Nunc Dimittis

Larry Abbott, 75, died quietly in his home in Santa Monica, California, on June 29. He was a founding partner of Abbott and Sieker Organbuilders, the Los Angeles firm that led the revival of tracker organbuilding on the West Coast in the early 1960s. At the time of his retirement as firm president in 1991, Abbott and Sieker had built or rebuilt over 100 organs. Several established West Coast organbuilders worked at Abbott and Sieker before launching their individual firms. A native Californian, Abbott served in the U.S. Army Signal Corps during World War II. He attended Pomona College, graduating in 1950 with a degree in theory and composition. He was a founding member of the American Institute of Organbuilders and an active member of the Los Angeles AGO Chapter.

Roger Hannahs, AAGO, died on Christmas Day, 2000 at age 82 after a long illness. He sang as a boy at Trinity Episcopal Church, Potsdam, New York, receiving his earliest piano and organ training from Gilbert Macfarlane. He graduated from Crane School of Music and moved to Ithaca, New York, where he set up a voice and piano studio and sang bass in the Ithaca Civic Opera Company. He held a master’s degree in composition from the Eastman School of Music and a doctorate in composition from Cornell University. Hannahs taught harmony and counterpoint in various public schools and at RPI in Troy, New York, where he also conducted choruses. He was the conductor of the Burnt Hills Choral Society and the Thursday Music Club in Schenectady, New York, and served as organist/choirmaster at various Episcopal churches in New York. While busy as teacher, organist, and conductor, he wrote compositions for performance and publication, several of which have been recorded, and some have received awards. Funeral services were held at Trinity Church, Potsdam, New York. All of the organ music that was played for his Requiem Mass was composed by Dr. Hannahs; Susan Armstrong was the organist. Hannahs is survived by his wife, Mary, and four daughters.

Alice Martz, a pianist and voice coach well known in the Chicago musical community, died on July 12 of natural causes. Born in Ohio, she studied at Chicago Musical College and was a student of Rudolph Ganz. She played at Orchestra Hall and Grant Park in Chicago and is remembered for her work in later years in inspirational music, reaching out to those who needed the gift of music but were unable to travel to hear it. She also worked at Carl Fischer Music for many years. She is survived by her goddaughter, Soma Priddle, and her many students and friends. A memorial service was held at Joyce Methodist Church, Chicago, on July 17.

Father Gerard John Benedict Farrell
style='font-weight:normal'>, O.S.B., an acknowledged leader in Gregorian Chant
studies, died on January 9, 2000. He was 81. A monk of St. John's Abbey in
Collegeville, Minnesota since 1940, Fr. Gerard served as abbey organist from
1946-1969, and choirmaster from 1951-1969. He had earned a Bachelor of Music
from Montréal University, a Master's degree from the Eastman School of
Music, and a Certificate in Organ and Composition from the Royal Flemish
Conservatory in Antwerp, Belgium. In 1952 he introduced the practice of daily
sung Vespers, and under his direction the monastic schola recorded several LP
albums of Gregorian Chant. Also, in consultation with Flor Peeters, Fr. Gerard
was instrumental in the installation of the 1960 Holtkamp organ for the
then-new Marcel Breuer-designed Abbey Church in Collegeville, where he
developed a series of organ recitals which featured leading organists from
around the world. Following two years of additional study at Boston University
and Harvard University, in 1976 Fr. Gerard became professor of Gregorian Chant
and Catholic Church Music at Westminster Choir College in Princeton, New
Jersey, where he taught until a few weeks before his death. He also served as associate
priest at St. Paul's Church, Princeton, and was adjunct professor of Gregorian
Chant at Duquesne University in Pittsburgh. A compact disc of his performance
of one of the liturgical organ suites by Charles Tournemire, with related
Gregorian Chant propers, was issued by the Liturgical Press in Collegeville.
(Information kindly provided by Michael Barone.)

Pierre Firmin-Didot
died on January 5, after a long battle with cancer, at the age of 79. The
funeral mass was held on January 11 at Chartres Cathedral, France. He is
survived by his wife, international recitalist Lynne Davis. Mr. Firmin-Didot
was the founder, in 1970, of the Chartres International Organ Competition
(Grand Prix de Chartres) and the support organization, the Association des
Grandes Orgues de Chartres, which runs an annual summer-long festival of organ
recitals at Chartres Cathedral as well as, every second year, the competition.
Firmin-Didot was president of the association, and thus of the competition,
until his death.

Mr. Firmin-Didot decided to save the organ at Chartres
Cathedral in 1964, when it was in such bad condition that an orchestra had to
be substituted for the organ during a visit to the cathedral by the president
of France. He enlisted all kinds of artists and celebrities in the cause,
raising money at musical benefit concerts as well as in other ways. The
inauguration of the rebuilt instrument took place in 1971 in the presence of
the President of France, Georges Pompidou. In the autumn of that year the first
competition was held, with Pierre Cochereau as president of the jury. The first
jury also included Maurice Duruflé, Gaston Litaize, Jacques Charpentier,
Victor Ruello, Feike Asma (Holland), Hans Geferte (Germany), Nicolas Kynaston
(England), Anthony Newman (USA), and Pierre Segond (Switzerland). Many
prominent organists from around the world have served on subsequent juries
including George Thalben-Ball, Jean Langlais, Marie-Claire Alain, Martin Jean,
etc. The first prize of the initial competition in 1971 was shared by Daniel
Roth and Yves Devernay. American winners have included Charles Benbow (1972),
George Baker (1974), Todd Wilson (1978), James Kibbie (1980), Martin Jean
(1986), and Matt Curlee (1996).

Mr. Firmin-Didot was also instrumental in other facets of
the preservation and restoration of Chartres Cathedral. He was founder and
president of L'Association Chartres, Santuaire du Monde, and also of the Centre
International du Vitrail, which maintains a museum of stained glass near the
cathedral and both helps to restore the famous stained glass at Chartres
Cathedral and encourages new artists in the field of stained glass. President
of France Valéry Giscard-d'Estaing pre-sided at the museum's dedication.
Mr. Firmin-Didot was made a Chevalier of the French Legion of Honor in 1973 in
recognition of having saved the organ at Chartres Cathedral.

Herman Berlinski
died at the age of 91 on September 27 at Sibley Memorial Hospital in
Washington, after suffering a heart attack and a stroke. His considerable
output included symphonic and chamber works, concertos, song cycles, liturgical
works, as well as music for the organ, which he learned to play at age 40.
Religiously inspired works, such as the oratorios Job and The Trumpets of
Freedom and the organ work The Burning Bush, were among his best known works.
Dr. Berlinski, who fled Nazi Germany in 1933, settled in Washington 30 years
later to become music director at the Washington Hebrew Congregation, a post he
held until 1977. He began his musical career as a pianist, but performed and
recorded on the organ throughout the world well into advanced age. He was
represented by Lilian Murtagh and then Murtagh-McFarlane artist management from
1976-78. Berlinski was a piano graduate of the Leipzig Conservatory of
Music. He moved to Paris in 1933 and composed music for the ballet and the
Yiddish theatre, and studied composition with Nadia Boulanger and Alfred
Cortot. He left Europe in 1941 to live in New York. There he earned the MMus at
Columbia University and a doctorate in composition at the Jewish Theological
Seminary, and served as organist at Temple Emanuel for eight years. His
collection of scores, recordings, correspondence and photographs was given to
the Library of Congress last summer.

Robert Hunter died
on September 10 in Los Angeles at the age of 72. He was accompanist for the
Roger Wagner Chorale and for the Paul Salamunovich choral groups, as well as a
pianist with various groups. Hunter began his career with Wagner in 1946 and
worked with the chorale for a decade. In 1955 he began performing with popular
music groups, including the Freddy Martin Orchestra at the Ambassador Hotel's Coconut Grove, and was Carol Channing's musical director from 1958 to 1971. Hunter later joined Salamunovich to tour with his choruses from Loyola Marymount University and became organist for the St. Charles Borromeo Catholic Church Choir. In 1991 he became accompanist for the Los Angeles Master Chorale and remained with the chorale until his retirement in 1996.

Howard B. Kelsey,
professor emeritus from Washington University, died September 18 of heart
failure at the age of 90. Following his wife's death in 1997, Mr. Kelsey
had returned to St. Louis where he lived for the past four years. Born in 1911
and raised in Brighton, Illinois, Howard Kelsey began playing the organ at age
5 and took his first church position at age 14. He graduated from Illinois
Wesleyan University in 1933, and went to New York for graduate study at Union
Theological Seminary under Clarence Dickinson. Upon receiving a Master of
Sacred Music degree, he returned to St. Louis where he taught at Eden Seminary
for six years. In 1937 he married Berenice Strobeck, his wife of sixty years.
Howard Kelsey's association with Washington University began in 1945 when
he became the university organist. He was primarily responsible for the
establishment of the Department of Music in 1947, having secured an endowment
for the department from Avis Blewett. During his time at Washington University,
he brought in internationally known artists to conduct classes and work with
the many organists who came to the University. Students had the opportunity to
work with Anton Heiller, Roslyn Turek, Gillian Weir, Geraint Jones, Suzie
Jeans, Michael Schneider, and the Gregorian chant expert Dom Ermin Virty, OSB.
Many of his students found positions in colleges, universities, and large
churches after completing their degrees under Mr. Kelsey's guidance. In
addition to his work at Washington University, Kelsey also served a number of
St. Louis churches and temples from 1936 to 1973, including First
Congregational Church, Second Baptist Church, First Presbyterian Church, Temple
B'Nai El and Temple Israel. He was also very active in the American Guild
of Organists on the local, regional, and national levels, and served as
consultant for many churches for the purchase and installation of new organs. A
memorial service was held for Howard Kelsey on October 21 at Christ Church
Cathedral in St. Louis, Missouri. He is survived by his three children and four
grandchildren.

-Kathleen Bolduan

Director of Undergraduate Studies

Department of Music

Washington University

Roland Münch
died on September 27 in Berlin, Germany. He was born in Leipzig on February 10,
1936, and studied organ with Diethard Hellmann and Robert Köbler. His
first professional position was at St. Wenzel's Church in Naumburg where
he played the historic organ built by Hildebrandt. From 1975 on, he made many
recordings and radio broadcasts. From 1969 until his retirement in March of
this year, Mr. Münch was organist and music director at the Church of Glad
Tidings (Kirche zur frohen Botschaft) in Berlin-Karlshorst where he presided
over the organ built by Peter Migendt in 1756 for Princess Amalia, sister of
Frederick the Great for whom C.P.E. Bach served as court musician from
1738-67. Münch is survived by his wife Ursula and two sons. His most
recent recording, Münch spielt Bach auf Migendt, is on the Ursus label.

Robert Murphy died
on September 22 in Traverse City, Michigan. Born on April 30, 1936, in Benton
Harbor, Michigan, Murphy earned bachelor's and master's degrees
from Western Michigan University. In 1962 he became a member of the Interlochen
Arts Academy Charter Faculty and was chairperson of the keyboard department for
many years prior to his recent retirement. At Western Michigan University, he
had served as director of the chapel choir, graduate assistant and instructor
of music. During his 39 years at Interlochen, he was chairperson of the
building committee for Dendrinos Chapel and Recital Hall, founder and organizer
of the ICA Chapel Organ Recital Series, and chairperson of the music building
committee for ICA. For nearly four decades he was organist and music director
for Central United Methodist Church in Traverse City. A service celebrating Mr.
Murphy's life took place on October 14 at Central United Methodist Church
in Traverse City. Memorial contributions may be made to the Interlochen Center
for the Arts Organ Scholarship Fund in memory of Robert Henderson Murphy.

Dana Cottle Brown,
Minister of Music Emeritus at Westminster Presbyterian Church in Alexandria,
Virginia, died on March 9, after an extended illness. Born on August 10, 1930,
in Woburn, Massachusetts, he began his musical career at the age of fifteen as the
organist in two Congregational churches in his home town. He then entered the
Boston Conservatory of Music, majoring in organ, and upon his graduation in
1952 was awarded the Conservatory Silver Medal for High Honors. During his
conservatory years, Mr. Brown served as assistant organist and choirmaster of
Emmanuel Episcopal Church in Boston. He received his Master of Sacred Music
degree from the School of Sacred Music, Union Theological Seminary, New York
City, serving during that time as director of music at Hollis Presbyterian
Church, Hollis, New York. Upon graduation, he served two years in the Armed
Forces as a chaplain's assistant at Fort Belvoir, Virginia. Prior to
being called as Westminster's first minister of music in 1957, Mr. Brown
earned his AGO Choirmaster's certificate; he later was dean of the
Alexandria AGO Chapter from 1963 to 1965, also serving as conductor of the
Guild's senior choir and junior choir festivals. In 1999 he was awarded
an Honorary Life Membership in the Northern Virginia AGO Chapter.

Mr. Brown served Westminster Church for 33 years: he
directed four choirs, including the establishment of two handbell choirs; he
oversaw the installation of the four-manual Moeller pipe organ and arranged for
its dedication recital by Virgil Fox; he gave many organ concerts, both at
Westminster and as a guest of other churches; and he initiated the Westminster
Concert Series and Young Artist Series, made possible by gifts from the Rosalee
Brown Stubbs Memorial Fund. He retired in 1990, but contined to assist the
church's music and worship program until his death. He is survived by a
brother, a nephew, and a sister-in-law. A memorial service was held at
Westminster Church on March 18. Participating in the service were organists
David Erwin and Lawrence Schreiber, the Westminster Choir, and soprano Marilyn
Moore-Brown.

Paul Sifler died on
May 20 in Hollywood, California. He was 89 years old. Born in Ljubljana,
Yugoslavia, the son of an organ builder, Sifler became an American citizen in
his youth. Prior to establishing his residence in Los Angeles, California,
where he served as organist of St. Thomas Episcopal Church in Hollywood and
Temple Sinai in Glendale, he held similar posts in New York City, including St.
Paul's Chapel. Sifler's work as a composer, organist, and
choirmaster was a life-long pursuit. Among his many works are the oratorio, In
the Days of Herod the King, the Mass for Voices and Marimba, and Seven Last
Words of Christ for organ. His monumental achievement is Hymnus, five volumes
of organ works based on hymns. Many of his choral and instrumental works have
been published and recorded, including The Despair and Agony of Dachau,
published by Belwin/Mills and recently recorded by Mary Preston on the Meyerson
Center organ in Dallas, Texas, for the Gothic label. Most of Sifler's
works are available from Fredonia Press, 3947 Fredonia Dr., Hollywood, CA
90068.

Guy Thérien
died on May 11 in St-Hyacinthe, Québec, Canada, after a brief battle
with cancer. Born in 1947, he studied organ with Bernard Lagacé and
served his apprenticeship with Casavant Frères from 1965 to 1968. In
1968 he joined Orgue Providence, Inc., and in 1978 this company was renamed
Guilbault-Thérien, Inc., after the partnership of André Guilbault
and Guy Thérien. Over 50 new organs of tracker and electro-pneumatic
action were built under his supervision, in addition to more than a hundred
rebuilding and restoration projects of existing instruments. Since 1992 Mr.
Thérien served as president and owner of the firm. He was a founding
member of the Pro Organo Society (1970) and Amis de l'Orgue de Montréal
(1991). Among his notable instruments are those at the Grand Séminaire
Chapel in Montréal and in the chapel at Brick Presbyterian Church in New
York City. He is survived by his wife Lyne and four young children (Jean-François,
Jean-Chris-tophe, Jean-Philippe, and Marie-Ève).
Guilbault-Thérien, Inc. continues its work under the direction of
longtime partner and chief voicer Alain Guilbault.

The European community and in particular, France, lost an important advocate for the organ with the untimely death of Jean Boyer. Mr. Boyer died of cancer on June 28 in Lille, France, at the age of 56.

He was born on October 4, 1948, in Sidi Bel Abbes in Algeria, into a musical family; his organist father was a student of André Marchal. He began his musical studies in Toulouse, a city well known for the quality of its organs. These exceptional instruments played a central role in his musical training, which was completed under the guidance of Xavier Darasse, in whose class he earned a first prize in organ at the Conservatoire de Toulouse in 1969.

In Paris, he was greatly influenced at St-Séverin Church by Francis Chapelet and André Isoir. In 1975 he became co-titulaire of this church, a post he held until 1988; he also served as organist at the historic organ of St-Nicolas-des-Champs until 1995. Mr. Boyer’s recordings have received great praise from the musical press, and in 1972 he was awarded the Grand Prix du Disque. In addition to his concert activities, Jean Boyer was a devoted pedagogue. At the time of his death he was professor of organ at the Conservatoire National Supérieur de Musique de Lyon.

Mr. Boyer was an excellent organist and organ professor, much beloved by his students. He was a scholar and did a great deal to promote the understanding and accurate performance practice of ancient music and was a strong advocate for the thoughtful restoration of historic organs. He was remembered at a Requiem in Lille, France, July 1.

--Gene Bedient

David Messineo, principal university organist at Princeton University, died June 11 of an apparent heart attack at his home in Shohola, Pennsylvania. He was 45. Born on August 14, 1958, in Hackensack, New Jersey, Messineo began playing the piano at age four and took up the organ at age 11. He served as organist at Grace Episcopal Church in Port Jervis, New York, and Rutherford (NJ) Congregational Church while still a teenager. He attended the Juilliard School in New York City, where he graduated with a Mus.B., M.M. and doctor of musical arts with honors in organ performance. During his time at Juilliard, he served at St. Stephen’s Roman Catholic Church in Kearny, New Jersey, and for eight years was associate director of music/organist at the Cathedral Basilica of the Sacred Heart in Newark. For 16 years, he was minister of music at the Glen Ridge Congregational Church, where he played the organ and directed seven choirs. He also taught organ at Montclair State University for many years. Messineo joined the Princeton staff in 2000. He gave recitals across the United States and performed in historical venues in Germany, the Czech Republic, France and the Netherlands. Messineo also played theatre organ, and in 1979, he opened the new Christmas show at Radio City Music Hall and continued as organist there for several years. He studied theatre organ with a former silent movie accompanist and was known at Princeton for his annual performance around Halloween improvising with the 1925 silent movie, “The Phantom of the Opera.” Funeral services took place on June 16 at the Milford United Methodist Church, Milford, Pennsylvania.

Myron J. Roberts, 92, died May 15 in Camden, Maine, after a brief illness. He was born in San Diego, California, January 30, 1912, and at the age of nine he moved with his family to Palo Alto, California. Raised in a musical family, he developed an early passion for piano and organ. By the time he was in high school, he was studying piano and then organ with Stanford University organist, Warren Allen. Roberts completed his undergraduate studies in 1935 at the College of the Pacific (now the University of the Pacific) in Stockton, California, where he was an organ student of Allen Bacon. He completed a master’s degree in the School of Sacred Music at Union Theological Seminary, where he studied with Clarence Dickinson. After two years as an organist in the greater New York area and as an interim organist in Richmond, Virginia, Roberts joined the faculty of the University of Nebraska at Lincoln in 1940, where he taught organ and music theory for 34 years. He also held positions in Lincoln as organist at First-Plymouth Congregational Church, Holy Trinity Episcopal Church and the Roman Catholic Cathedral of the Risen Christ.

Roberts was married to Virginia W. Roberts. Mr. and Mrs. Roberts retired at the same time and moved to Rio del Mar on Monterey Bay in California. After Mrs. Roberts’ death in 1975 Mr. Roberts continued to live in California and resumed playing the organ in public recitals. It was at this time that he met and became long-time friends with Anthony Antolini, who was teaching at Cabrillo College in Santa Cruz County. When Prof. Antolini and his family moved to Maine in 1991 Mr. Roberts decided to join them and moved to Cushing in 1993, where he built a home with a view of the St. George River.

Roberts composed works for organ, choral music and pieces for organ and other instruments. Among his 22 published works are Homage to Perotin (1956), Pastorale and Aviary (1969) and Fanfare and Tuckets (1991) for organ. His best known choral compositions include O Lord, We Beseech Thee (1965), Jubilate Deo (1976) and Magnificat (1977). His most unusual composition is Five for Organ and Marimba (1975). After moving to Maine Roberts continued to compose music and teach organ on a limited basis. He also maintained a lifelong interest in astronomy and gardening.

Roberts was a communicant of the Episcopal Church of St. John the Baptist in Thomaston, Maine where he took an active part in the work of the organ search committee. In 2003 that committee selected the Bedient Pipe Organ Company of Roca, Nebraska to build its new organ. The president and founder of the company, Gene Bedient, was a student of Mr. Roberts at the University of Nebraska at Lincoln many years ago.

A memorial service was held on June 20 at the Episcopal Church of St. John the Baptist, Thomaston, Maine. There were also two performances of the Dvorák Requiem by the Down East Singers in memory of Mr. Roberts on May 23 at St. Andrew’s Roman Catholic Church in Augusta, Maine, and on May at the Rockland Congregational Church, Rockland, Maine.

An in-depth biographical interview with Mr. Roberts was published in the June 1997 issue of The American Organist.

--Anthony Antolini

G. Russell Wing died on January 23 at the age of 91 in
Hermosa Beach, California. Born on August 19, 1911, in Columbus, Ohio, he was a
resident of Hermosa Beach for 46 years. He served as organist-choirmaster at
St. Cross Episcopal Church for 30 years, as well as choral director and teacher
of piano and English at Hawthorne High School for 20 years. Mr. Wing's
career in music began during the last years of silent movies when, as a youth
of 15, he played theatre organ for the silent movie theatres in Columbus, Ohio.
He attended Union Theological Seminary in New York City and graduated in 1939
with a Master of Sacred Music degree. In 1942 he was elected third president of
Southern California's Choral Conductors Guild. He served churches in Long
Beach, California, and La Grange, Illinois, before moving to Hermosa Beach. His
interest in music history and sacred art led him and his wife Audrie to travel
to Europe many times exploring music, art and architecture. With the resulting
photographs and music, he produced nine multi-media presentations, which he
shared with audiences throughout Southern California. After retirement, Mr.
Wing played as a substitute organist in 109 different churches throughout the
greater Los Angeles area. He was a church organist for 76 years, and a member
of the American Guild of Organists, the Choral Conductors Guild, and the
California Retired Teachers Association. Mr. Wing is survived by Audrie, his
wife of 56 years, their three children, and three grandchildren. A memorial
service was held on February 1 at St. Cross Episcopal Church, Hermosa Beach.