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Stephen Schaeffer retires from Birmingham's Cathedral Church of the Advent

THE DIAPASON

Stephen G. Schaeffer retired on August 15, after serving twenty-five years as director of music and organist at the Cathedral Church of the Advent (Episcopal) in Birmingham, Alabama. Appointed in 1987, his first major project was selecting, planning, and guiding the installation of the 100-rank
M. P. Möller organ (1988). He developed the program at the cathedral to include a music series, anchored by the monthly Mid-Day Musical Menu concerts, an adult handbell choir that regularly performed both in worship and on the music series, and Psallité Singers, a choral chamber ensemble. In September 1997 he was named Master of the Cathedral Choir, which in the last fifteen years has made two CD recordings and made concert tours to St. Thomas Church for Sunday services (2000), to England for residencies at the Cathedrals of St. Albans and Ely (2004) and Durham (2008), and to the East Coast to sing in parishes in Atlanta, Winston-Salem, Chapel Hill, Arlington, and at Washington National Cathedral, St. Thomas Church Fifth Avenue, and the Cathedral Church of St. John the Divine (2011).

During his tenure at the cathedral he also supervised the installation of a fifteen-bell Paccard carillon, the purchase of a Lammermuir continuo organ, and enhancements to the Grieb-Williams organ installed in 1988. On his twentieth anniversary he was honored with the painting of his portrait by noted artist Jason Bouldin. In March 2012 Sonare Recordings released a solo CD, Stephen Schaeffer Plays the Advent Organ, featuring the cathedral organ in a varied program of literature.

Prior to his appointment at the cathedral in 1987, Schaeffer was on the music faculty at Presbyterian College in Clinton, South Carolina for sixteen years, the last four as Chair of the Department of Fine Arts. During his years at Presbyterian College, Dr. Schaeffer was organist and then director of music and organist at Broad Street Methodist Church and later organist at All Saints’ Episcopal Church, both in Clinton. He also was active in the Greenwood AGO chapter, serving both as dean and sub-dean. In Birmingham, he has also served the AGO as sub-dean and executive committee member and on the Diocesan Liturgy and Music Commission.

Since 1987 Schaeffer has also been active in the Association of Anglican Musicians, serving on its executive board and on the editorial board of The Journal. He has maintained an active recital schedule and has served as organ consultant to many churches in South Carolina, Alabama, and Mississippi.

Early in his musical career, Schaeffer was a choirboy at St. Thomas Church under William Self. While in high school he studied organ and piano at Salem College with John and Margaret Mueller. His degrees are from Davidson College and the College-Conservatory of Music of the University of Cincinnati, where his organ teachers included Wilmer Welsh, Gerre Hancock, David Mulbury, and Roberta Gary. In 1981 he enrolled at the Conservatoire national de région in Lyon, France, where he received the Premier Prix in organ under Louis Robilliard. He has completed internships in choral conducting with Barry Rose and Jon Washburn.

Schaeffer was honored with a retirement celebration on July 20 and a reception following his final service at the cathedral on August 12. His retirement plans include remaining in Birmingham and being active as an organist. 

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Kent S. Dennis died January 1 at the age of 78 in Midland, Michigan. Trained as a chemist, Dr. Dennis had a long career at Dow Chemical Co. in Midland; he retired in 1986 after 32 years as a senior research associate. He served as organist at Memorial Presbyterian Church in Midland for 47 years, and was named organist emeritus in 2003. There he performed annual organ recitals for 46 years; he also taught organ students for many years. A charter member of the Saginaw Valley AGO chapter, serving as dean for three terms, he also served on the board of managers of the Midland Center for the Arts and as president of the Midland Symphony Orchestra, which, with the Music Society, honored him as Musician of the Year in 1987.
In 2002 Steven Egler commissioned an organ piece, Fantasia on Dennis, by David Gillingham in honor of Dr. Dennis. With his technical background, he built a pipe organ in his home, and when his health declined, he donated the instrument to St. Joseph the Worker Church in Beal City, Michigan. He was predeceased by his parents, a sister, and a brother. Memorials may be made to the Kent S. Dennis AGO Scholarship Fund, Saginaw Valley AGO Chapter, Gregory Largent, Dean, 121 South Harrison St., Saginaw, MI 48602.

August Humer died January 17 in Linz, Austria, at the age of 59. He had studied organ and harpsichord with Anton Heiller and Isolde Ahlgrimm in Vienna; after finishing his diploma, he traveled to the U.S., where he began an active career as a recitalist under the management of Phillip Truckenbrod Concert Artists. In 1972–74 he won prizes at the international competitions in Innsbruck and Nuremberg, and subsequently performed in Europe and in North America.
In 1972 he was appointed head of the organ and historical keyboard instruments department at the Bruckner Konservatorium in Linz, Austria. He became organist at Linz Old Cathedral in 1975, and made numerous recordings on its organ, a three-manual instrument by Franz Xavier Chrismann (1768) and Josef Breinbauer (1867). Professor Humer was a frequent visiting lecturer in Europe and the U.S., and served as an adviser to the historical instrument collection of the Upper Austria Regional Museum.

Herbert James Keeler died September 6, 2006, in Greensboro, North Carolina, at the age of 67. He began piano studies at age six, and in his teens began playing the organ in his father’s church. In 1961 he graduated from Eastern Nazarene College in Quincy, Massachusetts, where he earned two music degrees, one in organ. In 1966 he moved to New York City and began a 29-year career with Western Electric, retiring as a computer systems analyst. Mr. Keeler served as organist for numerous churches and was an active member of the AGO. He was preceded in death by his parents and is survived by his wife of 40 years, Carole. A memorial service was held September 17, 2006, at St. Andrew’s Episcopal Church in Greensboro.

Paul S. Robinson died February 15 in Winston-Salem, North Carolina, at the age of 99. Born March 8, 1907, in New Wilmington, Pennsylvania, he graduated from Westminster College in 1929 and began study at the Curtis Institute of Music in Philadelphia that same year. His first venture into North Carolina was in 1932 as the summer organist at Duke University where he continued for 10 years. After obtaining a master’s degree from Union Theological Seminary in New York City, he became a year-round North Carolina resident in 1938 as organist for Centenary United Methodist Church in downtown Winston-Salem. There he started his long association as organist and accompanist for the Mozart Club’s annual presentation of Handel’s Messiah.
The 1941 presentation was December 7, during which the Messiah radio broadcast was interrupted by the news of the Pearl Harbor attack. Two months later, Paul was inducted into the Army’s Third Armored Division as a chaplain’s assistant. He traveled with them in England, France and Germany, where he played a folding reed organ for services.
Discharged in 1945, he returned to Centenary United Methodist staying until he started doctoral studies, also at Union Theological Seminary, where he received a Doctor of Sacred Music degree in 1951. In 1952, he came to Wake Forest College for a temporary position at about the same time as another temporary instructor, Mary Frances McFeeters. Within a few years, they became indispensable both to Wake Forest and to each other. Paul and Mary Frances were married in 1955, and they moved with the college to the new Winston-Salem campus in 1956. He served as professor of music and university organist until his retirement in 1977, and was the organist for Wake Forest Baptist Church from 1956 to 1993. He continued accompanying Messiah until 1997.
He is survived by his wife, Mary Frances Robinson; two daughters, and two grandchildren. Donations in his memory may be made to Wake Forest Baptist Church, P.O. Box 7326, Winston-Salem, NC 27109. —Scott Carpenter

William E. Seifert died December 26, 2006 in Campobello, South Carolina, at the age of 71. A graduate of Wofford College, he later earned a master of divinity degree from Duke University and a master of education degree from Western Carolina University; he was a United Methodist minister for many years and also taught in South Carolina public schools. After retirement he worked for the Dower Organ Building Co., builders of the organ at Episcopal Church of the Holy Cross in Tryon, North Carolina, where he was a member. Mr. Seifert was dean of the Spartanburg AGO chapter from 1988 to 1989, and at the time of his death was the chapter’s chaplain. He is survived by his wife, two sons, two daughters, three sisters, and seven grandchildren.
John Edward Williams died on March 16 at his home in Spartanburg, South Carolina, after a bout with esophageal cancer. He was 87. For 43 years he had served First Presbyterian Church as organist/choirmaster and was elected an elder of the congregation. On his retirement in 1991, Converse College conferred on him the honorary degree Doctor of Music in recognition of his significant contribution to the cultural life of the community. The church further honored him in 1995 by dedicating a new Schoenstein organ, named for him, in their chapel. He had supervised the installation of the church’s large Aeolian-Skinner sanctuary organ in 1968. Recognized as a leader in church music circles, he was widely known and highly esteemed throughout his denomination and the whole region. He was especially helpful to fellow musicians of all denominations.
Dr. Williams graduated in music from Illinois Wesleyan College in 1941, joined the U.S. Navy, and served throughout World War II in London, where he played for American servicemen and, on occasion, for Queen Elizabeth and her father, King George VI. He also performed at the Glasgow Cathedral. After the war he entered the School of Sacred Music at Union Theological Seminary in New York, graduating in 1948 with an MSM degree. There he studied organ with Robert Baker and Hugh Porter, composition with Harold Friedell, and the history of music with Clarence and Helen Dickinson.
From Union he came directly to Spartanburg and set about mustering support for the founding of a local chapter of the American Guild of Organists. Success came in 1954 when he became a charter member of the new chapter and, at the same time, inaugurated the Spartanburg Oratorio Society, directing for several years its performances of major choral and orchestral masterpieces. He was known and loved for his lively sense of humor, witty repartee, and buoyant personality. He maintained high artistic standards and refined taste. He enjoyed popular music and jazz, but he never allowed these secular elements to intrude into his music for worship.
He was married to Patricia Gilmore Williams, a distinguished local artist and portraitist who predeceased him by several years. He is survived by a sister in Illinois, two married daughters, a married son, five grandchildren, and a great-grandson. A memorial service was held at First Presbyterian Church on March 20. Donations in his memory may be sent to the Dr. John E. Williams Music Scholarship Fund in care of First Presbyterian Church, 393 E. Main St., Spartanburg, SC 29302.
—John M. Bullard

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William Brant MillsDon G. CampbellSteven Alan ClarkRockwell Lewis “Wes” Deaton Jr.Dale Alexander GillilandE. Robert Irwin

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William Brant Mills of Florence, South Carolina, died on February 18 at the age of 68. A diaconal minister in the United Methodist Church, Mills had served as director of music and organist at Central United Methodist Church in Florence for over 42 years. 

Mills earned degrees in organ performance—a Bachelor of Music from Florida State University, and a Master of Music from the University of South Carolina. He also did post-graduate study at Indiana University, Southern Methodist University, Stanford University, and Columbia College. Mills was founder and director of the Masterworks Choir in Florence, which toured Austria and Germany, participated in the Piccolo Spoleto festival, and sang services at Washington National Cathedral. The Masterworks Choir also sang choral works of Robert Powell at Christ Episcopal Church in Greenville, South Carolina, when Powell retired. William Brant Mills is survived by his children, Brantley Rees Mills and Susan Mills Rana, and four grandchildren.

 

Don G. Campbell, age 65, died June 2 in Boulder, Colorado. A native of San Antonio, Texas, Campbell studied at the Fontainebleau Conservatory in France, and earned two degrees at the University of North Texas. He was the author of 23 books, including the bestsellers The Mozart Effect and The Mozart Effect for Children; his most recent book, released in 2011, was Healing at the Speed of Sound, co-authored with Alex Doman. Campbell founded the Institute of Music, Health, and Education in Boulder in 1988, serving as its director until 1997. He also was involved with Aesthetic Audio Systems, which worked with hospitals and health care systems to provide music systems to optimize healing. Campbell was a member of the Denver AGO chapter, for which he served on the executive board.

The American Music Research Center at the University of Colorado is creating the Don Campbell Collection to house his books, videos, DVDs, and documents, including source material for several of Campbell’s most popular works. The collection will also include private letters from Nadia Boulanger, Campbell’s teacher. 

 

Steven Alan Clark died July 14 in Nashville, Tennessee. He was 60 years old. He began organ study at age eleven, and earned a bachelor’s degree in organ and a master’s in choral conducting at the University of Tennessee. Clark served as organist-choirmaster at six churches in Tennessee and Florida, and served in a number of leadership roles in the AGO. He was also a licensed massage therapist. Steven Alan Clark is survived by his wife, Donna, two daughters, two grandchildren, his father, four siblings, a sister-in-law and two brothers-in-law, and seven nephews. 

 

Rockwell Lewis “Wes” Deaton Jr. died in Davidson, North Carolina on July 26 at age 59. He was organist at Davidson Methodist Church and earned a bachelor’s degree in music in 1974, studying organ with Wilmer Hayden Welsh. He earned a master’s degree from the Peabody Conservatory in 1976, where his major teachers were Cherry Rhodes and Donald Sutherland. Deaton moved to New York City in 1976 and studied with Calvin Hampton, and played for churches in the New York area, including St. Matthew’s Episcopal Church in Woodhaven, New York, and Church of the Transfiguration. Deaton’s advertising career took him around the world; he served as senior vice president at Publicis New York, among other positions that he held. In 2000, Deaton returned to Davidson, where he established a marketing company and became involved in local organizations. There he served in substitute and interim organist positions. Rockwell Lewis Deaton Jr. is survived by his partner Robert Guttman, two children, two grandchildren, in-laws, and cousins.

 

Dale Alexander Gilliland, age 79, died June 28 in Bellevue, Pittsburgh, Pennsylvania. He began organ studies at age twelve and started his 63-year career as a church organist at Knoxville Baptist Church in Pittsburgh in 1949. During the Korean War, Gilliland served as a chaplain’s assistant and organist at Fort Belvoir, Virginia; following military service, he served various churches. Gilliland served as treasurer of the Pittsburgh AGO chapter and was on the 1999 AGO Region III convention committee, was past president and treasurer of the Pittsburgh chapter of the Presbyterian Association of Musicians, and a committee member of the Pittsburgh Organ Academy. Dale Alexander Gilliland is survived by Elizabeth Douglas Gilliland, three daughters, and two grandsons. 

 

E. Robert Irwin died July 28 in Norfolk, Virginia. He was 73 years old. A native of Grand Rapids, Michigan, Irwin studied organ at the Oberlin Conservatory, receiving a bachelor’s degree in 1961. He earned a doctorate in organ and sacred music from the Eastman School of Music, where he studied with David Craighead. Irwin was a professor of music at East Carolina University in Greenville, North Carolina, where he taught organ, music history and theory, and organ literature for 24 years and established a program in church music. He was honored twice by the university as teacher of the year. During retirement, he served as a church musician in Michigan, Virginia, and North Carolina. E. Robert Irwin is survived by his wife, Claudette Smith-Irwin, two sons, a daughter, a brother, and five grandchildren.

 

Royston John Merritt Jr. died on July 7 at the age of 84 in Matthews, North Carolina. After serving in the U.S. Army, he earned a bachelor’s degree in business administration from the University of Georgia and worked at DuPont, Reigle Paper, and First Union Bank. He also enjoyed a 53-year career as organist and choirmaster, serving numerous churches, the last of which was Central Steele Creek Presbyterian. Merritt was active in the Charlotte Oratorio Singers and the Charlotte AGO chapter, the North Carolina Train Host Association, and at the Plantation Estates Retirement Community where he resided. Royston John Merritt Jr. is survived by his wife of 61 years, Jean, three children, ten grandchildren, and four great-grandchildren.

 

Thomas H. Schleis died July 19 in Champaign-Urbana, Illinois. He was 62. Schleis studied piano, organ, and harpsichord at Lawrence University and received a master’s degree in musicology at the University of Wisconsin. He was also a Fulbright scholar, conducting research in Germany. An adjunct faculty member at the University of Illinois since 1981, Schleis taught music history and performance, and served as head coach of the opera department. He received the Excellence in Teaching and Faculty Service Award from the university continuing education association, and served as organist at the campus’s Newman Center for 33 years. Schleis was dean of the East Central Illinois AGO chapter for 15 years. Thomas H. Schleis is survived by a sister, a stepsister, and two stepbrothers.

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Organist, choir director, composer, and teacher Roberta Bitgood died on April 15 at Lawrence and Memorial Hospital, New London, Connecticut, after a brief illness. She was 99. Dr. Bitgood, formerly of Quaker Hill, had been a resident of the Odd Fellows Home of Connecticut (Fairview) in Groton. She was also known locally as Roberta Wiersma, her married name.
During a long career in sacred music, Bitgood served as minister of music and organist in churches and synagogues throughout the United States. She worked first in New Jersey (Bloomfield), later in California (Riverside), and later still in Connecticut (Mystic and Waterford), as well as in upper New York state (Buffalo) and Michigan (Detroit, Bay City, and Battle Creek). She published more than 70 choral and organ compositions, including several pieces for organ and other instruments, and two choral cantatas based on biblical narratives. Her enthusiasm for making music accessible to all, and the broad scope of her musical activities, made her one of the most well-known 20th-century American music educators. She was known to organists worldwide as a committed yet down-to-earth professional leader, and to volunteer choir singers in many states as an inspiring and witty teacher.
Roberta Bitgood was born in New London on January 15, 1908, and began study of the violin at age 5. As a student at the Williams Memorial Institute (1920–24), she was already well known as a gifted performer on the violin and organ in local churches and school orchestras. Graduating with honors from Connecticut College for Women, she received postgraduate and conservatory training in New York, where she was awarded the William C. Carl Medal upon graduation from the Guilmant Organ School (1930), became a Fellow of the American Guild of Organists (also 1930), and earned a master’s degree in music education from Teacher’s College at Columbia University (1932), a master’s degree in sacred music from Union Theological Seminary (1935), and later the doctoral degree in sacred music (1945), also from Union.
Dr. Bitgood was honored for her achievements and service to her profession and maintained an active relationship with her alma mater through fundraising efforts and performances at annual college reunions. In 1974 she was awarded the Connecticut College Medal, and in 1975 was elected president of the American Guild of Organists, continuing until 1981. In 1976, upon retirement from full-time employment in Michigan, Dr. Bitgood returned to her family home in Connecticut, serving for another 18 years in local churches and synagogues.
In 1993, the New London AGO chapter established an annual scholarship competition for new organists in Dr. Bitgood’s honor, as part of a celebration of her contributions to sacred music and her 85th birthday. After retiring from professional life in 1999, Dr. Bitgood remained at home under the care of her family until 2003, when she moved to Groton. A memorial service took place April 21 at St. James Church, New London. Contributions may be made to the New London AGO-Bitgood Scholarship (P.O. Box 423, Quaker Hill, CT 06375), or to the Visiting Nurses Association of Southeastern Connecticut (Waterford).

Giuseppe G. Englert died of cancer on March 29 in Paris. He was 80. Born to Swiss parents in Fiesole, Italy, in 1927, he studied theory and composition with Willy Burkhard at the Zurich Conservatory (1945–48). From 1958 to 1963 he took part in the international summer courses at Darmstadt, attending seminars given by Leibowitz and Cage, among others. From 1970 to 1982 he taught at the University of Paris VIII–Vincennes, where he became a member of the computer department’s Art et Informatique group in 1973. From 1964 to 1969 he was a co-director of the Centre de Musique, an organization founded by Keith Humble that promoted performances of new music at the American Center for Students and Artists in Paris. He joined the Groupe Art et Informatique de Vincennes (GAIV) in the computer department of the same university in 1973. As a composer and performer he toured Europe, Israel, and the United States. Since 1986 he was associated with the Groupe d’Etude et Réalisation Musicales (GERM) founded by Pierre Mariétan in Paris.
In the 1950s Englert studied organ with André Marchal and substituted for him at the church of St. Eustache in Paris. He accompanied André Marchal on a number of his American tours and gave lectures on organbuilding at several American universities. In 1956 he attended the Organ Institute at Methuen Memorial Hall, where he was the translator for André Marchal. He assisted Peter Bartok in the Unicorn recordings of Marchal in 1957 at MIT in Cambridge. In 1961 in Oberlin, Ohio, he lectured on French organbuilding and at the 1963 Midwinter Conference on Church Music at Northwestern University, Evanston. He was married to Jacqueline Marchal in 1954. American organists familiar with Langlais’ Organ Book may remember that it was dedicated to Jacqueline Marchal as a wedding gift and the last piece, “Pasticcio,” contains the names of both Jacqueline and Giuseppe.
Englert’s works include orchestral pieces, chamber music, compositions for organ, cello, and works for ‘new music theatre’ and electronic music on tape for live performance using analog and digital means of production. In 1975 and 1976 he worked in the digital electronic music studio at SUNY/Albany, in 1977 at the New York Experimental Intermedia Foundation, and in 1978 in San Diego for the Ford Foundation at the Center for Music Experiment (CME).
Englert’s works for organ include: Palestra 64 (1959–64) and GZ50 Musica Barbara pro Organo (1979), the latter recorded by Gerd Zacher. In reference to his compositions for organ he stated:
The organ has always played a major role in my musical thinking. But it may be precisely because I know the instrument so well that I’ve written so little for it. The problem with the organ is that no two instruments are identical. Consequently the interpreter needs far more freedom because he or she has to play a piece differently depending on the instrument and the hall or church in which it stands. When I began working with a computer, I was thrilled by the possibility of programming the necessary freedom into an organ composition, in other words, of using a computer program to determine and define indeterminacy. That led to GZ50, the organ piece I wrote for Gerd Zacher’s fiftieth birthday. It gives Zacher enormous freedom of interpretation. Time values are notated proportionally, but the duration of each page is not fixed. That leaves tempo completely to the performer, and the same holds true for tone color.
Until his last days he was surrounded by his former students and his nurses who recalled that they took him to a piano where he improvised a fugue. A large number of friends, colleagues, and former students attended the graveside funeral held April 2 at Père-Lachaise Cemetery. During the interment, Marchal’s recordings of portions of Bach’s Orgelbüchlein were played, interspersed with readings and tributes. Englert is survived by his wife, Jacqueline Englert-Marchal, a nephew and a niece. Contributions may be made to the Académie André Marchal, c/o Ralph Tilden, “Longview,” P.O. Box 2254, Banner Elk, NC 28604.
—Ann Labounsky

Kenneth W. Matthews died January 19 in San Francisco at the age of 54. Born in Atlanta, Georgia, his first music lessons were with his father, who played organ in churches and in restaurants. Matthews earned a BA in music from Stetson University in 1976 and an MA in sacred music from Yale Divinity School in 1978. He then moved to San Francisco to study with Richard Purvis at Grace Cathedral. He also studied in Paris with Marie-Louise Langlais and played recitals in France.
Matthews was director of music at Old First Presbyterian Church in San Francisco from 1998 until his death. He had previously served All Saints Episcopal Church and the First Church of Christ, Scientist, in San Francisco, the First Unitarian Church of Berkeley, and St. Stephen’s Episcopal Church in Belvedere. He also supervised the support staff at Boalt Hall at the University of California, Berkeley, 1990–96. He played recitals at the California Palace of the Legion of Honor and at national conventions of the Organ Historical Society. A memorial service took place at Old First Presbyterian Church on February 24.
Monsignor Richard J. Schuler, a major figure in sacred music in the 20th century and founder of the Church Music Association of America, died April 20 at the age of 87. Monsignor Schuler served as pastor at St. Agnes Church in St. Paul, Minnesota, for 32 years, from 1969–2001, and was the founding director of the Twin Cities Catholic Chorale in 1956.
Born in Minneapolis, Minnesota, December 30, 1920, he attended DeLaSalle High School and the College of St. Thomas before entering the St. Paul Seminary. He was ordained a priest on August 18, 1945, and was assigned to Nazareth Hall Preparatory Seminary to teach Latin and music. He held music degrees from the Eastman School of Music (M.A.) and the University of Minnesota (Ph.D.), and in 1954 spent a year of study of Renaissance music manuscripts at the Vatican Library on a Fulbright scholarship from the United States government.
An excellent organist and overall musician, he was also a pioneer in the use of large-scale polyphony and symphonic sung Masses after the Second Vatican Council. He is the author of many articles and lengthy studies on music and the liturgy. A funeral mass took place on April 24 at St. Agnes Church in St. Paul. Members of the Twin Cities Catholic Chorale sang the Mozart Requiem with orchestral accompaniment.

Gordon T. Whitley died April 20 at Obici Hospital in Suffolk, Virginia, from congestive heart failure. He was 66. Born November 16, 1940, to Moses and Mary Whitley in Suffolk, he attended Peabody Conservatory. His business included ownership of a beauty salon located in his home. Churches he had served as organist and choirmaster included St. Bride’s Episcopal, Norfolk, Virginia, Faith Lutheran Church in Suffolk, and Murfreesboro (North Carolina) Baptist Church. At the time of his death he was a countertenor in the choir at Trinity Episcopal Church in Portsmouth, Virginia.
Whitley was a member of St. Grace and St. Peter’s Episcopal Church in Baltimore. A former dean of AGO chapters in Maryland and Virginia, he was a member of Northeastern North Carolina AGO chapter, serving as dean from 1997–1999. He was a member of the Association of Anglican Musicians and the Friends of European Cathedrals. Survivors include a niece and a sister-in-law. A memorial service was held on April 22 at R. W. Baker Funeral Home Chapel in Suffolk.
—Rodney Trueblood

Alec Wyton died on March 18 at Danbury Hospital in Danbury, Connecticut, at the age of 85. He had been a resident of Ridgefield, Connecticut, for the last 20 years. His career included two decades as organist and choirmaster at the Cathedral of St. John the Divine in New York City. He was president of the American Guild of Organists 1964–69 and twice served as dean of the New York City chapter.
Born in London on August 3, 1921, he received his early musical training as a boy chorister and held his first job as organist at age 11. He earned the BA from the Royal Academy of Music and the MA from Oxford University and was awarded fellowships in five professional societies. In 1946 he was appointed organist-choirmaster at St. Matthew’s Church, Northampton, and also served as conductor of the Northampton Bach Choir and Orchestra. In 1950 he was appointed organist-choirmaster at Christ Church Cathedral in St. Louis, Missouri. In 1954 he was appointed to the Cathedral of St. John the Divine in New York City, where he also served as headmaster of the cathedral choir school 1954–62.
Wyton left the cathedral in 1974 to become organist-choirmaster at St. James’ Church, Madison Avenue, in New York City. At that time he also became coordinator of the Standing Commission on Church Music that produced The Hymnal 1982 for the Episcopal Church. In 1987 he left St. James’ Church to become minister of music at St. Stephen’s Episcopal Church in Ridgefield, Connecticut, a position he held until his retirement in 1997.
Wyton’s published compositions number more than 100. In addition to his work on the Standing Commission on Church Music, he edited numerous publications, including Anglican Chant Psalter (Church Publishing, Inc.), and he was a member of the editorial team that produced Ecumenical Praise (Hope Publishing).
Wyton founded the church music department at the Manhattan School of Music in 1984, serving as chairman until 1990. He also taught at Union Theological Seminary in New York City and was chairman of the music department at Westminster Choir College in Princeton, New Jersey. He was awarded honorary doctorates from Susquehanna University and Virginia Theological Seminary. Services were held at St. Stephen’s Episcopal Church in Ridgefield, Connecticut.

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