French Davidson is survived by two brothers, Penn and John, a nephew Chris, and a niece Karen. Funeral services were held August 27 at Trinity Episcopal Church Red Bank, New Jersey, with burial in the parish churchyard.

Foster H. Diehl

Foster H. Diehl, 84, died August 26. He was born in Elmira, New York, and demonstrated a natural gift for sound and music in primary school, taking music lessons until he left for college. He held his first organist position at the age of 14 for a small country church outside Utica, New York.

Diehl was a resident student at the Royal School of Church Music in Addington Palace from 1958 until 1961 and was a graduate of Trinity College of Music, London, UK. In 1958 he received his A.R.C.M. diploma in organ performance from the Royal College of Music and won the highest marks awarded that year. He also held an L. Mus. degree with a major in organ and a minor in church music. In 1961 he earned a fellowship (F.T.C.L.) in organ with a minor in Gregorian chant.

Upon completion of his studies in England, Diehl returned to the United States where he was appointed organist and choirmaster at St. Joseph Catholic Church, West New York, New Jersey. He was married shortly thereafter to his British fiancée, Clare Harwood, an accomplished pianist. In 1964, at the age of 26, he was appointed organist for the Cathedral of the Holy Name, Chicago, Illinois, and subsequently assumed the position of choirmaster, leading both the men’s and boy’s choirs, and further served as director of music for Cathedral High School. In 1975 he was appointed organist and choirmaster of St. Petronille Catholic Church, Glen Ellyn, Illinois. In his later years he relocated to Florida and held two more positions, at St. Patrick Catholic Church in Largo, and later at Highland Presbyterian in Clearwater, where he finally retired at the age of 75.

Foster H. Diehl is survived by his daughters Renee and Erika, grandsons Cody and Cameron, great-granddaughter Morgan, and sister Donna. He was buried at Our Lady Queen of Peace Catholic Cemetery, Royal Palm Beach, Florida.

Benjamin Goddard Mague

Benjamin Goddard Mague, 74, former president of Andover Organ Company, died July 4. He was born May 17, 1948, in Machias, Maine. His parents were Westminster Choir College graduates who, before settling in Maine, served as joint music directors at Plymouth Congregational Church, New Haven, Connecticut. Mague attended Mt. Hermon School and then Colby College, where he built his first organ as an interterm project. He received a Master

of Music degree in organ from the University of Wisconsin, where he also did a survey of contemporary North American tracker organ builders. A 4-1⁄2-year stint in the United States Navy as a Chaplain’s Yeoman found him in Cuba connecting with the chaplain’s daughter, Kathy, with whom he was married for 48 years.

Mague’s lifelong career was at the Andover Organ Company, where he started in 1975 and remained for 47 years, retiring in April 2022. He worked successively as a designer, project team leader, and shop manager, served as company treasurer from 1995 to 2012, and as president from 2012 to 2021. For over 52 years, Mague served as an organist at several churches and naval chapels. After overseeing the mechanical design and installation of Andover Opus 93 in 1985 at First Congregational Church of Milford, New Hampshire, he became the minister of music there, retiring in 2019.

Benjamin Goddard Mague is survived by his wife, Kathy; three children and their spouses, Jeremy (Danielle), Steve (Claire), and Anna (Garrett); and three grandchildren, Ryan, Kaylee, and Genevieve. A celebration of his life was held July 9 at First Congregational Church of Milford. Michael Eaton, an Andover colleague, played the organ that Mague designed and played for 34 years. Memorial gifts in his memory may be made to Ukraine Crisis Relief Fund by Global Giving or American Heart Association.

Donald Gordon McDonald

Donald Gordon McDonald, 97, died August 5 in Dallas, Texas. He was born February 22, 1925, in Waxahachie, Texas. In high school, he took organ lessons with Dora Poteet Barclay at Southern Methodist University. Following high school, he enrolled at SMU as a pre-med student, but left to serve in World War II in the United States Army Air Corps, Ninth Air Force, from 1943 until 1945 as a chaplain’s assistant. During the war, he was involved in the Northern France Campaign, the Ardennes Campaign, the Rhineland Campaign, and the Central Europe Campaign. For his service McDonald received the American Theater Service Medal, the European Theater Service Medal with four bronze battle stars, and the Victory Medal.

Returning from the war, McDonald attended Curtis Institute of Music, Philadelphia, Pennsylvania, to study with Alexander McCurdy, earning his Bachelor of Music degree in 1950. He continued his studies at Union Theological Seminary, New York City, where he obtained a Master of Sacred Music degree in 1952 and later a Doctor of Sacred Music degree in 1964.

McDonald served on the organ faculty at Westminster Choir College, Princeton, New Jersey, from 1952 to 1994 and at Union Theological Seminary from 1958 to 1966. An active recitalist, he was the first American organist to play at the annual organ week in Nuremberg, Germany, in 1963. From 1955 to 1975, he was a touring organ recitalist under the management of Colbert-LaBerge concert management. He served as the organist and minister of music at Christ Church, United Methodist, in New York City for 30 years.

Donald Gordon McDonald is survived by niece Cyndy Matthews and nephew Scotty Rutherford and their families. Memorial gifts may be given to the American Guild of Organists endowment fund at agohq.org or the Central Park Conservancy at centralparknyc.org.

Franklin Ashdown

Franklin Ashdown, physician, organist, and composer, died January 30 in El Paso, Texas. Born May 2, 1942, in Logan, Utah, he started playing the piano at an early age and was called to be the organist for his ward of The Church of Jesus Christ of Latter-day Saints at age 13. After his family moved to Lubbock, Texas, he began organ studies with Judson Maynard. He completed his undergraduate work at Texas Tech University in Lubbock, where he sang in the concert choir. Pursuing his passion for medicine, he attended Southwestern Medical School of the University of Texas in Dallas. He was in Parkland Memorial Hospital in Dallas when President John F. Kennedy was shot and brought into the emergency room, where Ashdown was recruited to be a liaison between reporters and doctors.

Ashdown spent his medical residency in Salt Lake City, and he spoke later of the great influence Tabernacle Organist Alexander Schreiner had on him. He felt that the signature sound of the Tabernacle organ and the sonorities Schreiner was able to exploit in his improvisations greatly affected his writing. Ashdown also studied organ in Utah with James Drake, who encouraged him to begin composing.  

This was also the time of the Vietnam War, and Ashdown was able to defer being drafted until he completed his medical training. In order to fulfill his military obligations, he was assigned as a doctor to Holloman Air Force Base in Alamogordo, New Mexico, in 1971. He started his own medical practice as an internist in 1973, serving as physician in Alamogordo until his retirement in 2008.

For many years Ashdown was organist and choir director at The Church of Jesus Christ of Latter-day Saints in Alamogordo. Even during his busy medical years, he was composing. Upon his retirement, he was able to focus his full-time attention on composing organ and choral works. His organ works include many hymn and folk tune arrangements and also numerous original concert works. Over his career he had published more than 250 pieces for solo organ, at least 30 collections of organ music, 15 works for organ with other instruments, and 50 choral works with Augsburg Fortress, Concordia Publishing House, Gentry Publications, GIA Publications, H. W. Gray, Wayne Leupold Editions, Lorenz, MorningStar Music Publishers, Neil Kjos Co., Oregon Catholic Press, The Organist’s Companion, Oxford University Press, Paraclete Press, Sacred Music Press, and Zimbel Press.  

His works were performed in venues such as Grace Cathedral, San Francisco; The Tabernacle at Temple Square, Salt Lake City; St. Paul’s Cathedral, London; and Notre Dame Cathedral, Paris. They have also been featured on American Public Radio’s Pipedreams, National Public Radio’s All Things Considered, and the Tabernacle Choir’s weekly broadcast Music and the Spoken Word.

Franklin Ashdown is survived by six siblings as well as 27 nieces and nephews and 101 great-nieces and nephews. Services were held February 4 at The Church of Jesus Christ of Latter-day Saints, Alamogordo.

Margo Halsted

Margo Halsted died February 22. Born Margo Armbruster on April 24, 1938, in Bakersfield, California, she was first introduced to the carillon as an undergraduate student at Stanford University. From Stanford she earned a bachelor’s degree in music (1960) and a master’s degree in education (1965). In 1975 she earned a Master of Music degree from the University of California Riverside. Halsted passed the Guild of Carillonneurs in North America (GCNA) carillonneur examination at the 1967 congress in Ottawa, Canada, and earned a diploma from the Netherlands Carillon School, Amersfoort, in 1981. She was active within the GCNA over many years, serving as assistant secretary, a member of the board of directors, chair of several committees, and editor of the guild’s newsletter. Halsted was awarded honorary membership in the GCNA and twice received the GCNA’s Certificate for Exceptional Service. She was also awarded the University of California Berkeley Medal, Bell and Citation Awards from the World Carillon Federation, and was an honorary member of the Belgian Carillon School, Mechelen.

Over the course of her career, Halsted served as associate carillonneur for Stanford University, 1967–1977; lecturer, university organist, and carillonist for University of California Riverside, 1977–1987; assistant professor and later associate professor at the University of Michigan, 1987–2003; with additional service at Michigan State University and University of California Santa Barbara, teaching more than 200 students to play the carillon. At the University of Michigan, Ann Arbor, she taught and performed on the university’s two carillons in the only master’s degree program for carillon in the United States. She was named Associate Professor Emerita in 2003.

Halsted concertized around the world, consulted for carillon projects in the United States and abroad, and lectured/presented at five World Carillon Federation conventions. She composed music for the carillon and published numerous articles about the instrument and served as contributing editor for the carillon for The Diapason from 1981 until 1991.

Margo Halsted was preceded in death by two weeks by her husband Peter LeSourd. Memorial gifts for may be made to the Armbruster Fund, an endowment that she started to benefit the University of Michigan’s carillon program (https://donate.umich.edu/XVjKB).

Jan Reagan Rowland

Jan Reagan Rowland died January 18 in Houston, Texas. He was born in Beaumont, Texas, in 1944, attended local schools there, and enrolled at Lamar University in Beaumont, where he studied electrical engineering and enrolled in German language classes. He completed two years of study before being called into the United States Army and serving from 1966 to 1968, where his expertise in speaking German earned him an assignment in Munich, Germany. It was there that he met his future wife, Hanne, and they were married in Berlin in 1969.

As his tour of duty in the army was nearing its end, the United States representative for E. F. Walcker & Cie. of Ludwigsburg, Germany, suggested that Rowland take a job at Walcker so that he could become more useful as a skilled organ installer once he returned to the United States. Rowland worked at Walcker for 35 days in July and August of 1968, then returned to the United States, where two Walcker jobs awaited installation: one in Michigan, the other at Colby College, Waterville, Maine. While in Waterville, Rowland learned of another installation happening at the First Congregational Church in the same town and made a visit to the church, where he met David W. Cogswell, the owner/president of Berkshire Organ Company. Cogswell telephoned Rowland early in 1969 with an offer of a job as factory manager of Berkshire, which Rowland accepted, and within a couple of months he was named executive vice president.

Discussions between Rowland, Cogswell, and others about the costs of travel to Europe to meet with organbuilders germinated the idea of an organization of organ building individuals, not companies, and resulted in a convention with no title in Washington, D.C. That gathering in 1973 became the founding of the American Institute of Organbuilders. As an attendee of that convention, Rowland was considered a co-founder of the organization and was designated a charter member.

Later in 1973, concerned about the slow growth of the Berkshire Organ Company, Rowland decided to form his own company with Pieter Visser, who was hired by Berkshire only four months earlier. Houston, Texas, was chosen as the site for the new company, Visser-Rowland Associates.

The company grew as Houston expanded in the 1970s and 1980s, with oil companies creating more jobs and with more churches being built. For the next eleven years, Visser-Rowland built dozens of pipe organs for sites from Maine to California. One of the last instruments before Rowland’s retirement from the firm was built for Bates Recital Hall at the University of Texas at Austin. At the time, it was the largest mechanical-action organ pipe organ built by a United States firm, having 67 stops.

Rowland was accepted into membership of the International Society of Organ Builders in 1984, and he became a member of the editorial board of the society’s information trade journal, for which he wrote articles on various organbuilding techniques. He often translated articles and speeches of other organbuilders from German into English. He was invited to Europe over two dozen times to the annual International Society of Organbuilders congresses due to his expertise.

In 1984 Rowland started his own shop producing custom drawknobs for many organbuilders in America, Europe, and Japan. However, his real enjoyment came from designing and building special tools and machines for different organbuilders, tools and machines that could not be bought elsewhere.

Rowland was perhaps best known for his intelligence and ability to imagine, invent, and make things work better and more efficiently. He was internationally respected for his designing of a computerized lathe for completing tasks such as shaping drawknobs for pipe organs. This enabled pipe organ builders to cut costs enormously by reducing labor and time, making tens of thousands of hours of tedium and templates obsolete through his inventions. Rowland constructed some of these computerized systems for pipe organ companies in Europe, filling the cargo hold on a plane to ship the devices overseas.

Rowland enjoyed attending the American Institute of Organbuilders convention every year with his wife, Hanne. He was proud that the AIO stayed in business and attracted and taught organbuilders to help each other and keep organbuilding an interesting and unusual business.

Jan Reagan Rowland is survived by Hanne, his wife of 54 years, of Houston, and a sister Karen Rowland Richardson and her husband Ronnie of Beaumont, Texas. A military burial with full honors was held at the Houston National Cemetery on January 30.

—Hanne Rowland

Karen Rowland Richardson

Christopher Lavoie

Robert Edward Coleberd, 86, died on December 5, 2018. Born July 6, 1932, in Kansas City, Missouri, he graduated from William Jewell College, Liberty, Missouri, with a degree in economics. He then served in the United States Army during the Korean War. After his discharge he earned an MBA degree at Cornell University, Ithaca, New York. A few years later he enrolled at University of Illinois, Champaign/Urbana, where he received MA and PhD degrees in economics.

Coleberd began his years of college teaching at Bridgewater College, Bridgewater, Virginia, and then at Western Maryland College (now McDaniel College), Westminster, Maryland. He also worked a few years for the American Enterprise Institute in Washington, D.C. While there he attended Fourth Presbyterian Church in Bethesda, Maryland, where he met his future wife, Barbara.

He returned to college teaching at Longwood College, Farmville, Virginia. After six years during which he was promoted to department head and earned tenure, he decided to leave academia and moved to Houston, Texas, to work in the petroleum industry.

In 1979 he moved to California to work for Tosco (The Oil Shale Corporation). Four years later, he and a colleague formed a partnership to start their own business, Pacific West Oil Data. This company prepared and published a monthly data book of tables and graphs of statistics and other information on the West Coast petroleum industry. He sold the business and retired in 2000.

Throughout his life Coleberd was interested in pipe organs, sparked by his brother’s becoming a church organist at the age of 12. He visited many factories of organbuilders both in the United States and on trips to Europe. For several years he was an economic consultant to the Associated Pipe Organ Builders of America (APOBA). He also served on the board of directors of the Reuter Organ Company, Lawrence, Kansas. He wrote articles about the history of various organbuilders, mainly in the Midwest, and published many of them in The Diapason and The Tracker. He built two organs himself, one of which he kept in his home in Granada Hills for many years. Recently, with the help of Manuel Rosales, he donated his organ to St. Paul’s First Lutheran Church in North Hollywood, California.

Coleberd enjoyed woodworking and had a workshop at home, where he had projects including bottle stoppers, bowls, and trays. He was a member of the Glendale Woodturners Guild. Recently he became interested in making kaleidoscopes. He joined the Brewster Kaleidoscope Society and made kaleidoscopes with wooden barrels. He wrote articles for the quarterly newsletter of the Brewster Society and attended their conventions.

Robert E. Coleberd is survived by his wife of 47 years, Barbara; his sister-in-law Linda Coleberd of Hannibal, Missouri; his brother-in-law Stuart Kennedy of Edgerton, Wisconsin; and many nieces and nephews.

Some of Robert Coleberd’s bibliography in The Diapason:

Trophy Builders and their Instruments: A Chapter in the Economics of Pipe Organ Building, August 1996

Is the Pipe Organ A Stepchild in Academe?, March 1997

The Economics of Pipe Organ Building: It’s Time to Tell the Story, January 1999

August Gern and the Origins of the Pitman Action, June 2000

Three Kimball Pipe Organs in Missouri, September 2000

Stevens of Marietta: A Forgotten Builder in a Bygone Era, June 2002

“A Perfect Day,” February 2004

The Mortuary Pipe Organ, July 2004

Organist and Organbuilder, Jerome Meachen and Charles McManis: A Meeting of the Minds, June 2005

Stanley Wyatt Williams, 1881–1971, June 2006

Steuart Goodwin: Organbuilder, April 2007

The Masonic Lodge Pipe Organ: Another neglected chapter in the history of pipe organ building in America, August 2008

Brett Austin Terry, 31, died February 27 in Harrisburg, Pennsylvania. Born June 6, 1987, in Bartlesville, Oklahoma, he received his early education in piano, organ, and voice at the First Methodist Church, Bartlesville, then at Grace Episcopal Church, Kansas City, Missouri, and Southminster Presbyterian Church, Prairieville, Kansas.

Terry earned Bachelor of Music degrees in organ and in voice at the University of Missouri-Kansas City Conservatory, where he graduated summa cum laude, studying organ with John Ditto. His 2013 Master of Music degree in organ was from Yale School of Music, where he was a student of Thomas Murray. He also earned the Certificate in Church Music at the Yale Institute of Sacred Music, where he became interim director of chapel music at Yale Divinity School. Terry subsequently became director of music and organist at Scarsdale Congregational Church in Scarsdale, New York. In 2015, he was appointed minister of music and worship at Pine Street Presbyterian Church in Harrisburg. In 2016, he also became artistic director and conductor of the Central Pennsylvania Oratorio Singers and Orchestra.

Terry had worked in the greater New York City area as a vocal coach, choral conductor, arranger, harpsichordist, cellist, and singer. He directed a 24-voice professional choir and several concert series and worked collaboratively in opera, ballet, and musical theater. Terry was active in the American Guild of Organists and was dean of the Harrisburg Chapter at the time of his death. He was also active in the American Choral Directors Association. In addition to his organ studies, his voice teachers included Marilyn Horne and Renée Fleming. He sang the title role of Massenet’s Werther in a Parisian production several years ago.

Brett Austin Terry is survived by his mother and her husband, his father and his wife, a paternal grandmother, a maternal grandmother, two sisters, and nieces and nephews. His funeral service was held at the Adams Boulevard Church of Christ, Bartlesville, on March 8. A memorial service took place on March 23 at the Pine Street Church in Harrisburg. Memorial contributions may be made to the Music at Pine Street concert series at Pine Street Presbyterian Church, 310 North 3rd St., Harrisburg, PA 17101.

Nunc Dimittis

Murray Albert Burfeind, 89, died December 16 in Red Wing, Minnesota. Born May 8, 1931, in Belvidere Township, rural Lake City, Minnesota, he grew up on the family farm. As a young boy he learned to play piano. By age 12 he started to play the pipe organ, and soon began playing for various churches. Burfeind graduated from Lake City High School in 1949. He went on to study at Bethany College, Mankato, Minnesota, and Concordia College, St. Paul, Minnesota. He graduated as a parochial school teacher and taught elementary school in Fond du Lac and Appleton, Wisconsin. At Fond du Lac, St. Peter’s Lutheran Church was buying a new organ, and as the church organist he served on the selection committee. After visiting Wicks Organ Company in Highland, Illinois, and recommending purchase of a pipe organ from that firm, he found his lifelong interest in organ construction. After one last year of teaching, he moved to Milwaukee, Wisconsin, to apprentice for United Organ Company, representative for Wicks in that region. He always referred to that day at the organ factory as the single day that changed his life.

In Milwaukee, he met and married his wife of more than sixty years, Flora Olm, a teacher and later a newspaper reporter and librarian. Together they followed the lure of building and designing new pipe organs, completing installations and providing service and tuning to organs in churches throughout the country with the Murray Burfeind Pipe Organ Company. From Milwaukee they moved first to Louisville, Kentucky, where their two oldest sons, Philip and Andrew, were born. They relocated to Arlington Heights, Illinois, to serve churches in Illinois and Indiana. Their third son, Steven, and daughter, Ann, were born while in Illinois.

After 15 years of travel and nights away from home, the family relocated to Minnesota near his family, living in the country near Goodhue, where Burfeind had his shop and continued his organ work, completing installations across the country.

Burfeind achieved his most satisfying goal of designing and completing the reinstallation of the Kilgen pipe organ at the Sheldon Theatre in Red Wing. He installed bird calls, truck horns, and bass drums in the upper reaches of the theatre above the proscenium arch.

His last installation was the Burfeind-designed and built organ at St. Norbert College in DePere, Wisconsin. That organ featured Subczyk and Meyer pipes built to order in Milwaukee. Originally it was installed in the La Crosse home of Betty Mittlestadt and later purchased and moved to St. Norbert College in 2012 and 2013.

Murray Albert Burfeind is survived by his wife Flora of rural Goodhue. He is also survived by his children Philip (Kimberly) of New Brighton, Minnesota; Andrew (Jacqueline) of St. Paul, Minnesota; Steven (Brenda) of Sioux Falls, South Dakota; and the Rev. Ann Burfeind (Florian) of Vancouver, British Columbia, Canada; as well as six grandchildren and several great-grandchildren. A celebration of his life will be held at a later date.

Catherine Ennis, organist and director of music since 1985 at the Church of St. Lawrence Jewry, London, UK, died December 24, 2020. Born in 1955, she was an organ scholar at St. Hugh’s College, Oxford, before serving as assistant organist of Christ Church Cathedral. Ennis joined the Royal College of Organists in 1978. She was a trustee of the RCO from 2012 to 2016 and vice president from 2015, and was also a diploma examiner. She served as artistic director of the RCO Summer Course for Organists in 2017.

Ennis served as consultant for four new organs in London, including organs by Rieger in St. Marylebone Parish Church (1987), Klais in St. Lawrence Jewry (2001), William Drake for Trinity College of Music (2003), and the Queen’s Organ in the Lady Chapel of Westminster Abbey, built by Mander. She also founded the London Organ Concerts Guide and was president of the Incorporated Association of Organists from 2003 to 2005.

In 2006 Ennis initiated (with Barbara Hill) the John Hill Organ Series, which showcased emerging young talented organists in a series of recitals in London each May. Most recently she became a patron of the Society of Women Organists.

Concert engagements in recent years included Christ Church Spitalfields, Westminster Cathedral, and Royal Festival Hall. Ennis recorded works by Bach, Reubke, Guilmant, and English romantic composers, among others; her latest CD for Priory Records of works by various composers on the Peter Collins organ in St. Bartholomew’s Church, Orford, was released in October 2020 (The Organs of St. Bartholomew’s Orford, Priory PRCD 1235).

Catherine Ennis was awarded the Medal of the Royal College of Organists in 2018. The citation for the medal details her contribution to the planning and execution of the college’s 150th anniversary celebrations in 2014.

An online musical remembrance occurred January 11.

Elizabeth P. Farris, 86, of Edmond, Oklahoma, died December 1, 2020. Born February 28, 1934, she was organist for First United Methodist Church of Edmond and taught at Central State University (now University of Central Oklahoma). Farris earned her Bachelor of Music and Master of Music degrees summa cum laude in organ performance from University of Arkansas, Fayetteville. She then began teaching organ and piano at what was then Southern State College, Magnolia, Arkansas. Later she met Howard Farris, who taught art at the college in Magnolia, and they were married in 1961. The couple had two children, Lisa in 1963, and Karl in 1965.

In 1966 the Farris family moved to Norman, Oklahoma, where Howard earned his Ph.D. degree at University of Oklahoma. Then the next year Howard was offered a teaching position at Central State College in the School of Education. In 1967, Elizabeth was appointed organist of First United Methodist Church of Edmond, serving the church until her retirement in 1999. As the longest serving staff member in the church’s history, she was named organist emeritus on her retirement. She also spent many years of substituting, playing the organ and piano during and following her years as First Church. Elizabeth Farris was active in the Oklahoma City Chapter of the American Guild of Organists for over thirty years and served in various capacities, including several terms as chapter dean. 

Elizabeth P. Farris is survived by her children Lisa and Karl, and her older sister, Drusilla Appleyard and family in Fort Smith, Arkansas.

Richard T. Bouchette

Richard T. Bouchett, 85, of New York, New York, died in Fort Lauderdale, Florida, on April 17. He was born March 6, 1937, in Seymour, Texas, attended Texas Christian University, and earned a Bachelor of Music degree from the University of Oklahoma, an artist’s diploma from the Curtis Institute of Music, and Master and Doctor of Sacred Music degrees from the Union Theological Seminary, New York City, with the dissertation “The Organ Music of Jehan Alain.” His organ teachers included Emmet Smith, Adrienne Reisner, Mildred Andrews, Alexander McCurdy, Robert Baker, Marie-Claire Alain, and Anton Heiller. He was the 1966 winner of the Young Artists’ Competition sponsored by the Boston Symphony and the Boston Chapter of the American Guild of Organists and was presented in recital at Symphony Hall in Boston. He taught organ at Westminster Choir College, Princeton, New Jersey, and Indiana University, Bloomington, and presented recitals across the United States, including performances at several AGO regional conventions.

For ten years Bouchett was organist at Fifth Avenue Presbyterian Church in New York City where he recorded an LP entitled The Organs of Fifth Avenue Presbyterian Church Played by Richard Bouchett, presently available on YouTube and Amazon. In 1972 he was named director of music and organist for First Presbyterian Church, Greenwich, Connecticut. He conducted a semi-professional choir that performed cantatas and oratorios with orchestra in addition to singing at regular services, and developed a concert series, “Music from the Top.” Bouchett supervised the installation of a 66-rank M. P. Möller organ in the church’s sanctuary, where he premiered a commissioned work of Ruth Schonthal, The Temptation of St. Anthony.

Before moving to New York City, he held positions at the Church of the Good Samaritan (Episcopal) in Paoli, Pennsylvania, and the Episcopal Academy in Overbrook, Pennsylvania. After his retirement from First Presbyterian Church, Greenwich, in 2002, he played for several years at First Church of Christ, Scientist, Greenwich, and was a substitute musician for churches in and around New York City, including Madison Avenue Presbyterian Church.

Richard T. Bouchett is survived by his brother Frank and sister-in-law Betty, three nephews, and numerous grandnephews and grandnieces.

Diana Lee Lucker

Diana Lee Lucker, 89, was born Diana Lee Kennelly, July 9, 1932, in Seattle, Washington, and died January 15, 2022, in Minneapolis, Minnesota. Her first piano lessons were given by her mother; she later attended the Juilliard School of Music. Her first organ teachers included Ronald Hooper and Rupert Sircom. She earned her Bachelor of Arts, Master of Arts, and Doctor of Musical Arts degrees from the University of Minnesota and studied there with Heinrich Fleischer and Dean Billmeyer.

Lucker was assistant professor of music at Augsburg College and Bethel College and taught privately. She served as organist at Mount Olivet Lutheran Church for 16 years, as interim organist at Westminster Presbyterian Church (1994–1995), and as organist for Wayzata Community Church from 1995 until 2016. The four-manual Hendrickson organ was installed shortly after her arrival; she performed its dedication recital in September 1998.

While at Wayzata she directed an annual summer organ recital series as well as a concert series of over 40 events each year including orchestral, choral, piano, small ensemble, and organ programs. Lucker was active in several capacities for the Twin Cities Chapter of the American Guild of Organists. As a recitalist, she performed throughout the United States and in Scandinavia and Italy.

Diana Lee Lucker is survived by three daughters, five stepchildren, and 16 great-grandchildren. Memorial gifts may be made to: Des Moines Metro Opera, 106 West Boston Avenue, Indianola, Iowa 50125; or Pipedreams, MPR, 480 Cedar Street, Saint Paul, Minnesota 55101.

Thomas H. Troeger

Thomas H. Troeger, hymn writer, preacher, homiletics professor, theologian, poet, musician, columnist, and author, died April 3. Born in 1945, he grew up in New Jersey and upstate New York. After graduating from Yale University cum laude in 1967, he attended Colgate Rochester Divinity School, Rochester, New York, where he earned his Bachelor of Divinity degree (now designated as Master of Divinity). He later received an S.T.D. degree from Dickinson College, Carlisle, Pennsylvania, an honorary Doctor of Divinity degree from Virginia Theological Seminary, Alexandria, and, most recently, an honorary doctorate from the University of Basel, Switzerland, in 2014.

Following graduation from Colgate Rochester Divinity School, Troeger was ordained a Presbyterian minister and served as associate pastor for the Presbyterian Church of New Hartford, New York (1970–1977). (He was later ordained an Episcopal priest.) He returned to (now) Colgate Rochester Divinity School/Bexley Hall, Crozer Theological Seminary as a professor of preaching and parish ministry (1977–1991) before moving to Iliff School of Theology, Denver, Colorado, where he was the Ralph E. and Norman E. Peck Professor of Preaching and Communications (1991–2005). In addition to his professorial duties, Troeger began serving in administrative posts as the director of the Doctor of Ministry program (2000–2005) and the senior vice president and dean of academic affairs (2002–2005). At that time, Troeger moved to Yale as the J. Edward and Ruth Cox Lantz Professor of Christian Communication (2005–2015).

Troeger was a prolific author and hymnist. He authored more than a dozen books on homiletics, essays for Feasting on the Word, a monthly column for Lectionary Homiletics over a period of years, and articles and chapters that appeared in scholarly venues. He served as president of the Academy of Homiletics (1987) and co-president of Societas Homiletica, the international guild (2008–2010). The Hymn Society in the United States and Canada named him a Fellow of the society, and he received a lifetime achievement award from the North American Academy of Homiletics.

Troeger also published books in the areas of liturgy and spirituality. He served as chaplain to the American Guild of Organists and wrote a monthly column for The American Organist for four years. He became affiliated with the Yale Institute of Sacred Music, where he had standing during his tenure at Yale. As a poet and a hymnist, Troeger composed more than 400 hymn texts and poems, many of which are now in current hymnals of most denominations.

Thomas H. Troeger is survived by his wife of 54 years, Merle Marie Troeger; his brother, Don, and his brother-in-law and sister-in-law, Crawford and Julie Butler of Conway, New Hampshire. A memorial service was held on May 3 at the Episcopal Church of St. Mary, Falmouth, Maine.