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Renée Anne Louprette plays Kyrie, Gott heiliger Geist

Renée Anne Louprette plays Bach’s  Kyrie, Gott Heiliger Geist, BWV 671, on the Craighead-Saunders organ, Christ Church, Rochester, New York.

She is Assistant Professor of Music and College Organist at Bard College and a member of the faculty of Bard College Conservatory, where she directs the Bard Baroque Ensemble and leads an annual Bach cantata series. She has directed the organ program at Mason Gross School of the Arts, Rutgers University since 2013 and is a former faculty member at the Manhattan School of Music, The Hartt School of the University of Hartford, and the John J. Cali School of Music of Montclair State University. 

Renée Anne Louprette is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC

For information:
www.reneeannelouprette.com

www.acisproductions.com

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Renée Anne Louprette

Renée Anne Louprette (photo credit: Joshua South)

"She presented herself as a communicative player with no shortage of imaginative ideas, with
fingers fully capable of backing them up, and with feet which are not just nimble on the pedals, 
but every bit as expressively articulate as her fingers." (Michael Dervan, The Irish Times)

Hailed by The New York Times as “splendid,” and “one of New York's finest organists,” Renée Anne Louprette maintains an international career as organ recitalist, collaborative artist, conductor, and teacher, and is director of the National Competition in Organ Improvisation. She is associated with several distinguished music programs in the New York City area, having served as Associate Director of Music at the Church of St. Ignatius Loyola, Associate Director of Music and the Arts at Trinity Wall Street, Organist and Associate Director at the Unitarian Church of All Souls, and Director of Music at the Church of Notre Dame.

Ms. Louprette is a U.S.-Romanian Fulbright Scholar who spent the Fall 2022 season in Brașov, Transylvania, completing research on historic Romanian pipe organs. She is Assistant Professor of Music and College Organist at Bard College and a member of the faculty of Bard College Conservatory, where she directs the Bard Baroque Ensemble and leads an annual Bach cantata series. She has directed the organ program at Mason Gross School of the Arts, Rutgers University since 2013 and is a former faculty member at the Manhattan School of Music, The Hartt School of the University of Hartford, and the John J. Cali School of Music of Montclair State University. 

Ms. Louprette’s European festival recital appearances include Internationaler Orgelsommer, Stuttgart, Germany; Magadino, Switzerland; In Tempore Organi, Italy; Ghent and Hasselt, Belgium; Copenhagen and Aarhus, Denmark; Uppsala and Lund cathedrals, Sweden; Bordeaux Cathedral and Toulouse Les Orgues, France, and Organ Nights in Brașov, Romania. In 2018, she made her solo debuts at the Royal Festival Hall in London and the Cathedral of Notre Dame in Paris. She has performed throughout the United Kingdom and Ireland, including at Westminster Abbey and the Temple Church in London, St. Giles Cathedral Edinburgh and Dunblane Cathedral (Scotland), Galway Cathedral and Dún Laoghaire (Ireland). 

Her recording of J. S. Bach’s "Great Eighteen Chorales" on the Metzler organ of Trinity College, Cambridge, England, was named a classical music Critics' Choice 2014 by The New York Times. “Une voix française | A French Voice”—her recording of 20th-century French organ repertoire on the Mander organ of St. Ignatius Loyola in New York—received top reviews in British journals Choir & Organ and Organists’ Review and the Dutch journal Orgelniews. Her current recording of Bach’s Clavier-Übung III performed on the Craighead-Saunders organ of Christ Church, Rochester, New York, is scheduled for release in 2023. 

As a collaborative keyboardist, Ms. Louprette has performed with the Queensland Symphony Orchestra in Brisbane, Australia, the Mostly Mozart Festival Orchestra, the American Brass Quintet, Voices of Ascension, Clarion Music Society, American Symphony Orchestra, Los Angeles Dance Project, The Dessoff Choirs, Oratorio Society of New York, and Piffaro, among many other ensembles. She has partnered with traditional Irish musician Ivan Goff, with whom she debuted at Walt Disney Concert Hall in Los Angeles presenting the world premiere of a new work for uilleann pipes and organ by Eve Beglarian, commissioned for the Louprette-Goff duo by the Los Angeles Philharmonic. The duo released their album “Bright Vision” to critical acclaim in 2019. The 2021-2022 season featured a join recital in Cluj-Napoca with Romanian saxophonist Zoltán Réman, concerto debuts with The Orchestra Now at the Bard Music Festival “Nadia Boulanger and her World” and with the Auburn Symphony Orchestra at Benaroya Hall in Seattle for the national convention of the American Guild of Organists. 

Ms. Louprette has conducted performances by professional choirs in the greater New York City area accompanied by members of Orchestra of St. Luke’s, Trinity Baroque Orchestra, and the Orchestra of St. Ignatius Loyola, including the acclaimed U.S. premiere of John Tavener’s Requiem as co-conductor with Kent Tritle. She was selected as a conducting fellow of the Mostly Modern Festival in 2019, premiering several new works with the New York-based American Modern Ensemble. 

Renée Anne Louprette holds a Master of Music degree in conducting from Bard College Conservatory, a Bachelor of Music degree summa cum laude in piano performance and Graduate Professional Diploma in organ performance from The Hartt School, University of Hartford. She was awarded a Premier Prix - mention très bien from the Conservatoire National de Région de Toulouse, France and a Diplôme Supérieur in organ performance from the Centre d’Études Supérieures de Musique et de Danse de Toulouse where she studied with Michel Bouvard and Jan Willem Jansen (interpretation) and Philippe Lefebvre (improvisation). She completed additional studies in organ with Dame Gillian Weir, James David Christie, and Guy Bovet.

Renée Anne Louprette is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC. 
www.concertartists.com
E-mail:  [email protected]
Phone: 860-560-7800
10 Abbott Lane, Dearborn, MI 48120-1001

Bálint Karosi plays Concerto in C Major, BWV 594

Bálint Karosi plays Concerto in C Major, BWV 594, after Vivaldi, by J. S. Bach, on The Craighead-Saunders Organ at Christ Church, Rochester, New York, which was designed according to the specifications of an instrument built by Adam Gottlob Casparini in 1776 for the Church of the Dominicans in Vilnius, Lithuania.

An international reference group of organ builders was formed for this project including five of the foremost American builders working in this style: Steven Dieck, Paul Fritts, Bruce Fowkes, Martin Pasi, and George Taylor; the organ builders and instrument researchers at the Göteborg Organ Art Center in Sweden led by Mats Arvidsson, Joel Speerstra, and Munetaka Yokota; Eastman faculty including Hans Davidsson, David Higgs, Stephen Kennedy, William Porter, and Kerala J Snyder; and the consultant, Harald Vogel. 

Dr. Karosi is the recipient numerous first prizes in organ competitions; the J. S. Bach competition in Leipzig, the International Organ Competition in Miami, and the Dublin International Organ competition that he won at age 22. He currently serves as Cantor at Saint Peter’s Church in New York City, where he is artistic director of the Saint Peter’s Bach Collegium, which he founded in 2015 for annual performances of J. S. Bach’s Passions, cantatas, and to commission and premier new sacred repertoire. From 2007 to 2015, Dr. Karosi served as Minister of Music at the First Lutheran Church of Boston, where he established a Bach Cantata Vespers, raised funds for the completion of the Richards Fowkes Opus 10 pipe organ, and he founded the church’s successful annual Boston Bach Birthday in 2008, which has since developed into the most popular organ-related event in Boston.

See his artist spotlight: https://www.thediapason.com/artists/balint-karosi

For information: www.karosi.org

Bálint Karosi is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC
www.concertartists.com 

Balint Karosi plays "Vision in Flames" by Akira Nishimura

Balint Karosi plays "Vision in Flames" by Japanese composer Akira Nishimura (1953–2023) at the Cathedral of St. Philip, Atlanta, June 26, 2024.

Since winning the International Bach Competition in Leipzig in 2008, Dr. Karosi has been recognized as one of the leading interpreters of the music of J. S. Bach worldwide. In 2020, he embarked on recording the complete organ works of J. S. Bach in fourteen recitals on different organs in the U.S. and Europe. He has five recorded albums that have been received with critical acclaim.

He has given solo organ concerts in concert halls in Budapest, Leipzig, Osaka, Yokohama, and Geneva, and on some of the world’s most significant historic organs in Lübeck, Leipzig, Norden, Leer, Paris, Freiberg, Merseburg, and Naumburg, among others. He has given masterclasses in improvisation at Eastman School of Music, Yale, Oberlin, the Sibelius Academy in Helsinki, Seoul, South Korea, and the Cuneo Conservatory in Italy. 

Dr. Karosi is the recipient numerous first prizes in organ competitions; the J. S. Bach competition in Leipzig, the International Organ Competition in Miami, and the Dublin International Organ competition that he won at age 22. He was appointed as Director of Music at First Presbyterian Church of Philadelphia in May 2024. Previously he served as Cantor at Saint Peter’s Church in New York City, where he was artistic director of the Saint Peter’s Bach Collegium, which he founded in 2015 for annual performances of J. S. Bach’s Passions, cantatas, and to commission and premier new sacred repertoire. 

For information: https://karosi.org/

Bálint Karosi is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC. 
www.concertartists.com

Christopher Houlihan plays Mendelssohn Sonata No. 1

Christopher Houlihan plays Sonata No. 1 in F Minor, Opus 65, Number 1, by Felix Mendelssohn.
Performed at St. James Church, Los Angeles; David John Falconer Memorial Organ (originally built in 1911 for St. Paul’s Pro-Cathedral, Los Angeles, by Murray M. Harris), Austin Organs, Inc., Opus 2762, 1995; 91 ranks, 7 divisions, and some 5,000 pipes.

Christopher Houlihan holds the John Rose College Organist-and-Directorship Distinguished Chair of Chapel Music at Trinity College in Hartford, Connecticut, succeeding his former teacher, John Rose. He was previously artist-in-residence at Trinity College, as well as Director of Music and Organist at the Church of the Holy Apostles in Manhattan.

In addition to his studies at Trinity College, Houlihan studied with the Grammy Award-winning organist Paul Jacobs at The Juilliard School and with Jean-Baptiste Robin at the French National Regional Conservatory in Versailles. In 2015 he was selected for The Diapason's "20 Under 30", a distinguished list of leaders in the organ world. 

More information is at ChristopherHoulihan.com.  

Christopher Houlihan is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC
www.concertartists.com 

Michael Hey plays Grand Chœur Dialogué

Michael Hey plays Grand Chœur Dialogué  by Eugène Gigout at Saint Patick’s Cathedral, New York City.

Geo. Kilgen & Son
Gallery Organ – Opus 5918 (1930); rev. Peragallo (1993)
Chancel Organ – Opus 3920 (1928); rev. Peragallo (1993)
Electro-pneumatic action, twin five-manual drawknob consoles; 207 registers, 116 stops, 142 ranks. 

In 2023, Michael Hey was appointed director of music and organist of the historic Marble Collegiate Church in Manhattan. Founded in 1628, it is the oldest church congregation in New York State. He also serves as assistant music director at Park Avenue Synagogue on Manhattan’s Upper East Side.

Prior to his appointment at Marble Collegiate Church, Michael Hey served as associate director of music and organist of Saint Patrick’s Cathedral in New York City from 2015–2023, where one of his first major tasks was to perform for the first U.S. visit of Pope Francis. From 2010–2015, he was assistant organist at Fifth Avenue Presbyterian Church.

Not exclusively a solo organist, Michael enjoys a varied career that includes collaborations with other musicians, solo piano recitals, improvising, and transcribing works. He is a proponent of new works for organ and has premiered a number of compositions. He performs works and arrangements for violin and organ with violinist Christiana Liberis in the Hey-Liberis duo.

A native of Milwaukee, Wisconsin, Michael graduated from the accelerated five-year degree program at The Juilliard School, where he received both his Bachelor of Music and Master of Music degrees in organ performance under Paul Jacobs.

Michael Hey is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC
www.concertartists.com

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