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Herbert Nanney died
on May 20 at the age of 77. Mr. Nanney was University Organist and Professor of
Music at Stanford University from 1947-1985. Born in Whittier, CA, he
began piano lessons at age five. By the time he completed a BMus at Whittier
College in 1940, he had already served as organist in local churches and had
studied under George Dixon and Alexander Schreiner. He was Stanford's
University Organist for a brief period before serving in World War II with the
203rd General Hospital Battalion. During the war, he was also organist-director
at the American Cathedral in Paris. Prior to military duty he had served as
organist at the Pasadena First Methodist Church, First Congregational Church of
Los Angeles, and Ninth Presbyterian Church of Philadelphia. In 1947 he obtained
the artist's diploma from the Curtis Institute of Music and returned to
Stanford, where he obtained the MMus, became a full professor, and taught and
performed until his retirement 39 years later. In the mid-1960s, Nanney headed
Stanford's new doctoral program in organ performance practice. He was a
noted advocate of the music of Bach, Franck, and Dupré (with whom he had
studied), and also enjoyed the music of Gershwin and the music of the theatre
organ.

Herbert Nanney is survived by his wife and son. A memorial
concert played by former doctoral students of Prof. Nanney will take place on
September 30 at Stanford's Memorial Church.

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Herbert Nanney died on May 20 at the age of 77. Mr. Nanney was University Organist and Professor of Music at Stanford University from 1947–1985. Born in Whittier, CA, he began piano lessons at age five. By the time he completed a BMus at Whittier College in 1940, he had already served as organist in local churches and had studied under George Dixon and Alexander Schreiner. He was Stanford’s University Organist for a brief period before serving in World War II with the 203rd General Hospital Battalion. During the war, he was also organist-director at the American Cathedral in Paris. Prior to military duty he had served as organist at the Pasadena First Methodist Church, First Congregational Church of Los Angeles, and Ninth Presbyterian Church of Philadelphia. In 1947 he obtained the artist’s diploma from the Curtis Institute of Music and returned to Stanford, where he obtained the MMus, became a full professor, and taught and performed until his retirement 39 years later. In the mid-1960s, Nanney headed Stanford’s new doctoral program in organ performance practice. He was a noted advocate of the music of Bach, Franck, and Dupré (with whom he had studied), and also enjoyed the music of Gershwin and the music of the theatre organ.
Herbert Nanney is survived by his wife and son. A memorial concert played by former doctoral students of Prof. Nanney will take place on September 30 at Stanford’s Memorial Church. (See “Here & There” p. 2.)

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Herman Berlinski
died at the age of 91 on September 27 at Sibley Memorial Hospital in
Washington, after suffering a heart attack and a stroke. His considerable
output included symphonic and chamber works, concertos, song cycles, liturgical
works, as well as music for the organ, which he learned to play at age 40.
Religiously inspired works, such as the oratorios Job and The Trumpets of
Freedom and the organ work The Burning Bush, were among his best known works.
Dr. Berlinski, who fled Nazi Germany in 1933, settled in Washington 30 years
later to become music director at the Washington Hebrew Congregation, a post he
held until 1977. He began his musical career as a pianist, but performed and
recorded on the organ throughout the world well into advanced age. He was
represented by Lilian Murtagh and then Murtagh-McFarlane artist management from
1976-78. Berlinski was a piano graduate of the Leipzig Conservatory of
Music. He moved to Paris in 1933 and composed music for the ballet and the
Yiddish theatre, and studied composition with Nadia Boulanger and Alfred
Cortot. He left Europe in 1941 to live in New York. There he earned the MMus at
Columbia University and a doctorate in composition at the Jewish Theological
Seminary, and served as organist at Temple Emanuel for eight years. His
collection of scores, recordings, correspondence and photographs was given to
the Library of Congress last summer.

Robert Hunter died
on September 10 in Los Angeles at the age of 72. He was accompanist for the
Roger Wagner Chorale and for the Paul Salamunovich choral groups, as well as a
pianist with various groups. Hunter began his career with Wagner in 1946 and
worked with the chorale for a decade. In 1955 he began performing with popular
music groups, including the Freddy Martin Orchestra at the Ambassador Hotel's Coconut Grove, and was Carol Channing's musical director from 1958 to 1971. Hunter later joined Salamunovich to tour with his choruses from Loyola Marymount University and became organist for the St. Charles Borromeo Catholic Church Choir. In 1991 he became accompanist for the Los Angeles Master Chorale and remained with the chorale until his retirement in 1996.

Howard B. Kelsey,
professor emeritus from Washington University, died September 18 of heart
failure at the age of 90. Following his wife's death in 1997, Mr. Kelsey
had returned to St. Louis where he lived for the past four years. Born in 1911
and raised in Brighton, Illinois, Howard Kelsey began playing the organ at age
5 and took his first church position at age 14. He graduated from Illinois
Wesleyan University in 1933, and went to New York for graduate study at Union
Theological Seminary under Clarence Dickinson. Upon receiving a Master of
Sacred Music degree, he returned to St. Louis where he taught at Eden Seminary
for six years. In 1937 he married Berenice Strobeck, his wife of sixty years.
Howard Kelsey's association with Washington University began in 1945 when
he became the university organist. He was primarily responsible for the
establishment of the Department of Music in 1947, having secured an endowment
for the department from Avis Blewett. During his time at Washington University,
he brought in internationally known artists to conduct classes and work with
the many organists who came to the University. Students had the opportunity to
work with Anton Heiller, Roslyn Turek, Gillian Weir, Geraint Jones, Suzie
Jeans, Michael Schneider, and the Gregorian chant expert Dom Ermin Virty, OSB.
Many of his students found positions in colleges, universities, and large
churches after completing their degrees under Mr. Kelsey's guidance. In
addition to his work at Washington University, Kelsey also served a number of
St. Louis churches and temples from 1936 to 1973, including First
Congregational Church, Second Baptist Church, First Presbyterian Church, Temple
B'Nai El and Temple Israel. He was also very active in the American Guild
of Organists on the local, regional, and national levels, and served as
consultant for many churches for the purchase and installation of new organs. A
memorial service was held for Howard Kelsey on October 21 at Christ Church
Cathedral in St. Louis, Missouri. He is survived by his three children and four
grandchildren.

-Kathleen Bolduan

Director of Undergraduate Studies

Department of Music

Washington University

 

Roland Münch
died on September 27 in Berlin, Germany. He was born in Leipzig on February 10,
1936, and studied organ with Diethard Hellmann and Robert Köbler. His
first professional position was at St. Wenzel's Church in Naumburg where
he played the historic organ built by Hildebrandt. From 1975 on, he made many
recordings and radio broadcasts. From 1969 until his retirement in March of
this year, Mr. Münch was organist and music director at the Church of Glad
Tidings (Kirche zur frohen Botschaft) in Berlin-Karlshorst where he presided
over the organ built by Peter Migendt in 1756 for Princess Amalia, sister of
Frederick the Great for whom C.P.E. Bach served as court musician from
1738-67. Münch is survived by his wife Ursula and two sons. His most
recent recording, Münch spielt Bach auf Migendt, is on the Ursus label.

 

Robert Murphy died
on September 22 in Traverse City, Michigan. Born on April 30, 1936, in Benton
Harbor, Michigan, Murphy earned bachelor's and master's degrees
from Western Michigan University. In 1962 he became a member of the Interlochen
Arts Academy Charter Faculty and was chairperson of the keyboard department for
many years prior to his recent retirement. At Western Michigan University, he
had served as director of the chapel choir, graduate assistant and instructor
of music. During his 39 years at Interlochen, he was chairperson of the
building committee for Dendrinos Chapel and Recital Hall, founder and organizer
of the ICA Chapel Organ Recital Series, and chairperson of the music building
committee for ICA. For nearly four decades he was organist and music director
for Central United Methodist Church in Traverse City. A service celebrating Mr.
Murphy's life took place on October 14 at Central United Methodist Church
in Traverse City. Memorial contributions may be made to the Interlochen Center
for the Arts Organ Scholarship Fund in memory of Robert Henderson Murphy.

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Vernon Gotwals, Jr., 77, of Stonington, Maine, died on January 12, 2002, at the Blue Hill Hospital. Born in Conshohocken, Pennsylvania, on November 12, 1924, he graduated from Friends' Central School, Philadelphia, in 1941, and then attended Drew University. His undergraduate education was interrupted by service in the U.S. Army in the South Pacific during World War II. Following the war, he finished his bachelor's degree at Amherst College, graduating in 1947, and continued his education at Princeton University, obtaining an MFA in Music in 1951. Gotwals started his professional career as an instructor at Princeton University, and in 1952 joined the faculty of Smith College in Northampton, Massachusetts, where he served as professor of music and college organist for 32 years. He was the author of Joseph Haydn: Eighteenth-century Gentleman and Genius, an annotated translation of two early Haydn biographies. Retiring to Deer Isle, Maine in 1984, he served as organist at the Deer Isle and Sunset Congregational churches, overseeing the acquisition and installation of new organs in both churches. He also served on the Blue Hill Concert Association, the Bagaduce Music Library, and the Stonington Conservation Commission. Mr. Gotwals is survived by his wife of 48 years, Carol Joyce Gotwals, three sons, five grandchildren, and two great-grandchildren. A memorial service was held on January 17 at Deer Isle Congregational Church.

 

Ruth Plummer died on March 6 in Los Angeles, California. Born on December 22, 1922, in Santa Ana, California, she graduated from Santa Ana High School in 1940. She married Bruce Buell in the early 1940s and they had three children. She served as organist at the First Church of Christ, Scientist, Anaheim, 1942-44; organist at St. Thomas Episcopal Church, Hollywood, 1944-46; organist, First Methodist Church, Burbank, 1948-50; associate organist, Hollywood Presbyterian Church, 1950-60; organist, Wilshire United Methodist Church, 1960-87; and organist, Bethany Presbyterian Church, Burbank, 1987-2002. Her organ teachers included Clarence Mader, Lowell Enoch, and Lloyd Holzgraf. She married her second husband, Stuart Plummer, in 1965. Active in the American Guild of Organists, she was publicity chairman for the 1962 AGO national convention in Los Angeles and served as Dean of the Pasadena Chapter 1980-82. In 1971, she became executive director of Artist Recitals, Inc., a concert management for organists and harpsichordists.

 

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Ronald Edward Ballard, of Little Rock, Arkansas, died on January 23, from kidney, liver, and heart disease. Born on January 9, 1947, in North Little Rock, he was a graduate of Oklahoma Baptist University. He wrote theater and concert reviews for the Spectrum and Arkansas Times and was business administrator for Stanton Road School and First Christian Church in Little Rock. At the time of his death, Ballard was organist and choirmaster of Westover Hills Presbyterian Church in Little Rock. He previously served a number of churches in Little Rock, North Little Rock; Charlotte, North Carolina; and Brenham, Texas; and taught music, history, and mathematics in North Little Rock Public Schools and Stanton Road School. He served as dean of the Central Arkansas AGO chapter in 1976–77.

 

 

George A. Brandon died on March 30 in Davis, California, following a short illness. He was 76. Born in Stockton, California on February 4, 1924, he earned a BA in history at College of the Pacific in 1945 and a Master of Sacred Music degree in 1952 at Union Theological Seminary. He served as organist-director at several churches in the New York City area, and before returning to Union in 1955 to earn a master's in religious education he served two years as organist-director of the First Presbyterian Church in Burlington, North Carolina. While at Union, he met Dona Lee Banzett, whom he married in 1954. They taught for five years at two small midwestern colleges and then relocated to Davis, California, in 1962. During the 1960s, Mr. Brandon held positions at several Davis churches, including Incarnation Lutheran, Davis Community Church, and St. Martin's Episcopal Church. In 1994 he was commissioned by St. Paul's Episcopal Church in Sacramento, California, to write the "St. Paul's Suite," an organ work based on the last chorus of Saint-Saëns' Christmas Oratorio, for a concert that celebrated the restoration and 80th anniversary of the church's 1877 Johnson organ (opus 503). Mr. Brandon was a free-lance composer, with over 300 published compositions, including anthems, hymn tunes and texts, choir responses, secular choruses, organ and piano pieces. He researched and wrote about many aspects of church music and related fields, especially early American hymnody. He was a member of the AGO, the Hymn Society of the US and Canada, the Hymn Society of Great Britain and Ireland, and the Sonneck Society. A celebration of Mr. Brandon's life and work took place at St. Martin's Episcopal Church, Davis, on May 17. He is survived by his wife of 45 years, Dona Lee Brandon, a daughter, and a sister.

 

Otto Juergen Hofmann, organbuilder of Austin, Texas, died on May 12, at the age of 82. He was born of German immigrant parents in Kyle, Texas on December 9, 1918, the youngest of ten children. He attended the University of Texas, studied physics, music, philosophy, and sociology, and had a PhD in physics from UT-Austin. Hofmann built his first slider-chest and mechanical-action organ in 1938. One of his first contracts was to rebuild the organ at St. Mary's Cathedral, Austin. He then built the organ for St. Stephen's Episcopal School. This was soon followed by an organ for the chapel of Austin Presbyterian Theological Seminary. Hofmann built, rebuilt, and restored numerous organs throughout Texas and beyond. He was involved in the early efforts of the tracker organ revival, and collaborated with Flentrop in building an organ for Matthews Memorial Presbyterian Church in Albany, Texas, in 1955. He served as president of the International Society of Organbuilders, and in 1975 was awarded the Industrial Arts Medal by the Austin chapter of the American Institute of Architects. He retired from active organ building in 1994.

 

James Dale Holloway died on May 17, the random victim of a shooting on the campus of Pacific Lutheran University, Tacoma, Washington. Holloway, age 40, was appointed assistant professor of music and university organist at PLU in the fall of 2000. Born in Columbus, Georgia, on July 4, 1960, Holloway received a BMus from Shorter College in Rome, Georgia; a master's degree from the University of North Texas; and after beginning doctoral studies at the University of Alabama, completed his doctorate at the University of Washington. As a church musician, he served parishes in Georgia, Texas, Alabama, and Oregon, before moving to Tacoma in 1989 to become minister of music at Trinity Lutheran Church. For ten years he taught part-time at PLU before his full-time appointment in 2000. He was a performer and lecturer at national and regional conventions of the AGO, the OHS, and the Association of Lutheran Church Musicians. He was current president of the western regional ACLM, and was a winner in 16 organ competitions at the state, regional, and national levels. A memorial fund, the "James Holloway Music Scholarship Fund," has been established at PLU in his memory. A memorial service took place on May 21 at the university. He is survived by his wife, Judy (Willis) Carr, and five stepchildren.

 

Antonio Ruffatti died on May 6, in Padova, Italy, at the age of 89. He co-founded Fratelli Ruffatti, organbuilders, in Padova in 1940--following a centuries-old tradition in that geographic area of Italy--a firm which continues today under the direction of his sons Francesco and Piero. In the 1950s, he succeeded in making Fratelli Ruffatti known internationally by building a five-manual organ for the Shrine of Our Lady of Fatima in Portugal. In the following decade, he built many organs in the United States. Following the classical tradition in his own country, he was among the first in Italy to call for the return to mechanical action. Fratelli Ruffatti built several tracker instruments in the early 1960s, a practice which was highly uncommon, if not controversial, at the time in Italy, but which has grown to become an important part of the current activity of the firm. He also delved into restoration techniques, and today Fratelli Ruffatti is one of the few firms licensed by the Italian government to do historical restoration on Italy's ancient instruments.

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Dana Cottle Brown,
Minister of Music Emeritus at Westminster Presbyterian Church in Alexandria,
Virginia, died on March 9, after an extended illness. Born on August 10, 1930,
in Woburn, Massachusetts, he began his musical career at the age of fifteen as the
organist in two Congregational churches in his home town. He then entered the
Boston Conservatory of Music, majoring in organ, and upon his graduation in
1952 was awarded the Conservatory Silver Medal for High Honors. During his
conservatory years, Mr. Brown served as assistant organist and choirmaster of
Emmanuel Episcopal Church in Boston. He received his Master of Sacred Music
degree from the School of Sacred Music, Union Theological Seminary, New York
City, serving during that time as director of music at Hollis Presbyterian
Church, Hollis, New York. Upon graduation, he served two years in the Armed
Forces as a chaplain's assistant at Fort Belvoir, Virginia. Prior to
being called as Westminster's first minister of music in 1957, Mr. Brown
earned his AGO Choirmaster's certificate; he later was dean of the
Alexandria AGO Chapter from 1963 to 1965, also serving as conductor of the
Guild's senior choir and junior choir festivals. In 1999 he was awarded
an Honorary Life Membership in the Northern Virginia AGO Chapter.

Mr. Brown served Westminster Church for 33 years: he
directed four choirs, including the establishment of two handbell choirs; he
oversaw the installation of the four-manual Moeller pipe organ and arranged for
its dedication recital by Virgil Fox; he gave many organ concerts, both at
Westminster and as a guest of other churches; and he initiated the Westminster
Concert Series and Young Artist Series, made possible by gifts from the Rosalee
Brown Stubbs Memorial Fund. He retired in 1990, but contined to assist the
church's music and worship program until his death. He is survived by a
brother, a nephew, and a sister-in-law. A memorial service was held at
Westminster Church on March 18. Participating in the service were organists
David Erwin and Lawrence Schreiber, the Westminster Choir, and soprano Marilyn
Moore-Brown.

 

Paul Sifler died on
May 20 in Hollywood, California. He was 89 years old. Born in Ljubljana,
Yugoslavia, the son of an organ builder, Sifler became an American citizen in
his youth. Prior to establishing his residence in Los Angeles, California,
where he served as organist of St. Thomas Episcopal Church in Hollywood and
Temple Sinai in Glendale, he held similar posts in New York City, including St.
Paul's Chapel. Sifler's work as a composer, organist, and
choirmaster was a life-long pursuit. Among his many works are the oratorio, In
the Days of Herod the King, the Mass for Voices and Marimba, and Seven Last
Words of Christ for organ. His monumental achievement is Hymnus, five volumes
of organ works based on hymns. Many of his choral and instrumental works have
been published and recorded, including The Despair and Agony of Dachau,
published by Belwin/Mills and recently recorded by Mary Preston on the Meyerson
Center organ in Dallas, Texas, for the Gothic label. Most of Sifler's
works are available from Fredonia Press, 3947 Fredonia Dr., Hollywood, CA
90068.

 

Guy Thérien
died on May 11 in St-Hyacinthe, Québec, Canada, after a brief battle
with cancer. Born in 1947, he studied organ with Bernard Lagacé and
served his apprenticeship with Casavant Frères from 1965 to 1968. In
1968 he joined Orgue Providence, Inc., and in 1978 this company was renamed
Guilbault-Thérien, Inc., after the partnership of André Guilbault
and Guy Thérien. Over 50 new organs of tracker and electro-pneumatic
action were built under his supervision, in addition to more than a hundred
rebuilding and restoration projects of existing instruments. Since 1992 Mr.
Thérien served as president and owner of the firm. He was a founding
member of the Pro Organo Society (1970) and Amis de l'Orgue de Montréal
(1991). Among his notable instruments are those at the Grand Séminaire
Chapel in Montréal and in the chapel at Brick Presbyterian Church in New
York City. He is survived by his wife Lyne and four young children (Jean-François,
Jean-Chris-tophe, Jean-Philippe, and Marie-Ève).
Guilbault-Thérien, Inc. continues its work under the direction of
longtime partner and chief voicer Alain Guilbault.

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Marian Craighead (née Reiff), of Rochester, NY, died on May 8, at age 76, following a valiant six-year battle with ovarian cancer. At the time of her death, Mrs. Craighead was in her fortieth year as organist of Asbury First United Methodist Church in Rochester, where she was singularly beloved by her choir and congregation. A memorial service was held at the church on May 12, which included music of Bach, Brahms, Copland and Franck.

Born in 1919 in New Cumberland, PA, Marian Reiff began her organ studies at the age of 14 and went on to receive a BA in English from Lebanon Valley College. She then attended Westminster Choir College where she studied organ with Alexander McCurdy, receiving her BMus, and was later a member of the organ faculty at Westminster Choir College as well as assistant to Dr. McCurdy at the First Presbyterian Church in Philadelphia. Subsequent church positions were held in Los Angeles and Pasadena.

In 1948 she married David Craighead and in 1955 they moved to Rochester where he assumed the position as head of the organ department at the Eastman School of Music. It was at this time that Marian joined the staff at Asbury First, while continuing to play recitals in various parts of the country. In recent years she joined her husband in concerts for organ duet, performing in numerous cities nationwide. Westminster Choir College honored her during their 1993 commencement activities by presenting her with their annual Alumni Merit Award in recognition of her contributions and achievements as an organist.

Throughout most of her adult life, Marian Craighead's musical energies were focused on her church, whose sanctuary and organ were new when Marian came to Asbury First. Her service playing, accompaniments and solo repertoire were consistently of the highest quality, as was her sensitivity to worship. During her long illness she often remarked on the blessings of her work as it related to her courage to do battle with cancer. She wrote "As one whose entire adult life has been involved in church music, I find myself recalling snatches of solos and anthems based on the poetry of the Psalms and leaning on the strength and faith expressed in those wonderful words." In spite of continual discomfort from the effects of radiation and chemotherapy, in addition to pain from the disease itself, Marian Craighead continued to play until Christmas Eve, 1995. Although she was desperately ill that night, many spoke at the time of it having been the most beautiful service they had ever heard her play. Prior to that time she had not missed any rehearsals or services for which she was scheduled, except for short periods of hospital stays. She truly lived her belief in the power of music to uplift the lives of people, and it gave her immense strength and energy.

In 1990-1991, Asbury First United Methodist Church celebrated Marian's extraordinary contributions to the musical and spiritual life of the church. She was lauded for "her brilliant musical accomplishments, her never-ending loyalty, her boundless energy in pursuit of excellence, the generosity of her gifts and her time, the warmth of her friendship, her patience as a teacher, and her selfless contributions to Asbury First."

Marian Craighead is survived by David, her husband of 47 years; her son James; daughter Elizabeth Eagan and two grandsons, Christopher and Jeffrey Eagen.

Russell Bigelow Gress died in his sleep of a heart attack on March 28 at the age of 55. A lifetime resident of Little Rock, AR, he was a passionate organ music supporter, amateur organ builder, educator and locksmith. He was a member of Christ Episcopal Church and donated the Swell Diapason for the recently installed Nichols-Simpson organ. Mr. Gress graduated from Little Rock Central High School in 1958 and the University of Arkansas in 1963, earning a BA in English. He taught for 25 years in the Little Rock Public School District, taking early retirement for health reasons. A memorial service was held at Christ Church on April 1. Memorials may be made to the Organ Fund, Christ Episcopal Church, 509 S. Scott, Little Rock, AR 72201

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