Carillon News

News from Iowa State University

1. Spring Carillon and Organ Festival 1997

Iowa State University hosted the Spring Carillon and Organ
Festival 1997 and the Carillon Composition Competition during the weekend of April 25-27. The Festival also celebrated the tenth anniversary of the installation and dedication of the Brombaugh organ of the Music Department. Guest artists were Brian Swager, former University Carillonneur at Indiana University, Bloomington, and David Dahl, organist from Pacific Lutheran University, Tacoma, Washington. The Festival began with two recitals by the guest artists. Brian Swager performed carillon music from Belgium and America that included Johan Franco's Ames Nocturne, a work commissioned by The Stanton Memorial Carillon Foundation in 1984. David Dahl performed organ works by two women composers: Fanny Mendelssohn and Ethel Smyth, and Michel Corrette's Magnificat du 3e et 4e ton with Donald Simonson as cantor. A workshop on "Organ Works by Three 19th-century Women Composers: Clara Schumann, Fanny Mendelssohn and Ethel Smyth" was conducted by David Dahl on Saturday morning, and Brian Swager held a carillon seminar in the afternoon on "Music for the Carillon: A Distinguished Repertoire Emerges." The Festival continued with a Family Concert featuring ISU student carillonneurs, ISU Wind Ensemble, ISU Dance Tour Company, and ISU Oratorio Choir. Echo by Amy Michelle Black was premiered by Michael Tammaro at the carillon and the Oratorio Choir under the baton of Robert Molinson. The Festival concluded on Sunday with carillon music from The Netherlands performed by Tin-shi Tam, Iowa State University Carillonneur.

A  Carillon
Composition Competition was held to encourage young composers to write original
carillon music. Judges were Brian Swager, Jeffrey Prater, and
style="mso-spacerun: yes">  Tin-shi Tam. Contestants were from all
parts of the country and overseas. The winning composition was By de dei
lâns (The Proceedings of the Day) by Klaas R. R. de Haan of Amsterdam,
The Netherlands. It was premiered by 
Tin-shi Tam during the Festival. The next Spring Carillon Festival
and  Carillon Composition
Competition  will be held from
April 24-26, 1998. Guest carillonneur will be Albert Gerken, University
Carillonneur  at University of
Kansas, Lawrence.

II. Junior High Keyboard Camp

The Fifth Annual Keyboard Explorations junior high school
summer music camp was hosted by the Iowa State University Music Department from
July 7-12, 1997. Participants had the opportunity to learn about various kinds
of keyboard instruments and had hands-on experiences in playing them. Seven
participants studied carillon under ISU Carillonneur, Tin-shi Tam. Two carillon
concerts were performed by students towards the end of the week.

III. 1998 Carillon Composition Competition

Iowa State University has announced the Carillon Composition
Competition '98. The purpose of the competition is to encourage the writing of
original carillon compositions by composers under age 35. The submitted work
shall be an original composition for four-octave carillon (tenor C to C4), with
a two-octave pedal board (tenor C to C2). The composition may be a solo, duet
for one carillon, or a work for carillon with one or more other instruments or
chorus. The submitted composition must be postmarked no later than March 31,
1998. For more information contact the University Carillonneur at Iowa State
University; Music Department; 149 Music Hall; Ames, IA 50011; phone:
515/294-2911, e-mail: tstam@iastate. edu or web-site: www.music.iastate.edu

Bell information requested

In celebration of the 75th anniversary of the Belgian
Carillon School, a festschrift will be published. Marc Van Bets is preparing a
paper on Mechelen bellfounders for this book. He requests reports on all
Mechelen bells that currently are, or ever have been, in
style="mso-spacerun: yes">  North America. Such bells would have
been brought by Capuchin monks who came to North America as missionaries. All
bells are included in the scope of the paper: carillon, church, tolling,
ornamental, etc. All information is welcome, such as the function of the bell,
measurements, pitch, anecdotes, photos. Please contact Marc Van Bets; Ridder
Dessainlaan 27; 2800 Mechelen; Belgium. Phone: (0112)32.15.42.38.52. Fax:
(011)32.15.43.17.07. Email: [email protected]

1998 Queen Fabiola Competition

Since its founding in 1922 the Royal Carillon School
"Jef Denyn" in Mechelen, Belgium, has fostered a greater blossoming
of the carillon art. Toward this end, the school established the Queen Fabiola
International Carillon Competition in 1987. This competition has grown rapidly,
becoming the most important of its kind and providing a strong stimulus for the
recognition of the carillon art as a high-quality artistic expression.

The winners of the first three competitions were: Geert
D'hollander of Belgium in 1987; Boudewijn Zwart of The Netherlands, in 1990;
and Gideon Bodden of The Netherlands, in 1993.

The fourth Queen Fabiola Competition will take place August
5-9, 1998. Carillonneurs from around the world are invited to take part. There
is no age limit. After an elimination round, a maximum of six competitors will
be selected for the finals. Judging will be done by an international jury.

The candidates are required to present nine pieces of a high
virtuosic level: three baroque, three romantic, and three contemporary pieces.
The romantic and contemporary selections must be original carillon compositions
and not transcriptions. One of the baroque pieces must be a carillon prelude
written by Matthias van den Gheyn. In addition, there will be an obligatory
piece.

The school's 1997 international composition competition
brought 21 entries from seven countries: Belgium, The Netherlands, Australia,
The USA, Spain, Russia, and Sweden. Performance of the winning composition will
be required for participants in the Queen Fabiola Competition. Winners of the
composition competition will be announced once registration for the Fabiola
Competition is closed.

During the competition, the participants perform on the new
carillon in the St. Rombouts tower. This instrument was founded by Koninklijke
Eijsbouts in 1981. It is tuned in equal temperament and consists of 49 bells;
the bourdon sounds F and weighs eight tons.

The first-prize winner will receive 100,000 BF, a bronze
bell, a certificate, and a concert tour in Belgium  in 1999. Five additional prizes with cash awards will be
given. The SABAM prize of 25,000 BF will be awarded for the best interpretation
of a contemporary Flemish carillon composition, and an additional 25,000 BF
will reward the best improvisation. Participants should send their completed
applications to the Royal Carillon School "Jef Denyn"
style="mso-spacerun: yes">  before April 30, 1998. After their
repertoire has been approved, the full list of regulations and practical
information will be sent to each competitor. The obligatory piece will be sent
to the participants two months before the beginning of the competition.
Participants are granted a per diem of 1000 BF for as long as they take part in
the competition.

For information and applications, contact
style="mso-spacerun: yes">  the Royal Carillon School "Jef
Denyn"; Frederik de Merodestraat 63; 2800 Mechelen; Belgium. Phone:
32.15.20.47.92. Fax: 32.15.20.31.76.

McLellan appointed at MSU

Ray McLellan has been appointed University Carillonneur at Michigan State University in East Lansing, Michigan. His responsibilities include playing weekly recitals, teaching carillon and organ, coordinating and
producing the MSU Summer Carillon Recital Series. Ray studied carillon with
Margo Hal-sted at the University of Michigan and with Todd Fair at the
Netherlands Carillon School. He earned the Bachelor of
style="mso-spacerun: yes">  Arts degree at Florida Southern College
in Lakeland and the Master of Music and Doctor of Musical Arts degrees at the
University of Michigan. He also studied on full scholarship at the
Pädagogische Hochschule in Freiburg, Germany. Besides the position at MSU,
Dr. McLellan continues in his church and temple positions.

News from Belgium

Belgian Carillon School dubbed "Cultural Ambassador"

Minister of Culture Hugo Weckx announced the list of Flemish
Cultural Ambassadors, naming primarily musicians for the task of carrying the
reputation of Flanders abroad. Twenty-four musical projects were recognized
with this distinction which carries a cash award. Honored were notable groups
such as I Fiammingi, the Walter Boeykens Ensemble, Philippe Herreweghe's
Collegium Vocale, the Ensemble Currende, Jos van Immerseel's Anima Eterna, and
the Royal Carillon School "Jef Denyn" of Mechlin.

Although the director of the School, Jo Haazen, was
nominated by the City Council to become a Cultural Ambassador in October 1995,
Haazen encouraged Minister Weckx to honor the school first with this
distinction. "I hope that you will seriously consider the Royal Carillon
School 'Jef Denyn', that will soon celebrate its 75th anniversary and as the
first carillon school in Flanders and in the world has more than proven its
significance, as a candidate for the cultural ambassadorship in 1995."
(5/30/94)

The nomination was made, and the official proclamation came
on Friday June 16, 1995 in the Marquis Building in Brussels. The beautiful
Eijsbouts mobile carillon was rented for the occasion and played by Jo Haazen.
During a formal ceremony, charters were presented to the representatives of
each organization. Also in attendance from the Carillon School were Jean van
der Sande, president of the Board of Directors; Viviane Vanroy, secretary; and
Rien Aarssen, president of the student organization "Campana."

The text of the charter reads: "FLEMISH GOVERNMENT:
Considering that valuable cultural projects with a strong international
reputation witness in an original manner the historical wealth and the current
creativity of the Flemish culture, and that they contribute to the emanation of
the Flemish openness and identity,

Considering that the hereafter named enterprise adheres to
the abovenamed criteria, we have decided to appoint:

THE ROYAL CARILLON SCHOOL "JEF DENYN", Mechelen as
Cultural Ambassador of Flanders 1995."

Grants totalled 102 million Belgian Franks, 79 million from
the Ministry of Culture and 23 million from the Ministry of Economics.

Colloquium on a Universal Standard Keyboard

On Saturday February 25, 1995 a forum was held in the
Mechelen Cultural Center on the development of a universal standard in order to
promote scientific research toward the unification of carillon keyboards.

Panel members included Dr. André Lehr, campanologist
and director of the National Carillon Museum in Asten; Foeke De Wolf, president
of the Dutch Carillon Guild; Jo Haazen, director of the Belgian Carillon
School; Loek Boogert, president of the World Carillon Federation; Jos
D'hollander, representative of the Flemish Carillon Guild; and Mr. A. Voet,
ergonomist and instructor at the Mechlin Industrial College "De
Nayer." Dr. M. Heremans, Professor at the Catholic University of Louvain
la Neuve, presided.

An ingenious apparatus had been constructed in the workshop
of the National Carillon Museum in Asten which permits experimentation with the
keyfall of a carillon keyboard. Sophie Heremans of Louvain demonstrated,
playing the keyboard with a reduced keyfall. It was called a
"Hazeleerklavier" with regard to collaborators Haazen and Lehr.

After a short introduction by Mr. F. Nobels, Councilor of
Culture, members  of the panel
spoke. It was observed that there have been numerous "standards"
through history, and currently the foremost examples are the American and
North-European standards. The director of the Belgian Carillon School strongly
defended the idea of a "universal standard" such as already exists
for the piano. The purpose is to promote uniformity in the whole world.
Carillonneurs must not resist this progress. Moreover he pleaded for a shorter
keyfall if this will lead to a more fluent, beautiful, and refined playing
technique without loss of the control of nuance. The law of physics was pointed
out that shows that the best result is attained through a minimal use of
energy, technically and artistically, a law that all carillonneurs will need to
take into account sooner or later.

Schools Unite

The Board of Directors of the Belgian Carillon School has
prepared a cooperative agreement which will link the Saratov State Conservatory
in Russia with the Belgian School, permitting exchanges between the schools.
The Russian bell tradition is taught at the Saratov Conservatory as a part of
the Folklore Department, guided by Professor Alexander Jareschko.

As a part of a ministerial decree on art education, the final
touches were put on a cooperative agreement between the Belgian Carillon School
in Mechelen, the Flemish Music Conservatory in Antwerp, and the Lemmens
Institute in Louvain. This will make professional training possible for
carillonneurs pursuing studies at the other institutions and will be called the
"Master of Music, Carillon Major." All technical carillon courses
will be taught at the Mechelen School by specially appointed guest professors.

Brian Swager is a contributing editor of THE DIAPASON.

1998 World Congress Report

The 11th Carillon World Congress was held in Mechelen, Belgium, August 9-13, 1998. The welcoming recital was performed in the tower of St. Rombouts Cathedral by Jo Haazen, director of the Royal Belgian Carillon School. Other recitals that day were given by Patrick Macoska (Michigan), Adrian Gebruers (Ireland), Anna Maria Reverté (Spain),  Arie Abbenes (The Netherlands),  Timothy Hurd (New Zealand), Koen Van Assche (Belgium), Adrien Tien (Australia), Erik Vandevoort (Belgium), Xia Hua (China), and Liling Huang (Taiwan). A lecture on "75 Years Royal Carillon School in Mechelen" was given by musicologist Koen Cosaert, an instructor at the school. This was followed by a film, produced by Toshi Sakurai, documenting the school's history. The last two of the six finalists in the Queen Fabiola Competition played in the evening, and we were graced by the presence of Queen Fabiola herself. The winner was Tom Van Peer of Belgium. Second place was awarded to Belgian carillonneur Liesbeth Janssens.

The second day began with a recital by Helen Hawley (Kansas) who exclaimed that "it really was 441 steps up to the cabin in the St. Rombouts tower--there aren't even hills that high in Kansas!" Recitals that day were also given by Jeffrey Bossin (Germany), Frank Müller (Germany), Nico Swaenen (Belgium), Trevor Workman (England), Karel Keldermans (Illinois), and Carlo van Ulft (The Netherlands). Xia Ming Ming, director of the Museum of Antique Bells in Beijing, gave a lecture on bells excavated from the tomb of Zeng Hou Yi, the Marquis of Zeng, and on bells in ancient China. Liling Huang and Xia Hua provided musical intermezzi on traditional Chinese instruments. Alexander Iarechko, president of the Russian Association of Bell Culture, gave a lecture on the art of bell ringing in Russia. The vocal/instrumental trio Zolotoj Pljos from Zaratov, Russia (students at the Belgian Carillon School), performed musical intermezzi of traditional Russian folk music. The day concluded with a concert of carillon with guitar and brass quintet featuring Eddy Mariën (Belgium) on the Busleyden carillon.

Tuesday August 11 was a travel day.  The group first went to Grimbergen where a lovely concert of Gregorian chant was performed by organ and a men's choir inside a church. Once outside, a carillon concert based on Gregorian chant was heard. The concerts were followed by the obligatory drink of beer, and lunch, both offered by the town of Grimbergen. The group then traveled to Holsbeek to visit the Clock-O-Matic Company where lectures on the carillon console were presented. Karel Keldermans explained the standards set forth by the GCNA. Timothy Hurd spoke about his studies of the use of the keyboard, and the Clock-O-Matic representative discussed their data gathered from electronically monitoring the movement of a player's arm during a carillon performance. The day ended with a gala dinner at the Horst Castle on the edge of a lovely wooded lake where we were welcomed by a concert for carillon and concert band.

On Wednesday, the day's activities took place in Louvain, Belgium. Recitalists that day included Ann-Kirstine Christiansen (Denmark) on the University Carillon in Leuven. This carillon has a video system so that performers can be observed by the audience. Rosemarie Seuntiëns (The Netherlands) and Frank Steijns (The Netherlands) performed on a mobile carillon for the lunch hour. Henk Verhoef (The Netherlands) and Andreas Friedrich (Switzerland) performed on a mobile  carillon during the evening meal which was served in the Begijnhof garden. A concert of contemporary music was given by Klaas de Haan (The Netherlands), Brian Swager (California), and Carl Van Eyndhoven (Belgium) on the University Carillon, with each performer playing new Dutch, American, and Belgian carillon music, respectively.  The rest of the day was filled with various lectures which were given in a very warm room in a university building. The evening was reserved for "9 O'Clockworks," a musical happening on the large square facing the University Library. The Ghent bellman walked around the square introducing performances by various bell groups such as Valencian bell tollers, an Indonesian gamelan ensemble, Russian bell ringers, a mobile carillon, and the University Carillon. The happening concluded with a jam session.

David Hunsberger (California) performed the opening recital of the final congress day. Other recitals that day were given by Koen Cosaert (Belgium), Stefano Colletti (France) and Annick Ansselin (Australia). Sjoerd Tamminga (The Netherlands) played on the carillon in St. Peter's Church in Leuven.  Several lectures were presented that day including papers by Margo Halsted (the carillon music of Johannes Volckerick), Brian Swager (the carillon repertory of Gustaaf Brees), and Karel Keldermans (Gillett & Johnston).  A prelude to the closing session was the music of Matthias Van den Gheyn--including two carillon preludes--performed on harpsichord by Frank Agsteribbe (Belgium). Adrian Gebruers (Ireland) was announced as the new president of the World Carillon Federation. An evening of festive performances heralded the unveiling of the city of Leuven's new jacquemart "Meester Jan." Theban trumpets sounded, a mobile carillon and a renaissance brass quintet accompanied a renaissance dance ensemble, Arie Abbenes and Bob van Wely played a duet on the St. Pieters carillon, and the mobile carillon and a vibraphone accompanied ballet dancers in the Nutcracker Suite. An elegant reception in the University Hall was the final event in a most memorable Congress.

Brian Swager is carillon editor of The Diapason.

Iowa State University Carillon Festival

The Iowa State University Carillon Festival, sponsored by The Stanton Memorial Carillon Foundation, will be held on April 14. Guest artists include Don Cook, University Carillonneur at Brigham Young University, and Jeffrey Prater, Professor of Music at Iowa State University. The festival will include carillon concerts, master class, and seminar.
In conjunction with the festival, a carillon composition competition is held to encourage the writing of original carillon compositions by young composers. Prizes include one cash award of $500 and the premiere performance of the winning composition at the carillon festival. For information: 515/294-2911; ; .

2007 GCNA Congress at University of the South, Sewanee

The 65th annual congress of the Guild of Carillonneurs in North America will be held at the University of the South in Sewanee, Tennessee, June 17–22. The centerpiece for the congress will be the 56-bell Leonidas Polk carillon in Shapard Tower of All Saints’ Chapel. Featured performers will be Janet Tebble, Eddy Mariën, Sam Hammond, Todd Fair, Bill DeTurk, and Jeff Davis. Koen Cosaert will present an illustrated talk on “Piano versus Carillon: professional musicians versus amateur carillonneurs, people in search of a better carillon.” Bill DeTurk will talk about Arthur Bigelow, the man who designed and installed the Sewanee carillon in 1958–59, and there will be a panel discussion on performance and copyright issues.
Workshops include classes on Finale, a comparison of Finale and Sibelius, arranging music for carillon, interpretation of carillon music, and improvisation. Excursions include change ringing in Breslin Tower, two Casavant organs, the Meeks-Watson 23-bell carillon at St. Francis Episcopal Church in Ooltewah, the Grand Ole Opry, and the Jack Daniel’s Distillery.
The theme of the congress will be “The Music of Appalachia from Shape Note Singing to the Grand Ole Opry with Stops along the Way at White Spirituals and Folk Music.” Register for the congress online at or contact congress host John Bordley at 931/598-1801 or .

Belgium gives bells to Virginia Union University

His Excellency Dominique Struye de Swielande, Belgian Ambassador to the United States, announced recently that the Belgian Government will give a four-bell peal to Virginia Union University for installation in the Belgian Friendship Building. The ambassador indicated that the gift was prompted by the commitment of “Bells for Peace, Inc.” to the restoration of the Belgian Friendship building that has graced the Virginia Union University campus for over 60 years. According to Ambassador Struye, “Bells have been a significant and joyful element in Belgium’s cultural life for centuries. It seems therefore very appropriate that it will be through bells that we renew the special link that exists between Virginia Union and Belgium, and a happy coincidence that the bells we have chosen, the ACD and E notes, are called joyous random ringing.” The Government of Belgium will purchase the bells from the Verdin Company of Cincinnati for $69,000. The bells are to be installed and functioning by the end of 2007. Other bells are being solicited to form a full carillon. The Belgian building’s 161-foot Vann Memorial Tower has been without bells for more than 60 years. Millions visited the Belgian Pavilion, an exhibition hall, at the 1939 New York World’s Fair. At the close of the Fair and after World War II had begun, the structure could not readily be returned to occupied Belgium, so Belgium awarded the pavilion complex to VUU because of its educational mission and location. The building’s carillon of 35 bells, however, was purchased by the Belgian American Educational Foundation for presentation to former President Herbert Hoover for his new library at Stanford University. The gift to Hoover was in appreciation for his humanitarian relief efforts to Belgium after WWII. Neither university had a record of their common history until March, 2004, when the connection came to light.
Dianne Watkins, who has been active in the field of education, both as a classroom teacher and administrator, received a fellowship in 2003 to Stanford University’s Executive Leadership Program in Urban Education, representing Richmond Public Schools. She heard the carillon on the Stanford campus, not at that time knowing its connection to Virginia Union University. With her brother, Alan Nelson, she unveiled the connection between the two institutions in March 2004.
Watkins then founded “Bells for Peace, Inc.,” a non-profit charitable organization whose mission is to restore and endow the Belgian Friendship Building and educational programs for humankind’s peaceful endeavors in memory of John Malcus Ellison, Sr., first African American president of VUU and VUU graduate, and his wife, Elizabeth Balfour Ellison. It was through the actions of the Ellisons, and compassionate donors, that $500,000 was given to transport and reconstruct the Belgian building in Richmond in the 1940s. Supporters provided the moral and financial support that helped the university to become a highly respected and admired institution. Virginia Union University is a historic African American institution that opened in Richmond in 1865 out of Lumpkin’s Jail, a former slave holding pen.
For contributions or further information, go to or contact Dianne Watkins at 804/359-3009.

Send items for “Carillon News” to Dr. Brian Swager, c/o The Diapason, 3030 W. Salt Creek Lane, Suite 201, Arlington Heights, IL 60005-5025; . For information on the Guild of Carillonneurs in North America: GCNA, 37 Noel Dr., Williamsville, NY 14221; .

Brian Swager is carillon editor of THE DIAPASON.

Robert Byrnes,
carillonneur of the University of Northern Iowa in Cedar Falls, died May 28,
2004. Byrnes graduated from the University of Northern Iowa in 1972, earned a
master's degree in music from UNI in 1974, and taught at UNI since 1972
in the School of Music. He was also an administrative assistant and director of
the UNI Varsity Men's Glee Club. He was especially known among
carillonneurs for his compositions such as On the San Antonio River and
Reflection.

The Royal Carillon School “Jef Denyn” in
Mechelen, Belgium, held a carillon composition competition. Sixteen entries
were received from composers in Belgium, America, and Russia. The winner was Geert
D'hollander. His composition, We
Ring, We Chime, We Toll, became the obligatory work for the Fifth International
Queen Fabiola Carillon Competition, which was held in Mechelen, Belgium, in
September 2003. Twelve carillonneurs from six countries participated. Winners,
from first to fifth place, were: Twan Bearda (The Netherlands), Ana Lucia Elias
(Portugal), Liesbeth Janssens (Belgium), Charles Dairay (France), and Henk
Veldman (The Netherlands).

A list of carillons all over the world and a list of CD
recordings of carillons are available on the website of the World Carillon
Federation:

<www.carillon.org/&gt;.

The 2006 World Congress will be held in Gdansk, Poland. The
first carillon in Gdansk dates from the 16th century, and it was the first city
outside the Low Countries to have a carillon. Both of Gdansk's historic
carillons were lost during the war. Currently the city has two carillons. The
larger one is an instrument of 49 bells hanging in the tower of St.
Catherina's Church. The Gdansk Town Hall has a three-octave, 37-bell
carillon dating from 2000.

A new 49-bell carillon was installed in
theHelligåndskirken in Copenhagen, Denmark. It has four fully chromatic
octaves from “C” and has a total weight of 14 tons. The new
carillon was christened by Bishop Erik Norman Svendsen with a special mass. The
church's organist and carillonneur, Hans Ole Thers, began the dedicatory
recital with Salute to the C-Sharp Key as a tribute to the lowest semitone,
which is absent on most other carillons. Ulla Laage
style='font-weight:normal'> also played a recital as part of the festivities.

Send items for “Carillon News” to Dr. Brian
Swager, c/o The Diapason, 380 E. Northwest Hwy., Suite 200, Des Plaines, IL
60016-2282; e-mail:

<[email protected]>. For information on the Guild
of Carillonneurs in North America, write to: GCNA, 37 Noel Dr., Williamsville,
NY 14221.

Brian Swager is carillon editor of THE DIAPASON.

Sixth International Queen Fabiola Carillon Competition
Since its foundation in 1922, the Royal Carillon School “Jef Denyn” in Mechelen, Belgium, has been involved in the support and development of the art of carillon playing. As part of this effort, the school organizes the international Queen Fabiola Carillon Competition in cooperation with the city of Mechelen. This competition, widely recognized as the most prestigious of its kind, provides a powerful stimulus for the recognition of carillon playing as an artistic expression of the highest level.
The winners of the previous competitions have acquired international fame:
1987 - Geert D’hollander
1990 - Boudewijn Zwart
1993 - Gideon Bodden
1998 - Tom Van Peer
2003 - Twan Bearda.
The sixth international Queen Fabiola Carillon Competition will take place on September 10–14, 2008. Carillonneurs from all over the world are invited to participate; there is no age limit. Candidates should submit nine compositions of a high degree of virtuosity: three baroque or classical works, one of them being a prelude by Matthias Vanden Gheyn; three romantic works originally composed for carillon; and three contemporary works also originally composed for carillon. Candidates must send one copy of each score along with their application. These scores may not show any references or indications from which the name or the nationality of the participant could be traced. An obligatory work is to be performed in the elimination round and in the finals.
All performances will be played on the new carillon in the tower of St. Rombouts in Mechelen. It was cast by Royal Eijsbouts, Asten, the Netherlands, in 1981. This carillon comprises 49 bells: B-flat, C1, D1—chromatic through—C5. The instrument transposes down a fourth: the pitch of C1 is G0. Candidates are offered the opportunity to practice on this instrument as well as on the practice consoles in the carillon school.
The elimination round takes place on Wednesday, September 10 and, if necessary, also on Thursday the 11th. During the elimination round, all candidates will perform three works: the obligatory work, one work chosen by the candidate, and one work chosen by the jury and selected from the candidate’s repertoire. The order of performing is assigned by lot. Performers are unknown to the members of the jury. The five competitors who receive the highest marks will be selected for the finals. Those who are not selected for this final round will receive an allowance of €125.
The finals will take place on Saturday and Sunday, September 13–14, 2008, at 7:30 pm. On Saturday, finalists will perform three works chosen by the jury: one baroque or classical, one romantic, and one contemporary. On Sunday, the candidates will perform the obligatory work as the contemporary composition, a baroque or classical work chosen by the jury, and a romantic composition also chosen by the jury.
First Prize: €3000, Prize of the Minister of Culture of the Flemish Government
Second Prize: €2000, Prize of the Province of Antwerp
Third Prize: €1500, Prize of the City of Mechelen and the Mechelen City Guides League
Fourth Prize: €1300, Prize of the City of Roeselare and the Royal Tower and Carillon Society “Jef Denyn”
Fifth Prize: €1000, Prize of Mr. A. Jans, honorary president of the Archeological Society and Mr. P. van den Broek, honorary director of the carillon school
Extra Prize: €1000, Prize of SABAM for the best interpretation of a Belgian contemporary work.
Applicants should send their curriculum vitae with a suitable photograph, the nine scores, and the choice of which work they will perform in the elimination round before May 15 to the Royal Carillon School “Jef Denyn,” Frederik de Merodestaat 63, B-2800 Mechelen, Belgium.
The organizers may refuse any submissions that do not meet the required standards. No appeal against their decision is possible. After approval by the organizers, candidates will receive a confirmation and additional practical guidelines.