Carillon News

Brian Swager is a contributing editor of THE DIAPASON.

New carillon in West Virginia

Nestled in the southern West Virginia Appalachian mountains, atop the administration building of a small liberal arts college, stands one of the newest additions to the world of carillons. This beautiful 48-bell carillon was cast by Paccard and installed by the Van Bergen Bellfoundry of Charleston, South Carolina. The Marsh Memorial Carillon is the first true carillon in the state of West Virginia. It ranges from a C of 4310 pounds to a 29-pound C. The bells can be played manually or by computer. By way of a fiber-optic cable, the system has recording capabilities from the midi keyboard to the bells. All of these units are located in the climate-controlled playing cabin directly under the bell chamber. In the music building is a unique practice console that uses batons, and rather than xylophone bars it uses an electric device for producing computer-generated sound through speakers. The practice console, like the manual console, is equipped with a two-octave pedalboard that duplicates the lower two octaves of the manual keyboard.

Twenty-three of the bells have the Concord College seal, a decorative band, and various other inscriptions. Of particular interest is the inscription on bell number ten, an A-sharp: "Dedicated to the musicians and carillonneurs who will play this carillon and enrich for the centuries to come the college community with melodious tones and provide inspiration to all who hear these bells."

The Marsh Memorial Carillon is a statement of one of man's joy of life, of giving, and of love for college and community and is the realization of a 40-year dream for Dr. Joseph F. Marsh, Jr., the donor. A resident of Athens and a former President and President's son of Concord College, Dr. Marsh became enamored with bells during his years at Dartmouth and Oxford and planned his tower in the 1960s while serving as President of Concord College. During his Presidency the administration building was renovated and redesigned to accommodate a tower room complete with a slit in the roof for the rods and pads on the floor to support a bell frame. Because Dr. Marsh was unable to raise the funds from private sources to finance the bells, he had privately bequeathed the money to the college so that the carillon could be built after his death. In 1995, however, he decided to donate the funds during his lifetime so that he too could enjoy the carillon. It is truly a magnificent gift to the college, the community, and the state.

The carillon was dedicated on 10 October 1997 with a concert by Robin Austin. His program included original works by Barnes, Byrnes, as well as arrangements and transcriptions by Myhre, Austin, Warner, Dundore, Gerken, Rusterolz, and Lannoy. Attending the dedication were representatives from the French government, the United States Navy, the Paccard Bellfoundry, Concord alumni, and local dignitaries.

In addition to the striking of hourly chimes and a special chime--the Concord Chimes, written by Dr. Marsh--that rings at the close of classes, the bells are programmed to ring daily for fifteen minutes in the early evening.

Concord is located between Princeton, West Virginia, and Pipestem State Resort on Route 20. There is easy access to Athens from Interstate 77.

News from Wisconsin

University of Wisconsin Carillonneur Lyle Anderson sends the followong news.

The first set of bells for the University of Wisconsin's Memorial Carillon in Madison was cast by the English firm of Gillett and Johnston late in 1935 and installed in 1936. This was a two-octave span of 25 bells with a bourdon of E-flat (with the then common omission of the two lowest semi-tones, corresponding to C# and D# on the keyboard). G&J often cast numbers on their sets of bells beginning with the highest, so that the smallest bell of this group, an F in pitch, was number one.

As fortune would have it, there was money left over (!) in the carillon fund, so five additional bells were purchased and installed in the tower in early 1937. When the Paccard foundry of France was contracted to next expand the carillon in 1962, the smallest six G&J bells were deemed too delicate of profile to successfully anchor an additional 21 treble bells. So six more Paccard bells replaced these G&J bells (including therefore the original "number one" bell cast in 1935).

When the carillon was next expanded ten years later, the Dutch firm of Royal Eijsbouts won the contract to cast five large bells that would complete the carillon with a bourdon of B-flat. The instrument was reconfigured to play in concert pitch. As part of that installation, Eijsbouts offered to replace all 27 of the Paccard bells for the cost of the metal alone, a deal too good to refuse. Thus no French bells resounded from the carillon after 1973. Like a group of abandoned orphans, the Paccards lost various members and several of them suffered abuse at the hands of a local theatrical company for several years, but eventually 20 of them were put into silent storage for most of the last decade.

On May 29, 1998, Wisconsin celebrated 150 years of statehood. To mark the precise moment at noon of that date, a statewide bell-ringing was planned, initiated by Governor Tommy Thompson on the grounds of the State Capitol in Madison and carried by radio and television throughout the state. Through a mostly coincidental series of connections, the largest of the Paccard treble bells--the "F" that replaced the original G&J number one bell--was brought out of storage and mounted by the carillonneur's father, Gordon Anderson, in a visually striking frame that allowed it to be swung by hand by the governor. Several weeks later the bell was returned to the tower, where it resounds in the lively acoustics of the tower's lower stone chamber and serves as a historically significant "hands-on" introduction to the tower.

--Lyle Anderson

News from Ann Arbor

Margo Halsted sends this news from Ann Arbor.

A chime of 17 bells was installed in the Kerrytown Market and Shops in Ann Arbor, Michigan last September. The chime is the third bell instrument in Ann Arbor, since the nearby central and north campuses of the University of Michigan each have a carillon.

The Kerrytown Chime has an interesting history. During a 1993 vacation in Cork, Ireland, Kerrytown owners Joe and Karen O'Neal ascended the tower of St. Anne's Church and were allowed to perform on the Ellacombe system installed there for the eight tower bells. (Around 1850, the Rev. H. T. Ellacombe, an Englishman, devised a system so that one person could play melodies on tower bells that were used at other times as swinging bells.) Next to the Ellacombe apparatus there were pages of melodies written out to correspond to numbers on the ropes. The O'Neals played and then wrote out the numbered melody notes for the University of Michigan Fight Song "The Victors." Later, from the street below, the couple heard someone else playing "The Victors" from the church tower. The O'Neals were surprised and thrilled.

In 1996, Karen and Joe O'Neal discovered some bells for sale in a Brooklyn, Michigan "used bell" shop. They purchased seven bells, planning to acquire one missing bell and install an Ellacombe apparatus in Kerrytown. The bells originally had been installed in the 1920s in the carillon at St. Stephen's Church, Cohasset, Massachusetts (the top octaves of the Gillett & Johnston Cohasset carillon had been replaced in 1989). At that point the O'Neals contacted Margo Halsted, who persuaded them to purchase three more of the Cohasset bells and to order seven additional bells to form a chime to be played from a traditional chimestand.

The Kerrytown Chime, for the most part, is built to the measurements of the Cornell (NY) University Chime, including a pedal note for each manual lever. With a complete pedal range, quite fast and complicated music can be performed. Assisting with the instrument design was Ann Arbor resident Judy Ogden, a former Head Chimemaster at Cornell University, where she played the 19-bell chime for 19 years. In addition, Judy Ogden is a GCNA carillonneur member and an Assistant Carillonist at the University of Michigan. Twice a week she plays 30-minute noonday chime concerts and reports that the action is even and that the bells sound "wonderful."

Kerrytown Market has an open-air market three days a week. In addition to being visually beautiful, the bells also fulfill concert and market-day functions. The chimestand is located at the side of a second-floor hallway in the shopping center, and the public is able to see the chimestand behind glass or watch it being played when a performer is present. Once a practice mechanism is developed, other bell aficionados will have a chance to learn to play the chime.

The seven new bells were cast and the keyboard and mechanism were created and installed by the Royal Eijsbouts Bellfoundry of the Netherlands. There are inscriptions on the seven new bells, and the largest bell has an outside hammer which strikes the hour. The new bells well match the old in finish, shape and timbre. The pitches of the chime are B (of 699 pounds) C, D, E, F, F#, G, A, B-flat, B, C, C#, D, E, F, F#, G.

Visitors are very welcome to visit the three bell instruments of Ann Arbor.

--Margo Halsted

Brian Swager is a contributing editor of THE DIAPASON.

Next GCNA Congress

Iowa State University and University Carillonneur Tin-shi Tam will host the 57th Congress of The Guild of Carillonneurs in North America from Wednesday, June 16 through Saturday, June 19.  The congress will be part of the celebration of the centennial anniversary of the Bells of Iowa State.

The Bells of Iowa State were donated to the University by Edgar Williams Stanton, who graduated with the first class in 1872. Including his years as a student, Stanton spent a half century on campus, becoming a faculty member, head of the department of mathematics, secretary of the Board of Trustees, Dean of the Junior College, Vice President and, on four different occasions, Acting President.

Stanton's first wife was Margaret Price MacDonald Stanton, the University's first Dean of Women, who was a part of Iowa State for almost twenty-five years. When she died in 1895, her husband decided to establish a monument--a free-standing tower with a chime of ten bells. With the help of University President William M. Beard-shear, Stanton chose a site for the tower on central campus, and the state legislature appropriated $7,500 for the construction of the tower and its clock.

The Campanile was built in 1897, designed by an architect from Des Moines, George E. Hallett. The bells were installed in the newly built campanile in 1899. They were the first scientifically tuned bells to be exported by John Taylor & Company of Loughborough, England.

When Stanton died in 1920, his will provided for a second memorial. At the request of his second wife, Mrs. Julia Ann Wentch Stanton, and their children, the university installed twenty-six additional bells and a playing console in the campanile in 1929. The structure thus became known as the Edgar W. and Margaret MacDonald Stanton Memorial Carillon.

In 1954, the trustees of the Stanton Memorial Estate joined with others to create the Stanton Memorial Carillon  Foundation, further advancing the carillon at Iowa State. Soon after the foundation was formed, it purchased thirteen additional treble bells, along with a new playing console. These were installed in 1956, bringing the total number of bells to forty-nine. In 1967, a fiftieth bell was added.

The carillon and campanile were renovated from 1992 to 1994. The renovation of the carillon was completed by the I. T. Verdin Company and Meeks, Watson & Company. The work included a redesign of the framing and positioning of the bells, new clappers for all bells, a new transmission system (radial action) for the instrument, and new playing and practice consoles. The campanile received a new roof, the exterior bricks were repaired, and new clock movements and a digital control system were added to coordinate the operation of the clock and chimes.

Of the fifty bells cast by John Taylor & Company, the bourdon weighs 5,484 pounds and the smallest weighs 9 pounds. The total weight of the bells is 30,855 pounds. The pitches range from the second B-flat below middle C, then chromatically, four octaves from C to C4. The playing console is made according to the North American standard with a two-octave pedalboard (C-C2).

Next year is the centennial anniversary of the Bells of Iowa State.  The university is delighted to have the congress as part of the celebration. Located in Ames, Iowa State University is the nation's oldest land-grant university. Its campus covers nearly 2,000 acres and includes 154 buildings, many of which are on the National Register of Historic Places. Ames is easily accessed by Interstates 35 and 80. The Des Moines International Airport, located 45 minutes south of Ames, is served by major commercial airlines.

Congress lodging will be in the Iowa State Memorial Union, located across the street from Stanton Memorial Carillon and within walking distance to campus buildings; phone: 515/292-1111; fax: 515/294-1105. Other accommodations are available at Friley Hall, a campus residence hall; phone: 515/294-8384; fax: 515/294-0623. Also available is Iowa House, a guest house located one block south from Iowa State University; phone: 515/292-8870; fax: 515/292-8870.

Inquiries may be directed to the University Carillonneur, Department of Music, Iowa State University, Ames, Iowa 50011; phone: 515/294-2911; fax: 515/294-6409. E-mail: <[email protected]>. Further information about the Congress is available on the ISU Homepage: <http://www.music.iastate.edu/carillon&gt;.

Jenny King appointed in Michigan

Jenny Lungershausen King is the new carillonneur at Christ Church Cranbrook in Bloomfield Hills and at Jefferson Avenue Presbyterian Church in Detroit. Serving as interim carillonneur at Christ Church Cranbrook since the fall of 1995, King was appointed to the re-instated position last year. At Cranbrook she plays twice a month for Sunday morning worship services; for weddings, funerals and memorial services, and for special programs. She is responsible for coordinating the church's long-standing summer carillon series, initiated in 1928 by Anton Brees.

The Wallace carillon at Christ Church Cranbrook was originally installed in 1928. It now comprises 50 Taylor bells and a new keyboard designed and installed by Rick Watson.

King founded an annual summer carillon series at Jefferson Avenue Presbyterian Church in 1995. She became the official carillonneur at the church last year. The church's 23-bell Gillett and Johnston instrument was installed in 1925 in honor of Henry Russel. The oldest carillon in Michigan and to date the only carillon in Detroit, the Jefferson Avenue Presbyterian instrument likewise is played before and after Sunday worship, for special events and in recital. It features its original playing console.

King studied with Bill De Turk at Grosse Pointe Memorial Church and played her GCNA examination recital in 1991 at Baylor University in Waco, Texas. A graduate of Oberlin College, she is a freelance writer who covers the auto and commercial real estate industries for several publications. In September she took delivery of a 1998 VW New Beetle and figures she may be the first GCNA member to own one. "Hug it, drive it--either way it's great," she said.

Kansas Congress Report

In the spring of 1854 the Massachusetts legislature chartered the New England Emigrant Aid Company, whose mission was to promote the settlement of Kansas by people who opposed slavery. Among the towns founded under its direction was Lawrence, and it was there that the University of Kansas was established. Central to its lovely campus, located on Mount Oread, is the World War II Memorial Campanile with its carillon.

Hosted by University Carillonneur Albert Gerken and the University's Department of Music and Dance, 132 individuals participated in the 55th Congress of the Guild of Carillonneurs in North America, June 3-7, 1997, which celebrated the instrument's restoration and with it the lives and contributions of four individuals whose careers as composers are inextricably linked to the carillon and to the University. Honored were Ronald Barnes, Roy Hamlin Johnson, John Pozdro and Gary White, who took inspiration from the magnificent Taylor carillon and contributed to the profession beyond words. Through recitals and presentations, the delegates, representing Australia, Belgium, Canada, England, The Netherlands and The United States of America, witnessed in glorious measure the significance of those contributions and of the instrument that inspired them.

John Gouwens played the opening recital, which included two compositions commissioned by the GCNA: Figments (1982) by Gary White, and Easter Dawning (1992) by George Crumb. Albert Gerken, like Gouwens, featured each of the four composers being honored, and premiered two works: Roy Hamlin Johnson's Winter Fanfares (1996), commissioned by the Department of Music and Dance and dedicated to Gerken, and Winds of Autumn, by John Pozdro. Other recitalists were Robert Byrnes, Don Cook, Bill De Turk, David Hunsberger, Karel Keldermans, Brian Swager, and Sally Slade Warner.

Six individuals were accorded Carillonneur status by vote of the Guild after playing successful examination recitals: Elaine Brewer, a Lawrence, Kansas freelance harpist; Helen Hawley, Organist/Choir Director at Plymouth Congregational Church, Lawrence; Rosemary Laing of Victoria, British Columbia, who is Carillonneur of the Netherlands Centennial Carillon, Organist at First Church of Christ, Scientist, and Music Specialist at the University of Victoria; Patrick Macoska, Organist/Choirmaster at St. Mary's of Redford, Detroit, Michigan; Suzanne Magassy, Carillonneur at the National Carillon, Canberra, Australia, and the only person outside of North America  to have become a Carillonneur member of the GCNA; and Gloria Werblow, Carillonneur at the Rainbow Tower Carillon, Niagara Falls, Ontario, and Carillonneur/Handbell Director at Calvary Episcopal Church, Williamsville, New York.

Presentations were enlightening and enjoyable. Mark Holmberg provided a historical overview of the KU carillon. Don Cook conducted a presentation/discussion on carillon music that meets pedagogical needs. Karel Keldermans described Gillett and Johnston's impact on carillon design in North America, focusing on the Rockefeller Chapel instrument at the University of Chicago. Brian Swager continued his description, begun in a Cohasset presentation, of baroque performance practice for carillonneurs, while Bill De Turk, anticipating his own recital, discussed the work of Samuel Barber, Gian-Carlo Menotti and Nino Rota while composers-in-residence at Bok Tower. In a session on Russian campanology, Edward Williams reviewed some of the more spectacular projects of Russian bellfounders.

George Gregory, joined in performance by Guild volunteers and KU music faculty, demonstrated the use of cup-shaped bells. John Pozdro led a session on composing, Andrea McCrady offered suggestions on how to play the carillon so as to avoid injury, and Roy Hamlin Johnson recalled his early efforts to learn how to compose for the carillon. Two new instruments were highlighted in illustrated presentations:  Margo Halsted introduced the Lurie Carillon, located on the north campus of the University of Michigan, Ann Arbor; and Beverly Buchanan described the Carillon Beach instrument, located at Panama City, Florida. Milford Myhre and Ronald Barnes gave a master class. There were tours of the Reuter Organ Company, and two KU students performed on the recently completed Wolff organ in the new Bales Recital Hall. John Agraz, Arla Jo Anderton, and John Courter were elected board members at-large.

Meeks and Watson hosted a welcoming reception, and Schulmerich hosted a closing ice cream social at the Campanile. The John Taylor Bellfounders hosted a candlelight buffet at the Dyche Natural History Museum. The Verdin Company hosted the annual pizza party at historic Liberty Hall, with entertainment by the Chuck Berg Quartet. The Royal Eijsbouts Bellfounders hosted the Congress banquet at KU's Adams Alumni Center, after which Bert Gerken formally introduced and thanked Ron Barnes, Roy Johnson, John Pozdro, and Gary White.

Profile: University of Kansas

The World War II Memorial Carillon and Campanile, inspired by the memories of classmates, teachers, friends, and relatives, stands as the most outstanding visual symbol of the University of Kansas.

In 1945, Kansas Supreme Court Justice Hugo T. "Dutch" Wedell, secretary of the Kansas Alumni Association Fred Ellsworth, Chancellor Deane W. Malott, and their tireless volunteers began a campaign which would raise $343,000 from 8,000 individuals to build KU's memorial to its war dead, the 276 students and faculty whose names appear in the Memorial Room of the Campanile, and to additional individuals in whose memory bells and donations were given. Through many people's efforts, the World War II Memorial Carillon and Campanile was constructed. The Belgian Anton Brees, then carillonneur at Lake Wales, Florida, and Duke University, played the dedicatory recital to over 7000 listeners on May 27, 1951. Thus, KU became one of the first universities in the nation to complete a major World War II memorial. An inscription in the Memorial Room at the base of the tower reads: "Free government does not bestow repose upon its citizens, but sets them in the vanguard of battle to defend the liberty of every man."

The Campanile is 120 feet tall and made of native Kansas limestone quarried in Cottonwood Falls and Junction City. It was inspired by a plan by Olin Templin and designed by Kansas City architects Homer F. Neville (class of '22) and Edward B. Delk. The fifty-three bronze bells were cast by the John Taylor Foundry in 1950 and range in weight from 12 pounds to 13,490 pounds. The bourdon is keyed to G and sounds F-sharp. Frank Godfrey supervised the design, casting, and installation of the KU bells.

State of Kansas funds provided for maintenance of the Campanile structure itself, but there was never a maintenance fund for the musical instrument inside. Because the carillon received only minimal maintenance after the day of its dedication in 1951, use and time took their toll. By 1991 the carillon had fallen into disrepair, with no funds available for restoration. Deterioration was so extensive that the cost for repair had risen to $425,000. It needed new playing and practice consoles, new bell clappers and hardware, an entire new mechanical action, and a bell frame.

Fortunately for the beloved campus landmark and everyone who cherished it, Keith and Joan Bunnel, of Pittsburgh, Pennsylvania, contributed the entire $425,000, because they cared deeply about the carillon and those to whom it was dedicated.

The bells were silenced in 1993 to begin renovation. The Verdin Company of Cincinnati performed the work, and the new consoles were supplied by Meeks, Watson, & Company. That same year, former Chancellor Deane Malott of Ithaca, New York, agreed to lead a campaign to establish a $200,000 endowed maintenance fund that will provide annual inspection and upkeep of the carillon, in order to avoid the same deterioration that occurred in the first forty years. With Malott's leadership and the inspiration of the Keith and Joan Bunnel gift, nearly one thousand alumni responded to the call, exceeding the campaign's goal and ensuring that the KU carillon remains in perfect condition forevermore.

Ronald Barnes was University Carillonneur from 1951 to 1963 during which period the instrument was influential in the development of a North American school of carillon composition. Primary in this movement were KU composers Roy Hamlin Johnson, John Pozdro, and Gary White.

The University Carillonneur since 1963 has been Professor Albert Gerken of the KU Department of Music and Dance in the School of Fine Arts. Gerken supervised the entire carillon renovation and played the rededication on April 26, 1996.

Slater to Retire

James "Bud" Slater will retire from his position
as Carillonneur of the Metropolitan United Church in Toronto, Ontario. With his
final Sunday on the job on March 28, Slater will mark the conclusion of his
35th year as carillonneur of the church. His association with the instrument
actually commenced in late 1954, and his first official recital was played
before the Sunday evening service May 22, 1955 under the watchful eye of his
tutor, Stanley James. Slater was appointed Assistant Carillonneur in 1959. During his tenure at Metropolitan, he had temporary appointments at other Ontario carillon locations, i.e., in Toronto at Exhibition Place and the University of Toronto, as well as Niagara Falls. He appeared frequently as guest carillonneur at the towers in Simcoe, Hamilton, and Ottawa, as well as Montréal, Que., and Victoria, B.C.

Slater became a student member of the Guild of Carillonneurs
in North America in 1955 and qualified as a carillonneur member in 1957 upon
passing an exam at the Guild's congress in Cleveland, Ohio. From 1969 to 1971
Slater served as GCNA president and subsequently, he and his wife, Cecilia,
hosted the Guild's Toronto Congress in 1972. James Slater is the father of
Gordon Slater who since 1977 has served as Dominion Carillonneur at the Peace
Tower Carillon in the Houses of Parliament in Ottawa.

On the eve of his 70th birthday in January, 1997, Bud cites
stairclimbing, cranky knees and reluctant elbows as his reasons for retirement.

1997 GCNA Congress

The Department of Music and Dance and Professor of Music
Albert Gerken have announced that the 1997 Congress of the Guild of
Carillonneurs in North America will be held at the University of Kansas, June
4-7. Major presenters will include Bill De Turk, George Gregory, Mark Holmberg,
Associate Professor of Music Theory at KU, Karel Keldermans, Roy Hamlin
Johnson, Brian Swager, and Edward Williams, Associate Dean of the Graduate
School of Penn State.

With ca. 28,000 students, the University of Kansas is in
Lawrence, a community of ca. 70,000. Directly off Interstate 70, Lawrence is
located about 250 miles from the geographical center of the U.S.A. The
picturesque campus of the University of Kansas is situated atop Mount Oread
overlooking the Kaw River valley to the north and the Wakarusa valley to the
south. Not flat as most foreigners picture Kansas, there will be some climbing
to do to get to various places. The Campanile is central to the campus
overlooking the football stadium and Kansas river valley. It was provided by
alumni and friends of the University as a memorial to the 276 KU students and
faculty who died in World War II.

Unquestionably the most prominent and central feature of the
campus, the 120-foot tall World War II memorial tower houses a 41/2-octave
carillon, cast in 1950 by the John Taylor Foundry. Transposing down a half
step, the 53 bells range in weight from 13,490 lbs. to 12 lbs. The instrument,
which was dedicated in May, 1951, with Anton Brees playing the dedicatory
recitals, was rededicated on April 26, 1996, following a complete renovation by
the I.T. Verdin Company with new consoles supplied by Meeks, Watson &
Company. The new radial action is void of any counter weights and assisted only
by coil springs. The sound is full and resonant but light in the top register,
typical of Taylor bells of that vintage.

Major funding for the renovation was provided by Honorary
members of The GCNA, and Keith and Joan Bunnel of Pittsburgh, Pennsylvania.
Both were born and raised in Holmboldt, Kansas, not far from Lawrence, and
Keith Bunnel attended the University of Kansas, graduating in 1946. He was
president of his class and served on the World War II committee that selected
the Campanile and carillon as the memorial project to honor those who were
killed in battle.

The importance of the University of Kansas carillon has been
significant in that it has been at the center of a new genre of carillon
composition since the 1950s. Indeed, until the mid 1950s, very little music of
any significance had been written for the carillon. It was the likes of Ronald
Barnes, the first carillonneur at the University of Kansas, Roy Hamlin Johnson,
formerly of the KU piano faculty, John Pozdro, Professor Emeritus of
Composition and Music Theory at the University, and Gary White, one of Pozdro's
former graduate students in composition, who were the central figures
responsible for creating this wealth of marvelous and exciting new music. Their
works brought about recognition for the carillon as an instrument worthy of
recital status.

Because of the significance of their tremendous contribution
to the art form, many of their works will be featured in recitals during the
congress. It will be a meaningful experience to hear many of these works that
were written for this instrument or carillons of similar timbre. Two new
carillon compositions by Roy Hamlin Johnson and John Pozdro, commissioned by
the KU Department of Music and Dance and The GCNA respectively, will be
premiered at the congress.

Tours of the Reuter Organ Company will be made available to
participants and the beautiful new Wolff concert organ in the recently
completed Bales Recital Hall will be demonstrated and played. This is a
one-of-a-kind instrument you must see and hear.

Registration information is available from congress host
Albert Gerken, Department of Music and Dance, Murphy Hall, The University of
Kansas, Lawrence, KS 66045.

"Overtones"

Beginning last October, new bells rang out up and down the
Avenue of the Arts (Broad Street) in Philadelphia. Thirty-nine Eijsbouts bells
were installed, each on top of a light post, weighing from 40 to 300 pounds.
The creator, Robert Coburn, a sound artist and composer from California,
describes the "worlds longest horizontal carillon" as a half-mile
long piano with the capability of playing pre-programmed or live music on an
electronic ivory keyboard which will be located in the basement of the Academy
of Music.

In observance of the 68th anniversary of The Rochester
Carillon, two special performances were given. Dean Robinson's program on
September 16 included favorite songs of the Mayo brothers. David Johnson of St.
Paul, MN, was the guest recitalist on September 17. The Rochester Carillon was
dedicated on September 17, 1928, and is located in the Mayo Clinic in
Rochester, Minnesota.

David McCain sends word of a new 49-bell carillon at the
First Baptist Church on the Square in LaGrange, Georgia, replete with
"ninety-two electrical connections from the bells to the keyboard and
computer."

In response to a request from Unesco for a program
commemorating the tenth anniversary of the accident at Chernobyl, carillonneurs
Charles Semovich and Pieter Blonk gave a recital at the Albany City Hall in
Albany, New York, on April 26, 1996. Works performed included Lagrima by
Francisco Tárrega, Bells of Hell by Theophil Rusterholz, and Larence
Curry's Prelude on "Dies Irae." Both Charles and Pieter were shown
playing the Albany carillon on the Channel 13 news broadcast.

The fourth annual Keyboard Explorations junior high school
summer music camp was hosted by the Iowa State University Music Department from
June 17-22, 1996. Participants had the opportunity to learn about various kinds
of keyboard instruments and had hands-on experiences in playing them. Eight
participants studied carillon under ISU University Carillonneur Tin-shi Tam.
Two carillon concerts were performed by students towards the end of the week.

After over a decade of silence, inactivity, and exposure to
the elements, the 23-bell carillon located on the property of Schulmerich Carillons, Inc. in Sellersville, Pennsylvania, rang again in a recital given by Lisa Lonie (Trinity Church, Holland, PA) on September 21. Approximately 250 listeners attended the recital which marked the end of a five-day sales and service conference. The carillon, cast in 1928 by Gillett and Johnston, was moved to its present location in 1952 from Belmont College in Nashville, Tennessee. In 1979, Frank Law, carillonneur at Valley Forge, began a nightly summer recital series in Sellersville which continued for six years.

Competition winners

The Guild of Carillonneurs in North America has awarded
Second Prize to two composers in its 1996 Carillon Composition Competition. (No
First Prize was awarded.) The winning compositions were Nocturne
style='font-style:normal'> by Ennis Fruhauf, of Santa Barbara, California (USA)
and Prelude con Fughetta by
Marcel Siebers, of Cuyk, The Netherlands. Both compositions were given their
première performance by Todd Fair, of Amsterdam (Netherlands), at the
congress of the GCNA on June 4, 1996 at St. Stephen's Episcopal Church,
Cohasset, Massachusetts. Both composers received a cash prize, and both pieces
will be published by the guild in the near future. Another competition is
planned for January of 1998.

Premières

A new carillon composition, Winter Song
style='font-style:normal'>, by Roy Hamlin Johnson, was given its
première performance by John Gouwens on June 26, 1996 on the carillon of
the Town Hall in Norwood, Massachusetts, at the congress of the Guild of
Carillonneurs in North America. The new piece was commissioned by the Johan
Franco Composition Committee of the GCNA and is published by the guild. Many of
Dr. Johnson's earlier compositions are staples of the repertory of
carillonneurs throughout North America, Europe, Australia, and New Zealand.
This is the sixth carillon composition to the commissioned by the GCNA.

Profile: St. Thomas' Church, Whitemarsh, PA

The Protestant Episcopal Parish of St. Thomas' Church in Whitemarsh, Pennsylvania--20 miles from Philadelphia--was established in 1690. Bells became a part of this church's tradition in 1913 when a ten-bell chime, cast by the McShane Bell Foundry of Baltimore, Maryland, was installed.

At a memorial service for a devoted parishioner of St. Thomas', the chime-master found it impossible to play certain requested music due to the limited range of the chime. Charles Dickey, the husband of the deceased, was prompted to "do something for the bells at St. Thomas'." The Dickey family soon provided for a 48-bell carillon.

The bells were cast and tuned by the Petit & Fritsen Bellfoundry in Aarle-Rixtel, the Netherlands, and the Verdin Company of Cincinnati made the console, frame, and transmission system and was responsible for the installation. The bourdon weighs 3,223 pounds, sounds D, and is keyed to C. The keyboard compass is C, D, then chromatic through c3.

A service and recital of dedication were held on September 29, 1974. Officiating was the Rt. Rev. Lyman C. Ogilby, Bishop of the Diocese of Pennsylvania. He is the son of Dr. Remson Ogilby, the former President of Trinity College, Hartford, who was the convener of the first meeting of carillonneurs in North American, in September 1934.

Janet S. Dundore has been the carillonneur of St. Thomas' Church ever since the instrument's installation. She plays before and after all church services. A carillon prelude replaces the organ prelude on the first Sunday of every month. The carillon is also heard at weddings and funerals at St. Thomas'. Guest recitalists are invited to perform in the summer concert series on Tuesday evenings at 7 pm during July and August. A closed circuit television monitor is provided for observation of the carillonneur at work. These recitals are often followed by 8 pm concerts in the church which feature organists, choirs, brass ensembles, dance groups, Swiss Alphornists, and other instrumentalists.

The tower, built of local red sandstone, is 70 feet high. The site of St. Thomas' Church is ideal for a carillon: surrounded by 60 acres of landscaped grounds and removed from traffic noise, homes, and tall buildings.

Profile: McDonogh School

The McDonogh School is an independent, endowed, non-denominational, college preparatory school for boys and girls. The spacious 775-acre country campus with colonial and contemporary brick buildings lies to the northwest of Baltimore, Maryland. Established in 1873, John McDonogh had provided for this school for promising boys who would not otherwise have been able to obtain an education. Paying students were admitted for the first time in 1922, and in 1975 the school became coeducational.

The McDonogh Carillon was given by Mr. H. Beale Rollins (class of 1915) and his wife in 1978. The 48 bells were cast by the Petit and Fritsen Bellfoundry of Aarle-Rixtel, The Netherlands. The bourdon weighs 3,300 pounds, sounds D, and is connected to C on the keyboard. The carillon hangs in the tower of the Tagart Memorial Chapel. A chime of ten bells, crafted at Baltimore's McShane Bellfoundry for the new chapel in 1898, was in use until 1978.

William S. Lyon-Vaiden has been the McDonogh Carillonneur since the instrument's installation. A special series of summer recitals on Friday evenings at 7:00 during July and August features guest recitalists from the U.S. and abroad.

Profile: Holland, Pennsylvania

Trinity United Church of Christ in Holland, Pennsylvania--near Philadelphia--is home to a unique carillon installation. The first 25 bells for the Schneider Memorial Carillon were a gift of Mr. and Mrs. Henry Schneider. Cast in 1929 by the Meneely Bell Foundry in Watervliet, New York, the original two-octave instrument was dedicated by Melvin Corbett in 1930. It was one of few American-made carillons. A third octave was realized in 1954/55 with the addition of twelve Petit & Fritsen bells. In September 1968, the carillon was removed from the tower at Broad and Venango Streets in Philadelphia and taken to the Verdin Company in Cincinnati for storage and renewal of some of the mechanism. Upon completion of the new church building, it was installed at its present location in 1970. On the occasion of the nation's Bicentennial, twelve more Petit & Fritsen bells completed the fourth octave. The 3000-pound bourdon sounds E-flat and is keyed to C, hence the instrument transposes up a minor third. In contrast with most tower installations, the playing cabin of the Schneider carillon is on ground level, and the bells hang from an open steel frame that sits atop the cabin.

Lisa Lonie, carillonneur of Trinity Church, plays for regular church services. A special series of summer recitals on Thursday evenings at 7:30 during July and August features Lonie, other Philadelphia-area carillonneurs, and guest recitalists from the U.S. and abroad.

Profile: Roeselare, Belgium

Each of the 13 stories of St. Michael's Church in Roeselare, Belgium, has a story to tell. Rebuilt following a fire that leveled the city in 1488, the Sint-Michielskerk lost its 300-foot spire to a storm in 1735, and the current campanile was erected in the middle of the 18th century. Four swinging bells hang in the attic from a large frame that supports their total weight of seven tons. A mechanical tower clock from the city hall is preserved in the tower of St. Michael's. Tourists can read a series of didactic texts on the walls that chronicle the history of several centuries of bell ringing traditions in this old Flemish city. In fact, the Roeselare bell ringers guild claims that theirs is the only place in Flanders where the tradition of tolling bells manually is preserved.

During the 19th century, the Roeselare carillon was composed of a hodgepodge of 38 bells that were played by a pneumatic system from an ivory type keyboard devised by the Ghent organbuilder Lovaert. The bells were played by the church organist until the system fell into an unplayable state of disrepair. In 1893 a new carillon was cast by Severinus van Aerschodt of Louvain and connected to a Mechelen/Denyn-standard console fabricated by Desiré Somers. In 1917, during the first World War, these bells were plundered by the Germans. Marcel Michiels of Doornik cast 35 bells (bourdon of 1,332 pounds) for Roeselare  in 1921. The bells were recast in Doornik in 1939 and returned to the tower. The bourdon had grown to 1,378 pounds. Twelve Eijsbouts bells were added in 1988, and in 1992 the old bells were returned, a new bass bell was added, and a new playing console was installed. The lightweight instrument now comprises 49 bells from a 1,962-pound bourdon which sounds F and is keyed to B-flat; hence the instrument transposes up a fifth. Koen Cosaert is municipal carillonneur of Roeselare, Izegem, and Harelbeke, an organist in Kortrijk, and an instructor at the Royal Belgian Carillon School in Mechelen. The carillon is played every Tuesday morning and every other Saturday at noon. A special series of evening recitals is organized each year from June through September. Guided tours of the tower are available from June through September; phone (051)207-843 for group reservations.