Mildred Andrews Boggess biography

Thomas H. Anderson

Thomas H. Anderson, 86, of North Easton, Massachusetts, died December 30, 2023. Born May 25, 1937, in Belfast, Northern Ireland, he met his late wife Susan in Belfast, where they grew up on the same street.

Anderson started working at age 14 as an apprentice pipe maker at an organ pipe manufacturer in Belfast. At age 19, he emigrated to the United States, where he worked at the Aeolian-Skinner Organ Company, Boston, Massachusetts, as a pipe maker. Later he started his own company, Thomas H. Anderson Organ Pipe Company. He traveled around the country working on various projects including the National Cathedral in Washington, D.C. In his later years, he traveled to teach others to make organ pipes.

Anderson’s wife Susan died December 31, 1996, almost 27 years before the date of his death; they were married 38 years. They raised four children who survive him: Gail McGill and her husband Mark of Raynham, Massachusetts; Thomas Anderson of Lake Wylie, South Carolina; Cheryl Dekeon of Haverhill, Massachusetts; and Elizabeth Lehr and her husband Donald of Berryville, Virginia. He is also survived by six grandchildren, two step-grandchildren, and three great-grandchildren.

The funeral for Thomas H. Anderson, Jr., was held January 6 at Southeast Funeral and Cremation Services, Easton, Massachusetts, with burial following at South Easton Cemetery. Memorial gifts may be made to Old Colony Hospice and Palliative Care (oldcolonyhospice.org).

Harold Gilchrest Andrews, Jr.

Harold Gilchrest Andrews, Jr., of High Point, North Carolina, died December 3, 2023. He was born March 31, 1932, in Framingham, Massachusetts, and grew up in Centerville on Cape Cod. At the age of eight, under the tutelage of Virginia Fuller, his first piano teacher, Andrews played services at the local Unitarian church. After his 1949 high school graduation, he attended Oberlin Conservatory of Music, Oberlin, Ohio, where he earned a Bachelor of Music degree in organ performance. After college, he served in the United States Army for two years as an organist at West Point. He then moved to Greensboro, North Carolina, playing first at First Friends Meeting House and then at Guilford Park Presbyterian Church. During this same period, he began his long tenure as a professor of organ at Greensboro College, where he remained until 1988. The C. B. Fisk, Inc., organ, Opus 102 (1993), at Finch Memorial Chapel of Greensboro College was donated and installed through his efforts. He also co-founded the Greensboro Chapter of the American Guild of Organists.

Leaving Guilford Park Church, Andrews took the position as organist and master of choristers at St. Mary’s Episcopal Church, High Point, where he would spend the next 55 years. While working at St. Mary’s, Andrews completed a Master of Music degree in organ and church music at Oberlin Conservatory and a Doctor of Musical Arts degree from Boston University.

Andrews founded and owned Organ Craft, a local organbuilding company. He built and installed pipe organs all over the east coast, including part of the organ at Christ United Methodist Church in Charlotte and the organ at Guilford Park Presbyterian Church in Greensboro. The organ at St. Mary’s in High Point was also significantly altered over the years by Andrews.

As an organist, he offered recitals in Europe, including at Canterbury Cathedral; St. Paul’s Cathedral, London; Saint-Sulpice, Paris; and Chartres Cathedral. In his retirement, he finished his manuscript for a study of music in the works of William Shakespeare.

Harold Gilchrest Andrews, Jr., is survived by one brother, Robert Francis Andrews. His funeral featuring Gabriel Fauré’s Requiem was held at St. Mary’s Episcopal Church, High Point, on January 27. Interment in the church columbarium followed. Memorials may be directed to the music endowment at St. Mary’s Episcopal Church, 108 West Farriss Avenue, High Point, North Carolina 27262.

Charles Edmund Callahan, Jr.

Charles Edmund Callahan, Jr., 72, died December 25, 2023, in Burlington, Vermont. He was born September 27, 1951, in Cambridge, Massachusetts. Callahan was a graduate of the Curtis Institute of Music, Philadelphia, Pennsylvania, and earned graduate degrees from The Catholic University of America, Washington, D.C. He held the Associate and Choirmaster certificates of the American Guild of Organists. In 2014 he was honored with the Distinguished Artist Award of the guild.

Callahan taught at Catholic University; Middlebury College, Middlebury, Vermont; Baylor University, Waco, Texas; Rollins College, Winter Park, Florida; and the Bermuda School of Music, Hamilton, Bermuda. He served as organist and music director for churches in Pennsylvania, Washington, D.C., New York, Vermont, and his native Massachusetts. Callahan moved to Orwell, Vermont, in 1988.

He was consulted often on the design of new organs and restorations and improvements of existing instruments. His two books on American organbuilding history, The American Classic Organ and Aeolian-Skinner Remembered, became standard reference works on 20th-century American organ history.

Callahan was a prolific composer; his compositions include commissions for Papal visitations to the United States and from Harvard University. His four-movement orchestral work, Mosaics, was premiered at the Cathedral Basilica of St. Louis, Missouri, and other works have been performed at Harvard, Yale, and Princeton universities.

Charles Callahan was laid to rest with his parents in Cambridge, Massachusetts. Memorial contributions in his memory may be made to the music programs at St. Mary’s Catholic Church, 326 College Street, Middlebury, Vermont 05753, or Cornwall Congregational Church, 2598 Route 30, Cornwall, Vermont 05753.

James P. Callahan

James P. Callahan of St. Paul, Minnesota, died December 28, 2023. Born in North Dakota and raised in Albany, Minnesota, he earned his Bachelor of Arts degree in 1964 from St. John’s University, Collegeville, Minnesota, and his Master of Fine Arts degree in piano and a Ph.D. in music theory and composition from the University of Minnesota, Minneapolis. In addition, he studied at the Mozarteum University, Salzburg, Austria, and Universität für Musik und darstellende Kunst Wien, Vienna, Austria. His teachers included Anton Heiller, organ; Willem Ibes and Duncan McNab, piano; and Paul Fetler, composition.

Callahan was Professor Emeritus at the University of St. Thomas, St. Paul, Minnesota, where he taught piano, organ, composition, music theory, and piano literature over a 38-year period, retiring in 2006. As an organist, Callahan performed recitals in the upper Midwest, New York, and Austria. His performances appeared on the nationally broadcast radio program Pipedreams. He was instrumental in overseeing the commissioning of the organ for the chapel at the University of St. Thomas, Gabriel Kney Opus 105, completed in 1987. On this instrument he recorded a disc for Centaur, James Callahan: Oberdoerffer, Reger, Rheinberger, Schmidt. He also performed solo piano recitals and made concerto appearances. In addition to his solo performances, he was a member of the Callahan and Faricy Duo piano team, performing throughout the upper Midwest.

James Callahan composed over 150 works for piano, organ, orchestra, band, opera, and chamber ensembles. Cantata for two choirs, brass, percussion, and organ premiered at St. John’s Abbey Church and was performed at the Cathedral of St. Paul in 1975. His Requiem was premiered by Leonard Raver in 1990 at the University of St. Thomas. Callahan’s music was published by McLaughlin-Reilly, GIA, Paraclete Press, Abingdon Press, and Beautiful Star Publishing. Awards included a study grant from the National Endowment for the Humanities and a Bush Artist Fellowship.

Quentin Faulkner

Quentin Faulkner, 80, died December 30, 2023, in Houston, Texas. He was Larson Professor of organ and music theory/history (emeritus) at the University of Nebraska-Lincoln, a writer of scholarly books in the areas of church music and J. S. Bach performance practice, the translator of German treatises of the 17th and 18th centuries, and an organ recitalist.

Faulkner earned his undergraduate degree in organ and church music from Westminster Choir College, Princeton, New Jersey, where he studied organ with George Markey and Alexander McCurdy. He received graduate degrees in sacred music and theology from Perkins School of Theology, Southern Methodist University, Dallas, Texas, where he studied conducting with Lloyd Pfautsch, organ with George Klump, and liturgics with James White. Faulkner completed his doctoral studies at the School of Sacred Music, Union Theological Seminary, New York City, where he studied organ with Alec Wyton. Each of these schools subsequently awarded him its distinguished alumni award for his contributions to the field of church music. While a student in New York City, he served for three years as assistant organist at the Cathedral Church of St. John the Divine, during which time he led the musical celebration honoring Wyton at his retirement and was the organist for Duke Ellington’s funeral.

For 32 years Faulkner served on the faculty at the University of Nebraska-Lincoln, where he developed a comprehensive cycle of courses in church music and received numerous teaching awards. He and his colleague George Ritchie were co-coordinators of a distinguished series of organ conferences at the university, each conference with a distinct topic of scholarly investigation and culminating in the first conference held in Naumburg, Germany, at the newly restored 1746 Hildebrandt organ in St. Wenzel’s Church. In 1998 Faulkner was awarded a Fulbright grant to teach as guest professor at the Evangelische Hochschule für Kirchenmusik in Halle, Germany, a position to which he returned for the academic year 2006–2007 following his retirement from the University of Nebraska.

Faulkner’s professional career included both academic and practical pursuits. He was equally respected for his scholarly investigation in the field of church music (Wiser than Despair: The Evolution of Ideas in the Relationship of Music and the Christian Church, Greenwood Press, 1996) and in historical performance practice of the organ works of Bach (J. S. Bach’s Keyboard Technique: A Historical Introduction, Concordia, 1984; The Registration of J. S. Bach’s Organ Works, Wayne Leupold Editions, 2008; Johann Sebastian Bach, The Complete Organ Works, Series II, Volume I, The Performance of the Organ works: Source Readings, Leupold Editions, 2020). He translated historic German treatises into English, and then edited and annotated the translations to make them accessible to contemporary students and scholars (Jacob Adlung, Musica mechanica organoedi, Parts 1, 2, and 3, Zea E-Books, 2011; Michael Praetorius, Syntagma Musicum II: De Organographia, Parts III–V, Zea E-Books, 2014).

Faulkner reveled in working at the intersections of various disciplines, particularly enjoying the interplay of the scholarly and the performing musician and extensively studying the relationships between and among religion, culture, and the arts. He served as a member of the advisory board for the Encyclopedia of Keyboard Instruments for Garland Publishing Co., as consultant for the J. S. Bach Tercentenary publishing project of Concordia Publishing House, as editor for performance issues for the Leupold Edition of J. S. Bach’s organ works, and as a member of the advisory board of the Institute of Sacred Music at Yale University, New Haven, Connecticut. He also led multiple tours of Bach’s Organ World in eastern Germany, sharing his passion and knowledge with participants as they studied, played, and listened to instruments with direct connections to J. S. Bach.

Throughout his career and in retirement, Faulkner remained a performing musician, presenting organ recitals, workshops, and lectures. He and his wife served as church musicians in Dothan, Alabama; New York City; Lincoln, Nebraska; and Greenfield, Massachusetts. He was particularly concerned with music in small churches and wrote numerous practical articles for professional journals, composed anthems for small choirs, and served as a clinician for more than fifty church music workshops in Nebraska. He served the American Guild of Organists on various local and national committees and as its national councilor for education. He was an honorary lifetime member of the Lincoln Chapter of the AGO.

Quentin Faulkner is survived by his wife of 56 years, Mary Murrell (Bennett) Faulkner, three brothers, a daughter and son-in-law, a son and daughter-in-law, and four grandchildren. A memorial service will be held April 20 at Christ Church Cathedral, Houston, Texas. Memorial contributions may be made to the Alzheimer’s Association (Attention: Donor Services, 225 North Michigan Avenue, Floor 17, Chicago, Illinois 60601; alz.org/donate), Church Music Institute (5923 Royal Lane, Dallas, Texas 75230; churchmusicinstitute.org/donate), or the charity of one’s choice.

Brian E. Jones

Brian E. Jones, 80, organist and choir director, died November 17, 2023. A native of Duxbury, Massachusetts, he began piano studies at age eight and discovered the pipe organ soon thereafter. During his first visit to Trinity Church, Copley Square, Boston, Massachusetts, as an eager ten-year-old, he was said to have exclaimed, “I want to be the organist here someday!” Some three decades later, his dream became a reality.

After earning an undergraduate degree from Oberlin Conservatory of Music, Jones landed a teaching position at Noble and Greenough School, Dedham, a post he would hold for the next twenty years. Concurrently he completed the Master of Music program at Boston University. While at Noble and Greenough he conducted numerous choral groups and expanded the music program to include the production of a wide variety of musicals.

Soon after commencing his teaching career, Jones was appointed music director of the Dedham Choral Society, a position he held for 27 years. During his tenure, the group grew in size from 25 to 150 members, expanding their audiences by performing in Symphony Hall and Jordan Hall in Boston. In 1984 Jones fulfilled his childhood dream when he was appointed director of music at Trinity Church, Boston. Over the next two decades he and his choirs produced five recordings, including the Christmas CD, Candlelight Carols. In addition to his work as a choral conductor, Jones enjoyed a solo organ career, performing concerts and dedicatory recitals in churches and cathedrals throughout the United States and England. Upon assuming the mantle Emeritus Director of Music and Organist at Trinity Church in 2004, Jones accepted interim positions from as far afield as Albuquerque, New Mexico. In 2007 a number of former Trinity choir members coalesced to form The Copley Singers under Jones’s direction. This semi-professional group of musicians began performing together several times each year, most notably during the holiday season.

Brian E. Jones is survived by his husband, Michael Rocha, with whom he shared the past 35 years, as well as two children, Eliza Beaulac and her husband, Joe, and Nat Jones and his wife, Kiera; four grandchildren and one great-grandson. A celebration of life is planned for spring. Memorial gifts in memory of Brian Jones may be made to the Parkinson’s Foundation (parkinson.org).

Uwe Pape

Uwe Pape, 87, died August 13, 2023, in Berlin, Germany. He was born May 5, 1936, in Bremen, Germany. In his early life, he studied mathematics, physics, pedagogy, and philosophy at Georg-August-Universität, Göttingen, graduating in 1959, earning a doctorate in computing technology at Technische Universität Braunschweig in 1971.

From 1971 to 2001 Pape was professor of business informatics at the Technische Universität Berlin. He was visiting professor at the Massachusetts Institute of Technology, Cambridge, Massachusetts, in 1974 and in 1984–1985; at the University of Maryland, College Park, in 1975; at the University of Texas at Austin in 1976; and at the University of Szczecin, Poland, from 1988 until 1998.

Pape was recognized worldwide for his expertise in pipe organs, especially historic mechanical-action instruments. Pape had his first contact with organbuilding in 1953 at the Liebfrauenkirche, Bremen, where he studied with Harald Wolff and had contact with the organ builder Paul Ott. Pape began to document the organs of the Braunschweig Lutheran Church in 1959. In 1962 he founded a publishing house for works on organbuilding history, which exists today as Pape Verlag Berlin. He became a freelance organ expert for regional churches and foundations in Berlin, Bremen, Lower Saxony, and Saxony. From 1985 to 2016 he led a research project on organ documentation that resulted in an organ database at the Technische Universität Berlin. With Paul Peeters of Gothenburg and Karl Schütz of Vienna, Pape was one of the founders of the International Association for Organ Documentation (IAOD) in 1990. He made significant contributions to the documentation of historic north German organs. Among his many book-length publications is The Tracker Organ Revival in America/Die Orgelbewegung in Amerika, first published in 1978. One of his most recent publications is Organographia Historica Hildesiensis: Orgeln und Orgelbauer in Hildesheim, printed in 2014. For The Diapason, he wrote “Documentation of Restorations,” which appeared in the December 2006 issue, pages 20–22.

Alice Stuart Parker

Alice Stuart Parker, 98, born December 16, 1925, in Boston, Massachusetts, died December 24, 2023, in Hawley, Massachusetts. Having grown up in Winchester, Massachusetts, she graduated from Smith College, Northampton, Massachusetts, in 1947, having studied organ and composition. After earning a Master of Music degree in choral conducting from The Juilliard School in New York City two years later, she began teaching in a high school. Parker would then study and begin a long collaboration with Robert Shaw and the Robert Shaw Chorale. She would meet and marry one of the chorale’s singers, Thomas F. Pyle, in 1954.

As a composer she would pen more than 500 choral works and arrangements, from choral anthems to cantatas and operas. In 1985 Parker founded Melodious Accord, which presents choral concerts, singing workshops, and other events. The Musicians of Melodious Accord, a 16-member chorus, made several recordings with her. Parker authored books including The Anatomy of Melody in 2006 and The Melodious Accord Hymnal in 2010, both available from GIA Publications. She conducted masterclasses and seminars widely.

Alice Stuart Parker was predeceased by her husband in 1976. Survivors include her sons David Pyle and Timothy Pyle; daughters Katharine Bryda, Mary Stejskal, and Elizabeth Pyle; 11 grandchildren; and six great-grandchildren.

Michael Radulescu

Michael Radulescu, 80, born June 19, 1943, in Bucharest, Romania, died December 23, 2023. He studied organ and conducting with Anton Heiller and Hans Swarowsky in Vienna, Austria, at the Academy (now University) of Music and Performing Arts, where he taught as professor of organ from 1968 to 2008. His career encompassed work as a composer, organist, and conductor. With his debut in 1959 he presented concerts throughout Europe, North America, Australia, South Korea, and Japan. He regularly presented guest lectures and masterclasses in Europe and overseas, focusing mainly on the interpretation of Bach’s organ and major choral works.

As a composer, Radulescu wrote sacred music, works for organ, voice and organ, choral and chamber music, and orchestral works. He was frequently engaged as a jury member in international organ and composition competitions and as an editor of early organ music. Radulescu conducted international vocal and instrumental ensembles in performances of major choral works. As an organist, he recorded among other items Bach’s complete works for organ, without any technical manipulation.

For his musical and pedagogical contributions, Radulescu was awarded the Goldene Verdienstzeichen des Landes Wien in 2005. In 2007 he received the Würdigungspreis für Musik from the Austrian Ministry of Education and Art. In December 2013 Michael Radulescu’s book on J. S. Bach’s spiritual musical language, Bey einer andächtig Musiq: Schritte zur Interpretation von Johann Sebastian Bachs geistlicher Klangrede anhand seiner Passionen und der h-Moll-Messe, focusing on the two passions and the B-Minor Mass, was published. For The Diapason, his article, “J. S. Bach’s Organ Music and Lutheran Theology: The Clavier-Übung Third Part,” was printed in the July 2019 issue, pages 16–21.

Richard T. Bouchette

Richard T. Bouchett, 85, of New York, New York, died in Fort Lauderdale, Florida, on April 17. He was born March 6, 1937, in Seymour, Texas, attended Texas Christian University, and earned a Bachelor of Music degree from the University of Oklahoma, an artist’s diploma from the Curtis Institute of Music, and Master and Doctor of Sacred Music degrees from the Union Theological Seminary, New York City, with the dissertation “The Organ Music of Jehan Alain.” His organ teachers included Emmet Smith, Adrienne Reisner, Mildred Andrews, Alexander McCurdy, Robert Baker, Marie-Claire Alain, and Anton Heiller. He was the 1966 winner of the Young Artists’ Competition sponsored by the Boston Symphony and the Boston Chapter of the American Guild of Organists and was presented in recital at Symphony Hall in Boston. He taught organ at Westminster Choir College, Princeton, New Jersey, and Indiana University, Bloomington, and presented recitals across the United States, including performances at several AGO regional conventions.

For ten years Bouchett was organist at Fifth Avenue Presbyterian Church in New York City where he recorded an LP entitled The Organs of Fifth Avenue Presbyterian Church Played by Richard Bouchett, presently available on YouTube and Amazon. In 1972 he was named director of music and organist for First Presbyterian Church, Greenwich, Connecticut. He conducted a semi-professional choir that performed cantatas and oratorios with orchestra in addition to singing at regular services, and developed a concert series, “Music from the Top.” Bouchett supervised the installation of a 66-rank M. P. Möller organ in the church’s sanctuary, where he premiered a commissioned work of Ruth Schonthal, The Temptation of St. Anthony.

Before moving to New York City, he held positions at the Church of the Good Samaritan (Episcopal) in Paoli, Pennsylvania, and the Episcopal Academy in Overbrook, Pennsylvania. After his retirement from First Presbyterian Church, Greenwich, in 2002, he played for several years at First Church of Christ, Scientist, Greenwich, and was a substitute musician for churches in and around New York City, including Madison Avenue Presbyterian Church.

Richard T. Bouchett is survived by his brother Frank and sister-in-law Betty, three nephews, and numerous grandnephews and grandnieces.

Diana Lee Lucker

Diana Lee Lucker, 89, was born Diana Lee Kennelly, July 9, 1932, in Seattle, Washington, and died January 15, 2022, in Minneapolis, Minnesota. Her first piano lessons were given by her mother; she later attended the Juilliard School of Music. Her first organ teachers included Ronald Hooper and Rupert Sircom. She earned her Bachelor of Arts, Master of Arts, and Doctor of Musical Arts degrees from the University of Minnesota and studied there with Heinrich Fleischer and Dean Billmeyer.

Lucker was assistant professor of music at Augsburg College and Bethel College and taught privately. She served as organist at Mount Olivet Lutheran Church for 16 years, as interim organist at Westminster Presbyterian Church (1994–1995), and as organist for Wayzata Community Church from 1995 until 2016. The four-manual Hendrickson organ was installed shortly after her arrival; she performed its dedication recital in September 1998.

While at Wayzata she directed an annual summer organ recital series as well as a concert series of over 40 events each year including orchestral, choral, piano, small ensemble, and organ programs. Lucker was active in several capacities for the Twin Cities Chapter of the American Guild of Organists. As a recitalist, she performed throughout the United States and in Scandinavia and Italy.

Diana Lee Lucker is survived by three daughters, five stepchildren, and 16 great-grandchildren. Memorial gifts may be made to: Des Moines Metro Opera, 106 West Boston Avenue, Indianola, Iowa 50125; or Pipedreams, MPR, 480 Cedar Street, Saint Paul, Minnesota 55101.

Thomas H. Troeger

Thomas H. Troeger, hymn writer, preacher, homiletics professor, theologian, poet, musician, columnist, and author, died April 3. Born in 1945, he grew up in New Jersey and upstate New York. After graduating from Yale University cum laude in 1967, he attended Colgate Rochester Divinity School, Rochester, New York, where he earned his Bachelor of Divinity degree (now designated as Master of Divinity). He later received an S.T.D. degree from Dickinson College, Carlisle, Pennsylvania, an honorary Doctor of Divinity degree from Virginia Theological Seminary, Alexandria, and, most recently, an honorary doctorate from the University of Basel, Switzerland, in 2014.

Following graduation from Colgate Rochester Divinity School, Troeger was ordained a Presbyterian minister and served as associate pastor for the Presbyterian Church of New Hartford, New York (1970–1977). (He was later ordained an Episcopal priest.) He returned to (now) Colgate Rochester Divinity School/Bexley Hall, Crozer Theological Seminary as a professor of preaching and parish ministry (1977–1991) before moving to Iliff School of Theology, Denver, Colorado, where he was the Ralph E. and Norman E. Peck Professor of Preaching and Communications (1991–2005). In addition to his professorial duties, Troeger began serving in administrative posts as the director of the Doctor of Ministry program (2000–2005) and the senior vice president and dean of academic affairs (2002–2005). At that time, Troeger moved to Yale as the J. Edward and Ruth Cox Lantz Professor of Christian Communication (2005–2015).

Troeger was a prolific author and hymnist. He authored more than a dozen books on homiletics, essays for Feasting on the Word, a monthly column for Lectionary Homiletics over a period of years, and articles and chapters that appeared in scholarly venues. He served as president of the Academy of Homiletics (1987) and co-president of Societas Homiletica, the international guild (2008–2010). The Hymn Society in the United States and Canada named him a Fellow of the society, and he received a lifetime achievement award from the North American Academy of Homiletics.

Troeger also published books in the areas of liturgy and spirituality. He served as chaplain to the American Guild of Organists and wrote a monthly column for The American Organist for four years. He became affiliated with the Yale Institute of Sacred Music, where he had standing during his tenure at Yale. As a poet and a hymnist, Troeger composed more than 400 hymn texts and poems, many of which are now in current hymnals of most denominations.

Thomas H. Troeger is survived by his wife of 54 years, Merle Marie Troeger; his brother, Don, and his brother-in-law and sister-in-law, Crawford and Julie Butler of Conway, New Hampshire. A memorial service was held on May 3 at the Episcopal Church of St. Mary, Falmouth, Maine.

Emma Lou Diemer

Emma Lou Diemer, born in Kansas City, Missouri, November 24, 1927, died June 2, 2024, in Santa Barbara, California. She played piano and composed at a very early age, and she became organist in her church at age 13. Her interest in composing music continued through College High School, Warrensburg, Missouri, and she majored in composition at the Yale School of Music, New Haven, Connecticut, earning a Bachelor of Music degree in 1949 and a Master of Music degree in 1950. She finished her Ph.D. degree at the Eastman School of Music, Rochester, New York, in 1960. She studied in Brussels, Belgium, on a Fulbright scholarship and spent two summers of composition study at the Berkshire Music Center.

Diemer taught at several colleges and was organist at several churches in the Kansas City area during the 1950s. From 1959 until 1961 she was composer-in-residence in the Arlington, Virginia, schools under the Ford Foundation Young Composers Project. She composed many choral and instrumental works for schools, a number of which are still in publication. She was consultant for the MENC Contemporary Music Project before joining the faculty of the University of Maryland where she taught composition and theory from 1965 until 1970. In 1971 she moved from the East Coast to teach composition and theory at the University of California, Santa Barbara. There she was instrumental in founding the electronic/computer music program. In 1991 she was named Professor Emeritus.

Through the years she has fulfilled many commissions of orchestral, chamber ensemble, keyboard, choral, and vocal works for schools, churches, and professional organizations. Most of her works are published. She received awards from Yale University (Certificate of Merit), Eastman School of Music (Edward Benjamin Award), National Endowment for the Arts (electronic music project), Mu Phi Epsilon (Certificate of Merit), Kennedy Center Friedheim Awards (for a piano concerto), American Guild of Organists (Composer of the Year), American Society of Composers, Authors, and Publishers/ASCAP (annually since 1962 for performances and publications), the Santa Barbara Symphony (composer-in-residence, 1990–1992), the University of Central Missouri (honorary doctorate), and others.

She was an active keyboard performer on piano, organ, harpsichord, and synthesizer, and in later years gave concerts of her own music at Washington National Cathedral, St. Mary’s Cathedral and Grace Cathedral in San Francisco, Cathedral of Our Lady of the Angels in Los Angeles, and elsewhere. For information: emmaloudiemermusic.com.

Eugene “Gene” E. Englert

Eugene “Gene” E. Englert, 93, pianist, choral director, composer, organist, and liturgist, died June 2. Born March 15, 1931, he began playing organ for Catholic Masses at a young age. Upon graduation from Purcell High School, Cincinnati, Ohio, he attended the Athenaeum of Ohio in Cincinnati. After serving in the Army in Korea where he was prompted to give a concert in the American embassy and form and conduct a Korean children’s choir, Englert completed his Master of Music degree at the University of Cincinnati Conservatory of Music.

Englert married Ruth Caplinger, and they began their family and his long career as a Catholic church musician and choir director in the Archdiocese of Cincinnati. He was music and choir director at St. Clement, St. Charles, St. Clare Catholic churches in Cincinnati, Sacred Heart Catholic Church in Fairfield, Ohio, and Assumption Catholic Church in Mt. Healthy, Ohio, where he served for 52 years. He also was music director at McAuley High School and Good Samaritan Hospital School of Nursing, both in Cincinnati, preparing choirs and music groups for concerts and shows for many years. One of his accomplishments was taking two of his choirs to Rome to sing for Pope John Paul II in 1988.

Englert began composing choral, piano, and organ music in the 1960s with more than 250 pieces of published choral music, mostly written for church choirs and hymnals and still being sung in churches all over the world. He was a founding member of the National Catholic Music Educators Association, an organization of musicians dedicated to Catholic music education that eventually developed into what is now known as the National Association of Pastoral Musicians (NPM). Englert was part of the Milwaukee Composers’ Forum that produced a major document on church music and liturgy.

Eugene E. Englert was preceded in death in 2010 by his wife of 53 years, Ruth, and also by their son Mark who died as a young child. He is survived by three children: Stephanie (John Williams), John, and Jeannette (Clifton Funches), and two grandchildren. A funeral Mass was celebrated June 8 at the Church of the Assumption, Mt. Healthy, with burial at St. Mary’s Cemetery, St. Bernard, Ohio, with military honors.

Dana June Hull

Dana June Hull, 97, of Ann Arbor, Michigan, died June 4. Born February 14, 1927, in Waterville, Ohio, she graduated from Bowling Green State University, Bowling Green, Ohio, with a Bachelor of Music degree in organ performance. Hull was one of the first women to start a business for the restoration of historic pipe organs in the United States, located in Ann Arbor.

Throughout her life she held organist positions and worked as a choral conductor and accompanist in churches, working until the age of 92. She was an active member of the American Guild of Organists, the Organ Historical Society, and the Reed Organ Society.

Dana June Hull is survived by her daughter-in-law, Christiane Hull, three grandchildren, and two great-grandchildren. She was preceded in death by her son, Dallas Hull, and stepdaughter, Diane Willis. A memorial service was conducted June 25 at St. Andrew’s Episcopal Church, Ann Arbor. Memorial contributions can be given to St. Andrew’s Episcopal Church Music Fund (www.standrewsaa.org/give.html), or by mailing gifts noted in her memory to the church: 306 North Division Street, Ann Arbor, Michigan 48104.

Richard “Rick” Ivan Morel

Richard “Rick” Ivan Morel, 76, died June 3 in Denver, Colorado. He was born July 14, 1947, in Watertown, Massachusetts; his family moved to Colorado when he was eight. Rick’s father, Ivan, came to Denver to work for Fred H. Meunier in the pipe organ business. Ivan eventually bought the business, and it became Ivan P. Morel and Associates, Inc. When Rick graduated from high school, he joined his father’s firm. When Ivan retired, Rick took over the business. The firm installed, built, refurbished, and provided service to organs in five states.

Rick Morel not only loved the pipe organ but also its history. The Morel company refurbished the organ at the Cathedral Basilica of the Immaculate Conception in Denver. Rick was present at the cathedral making sure the organ worked perfectly when Pope St. John Paul II visited in 1993. Morel spent the last decade or more trying to bring new people into the business of pipe organs. He was dedicated to preserving historical files on many instruments. He celebrated his 58th anniversary of employment at Morel and Associates on May 8.

When Morel was 25 he met and married Sharlie Ann Kern, who survives. They celebrated their 50th wedding anniversary September 1, 2023.

A memorial service will take place at Montview Presbyterian Church, Denver, August 21. Phil Bordeleau, music director at the Cathedral Basilica of the Immaculate Conception, will dedicate a recital to Morel’s memory in spring 2025.

Kenneth Robert Reed

Kenneth Robert Reed, 73, of Otsego, Michigan, died at home on May 1, 2024. He had been diagnosed with lung cancer a year earlier, which had metastasized to his brain. Born on April 3, 1951, in Sturgis, Michigan, he was a graduate of Mattawan High School. After managing a plastics company for ten years, he became fascinated with pipe making upon being introduced to it. In 1978 Ken met his life partner, James Lauck. Together they owned and operated the Lauck Pipe Organ Company, Otsego, Michigan. Since 1983 he had been a pipemaker and operated his pipe shop adjacent to Lauck Pipe Organ Co.

Reed was skilled in all phases of pipe making including metal casting, flue and reed pipe making, and the machining of shallots and blocks. Most of his production found its way into Lauck organs, but he was always willing to help out other organ builders with on-site installation problems. He was also office manager and general manager of Lauck Pipe Organ Co. until the company closed in 2018. His passions were his home, gentleman farming, raising various animals, and tending to the acreage. Kenneth Reed is survived by his husband, James Lauck, whom he had been with for 45 years.

Father Cyprian Constantine, O.S.B.

Father Cyprian Constantine, O.S.B., 74, a monk of Saint Vincent Archabbey for 48 years, died Sunday, November 12, 2023, after a short illness. A native of Boulder, Colorado, he began the study of piano and violin at an early age, and was locally, regionally, and nationally known as an organist. He was an assistant professor at Saint Vincent College, where he chaired, at various times, both the Music and Fine Arts departments; at Saint Vincent Seminary, he served for a time as academic dean (2004–2007), as director of liturgical formation (2007–2023) and, for the past 20 years, as schola director. He was also concertmaster, first violinist, and principal keyboardist in the Archabbey Baroque Ensemble. For a six-year period he directed the Saint Vincent Camerata, a group specializing in the performance of Medieval and Renaissance vocal and instrumental music.

Father Cyprian earned the Bachelor of Music Education degree in 1971 at the University of Colorado, where he studied violin with Oswald Lehnert and organ with Don Vollstedt. He then entered Saint Vincent Archabbey, where he professed his final vows as a Benedictine in 1975. He earned the Master of Divinity degree from Saint Vincent Seminary in 1976 and was ordained to the priesthood in 1977. In the year 2000, he was granted faculties by the Ruthenian Byzantine Rite Archeparchy of Pittsburgh for Byzantine Rite Catholic parishes.

Father Cyprian received the Master of Music degree from Northwestern University in 1979, where he studied organ with Wolfgang Rübsam. Later, he returned to the University of Colorado at Boulder, where he received the Doctor of Musical Arts degree in organ in 1992. While a doctoral student at Colorado University, Father Cyprian was organist/director of music at Our Savior’s Lutheran Church in Denver and served as organist/choirmaster and parochial vicar for Sacred Heart of Jesus Catholic Church in Boulder.

In 1982, he was chosen by the Benedictine Musicians of the Americas to participate in a study-tour of current liturgical music practices in European Benedictine houses. In 1985, he received a grant from the National Endowment for the Humanities for summer research in Gregorian chant at Catholic University in Washington, D.C. The result of his study was Matins at Cluny for the Feast of Saint Peter in Chains, a reconstruction of the service from an 11th century Cluniac manuscript. This reconstruction was published by the Plainsong and Medieval Society of London.

Father Cyprian appeared many times as organ recitalist in the Saint Vincent College concert series and in other series around the country: Trinity Episcopal Cathedral, Pittsburgh; Saint Patrick’s Cathedral, Harrisburg; the National Shrine of the Immaculate Conception, Washington, D.C.; Whatley Chapel at the University of Denver, Saint Paul’s and Our Savior’s Lutheran churches, Trinity Methodist and First Baptist churches in Denver; as dedicatory recitalist in Covington, Kentucky, and Baltimore, Maryland.

He was on loan to the Archdiocese of Denver from 1993 to 1998. There he was principal organist and associate director of music of the Cathedral Basilica of the Immaculate Conception, chaplain of the Benedictine Abbey of Saint Walburga, and director of liturgy for the Archdiocese of Denver.  He also served on the Music Commission of the Archdiocese and was one of the organizers of the local chapter of the National Association of Pastoral Musicians (NPM). He also served as an organizer and clinician at the national conventions of the NPM and the American Guild of Organists in Denver.

In the summer of 2000, he travelled to Rome to perform in a concert series in the Basilica at Sant’ Anselmo. Father Cyprian also served as a consultant on the construction of the new Buzard Basilica organ, which was dedicated in November of 2014. He gave one of the inaugural concerts on the organ the following spring.

Most of Father Cyprian’s life revolved around music. On a few occasions, he also undertook non-musical roles, including serving as associate director of Admissions and Financial Aid and assistant director of the Opportunity Program at Saint Vincent College; and, in 1990, Father Cyprian was invited to serve as secretary to the Abbot Primate of the Benedictine Order, headquartered at the Collegio di Sant’ Anselmo, Rome, Italy.

He was predeceased by his parents, John George and Marian Olive (Willis) Constantine. Surviving are cousins Connie Jean Magee of Phoenix, Arizona; Janel Hall Schempf of Juneau, Alaska, and Susan Horst of Truckee, California; and close friends Lonnie Graham of Northglenn, Colorado; John-Paul Buzard of Urbana, Illinois, and Jayne Russo.

Reception of the body, visitation, and a wake service were held on Thursday, November 16. Father Prior Killian Loch, O.S.B., served as celebrant 
and homilist.

A concelebrated Mass of Christian Burial was held on Friday, November 17, with Archabbot Martin de Porres Bartel, O.S.B., serving as principal celebrant and Father Jean-Luc Zadroga, O.S.B., as homilist. The Rite of Committal followed in the Marcy Mother of Mercy Mausoleum Chapel at Saint Vincent Cemetery.

Memorial contributions may be made to the Benedictine Health and Welfare Fund at Saint Vincent Archabbey, 300 Fraser Purchase Rd., Latrobe, PA 15650.

W. Thomas "Tom" Smith

W. Thomas “Tom” Smith, 89, died October 16, 2023, at his home in Oaxaca, Mexico. Born April 4, 1934, in Gloster, Mississippi, he grew up in South Carolina and graduated from Fairforest High School in 1952. After studying music for three years at Stetson University, DeLand, Florida, he completed his undergraduate studies at Syracuse University, Syracuse, New York, with a Bachelor of Arts degree in 1960. Between those years of study, he spent two and a half years in the United States Army, serving as chaplain’s assistant in Verdun, France, and Ft. Stewart, Georgia. Following several years as organist and choir director at Atonement Lutheran Church, Syracuse, New York, and St. John’s Lutheran Church in Summit, New Jersey, he completed his Master of Sacred Music degree at Wittenberg University, Springfield, Ohio, in 1977.

While he was a graduate student at Wittenberg, his work as an instructor of organ and hymnology caught the attention of the president of the Hymn Society of America (now the Hymn Society in the United States and Canada), 
L. David Miller, who also was dean of the music school at Wittenberg. In 1976 Smith was hired as the part-time executive director of the society, the first to hold this position, while he was finishing his master’s degree. One of his first accomplishments was the reorganization of the contents of the Hymn Society office when the headquarters was moved from New York City to Springfield, Ohio. He managed moving the office contents when the Hymn Society headquarters moved to Ft. Worth, Texas, in 1983, where he then taught hymnology at Texas Christian University from 1984 to 1996.

Smith’s tenure as full-time executive director of the Hymn Society in the United States and Canada was from 1978 until his retirement in 1996. Under leadership, the Hymn Society experienced tremendous growth and many positive changes as he brought new ideas to the structure of the organization. He traveled extensively as an ambassador for the Hymn Society, providing leadership for a variety of events and programs, particularly for chapters of the American Guild of Organists and the Royal Canadian College of Organists. The annual summer conferences became a highlight for members as they gathered in various places across the United States and Canada for expanded and innovative programming that he initiated. In 1996 Smith was named a Fellow of the Hymn Society in the United States and Canada.

Smith’s retirement began in December 1996 when he relocated to Oaxaca, Mexico. He maintained an active musical life, hosting concerts in his home with performances on a four-and-a-half-stop Oberlinger organ that he purchased in 2001. He was known and loved in Oaxaca by many friends, neighbors, and students to whom he taught English for many years. His generosity led him to provide living space in his house for students of limited financial means.

Upon his death Smith was cremated, and his ashes remain in Oaxaca. A private celebration of his life was held in his home on October 29.

Jennifer Lucy Bate, 75, born in London, UK, November 11, 1944, died March 25. She was the daughter of H. A. Bate, organist of St James’s Muswell Hill from 1924 to 1978. An international concert organist, she was considered an authority on the organ music of Olivier Messiaen, having befriended him within the last twenty years of his life as his organist of choice. In 1986, she gave the first British performance of his Livre du Saint-Sacrement at Westminster Cathedral and later made the world premiere recording of the work under the personal supervision of the composer, winning the Grand Prix du Disque. He also endorsed her earlier recordings of all of his other organ works. Bate owned scores that contain many personal markings and references made by Messiaen. In 1995, Bate opened the Messiaen Festival at l’Église de la Sainte Trinité, Paris, France, where his complete organ works were performed and recorded. Among numerous awards for her CD were the Diapason d’Or (France) and Preis der Deutschen Schallplattenkritik (Germany).

Bate performed and recorded a broad repertoire spanning several centuries, including English organ music, the complete organ works of César Franck, and the complete organ music of Felix Mendelssohn. A frequent performer at organ festivals, she often played works written for her. She also presented numerous masterclasses and lectures. She was instrumental in the formation of the annual Jennifer Bate Organ Academy, a course for young female organists, and she was the lead patron of the Society of Women Organists.

Bate was briefly married (as his second wife) to George Thalben-Ball. She received an honorary doctorate from the University of Bristol in 2007. In 1990, Bate was recognized with the Personnalité de l’Année award by the French-based jury, only the third British artist to achieve this distinction, after Georg Solti and Yehudi Menuhin. In 1996, Bate was granted honorary citizenship of the Italian province of Alessandria for her services to music in Northern Italy over 20 years. In 2002, she was elected a Fellow of the Royal Society of Arts, and in 2008 was appointed Officer of the Order of the British Empire.

In 2011, M. Frédéric Mitterand, minister of culture and communication, awarded Jennifer Bate the rank of Officier de l’ordre des Arts et des Lettres, stating that this honor is awarded to renowned artists and writers who have promoted French culture throughout the world. Subsequently, President Sarkozy appointed Jennifer Bate to the rank of Chevalier in the Ordre National de la Légion d’Honneur, stating that this honor was awarded in recognition of her skill as an organist and her contribution to making Olivier Messiaen’s organ works more widely known throughout the world. She received both awards in 2012.

Marillyn Ila Freeman, 85, musician and teacher, died March 24. Born in Marion, Wisconsin, February 23, 1935, she grew up in New London and Appleton, where she began playing the organ for local church services at the age of twelve. She graduated from Appleton High School in 1953 and the Lawrence College Conservatory of Music, Appleton, earning a degree in music performance in 1957. While at Lawrence, she met her future husband Ralph Freeman, and they were married in 1958. Following graduation Freeman taught music at Lawrence and worked in the president’s office at Princeton University, eventually returning to Wisconsin and settling in Green Bay, where she taught piano and played organ in the Moravian church.

In 1965 the Freemans moved to Neenah where a year later she began a 54-year career as organist for St. Paul Lutheran Church. In addition to playing organ and piano, as director of music ministries she planned worship services, directed youth choirs, accompanied the adult Sanctuary Choir, presented church musicals, and guided the church in purchasing a new Dobson organ in 1986. She earned an associate certificate of the American Guild of Organists in 1995 and an associate in music ministry certificate in 2000.

Throughout her career Freeman continued to teach piano and organ, organizing piano recitals, judging piano competitions, and mentoring young musicians in the Fox Valley. She was a member of the Fox Valley Music Teachers, a member of the Sigma Alpha Iota International Music Fraternity, served as treasurer of the North Eastern Wisconsin chapter of the American Guild of Organists, and was active in the Hymn Society of the United States and Canada. For many years she and her husband Ralph, a pianist, violinist, and published author of hymn texts, performed organ and piano duets each August as part of the Lunchtime Organ Recital Series in the Fox Valley region.

Marillyn Ila Freeman is survived by her husband Ralph Freeman, five children: Rebecca Freeman (Stephen Fusfeld) of Neenah; Jennifer Timm (Terry) of Neenah; Robert Freeman (Robin) of Darien, Illinois; Jon Freeman of Whitefish Bay; and Paul Freeman (Nicole Berman) of Stow, Massachusetts; twelve grandchildren, and several great grandchildren.

Memorial gifts may be made to the music ministry program at St. Paul Lutheran Church, 200 N. Commercial Street, Neenah, WI 54956, or to either the Melanoma Research Fund or the Surgical Oncology Outcomes Research and Awareness Fund at the University of Wisconsin (supportuw.org/give).

Josephine Lenola Bailey Freund, 90, died February 8 in Carlisle, Pennsylvania. A lifelong musician, she was a professional organist for almost 70 years and taught piano and organ. She performed organ recitals and directed choirs throughout the United States, as well as in Swaziland and Papua New Guinea.

Josephine Bailey was born April 8, 1929, in Indianapolis, Indiana. She began piano lessons at age six and started studying organ at age thirteen. Among her first professional jobs were playing the organ to accompany silent movies and substituting as an accompanist and organist in local churches.

Following graduation from high school in 1946, Bailey attended Wittenberg College, Springfield Ohio, later transferring to Peabody Conservatory of Johns Hopkins University, Baltimore, Maryland. There she earned a teaching certificate in organ and bachelor’s and master’s degrees. In 1952, she was the first female graduate of Peabody to earn a master’s degree in organ performance.

During the 1950s Bailey played at various churches in Maryland, Virginia, and the District of Columbia, including serving as music director for First Baptist, Washington, D.C., which President Truman attended; and St. Anne’s Episcopal Church, Annapolis, Maryland, where she was honored to play for a royal visit by Elizabeth, the Queen Mother. From 1956 until 1961, she was associate professor of music at Longwood College, Farmville, Virginia. She was also organist of First Presbyterian Church, Farmville, and taught music in local public high schools.

In 1963, Bailey became the first full-time director of music at Trinity Lutheran Church, Camp Hill, Pennsylvania. She later returned to Indianapolis to teach in public schools and was the organist and assistant choir director at First Presbyterian Church. In the early 1970s, she moved to East Lansing, Michigan, to work on her doctorate in music theory at Michigan State University. She also was associate professor of music and organist and choir director of Martin Luther Chapel at Michigan State. It was there that she met her future husband Roland Freund who was an Australian agricultural missionary working on his master’s degree. They married in July 1971 and moved to the Highlands of Papua New Guinea.

In 1976, the family moved to Carlisle, Pennsylvania, where Josephine taught piano and was organist at Grace United Methodist Church. The family spent 1982–1984 working on a U.S. AID and Penn State University project in Swaziland, Africa. There she taught music in several schools and directed the largest choir in the country for a performance of Brahms’s Requiem.

Upon returning to Carlisle, Josephine Freund served as organist and choir director at St. John’s Episcopal Church and Gettysburg College Chapel. She was adjunct professor of organ for Dickinson College and an active member and officer of the Harrisburg Chapter of the American Guild of Organists. Freund played her final organ recital in 2010, but continued to teach piano and organ and to substitute and support church services, weddings, and funerals for a few more years. She was a lifetime member of the national honors fraternity for women in music, Sigma Alpha Iota.

Josephine Lenola Bailey Freund is survived by her husband, Roland Paul Freund of Carlisle; her nephew, Matthew Freund of South Australia; and her son, Colonel Ernie Freund, daughter-in-law Megan Sayler Freund, and granddaughters, Amelia Rose and Adelaide Pearl, all from Burke, Virginia.

Funeral services were held February 15 at Trinity Lutheran Church, Camp Hill, Pennsylvania. Memorial contributions may be made to Residential Hospice, 100 Sterling Pkwy #110, Mechanicsburg, PA 17050 or the Traditional Music Fund at Trinity Lutheran Church, 2000 Market Street, Camp Hill, PA 17011.

Eleanor Marie Fulton, organist and music educator, died February 23 in New Haven, Connecticut. Born August 9, 1939, in Morristown, Tennessee, she earned her Bachelor of Arts degree from Bennett College, Greensboro, North Carolina, in 1961, and continued her education at the Manhattan School of Music, New York City; the Haydn Conservatory, Eisenstadt, Austria; and the University of Ghana’s International Center for African Music and Dance.

She served as the longtime organist and director of music for Center Church on the Green, New Haven, and was a music teacher for New Haven Public Schools, director of the New Haven Children’s Chorus, assistant organist and director of Christian education for Battell Chapel, Yale University, New Haven, consultant to the New Haven Symphony Orchestra, and a private piano and music instructor. She was the featured performer on a CD released by Raven, performing on the 1971 Beckerath organ of Dwight Chapel, Yale University, with works of Bach, de Grigny, and Mendelssohn (Eleanor Fulton, Organist: Dwight Chapel, Yale University, OAR-810).

Odile Pierre, French liturgical and international concert organist, professor, and composer, died in Paris, France, on February 29, shortly before her 87th birthday. Born in Pont-Audemer (in Normandy) on March 12, 1932, she decided to become an organist at age seven, inspired by a recital by Marcel Dupré on the Cavaillé-Coll organ at St. Ouen Abbey in Rouen. After taking lessons with Madeleine Lecoeur, organist at St. Nicaise Church in Rouen at age fifteen, she served as organist and choir director at the St. Martin Church in Barentin (in the Seine-Maritime region of Normandy). From 1950 to 1952, she studied harmony with Albert Beaucamp and organ with Marcel Lanquetuit at the Rouen Conservatory. She then entered the Paris Conservatory, where she was awarded first prizes in the classes of Maurice Duruflé (harmony), Noël Gallon (fugue), Norbert Dufourcq (music history), as well as organ and improvisation with Marcel Dupré and Rolande Falcinelli. At the age of 23, Odile Pierre became the youngest Marcel Dupré student to win a first prize in organ and improvisation at the Paris Conservatory. She won this prestigious prize the same year as Éliane Lejeune-Bonnier (1921–2015), with the unanimous approval of the jury, which included Jeanne Demessieux.

From 1955 to 1957, Odile Pierre officially substituted for Jean-Jacques Grunenwald, then organist at Saint-Pierre de Montrouge Church in Paris. She then studied organ performance with Fernando Germani at Saint-Cecilia Academy in Rome and at Chigiana Music Academy in Sienne, and with Franz Sauer at the Mozarteum in Salzburg. In 1969, she succeeded Jeanne Demessieux as titular organist of the gallery organ of the Madeleine Church and remained in this post until 1979. By coincidence, on the day after she died, Olivier Périn began his functions as the official assistant to François-Henri Houbart, her successor at the Madeleine.

Well known for her mastery of organ repertoire from early to contemporary masters, Odile Pierre performed at least 2,000 concerts throughout the world, including appearances in Japan, Korea, the Philippines, Canada, Iceland, Russia, Germany, Turkey, Italy, Spain, Austria, and the former Czechoslovakia, including twelve tours in the United States and six in Asia. In 1977, she represented France at the Third International Organ Congress in Washington and Philadelphia. She performed organ concertos under the direction of conductors such as Lorin Maazel, Pierre Dervaux, Antoine de Bavier, and Georges Prêtre.

Odile Pierre recorded for RCA, Mitra, Motette, Festivo, Editions Lade, and IFO. At least two of the recordings were made at the Madeleine Church in Paris: Camille Saint-Saëns’ Preludes and Fugues (1972, RCA LSB 4088) and The Great Romantic Toccatas (1978, RCA/RC 8108). In 1991, she recorded (for SCD 814) Jean-François Muno’s reconstitution of Jean de Joyeuse’s 1694 organ at the Auch Cathedral, which she had inaugurated in 1988 with André Isoir. Her Poetic Symphonic Organ Music (Vierne, Debussy, Duruflé, and Odile Pierre) on the Cavaillé-Coll of the Trinity Church in Fécamp and at St. Godard in Rouen (1988, MP/FR 51190 C) calls upon her Normand origins; her record of Widor, Vierne, and Guilmant at the Orléans Cathedral (1993, Motette 11251), reminds us that she lived nearby, in Tigy, in the Loiret department, at the end of her life.

As professor, Odile Pierre taught organ and music history at the Rouen Conservatoire from 1959 until 1969 and then organ and improvisation at the Paris Regional Conservatoire from 1981 until 1992. Among her students were Michael Matthes, Léon Kerremans, D’Arcy Trinkwon, Kristiyan Seynhave, David Di Fiore, and Lionel Coulon (titular organist at the Rouen Cathedral since 1992, he substituted for her at the Madeleine for four years). In 1991, she gave organ classes at the Scuola Internationale d’Alto Perfezionmento Musicale in Perugia, Italy, and gave masterclasses in numerous colleges and universities. She also served on the juries of international organ competitions. In 1977, she was appointed as a member of the Commission on Organs in Paris.

Her organ works were published as early as 1955: Chorale and Fugue on the first antiphon of the Second Vespers for Christmas (1955, Procure du Clergé), and Chorale and Four-Voiced Fugue (1955, republished by Europart-Music in 1988), Four Pilgrimages at the Virgin Mary for four hands, opus 1 (Leduc, 1988), Variations and Fugue on three Christmas Carols (Leduc, 1990), The Martyr of St. Thomas Becket, op. 4 (Bergamo, Carrara 1994), Chorale and Fugue on the Name of Charles-Marie Widor, op. 5 (Mayence, Schott, 1994), and Canonic Variations and Fugue on Two Christmas Carols from Naples, op. 6 (1955). Her edition of some of Alexandre Guilmant’s organ works was printed by Bornemann in 1983 and 1984. In addition, she wrote about Marcel Dupré’s improvisation exams in 1953 and 1954 (Leduc, undated). Odile Pierre received three awards for her contributions to French culture: Officer in the French Legion of Honor, Commander in the French Order of Merit, and the Silver Medal of the City of Paris.

Odile Pierre is survived by her husband, the historian Pierre Aubé.

—Carolyn Shuster Fournier

Philip Astor Prince, 89, of New Haven, Connecticut, died February 5. Born January 5, 1931, in Evanston, Illinois, Prince attended the Taft School before entering Yale University with the Class of 1952. He earned his Bachelor of Arts degree in Latin, subsequently studied musicology in the Yale Graduate School, but completed a Master of Music degree from the Yale School of Music in organ performance under H. Frank Bozyan in 1959. Prince was drawn to the Anglo-Catholic liturgy celebrated at Christ Church, New Haven, and became associated with the music program there, succeeding Richard Donovan as organist and choirmaster in 1966. He became respected among colleagues for his English-language arrangements of Gregorian chants and psalmody and for his hymn accompaniments.

Prince published scholarly articles on Max Reger’s organ music (see “Reger and the Organ,” The Diapason, March 1973) and a performing edition of a sonata da chiesa of Johann Gottfried Walther. He also taught organ students at Wesleyan University, Middletown, Connecticut, where he served as university organist for nearly 30 years and played annual recitals. In 1988, he joined the choirs of St. Mary Church, New Haven, and the St. Gregory Society and continued singing with them well into his 80s. Prince became an associate fellow of Ezra Stiles College in 1974. He was a longtime member of both Mory’s and the Elizabethan Club in New Haven, and the American Guild of Organists and Association of Anglican Musicians. Prince was a supporter of the Yale swimming team, and for many years he refereed at swimming matches and tournaments.

Edward Brewer, 82, died April 3 in Leonia, New Jersey. Born in 1938 in Erie, Pennsylvania, his talent for music was revealed at an early age.

Brewer majored in organ at Oberlin Conservatory of Music, Oberlin, Ohio. As a graduate student at University of Illinois Urbana-Champaign, Brewer received a Fulbright Fellowship to continue his studies with organist Helmut Walcha in Frankfurt, Germany. His harpsichord studies continued with Maria Jaeger.

Edward Brewer’s school days ended in New York City in 1963 where he served in the Domestic Peace Corps until 1964, when he became organist and choir director at Judson Memorial Church in Greenwich Village. As a continuo player he served Amor Artis, Oratorio Society of New York, and New York Choral Society, as well as New York Philharmonic, New York Collegium, Orpheus, Orchestra of St. Luke’s, and Philharmonia Virtuosi. He participated in the Madeira Bach Festival, Mostly Mozart Festival, and North Country Chamber Players summer festival. He was founding director of the Soclair Music Festival, a role he filled for 30 years. As founder and director of the Brewer Chamber Orchestra, he participated in a series of first-time recordings of operas by George Frederick Handel for MMG, Nonesuch, Delos, and ESS.A.Y.

Edward Brewer also provided portable pipe organs and harpsichords in European styles of the 18th century for New York musical organizations involved in the performance of Baroque music. This service continues as Baroque Keyboards, LLC, under the management of his son and daughter.

Edward Brewer is survived by his wife of 51 years, oboist Virginia Brewer; his son Barry and wife Tomoko and their daughters Miako and Emiko; and daughter Hazzan Diana Brewer and wife Sara Brewer and their daughter Camilla.

Kenneth Gilbert, 88, harpsichordist, organist, musicologist, and teacher, died April 16. He was born December 16, 1931, in Montreal, Quebec, Canada. He studied organ with Conrad Letendre, piano with Yvonne Hubert, and harmony and counterpoint with Gabriel Cusson. Gilbert won the Prix d’Europe for organ in 1953 and studied for two years with Nadia Boulanger (composition), Gaston Litaize and Maurice Duruflé (organ), and Sylvie Spicket and Ruggero Gerlin (harpsichord). While he was on leave for these studies, he remained the organist and music director at Queen Mary Road United Church, Montreal, between 1952 and 1967. In 1959, he designed and oversaw the installation at Queen Mary Road Church of the first major modern mechanical-action organ in Canada, an instrument built by Rudolf von Beckerath of Hamburg, Germany. Gilbert was a leader in the formation of the Ars Organi society, which influenced organ performance standards in eastern Canada. He received an honorary doctorate degree in music from McGill University in 1981.

While in Paris in 1965 on a Quebec government grant doing research on Couperin in preparation for a CBC series of performances of the composer’s complete works for harpsichord, Gilbert undertook work for a new edition for the Couperin tercentenary in 1968. (He subsequently recorded the Couperin works for RCI, released on Harmonia Mundi in France, RCA in England, Musical Heritage Society in the United States, and other labels in Italy and Japan.) Heugel would publish Gilbert’s four volumes of Couperin works as part of its early-music series, Le Pupitre, between 1969 and 1972. Gilbert prepared a new edition from existing editions of the 555 sonatas of Domenico Scarlatti; eleven volumes were published by Heugel between 1971 and 1984. He prepared a facsimile edition of the complete harpsichord works of Couperin, published by Broude in 1973, and edited the complete harpsichord works of d’Anglebert, printed by Heugel in 1975. He also prepared new editions of Bach’s Goldberg Variations for Salabert in 1979, Frescobaldi’s first and second books of toccatas for Zanibon in 1979 and 1980, and Rameau’s complete harpsichord works for Heugel 1979. In 1980, he began to prepare a reissue of Couperin’s complete works for L’Oiseau-Lyre of Monaco. With Élizabeth Gallat-Morin, he produced an annotated edition of Livre d’orgue de Montréal, published in three volumes by Éditions Jacques Ostiguy in 1985, 1987, and 1988.

Gilbert’s performances were devoted primarily to the harpsichord. In 1968, he gave his first recital in London and commenced an international career of concerts, broadcasts, and recordings. He was a soloist with several Canadian and American orchestras.

Gilbert taught at the Conservatoire de musique du Québec à Montréal 1957–1974, at McGill University 1964–1972, at Laval University 1969–1976, and at the Royal Flemish Conservatory, Antwerp, Belgium, 1971–1974. In 1988, he began to teach at the Mozarteum in Salzburg, Austria, and he became professor of harpsichord at the Conservatoire de Paris. For some years, he taught at Accademia Chigiana, Siena, Italy. Furthermore, he presented masterclasses throughout North America and Europe.

In 1978, the Canadian Music Council named Gilbert Artist of the Year. He was honored with the Prix de musique Calixa-Lavallée in 1981. In 1986, he was named an officer of the Order of Canada and in 1988 was elected to the Royal Society of Canada. He was an honorary member of the Royal Academy of Music and Officier de l’Ordre des arts et lettres de France.

John Benjamin Hadley, 92, died January 5 in Hendersonville, North Carolina. Born July 1, 1927, in Iowa Falls, Iowa, he began playing organ in local churches at age 13 and received a Bachelor of Music degree from Iowa Falls Conservatory of Music in 1946.

After additional study in boy choir training and organ under John Dexter in Grand Rapids, Michigan, he entered the London School of Church Music, London, Ontario, where he spent three years under the tutelage of Ernest White and Raymond Wicher. While in London, he met and married Dorothy Helen Gallop with whom he would spend 52 years, while raising two daughters, Vicki and Kim.

The Hadleys moved to Chicago, Illinois, in 1951 where they would remain until the late 1980s. His first position was at St. Clement’s Catholic Church, Chicago, as organist and choirmaster, followed by Grace Episcopal Church, Hinsdale, and then Church of the Ascension, Episcopal, Chicago. In 1955, Hadley began assisting S. E. Gruenstein in his duties as editorial director and publisher of The Diapason. Upon the death of Gruenstein in December 1958, Hadley and Frank Cunkle were named associate editors of the journal. Hadley became publisher in August 1958 and left the staff of The Diapason September 1, 1959, for his duties at the Church of the Ascension. During his time in Chicago, he was a sales representative for the Schlicker Organ Company and held several positions with the Associated Pipe Organ Builders of America.

Hadley became an editor at Encyclopaedia Britannica. He made several trips to China in the 1980s as the editorial liaison for the Chinese edition of the encyclopaedia. Additionally, he was a senior editor of Compton’s Encyclopedia and executive editor for The Britannica Book of Music as well as The Britannica Book of English Usage. It was during this time that he became an entrepreneur, and along with the vision of wife Dorothy, they opened a British import store in Door County, Wisconsin, where they had a second home.

In 1993 the Hadleys moved to Hendersonville, North Carolina, to be closer to the Brevard Music Festival. He became passionate about the program, choosing to bequeath the majority of his estate for the continuing funding of its work. In his retirement he served as organist of Hendersonville’s First United Methodist Church and finally St. Mary’s Episcopal Church, Asheville, North Carolina.

John Benjamin Hadley was preceded in death by his wife Dorothy, his partner Phyllis Hansen, and daughter Vicki Anderson. He is survived by son-in-law John Anderson, grandson Matt Anderson, and daughter Kim Parr.

Edmund Shay died April 21 in Woodbury, New Jersey. He was born in the Bronx, New York City, and attended the High School for Music and Art in Manhattan, followed by The Juilliard School, New York City, where he received his bachelor’s and master’s degrees. In 1962 he was awarded a Fulbright fellowship allowing him to study in Germany with Helmut Walcha. He later earned his Doctor of Musical Arts degree in performance and music theory from the University of Cincinnati.

Shay’s career as concert organist, teacher, and composer included teaching at the University of the Pacific, Beloit College, Pembroke State University, Madison College (now known as James Madison University), and Columbia College, Columbia, South Carolina. He maintained an active recital schedule while teaching and wrote articles for The American Organist and The Diapason. From 1986 through 1991 he wrote organ music reviews for The Diapason. For fourteen years, Shay directed a summer seminar for organists called “Bach Week,” sponsored by Columbia College. Upon his retirement in 2003, Shay relocated to a winter home in Washington, D.C., with a summer home in Vermont. In 2014 he began to battle dementia, and in 2017, he moved to Friends Village in Woodstown, New Jersey, and subsequently to Merion Gardens Assisted Living in Carney’s Point, New Jersey.

Edmund Shay was predeceased by his life partner of over 35 years, Raymond Harris; he is survived by his adopted nephew and niece, Dale and DeeAnn Harris of Salem, New Jersey. Memorial gifts in Shay’s name may be given Alzheimer’s research or your local animal shelter.

Nicholas Temperley, professor emeritus of the School of Music, University of Illinois, Urbana-Champaign, died April 8. Born and educated in England, Temperley came to the University of Illinois in 1959 as a postdoctoral fellow, and he joined the faculty in 1967. He taught classes in the School of Music, supervised over fifty dissertations and theses, and served on dozens of doctoral committees. His publications include The Music of the English Parish Church (1979), Hymn Tune Index (1998), editions of music (including volumes for the Musica Britannica series and an edition of Berlioz’s Symphonie fantastique), and Bound for America: Three British Composers (2003), as well as several edited essay collections and scores of book chapters and journal articles.

After retiring in 1996, Temperley continued to be a researcher, writer, and editor. He also went on to guide the establishment of the North American British Music Studies Association [NABMSA] (2003) and serve as its first president, and he endowed prizes for student research: the Nicholas Temperley Dissertation Prize (later the Nicholas Temperley Musicology Research Scholarship, University of Illinois) and the Nicholas Temperley Student Paper Prize (NABMSA). In 1977, he was one of the co-founders of the Midwest Victorian Studies Association [MSVA], a group that sought to promote the interdisciplinary study of Victorian culture.

In 2012, a festschrift in his honor (Music and Performance Culture in Nineteenth-Century Britain, ed. Bennett Zon) was published. In April 2019, MVSA presented him with its Lifetime Achievement Award for his work in bringing music into the purview of Victorianists.

A memorial service will be planned for a later date. Memorial gifts may be sent to the Evelyn Burnett Underwood fund at the Urbana School District, which provides musical instruments to students who cannot afford them (contact Stacey Peterik at [email protected]).

James Merle Weaver, 82, died April 16 in Rochester, New York. Born in Danville, Illinois, he began piano and organ studies there. He attended the University of Illinois, Champaign-Urbana, during which time he gave piano and organ demonstrations and private lessons at a local music store and played Sunday church services. While on a high school field trip to Washington, D.C., Weaver saw his first harpsichords, displayed at the Smithsonian Institution’s National Museum of Natural History. During his sophomore year at the U of I, he went to Amsterdam to study harpsichord and historical performance practice with Gustav Leonhardt.

Returning to Illinois, Weaver completed his bachelor’s (1961) and master’s (1963) degrees. Weaver and his young family then moved to Boston’s North End. His facility as a continuo player developed, both as a concert artist and for recordings. While in Boston, he befriended the music director of Old North Church, John T. Fesperman, who had been Leonhardt’s first American student (1955–1956). Fesperman left Boston in 1965 to take a position at the collection of musical instruments in the Smithsonian’s newly opened National Museum of History and Technology; Weaver followed him to the Smithsonian the next year, where he began a diverse career producing concert programs and exhibits, among other activities. In 1971, he worked to found the Friends of Music at the Smithsonian, which continues to support the Smithsonian Chamber Music Society.

Weaver pursued his exploration of newly restored harpsichords and forte-pianos in the Smithsonian’s collection, producing recordings. He established an ensemble in residence at the museum in 1976, the Smithsonian Chamber Players, which produced recordings through the Smithsonian Collection of Recordings, an arm of the institution’s Division of Performing Arts (DPA), which Weaver joined in the late 1970s.

In 1983, DPA’s functions were absorbed by other portions of the institution, and Weaver returned to the Division of Musical Instruments at the National Museum of American History (NMAH), as the National Museum of History and Technology had been renamed in 1980.

In addition to his Smithsonian activities, Weaver occasionally appeared with the National Symphony Orchestra and various professional choruses of the area. With the Smithsonian Chamber Players, he had a presence in the inaugural festivities for Jimmy Carter and later performed twice, including once as harpsichord soloist, at the Carter White House. He was subsequently invited to play at five inaugural luncheons, from Ronald Reagan’s second inaugural to George W. Bush’s first. Weaver taught at various times at American University, the University of Maryland, Cornell University, the Aston Magna Academy, and the Baroque Performance Institute at Oberlin Conservatory of Music.

Following his move to Washington, D.C., in the 1960s, Weaver served as organist or organist/choirmaster at several churches, including Baltimore’s Mount Calvary Church, Washington’s St. Columba’s Episcopal Church and All Souls Episcopal Church, and finally at All Hallows Episcopal Church, Davidsonville, Maryland.

Following retirement from the Smithsonian, Weaver was appointed executive director (later chief executive officer) of the Organ Historical Society. During the last years of his tenure at the OHS, he supervised the relocation of its headquarters and archives to “Stoneleigh” in Villanova, Pennsylvania. He also expanded the E. Power Biggs Fellowship program.

James Merle Weaver is survived by husband/partner Samuel Baker; son Evan (Jill), three grandchildren, and two great-grandchildren. He was predeceased by wife Patricia Estell and long-time former partner Eugene Behlen. Memorial gifts may be given to the Biggs Fellowship Program of the Organ Historical Society, 330 N. Spring Mill Road, Villanova, PA 19085; or the Friends of Music at the Smithsonian, P. O.
Box 37012, Washington, DC 20013-7012 (https://www.smithsonianchambermusic.org/donate).