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Alis Dickinson Adkins dead at 83

Alis Dickinson Adkins

Alis Dickinson Adkins, former faculty member of the University of North Texas College of Music, died December 6, 2019, in Denton, Texas.

Born in Corpus Christi, Texas, on August 25, 1936, she grew up in Brownwood, Texas, and graduated from high school there in 1953. Both then and later at Howard Payne College in 1957, she led her graduating class as valedictorian, majoring in history and minoring in music. While subsequently teaching at Howard Payne and serving as organist of First Baptist Church in Brownwood, she pursued her two principal interests by completing a master’s degree in music history and organ at the University of Texas in Austin. There she studied organ with Jerald Hamilton. She was awarded a Fulbright scholarship for two years of study with Finn Viderø in Copenhagen, Denmark (1963–1965). He arranged for her to play recitals around Denmark and Sweden, concentrating on North German organ music that became the center of her repertoire.

Upon her return to Texas in 1965 Adkins enrolled at the University of North Texas pursuing a doctorate in musicology while teaching organ part-time. The degree was presented upon completion of her dissertation, "Keyboard Tablatures of the Mid-Seventeenth Century in the Royal Library, Copenhagen: Edition and Commentary," for which she was awarded a prize by the professional fraternity Mu Phi Epsilon. Dickinson also had the honor of being the first woman to earn a Ph.D. in the arts from a Texas university.

In 1967 Dickinson had married a musicological colleague, Cecil Adkins. Together they published articles on various aspects of the positive organ. In 1967 they also took over the bibliographical series Doctoral Dissertations in Musicology, the go-to publication for information on current and completed dissertations in the field.

Alis Adkins also taught music history and appreciation for many years at the University of North Texas. She served as organist and choirmaster of St. Barnabas Episcopal Church, Denton, for over fifty years.

Alis Dickinson Adkins is survived by eight children, Sean Adkins (Rexanne Ring), Lynne Adkins Rutherford (Paris), Elisabeth Adkins (Edward Newman), Christopher Adkins (Sasha), Clare Adkins Cason (David), Anthony Adkins (Erica), Alexandra Adkins Wenig (Steven), and Madeline Adkins (John Forrest), as well as by 12 grandchildren. Her memorial service was held at St. Barnabas Episcopal Church, Denton. Interment was in the columbarium under the organ, beside her husband, who died in 2015.

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Nunc dimittis: Allis Dickinson Adkins

Allis Dickinson Adkins

Nunc Dimittis

Alis Dickinson Adkins, former faculty member of the University of North Texas College of Music, died December 6, 2019, in Denton, Texas. Born in Corpus Christi, Texas, on August 25, 1936, she grew up in Brownwood, Texas, and graduated from high school there in 1953. Both then and later at Howard Payne College in 1957, she led her graduating class as valedictorian, majoring in history and minoring in music. While subsequently teaching at Howard Payne and serving as organist of First Baptist Church in Brownwood, she pursued her two principal interests by completing a master’s degree in music history and organ at the University of Texas in Austin. There she studied organ with Jerald Hamilton. She was awarded a Fulbright scholarship for two years of study with Finn Viderø in Copenhagen, Denmark (1963–1965). He arranged for her to play recitals around Denmark and Sweden, concentrating on North German organ music that became the center of her repertoire.

Upon her return to Texas in 1965 Adkins enrolled at the University of North Texas pursuing a doctorate in musicology while teaching organ part-time. The degree was presented upon completion of her dissertation, “Keyboard Tablatures of the Mid-Seventeenth Century in the Royal Library, Copenhagen: Edition and Commentary,” for which she was awarded a prize by the professional fraternity Mu Phi Epsilon. Dickinson also had the honor of being the first woman to earn a Ph.D. in the arts from a Texas university.

In 1967 Dickinson married a musicological colleague, Cecil Adkins. Together they published articles on various aspects of the positive organ. In 1967 they also took over the bibliographical series Doctoral Dissertations in Musicology, the go-to publication for information on current and completed dissertations in the field.

Alis Adkins also taught music history and appreciation for many years at the University of North Texas. She served as organist and choirmaster of St. Barnabas Episcopal Church, Denton, for over fifty years.

Alis Dickinson Adkins is survived by eight children, Sean Adkins (Rexanne Ring), Lynne Adkins Rutherford (Paris), Elisabeth Adkins (Edward Newman), Christopher Adkins (Sasha), Clare Adkins Cason (David), Anthony Adkins (Erica), Alexandra Adkins Wenig (Steven), and Madeline Adkins (John Forrest), as well as by 12 grandchildren. Her memorial service was held at St. Barnabas Episcopal Church, Denton. Interment was in the columbarium under the organ, beside her husband, who died in 2015.

Nunc dimittis: Emma Lou Diemer, Eugene Englert, Dana Hull, Rick Morel, Kenneth Reed

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Emma Lou Diemer

Emma Lou Diemer, born in Kansas City, Missouri, November 24, 1927, died June 2, 2024, in Santa Barbara, California. She played piano and composed at a very early age, and she became organist in her church at age 13. Her interest in composing music continued through College High School, Warrensburg, Missouri, and she majored in composition at the Yale School of Music, New Haven, Connecticut, earning a Bachelor of Music degree in 1949 and a Master of Music degree in 1950. She finished her Ph.D. degree at the Eastman School of Music, Rochester, New York, in 1960. She studied in Brussels, Belgium, on a Fulbright scholarship and spent two summers of composition study at the Berkshire Music Center.

Diemer taught at several colleges and was organist at several churches in the Kansas City area during the 1950s. From 1959 until 1961 she was composer-in-residence in the Arlington, Virginia, schools under the Ford Foundation Young Composers Project. She composed many choral and instrumental works for schools, a number of which are still in publication. She was consultant for the MENC Contemporary Music Project before joining the faculty of the University of Maryland where she taught composition and theory from 1965 until 1970. In 1971 she moved from the East Coast to teach composition and theory at the University of California, Santa Barbara. There she was instrumental in founding the electronic/computer music program. In 1991 she was named Professor Emeritus.

Through the years she has fulfilled many commissions of orchestral, chamber ensemble, keyboard, choral, and vocal works for schools, churches, and professional organizations. Most of her works are published. She received awards from Yale University (Certificate of Merit), Eastman School of Music (Edward Benjamin Award), National Endowment for the Arts (electronic music project), Mu Phi Epsilon (Certificate of Merit), Kennedy Center Friedheim Awards (for a piano concerto), American Guild of Organists (Composer of the Year), American Society of Composers, Authors, and Publishers/ASCAP (annually since 1962 for performances and publications), the Santa Barbara Symphony (composer-in-residence, 1990–1992), the University of Central Missouri (honorary doctorate), and others.

She was an active keyboard performer on piano, organ, harpsichord, and synthesizer, and in later years gave concerts of her own music at Washington National Cathedral, St. Mary’s Cathedral and Grace Cathedral in San Francisco, Cathedral of Our Lady of the Angels in Los Angeles, and elsewhere. For information: emmaloudiemermusic.com.

Eugene “Gene” E. Englert

Eugene “Gene” E. Englert, 93, pianist, choral director, composer, organist, and liturgist, died June 2. Born March 15, 1931, he began playing organ for Catholic Masses at a young age. Upon graduation from Purcell High School, Cincinnati, Ohio, he attended the Athenaeum of Ohio in Cincinnati. After serving in the Army in Korea where he was prompted to give a concert in the American embassy and form and conduct a Korean children’s choir, Englert completed his Master of Music degree at the University of Cincinnati Conservatory of Music.

Englert married Ruth Caplinger, and they began their family and his long career as a Catholic church musician and choir director in the Archdiocese of Cincinnati. He was music and choir director at St. Clement, St. Charles, St. Clare Catholic churches in Cincinnati, Sacred Heart Catholic Church in Fairfield, Ohio, and Assumption Catholic Church in Mt. Healthy, Ohio, where he served for 52 years. He also was music director at McAuley High School and Good Samaritan Hospital School of Nursing, both in Cincinnati, preparing choirs and music groups for concerts and shows for many years. One of his accomplishments was taking two of his choirs to Rome to sing for Pope John Paul II in 1988.

Englert began composing choral, piano, and organ music in the 1960s with more than 250 pieces of published choral music, mostly written for church choirs and hymnals and still being sung in churches all over the world. He was a founding member of the National Catholic Music Educators Association, an organization of musicians dedicated to Catholic music education that eventually developed into what is now known as the National Association of Pastoral Musicians (NPM). Englert was part of the Milwaukee Composers’ Forum that produced a major document on church music and liturgy.

Eugene E. Englert was preceded in death in 2010 by his wife of 53 years, Ruth, and also by their son Mark who died as a young child. He is survived by three children: Stephanie (John Williams), John, and Jeannette (Clifton Funches), and two grandchildren. A funeral Mass was celebrated June 8 at the Church of the Assumption, Mt. Healthy, with burial at St. Mary’s Cemetery, St. Bernard, Ohio, with military honors.

Dana June Hull

Dana June Hull, 97, of Ann Arbor, Michigan, died June 4. Born February 14, 1927, in Waterville, Ohio, she graduated from Bowling Green State University, Bowling Green, Ohio, with a Bachelor of Music degree in organ performance. Hull was one of the first women to start a business for the restoration of historic pipe organs in the United States, located in Ann Arbor.

Throughout her life she held organist positions and worked as a choral conductor and accompanist in churches, working until the age of 92. She was an active member of the American Guild of Organists, the Organ Historical Society, and the Reed Organ Society.

Dana June Hull is survived by her daughter-in-law, Christiane Hull, three grandchildren, and two great-grandchildren. She was preceded in death by her son, Dallas Hull, and stepdaughter, Diane Willis. A memorial service was conducted June 25 at St. Andrew’s Episcopal Church, Ann Arbor. Memorial contributions can be given to St. Andrew’s Episcopal Church Music Fund (www.standrewsaa.org/give.html), or by mailing gifts noted in her memory to the church: 306 North Division Street, Ann Arbor, Michigan 48104.

Richard “Rick” Ivan Morel

Richard “Rick” Ivan Morel, 76, died June 3 in Denver, Colorado. He was born July 14, 1947, in Watertown, Massachusetts; his family moved to Colorado when he was eight. Rick’s father, Ivan, came to Denver to work for Fred H. Meunier in the pipe organ business. Ivan eventually bought the business, and it became Ivan P. Morel and Associates, Inc. When Rick graduated from high school, he joined his father’s firm. When Ivan retired, Rick took over the business. The firm installed, built, refurbished, and provided service to organs in five states.

Rick Morel not only loved the pipe organ but also its history. The Morel company refurbished the organ at the Cathedral Basilica of the Immaculate Conception in Denver. Rick was present at the cathedral making sure the organ worked perfectly when Pope St. John Paul II visited in 1993. Morel spent the last decade or more trying to bring new people into the business of pipe organs. He was dedicated to preserving historical files on many instruments. He celebrated his 58th anniversary of employment at Morel and Associates on May 8.

When Morel was 25 he met and married Sharlie Ann Kern, who survives. They celebrated their 50th wedding anniversary September 1, 2023.

A memorial service will take place at Montview Presbyterian Church, Denver, August 21. Phil Bordeleau, music director at the Cathedral Basilica of the Immaculate Conception, will dedicate a recital to Morel’s memory in spring 2025.

Kenneth Robert Reed

Kenneth Robert Reed, 73, of Otsego, Michigan, died at home on May 1, 2024. He had been diagnosed with lung cancer a year earlier, which had metastasized to his brain. Born on April 3, 1951, in Sturgis, Michigan, he was a graduate of Mattawan High School. After managing a plastics company for ten years, he became fascinated with pipe making upon being introduced to it. In 1978 Ken met his life partner, James Lauck. Together they owned and operated the Lauck Pipe Organ Company, Otsego, Michigan. Since 1983 he had been a pipemaker and operated his pipe shop adjacent to Lauck Pipe Organ Co.

Reed was skilled in all phases of pipe making including metal casting, flue and reed pipe making, and the machining of shallots and blocks. Most of his production found its way into Lauck organs, but he was always willing to help out other organ builders with on-site installation problems. He was also office manager and general manager of Lauck Pipe Organ Co. until the company closed in 2018. His passions were his home, gentleman farming, raising various animals, and tending to the acreage. Kenneth Reed is survived by his husband, James Lauck, whom he had been with for 45 years.

Nunc dimittis

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Edward Brewer, 82, died April 3 in Leonia, New Jersey. Born in 1938 in Erie, Pennsylvania, his talent for music was revealed at an early age.

Brewer majored in organ at Oberlin Conservatory of Music, Oberlin, Ohio. As a graduate student at University of Illinois Urbana-Champaign, Brewer received a Fulbright Fellowship to continue his studies with organist Helmut Walcha in Frankfurt, Germany. His harpsichord studies continued with Maria Jaeger.

Edward Brewer’s school days ended in New York City in 1963 where he served in the Domestic Peace Corps until 1964, when he became organist and choir director at Judson Memorial Church in Greenwich Village. As a continuo player he served Amor Artis, Oratorio Society of New York, and New York Choral Society, as well as New York Philharmonic, New York Collegium, Orpheus, Orchestra of St. Luke’s, and Philharmonia Virtuosi. He participated in the Madeira Bach Festival, Mostly Mozart Festival, and North Country Chamber Players summer festival. He was founding director of the Soclair Music Festival, a role he filled for 30 years. As founder and director of the Brewer Chamber Orchestra, he participated in a series of first-time recordings of operas by George Frederick Handel for MMG, Nonesuch, Delos, and ESS.A.Y.

Edward Brewer also provided portable pipe organs and harpsichords in European styles of the 18th century for New York musical organizations involved in the performance of Baroque music. This service continues as Baroque Keyboards, LLC, under the management of his son and daughter.

Edward Brewer is survived by his wife of 51 years, oboist Virginia Brewer; his son Barry and wife Tomoko and their daughters Miako and Emiko; and daughter Hazzan Diana Brewer and wife Sara Brewer and their daughter Camilla.

 

Kenneth Gilbert, 88, harpsichordist, organist, musicologist, and teacher, died April 16. He was born December 16, 1931, in Montreal, Quebec, Canada. He studied organ with Conrad Letendre, piano with Yvonne Hubert, and harmony and counterpoint with Gabriel Cusson. Gilbert won the Prix d’Europe for organ in 1953 and studied for two years with Nadia Boulanger (composition), Gaston Litaize and Maurice Duruflé (organ), and Sylvie Spicket and Ruggero Gerlin (harpsichord). While he was on leave for these studies, he remained the organist and music director at Queen Mary Road United Church, Montreal, between 1952 and 1967. In 1959, he designed and oversaw the installation at Queen Mary Road Church of the first major modern mechanical-action organ in Canada, an instrument built by Rudolf von Beckerath of Hamburg, Germany. Gilbert was a leader in the formation of the Ars Organi society, which influenced organ performance standards in eastern Canada. He received an honorary doctorate degree in music from McGill University in 1981.

While in Paris in 1965 on a Quebec government grant doing research on Couperin in preparation for a CBC series of performances of the composer’s complete works for harpsichord, Gilbert undertook work for a new edition for the Couperin tercentenary in 1968. (He subsequently recorded the Couperin works for RCI, released on Harmonia Mundi in France, RCA in England, Musical Heritage Society in the United States, and other labels in Italy and Japan.) Heugel would publish Gilbert’s four volumes of Couperin works as part of its early-music series, Le Pupitre, between 1969 and 1972. Gilbert prepared a new edition from existing editions of the 555 sonatas of Domenico Scarlatti; eleven volumes were published by Heugel between 1971 and 1984. He prepared a facsimile edition of the complete harpsichord works of Couperin, published by Broude in 1973, and edited the complete harpsichord works of d’Anglebert, printed by Heugel in 1975. He also prepared new editions of Bach’s Goldberg Variations for Salabert in 1979, Frescobaldi’s first and second books of toccatas for Zanibon in 1979 and 1980, and Rameau’s complete harpsichord works for Heugel 1979. In 1980, he began to prepare a reissue of Couperin’s complete works for L’Oiseau-Lyre of Monaco. With Élizabeth Gallat-Morin, he produced an annotated edition of Livre d’orgue de Montréal, published in three volumes by Éditions Jacques Ostiguy in 1985, 1987, and 1988.

Gilbert’s performances were devoted primarily to the harpsichord. In 1968, he gave his first recital in London and commenced an international career of concerts, broadcasts, and recordings. He was a soloist with several Canadian and American orchestras.

Gilbert taught at the Conservatoire de musique du Québec à Montréal 1957–1974, at McGill University 1964–1972, at Laval University 1969–1976, and at the Royal Flemish Conservatory, Antwerp, Belgium, 1971–1974. In 1988, he began to teach at the Mozarteum in Salzburg, Austria, and he became professor of harpsichord at the Conservatoire de Paris. For some years, he taught at Accademia Chigiana, Siena, Italy. Furthermore, he presented masterclasses throughout North America and Europe.

In 1978, the Canadian Music Council named Gilbert Artist of the Year. He was honored with the Prix de musique Calixa-Lavallée in 1981. In 1986, he was named an officer of the Order of Canada and in 1988 was elected to the Royal Society of Canada. He was an honorary member of the Royal Academy of Music and Officier de l’Ordre des arts et lettres de France.

 

John Benjamin Hadley, 92, died January 5 in Hendersonville, North Carolina. Born July 1, 1927, in Iowa Falls, Iowa, he began playing organ in local churches at age 13 and received a Bachelor of Music degree from Iowa Falls Conservatory of Music in 1946.

After additional study in boy choir training and organ under John Dexter in Grand Rapids, Michigan, he entered the London School of Church Music, London, Ontario, where he spent three years under the tutelage of Ernest White and Raymond Wicher. While in London, he met and married Dorothy Helen Gallop with whom he would spend 52 years, while raising two daughters, Vicki and Kim.

The Hadleys moved to Chicago, Illinois, in 1951 where they would remain until the late 1980s. His first position was at St. Clement’s Catholic Church, Chicago, as organist and choirmaster, followed by Grace Episcopal Church, Hinsdale, and then Church of the Ascension, Episcopal, Chicago. In 1955, Hadley began assisting S. E. Gruenstein in his duties as editorial director and publisher of The Diapason. Upon the death of Gruenstein in December 1958, Hadley and Frank Cunkle were named associate editors of the journal. Hadley became publisher in August 1958 and left the staff of The Diapason September 1, 1959, for his duties at the Church of the Ascension. During his time in Chicago, he was a sales representative for the Schlicker Organ Company and held several positions with the Associated Pipe Organ Builders of America.

Hadley became an editor at Encyclopaedia Britannica. He made several trips to China in the 1980s as the editorial liaison for the Chinese edition of the encyclopaedia. Additionally, he was a senior editor of Compton’s Encyclopedia and executive editor for The Britannica Book of Music as well as The Britannica Book of English Usage. It was during this time that he became an entrepreneur, and along with the vision of wife Dorothy, they opened a British import store in Door County, Wisconsin, where they had a second home.

In 1993 the Hadleys moved to Hendersonville, North Carolina, to be closer to the Brevard Music Festival. He became passionate about the program, choosing to bequeath the majority of his estate for the continuing funding of its work. In his retirement he served as organist of Hendersonville’s First United Methodist Church and finally St. Mary’s Episcopal Church, Asheville, North Carolina.

John Benjamin Hadley was preceded in death by his wife Dorothy, his partner Phyllis Hansen, and daughter Vicki Anderson. He is survived by son-in-law John Anderson, grandson Matt Anderson, and daughter Kim Parr.

 

Edmund Shay died April 21 in Woodbury, New Jersey. He was born in the Bronx, New York City, and attended the High School for Music and Art in Manhattan, followed by The Juilliard School, New York City, where he received his bachelor’s and master’s degrees. In 1962 he was awarded a Fulbright fellowship allowing him to study in Germany with Helmut Walcha. He later earned his Doctor of Musical Arts degree in performance and music theory from the University of Cincinnati.

Shay’s career as concert organist, teacher, and composer included teaching at the University of the Pacific, Beloit College, Pembroke State University, Madison College (now known as James Madison University), and Columbia College, Columbia, South Carolina. He maintained an active recital schedule while teaching and wrote articles for The American Organist and The Diapason. From 1986 through 1991 he wrote organ music reviews for The Diapason. For fourteen years, Shay directed a summer seminar for organists called “Bach Week,” sponsored by Columbia College. Upon his retirement in 2003, Shay relocated to a winter home in Washington, D.C., with a summer home in Vermont. In 2014 he began to battle dementia, and in 2017, he moved to Friends Village in Woodstown, New Jersey, and subsequently to Merion Gardens Assisted Living in Carney’s Point, New Jersey.

Edmund Shay was predeceased by his life partner of over 35 years, Raymond Harris; he is survived by his adopted nephew and niece, Dale and DeeAnn Harris of Salem, New Jersey. Memorial gifts in Shay’s name may be given Alzheimer’s research or your local animal shelter.

 

Nicholas Temperley, professor emeritus of the School of Music, University of Illinois, Urbana-Champaign, died April 8. Born and educated in England, Temperley came to the University of Illinois in 1959 as a postdoctoral fellow, and he joined the faculty in 1967. He taught classes in the School of Music, supervised over fifty dissertations and theses, and served on dozens of doctoral committees. His publications include The Music of the English Parish Church (1979), Hymn Tune Index (1998), editions of music (including volumes for the Musica Britannica series and an edition of Berlioz’s Symphonie fantastique), and Bound for America: Three British Composers (2003), as well as several edited essay collections and scores of book chapters and journal articles.

After retiring in 1996, Temperley continued to be a researcher, writer, and editor. He also went on to guide the establishment of the North American British Music Studies Association [NABMSA] (2003) and serve as its first president, and he endowed prizes for student research: the Nicholas Temperley Dissertation Prize (later the Nicholas Temperley Musicology Research Scholarship, University of Illinois) and the Nicholas Temperley Student Paper Prize (NABMSA). In 1977, he was one of the co-founders of the Midwest Victorian Studies Association [MSVA], a group that sought to promote the interdisciplinary study of Victorian culture.

In 2012, a festschrift in his honor (Music and Performance Culture in Nineteenth-Century Britain, ed. Bennett Zon) was published. In April 2019, MVSA presented him with its Lifetime Achievement Award for his work in bringing music into the purview of Victorianists.

A memorial service will be planned for a later date. Memorial gifts may be sent to the Evelyn Burnett Underwood fund at the Urbana School District, which provides musical instruments to students who cannot afford them (contact Stacey Peterik at [email protected]).

 

James Merle Weaver, 82, died April 16 in Rochester, New York. Born in Danville, Illinois, he began piano and organ studies there. He attended the University of Illinois, Champaign-Urbana, during which time he gave piano and organ demonstrations and private lessons at a local music store and played Sunday church services. While on a high school field trip to Washington, D.C., Weaver saw his first harpsichords, displayed at the Smithsonian Institution’s National Museum of Natural History. During his sophomore year at the U of I, he went to Amsterdam to study harpsichord and historical performance practice with Gustav Leonhardt.

Returning to Illinois, Weaver completed his bachelor’s (1961) and master’s (1963) degrees. Weaver and his young family then moved to Boston’s North End. His facility as a continuo player developed, both as a concert artist and for recordings. While in Boston, he befriended the music director of Old North Church, John T. Fesperman, who had been Leonhardt’s first American student (1955–1956). Fesperman left Boston in 1965 to take a position at the collection of musical instruments in the Smithsonian’s newly opened National Museum of History and Technology; Weaver followed him to the Smithsonian the next year, where he began a diverse career producing concert programs and exhibits, among other activities. In 1971, he worked to found the Friends of Music at the Smithsonian, which continues to support the Smithsonian Chamber Music Society.

Weaver pursued his exploration of newly restored harpsichords and forte-pianos in the Smithsonian’s collection, producing recordings. He established an ensemble in residence at the museum in 1976, the Smithsonian Chamber Players, which produced recordings through the Smithsonian Collection of Recordings, an arm of the institution’s Division of Performing Arts (DPA), which Weaver joined in the late 1970s.

In 1983, DPA’s functions were absorbed by other portions of the institution, and Weaver returned to the Division of Musical Instruments at the National Museum of American History (NMAH), as the National Museum of History and Technology had been renamed in 1980.

In addition to his Smithsonian activities, Weaver occasionally appeared with the National Symphony Orchestra and various professional choruses of the area. With the Smithsonian Chamber Players, he had a presence in the inaugural festivities for Jimmy Carter and later performed twice, including once as harpsichord soloist, at the Carter White House. He was subsequently invited to play at five inaugural luncheons, from Ronald Reagan’s second inaugural to George W. Bush’s first. Weaver taught at various times at American University, the University of Maryland, Cornell University, the Aston Magna Academy, and the Baroque Performance Institute at Oberlin Conservatory of Music.

Following his move to Washington, D.C., in the 1960s, Weaver served as organist or organist/choirmaster at several churches, including Baltimore’s Mount Calvary Church, Washington’s St. Columba’s Episcopal Church and All Souls Episcopal Church, and finally at All Hallows Episcopal Church, Davidsonville, Maryland.

Following retirement from the Smithsonian, Weaver was appointed executive director (later chief executive officer) of the Organ Historical Society. During the last years of his tenure at the OHS, he supervised the relocation of its headquarters and archives to “Stoneleigh” in Villanova, Pennsylvania. He also expanded the E. Power Biggs Fellowship program.

James Merle Weaver is survived by husband/partner Samuel Baker; son Evan (Jill), three grandchildren, and two great-grandchildren. He was predeceased by wife Patricia Estell and long-time former partner Eugene Behlen. Memorial gifts may be given to the Biggs Fellowship Program of the Organ Historical Society, 330 N. Spring Mill Road, Villanova, PA 19085; or the Friends of Music at the Smithsonian, P. O.
Box 37012, Washington, DC 20013-7012 (https://www.smithsonianchambermusic.org/donate).

Nunc dimittis

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Nunc Dimittis

Murray Albert Burfeind, 89, died December 16 in Red Wing, Minnesota. Born May 8, 1931, in Belvidere Township, rural Lake City, Minnesota, he grew up on the family farm. As a young boy he learned to play piano. By age 12 he started to play the pipe organ, and soon began playing for various churches. Burfeind graduated from Lake City High School in 1949. He went on to study at Bethany College, Mankato, Minnesota, and Concordia College, St. Paul, Minnesota. He graduated as a parochial school teacher and taught elementary school in Fond du Lac and Appleton, Wisconsin. At Fond du Lac, St. Peter’s Lutheran Church was buying a new organ, and as the church organist he served on the selection committee. After visiting Wicks Organ Company in Highland, Illinois, and recommending purchase of a pipe organ from that firm, he found his lifelong interest in organ construction. After one last year of teaching, he moved to Milwaukee, Wisconsin, to apprentice for United Organ Company, representative for Wicks in that region. He always referred to that day at the organ factory as the single day that changed his life.

In Milwaukee, he met and married his wife of more than sixty years, Flora Olm, a teacher and later a newspaper reporter and librarian. Together they followed the lure of building and designing new pipe organs, completing installations and providing service and tuning to organs in churches throughout the country with the Murray Burfeind Pipe Organ Company. From Milwaukee they moved first to Louisville, Kentucky, where their two oldest sons, Philip and Andrew, were born. They relocated to Arlington Heights, Illinois, to serve churches in Illinois and Indiana. Their third son, Steven, and daughter, Ann, were born while in Illinois.

After 15 years of travel and nights away from home, the family relocated to Minnesota near his family, living in the country near Goodhue, where Burfeind had his shop and continued his organ work, completing installations across the country.

Burfeind achieved his most satisfying goal of designing and completing the reinstallation of the Kilgen pipe organ at the Sheldon Theatre in Red Wing. He installed bird calls, truck horns, and bass drums in the upper reaches of the theatre above the proscenium arch.

His last installation was the Burfeind-designed and built organ at St. Norbert College in DePere, Wisconsin. That organ featured Subczyk and Meyer pipes built to order in Milwaukee. Originally it was installed in the La Crosse home of Betty Mittlestadt and later purchased and moved to St. Norbert College in 2012 and 2013.

Murray Albert Burfeind is survived by his wife Flora of rural Goodhue. He is also survived by his children Philip (Kimberly) of New Brighton, Minnesota; Andrew (Jacqueline) of St. Paul, Minnesota; Steven (Brenda) of Sioux Falls, South Dakota; and the Rev. Ann Burfeind (Florian) of Vancouver, British Columbia, Canada; as well as six grandchildren and several great-grandchildren. A celebration of his life will be held at a later date.

 

Catherine Ennis, organist and director of music since 1985 at the Church of St. Lawrence Jewry, London, UK, died December 24, 2020. Born in 1955, she was an organ scholar at St. Hugh’s College, Oxford, before serving as assistant organist of Christ Church Cathedral. Ennis joined the Royal College of Organists in 1978. She was a trustee of the RCO from 2012 to 2016 and vice president from 2015, and was also a diploma examiner. She served as artistic director of the RCO Summer Course for Organists in 2017.

Ennis served as consultant for four new organs in London, including organs by Rieger in St. Marylebone Parish Church (1987), Klais in St. Lawrence Jewry (2001), William Drake for Trinity College of Music (2003), and the Queen’s Organ in the Lady Chapel of Westminster Abbey, built by Mander. She also founded the London Organ Concerts Guide and was president of the Incorporated Association of Organists from 2003 to 2005.

In 2006 Ennis initiated (with Barbara Hill) the John Hill Organ Series, which showcased emerging young talented organists in a series of recitals in London each May. Most recently she became a patron of the Society of Women Organists.

Concert engagements in recent years included Christ Church Spitalfields, Westminster Cathedral, and Royal Festival Hall. Ennis recorded works by Bach, Reubke, Guilmant, and English romantic composers, among others; her latest CD for Priory Records of works by various composers on the Peter Collins organ in St. Bartholomew’s Church, Orford, was released in October 2020 (The Organs of St. Bartholomew’s Orford, Priory PRCD 1235).

Catherine Ennis was awarded the Medal of the Royal College of Organists in 2018. The citation for the medal details her contribution to the planning and execution of the college’s 150th anniversary celebrations in 2014.

An online musical remembrance occurred January 11.

 

Elizabeth P. Farris, 86, of Edmond, Oklahoma, died December 1, 2020. Born February 28, 1934, she was organist for First United Methodist Church of Edmond and taught at Central State University (now University of Central Oklahoma). Farris earned her Bachelor of Music and Master of Music degrees summa cum laude in organ performance from University of Arkansas, Fayetteville. She then began teaching organ and piano at what was then Southern State College, Magnolia, Arkansas. Later she met Howard Farris, who taught art at the college in Magnolia, and they were married in 1961. The couple had two children, Lisa in 1963, and Karl in 1965.

In 1966 the Farris family moved to Norman, Oklahoma, where Howard earned his Ph.D. degree at University of Oklahoma. Then the next year Howard was offered a teaching position at Central State College in the School of Education. In 1967, Elizabeth was appointed organist of First United Methodist Church of Edmond, serving the church until her retirement in 1999. As the longest serving staff member in the church’s history, she was named organist emeritus on her retirement. She also spent many years of substituting, playing the organ and piano during and following her years as First Church. Elizabeth Farris was active in the Oklahoma City Chapter of the American Guild of Organists for over thirty years and served in various capacities, including several terms as chapter dean. 

Elizabeth P. Farris is survived by her children Lisa and Karl, and her older sister, Drusilla Appleyard and family in Fort Smith, Arkansas.

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