New Organs

Lewis & Hitchcock, Inc.,
Beltsville, Maryland
Hughes United Methodist Church, Wheaton, Maryland
The Newcomer brothers, Harold and Ed, were masters at “remanufacturing” organs. The Newcomer Organ Company of Washington, D.C., produced a number of these instruments, one of the finest of which they built for Hughes United Methodist Church of Wheaton, Maryland, in 1966. The windchests and pipes were mainly from E. M. Skinner and Möller organs, with new pipes by Möller and Trivo, and a new Möller three-manual drawknob console. The organ had 35 ranks in two chambers up front and an antiphonal above the rear balcony. Space was left in the chambers for additional stops, and knobs were prepared on the console.
In 1983 the Newcomer firm was purchased by Lewis & Hitchcock, and the two firms eventually merged. When some repairs due to age were required, discussions began about improving the chancel area and completing the organ. The final outline was:
1. The church would remodel the chancel, removing all carpet and installing hardwood floors. The choir pews would be removed and be replaced with chairs. The chamber grille cloth would be replaced, and the chamber ceilings and walls repaired where required.
2. The organ would be physically renewed as required. New blowers would be provided for the main and Antiphonal organs, and new rectifiers provided.
3. The organ console would be totally rebuilt with solid-state action, and be placed on a new, rolling platform, so that it could be located anywhere in the chancel area.
4. New and rebuilt pipework would be added to complete the specification, and some of the existing pipework moved to a more appropriate location.
5. A new Trompette en Chamade would be added to the Antiphonal division.
The completed instrument now totals 47 ranks. The organ is very versatile and able to provide support for soloists, choirs, and congregation. The new solid-state equipment occupies less space than the previous system, so a storage space for music and shoes was created in the left side of the console. The new oak parquet platform may be easily moved throughout the chancel area. The new systems include a transposer and multiple-memory combination action with settable crescendos, and a MIDI system with sequencer to record and play back performances. The remodeled chancel has improved the acoustics and has proved very useful for the wide variety of services held there.
The late Randy Skinner was chair of the organ committee that selected the Newcomer firm to provide the organ. Sharon Skinner, his daughter, was the chair of the trustees in charge of the rebuilding work. Organist Van Knauss worked with Gerald Piercey to plan the tonal changes and additions.
Many pictures of the work in progress in the factory and in the church may be found in the Rebuilt Organs section of the Lewis & Hitchcock website: <www.lhorgans.com&gt;.
—Text and pictures by Gerald Piercey, Lewis & Hitchcock, Inc.

Hughes United Methodist Church, Wheaton, Maryland
Rebuilt by Lewis & Hitchcock, Inc.

GREAT
Chimes 21 tubes
16′ Quintaton 61 pipes
8′ Principal 61 pipes
8′ Hohlflute 61 pipes
4′ Octave 61 pipes
4′ Nachthorn 61 pipes+
rebuilt pipes on rebuilt chest
2′ Fifteenth 61 pipes
11⁄3′ Mixture III–IV 219 pipes
8′ Bombarde 17 pipes+
new, on new chest,
and Ped 16′ Bombarde
16′ Great to Great
8′ Great Unison Off
4′ Great to Great

SWELL
8′ Rohrflute 61 pipes
8′ Viol d’Gamba 61 pipes
8′ Voix Celeste TC 49 pipes
4′ Principal 61 pipes
4′ Flute Traverse 61 pipes
22⁄3′ Rohr Nazard 61 pipes
2′ Zauberflöte 61 pipes+
rebuilt, in place of RohrSordun
13⁄5′ Tierce (prepared)
2′ Plein Jeu III 183 pipes+
new, in place of Cymbal
16′ Fagott 61 pipes+
new, on new chest
8′ Trompette 61 pipes
8′ Hautbois 12 pipes+
new, and 16′ Fagott
4′ Clarion (prepared)
Tremolo
16′ Swell to Swell
8′ Swell Unison Off
4′ Swell to Swell

CHOIR
8′ Holz Gedeckt 61 pipes
8′ Flauto Dolce 61 pipes
8′ Unda Maris TC 49 pipes
4′ Koppelflute 61 pipes
2′ Blockflute 61 pipes
1′ Cymbal III 183 pipes+
moved from Swell, on new chest
8′ Krummhorn 61 pipes
Tremolo
16′ Choir to Choir
8′ Choir Unison Off
4′ Choir to Choir

ANTIPHONAL
8′ Melodia 61 pipes
8′ Dulciana 61 pipes
8′ Unda Maris TC 49 pipes+
rebuilt, on rebuilt windchest
4′ Octave 61 pipes
2′ Super Octave 61 pipes+
rebuilt, on rebuilt windchest
11⁄3′ Mixture III 183 pipes+
rebuilt, on rebuilt windchest
8′ Trompette en Chamade 61 pipes+
new, on new chest
8′ Trompette Harmonique 61 pipes
16′ Antiphonal Bourdon 32 pipes
8′ Antiphonal Bourdon (ext) 12 pipes

PEDAL
32′ Untersatz (prepared as electronic extension, resultant at installation)+
16′ Subbass 32 pipes
16′ Quintaton (Great)
16′ Lieblich Gedeckt 32 pipes
8′ Geigen Principal 32 pipes
8′ Bass Flute (ext Subbass) 12 pipes
8′ Lieblich Flute (ext 16 Lieb) 12 pipes
4′ Geigen Octave (ext) 12 pipes
4′ Flute (ext Subbass) 12 pipes
51⁄3′ Mixture II 44 pipes & 8′ Geigen Pr
32′ Bombarde (ext, 12 electronic notes)+
16′ Bombarde 32 pipes+
new, on new chest
16′ Fagott (Swell)+
8′ Bombarde (ext) 12 pipes+
new, on new chest
4′ Clarion (ext) 12 pipes+
new, on new chest

Couplers
8′ Great to Pedal
4′ Great to Pedal+
8′ Swell to Pedal
4′ Swell to Pedal
8′ Choir to Pedal
4′ Choir to Pedal
8′ Antiphonal to Pedal
4′ Antiphonal to Pedal
MIDI on Pedal+
16′ Antiphonal to Swell+
8′ Antiphonal to Swell+
4′ Antiphonal to Swell+
MIDI on Swell+
16′ Swell to Great
8′ Swell to Great
4′ Swell to Great
16′ Choir to Great
8′ Choir to Great
4′ Choir to Great
16′ Antiphonal to Great
8′ Antiphonal to Great
4′ Antiphonal to Great
MIDI on Great+
16′ Swell to Choir+
8′ Swell to Choir
4′ Swell to Choir
16′ Antiphonal to Choir+
8′ Antiphonal to Choir+
4′ Antiphonal to Choir+
Choir/Great Transfer+
MIDI on Choir+

+ = additions/changes

Pistons
Under Swell: General 1–4, Swell 1–6, SFZ
Under Great: General 5–8, Gt/Ped, Great 1–6
Under Choir: Set, Pedal 1–6, Choir 1–6, GC

Toe Controls
Left: Gen 1–4, Gen 5–8
Center: Ch/Sw/Cresc shoes
Right: Gt/Ped, Sw/Ped, Ch/Ped, ZIMB, SFZ, Ped 1–6

Left Drawer
MIDI Resource Center
MIDI IN/OUT/THROUGH ports
Sequencer to record and play back

Right Drawer
Memory Level Selector 1–99
Crescendo Selector 1–4
Transposer +/- 6 half steps

Lewis & Hitchcock, Inc.
10153 Bacon Drive
Beltsville, MD 20705
800/952-7473
www.lewisandhitchcock.com

Fabry, Inc., Antioch, Illinois
First Presbyterian Church,
Lincoln, Illinois
Nestled in the geographic center of Illinois, Lincoln enjoys having the distinction of being named before Abraham Lincoln became president. While old Route 66 continues to weave through downtown, I-55 now bypasses the town as new development draws travelers on their way to and from Springfield. During the middle part of last century, Gratian Organ Builders installed an 18-rank, electro-pneumatic pipe organ in the sanctuary that has served the church well. Within the past 10 years the church remodeled the front of the church and at that time an 8′ Pedal Principal comprising 32 notes was added as a façade.
As is the case with many churches whose instruments are used regularly but receive little or no major maintenance, First Presbyterian found that resources would best be spent on a major overhaul rather than on small, stop-gap measures. The church elected to have Fabry, Inc. completely rebuild the organ. While the initial plan was to save the windchests, this proved to be impossible.
The organ encompasses two chambers that sit at right angles to each other at the front corner of the sanctuary. Both of these chambers were packed to the gills with pipework and chestwork. It was decided to remove everything and place it in a more logical manner. As it turned out, new chests were constructed and this allowed the elimination of all but the necessary offset chests. In all, the following was completed: complete replacement of the relays, both console and chamber, a rebuilt console with a Peterson ICS-4000 system, new chests with Peterson electric pipe valves, new tuners on washed pipework, releathered reservoirs with reconfigured curtain valves, three additional reservoirs, a new blower and new chamber lighting.
Fabry, Inc. would like to thank Julie Kasa, music director; Janis Klockenga, secretary; and the Rev. Phillip Blackburn, pastor, for their cooperation and patience with all the facets of this very involved project. Fabry employees that worked on this project included David G. Fabry, David J. Fabry, Philip A. Spressart, Steven Ellis, and Clem Wirfs.
—Phil Spressart

GREAT
8′ Open Diapason
8′ Gamba
8′ Melodia
8′ Dulciana
4′ Octave
4′ Flute Harmonic
22⁄3′ Twelfth
2′ Fifteenth
Mixture III
8′ Trumpet
Tremolo
Chimes (25 tubes)
Zimbelstern

SWELL
16′ Bourdon
8′ Violin Diapason
8′ Quint
8′ Gedeckt
8′ Salicional
8′ Vox Celeste (TC)
8′ Aeoline
4′ Principal
4′ Flute d’Amour
22⁄3′ Nazard
2′ Flute
8′ Oboe
Tremolo
Chimes

PEDAL
32′ Lieblich Gedeckt
16′ Subbass
16′ Lieblich Gedeckt
8′ Flute
8′ Dolce
8′ Principal
4′ Choral Bass
4′ Flute
Mixture III
16′ Trumpet
8′ Trumpet
8′ Oboe
Chimes

Great to Great 16, UO, 4
Swell to Great 16, 8, 4
Pedal to Great
MIDI to Great
Swell to Swell 16,UO, 4
MIDI to Swell
Great to Pedal 8, 4
Swell to Pedal 8, 4
MIDI to Pedal

Konzelman Pipe Organs,
Hoboken, New Jersey
St. Francis Episcopal Church, Stamford, Connecticut
James Konzelman first became interested in organ building in the mid 1960s after a friend loaned him The Contemporary American Organ by William H. Barnes. He made minor repairs in his home parish of St. Henry’s, Bayonne, New Jersey, and helped several organist friends with minor repairs on their church pipe organs. In the late 1960s Konzelman worked for Westinghouse Aerospace, Baltimore, Maryland, troubleshooting radar guidance and missile control systems. Later, while in the army, he taught a course in radar at Fort Bliss, Texas. This background in electronics became valuable later on as more and more electronic circuitry was introduced into the pipe organ.
In 1972, Konzelman went to work for the Church Organ Company, Edison, New Jersey, where he studied voicing and tuning techniques with Russell W. VanCamp. When VanCamp retired in 1974, Konzelman became the tonal director, designing and voicing many organs for that firm until the establishment of his own company in 1977.
Since 1977, Konzelman Pipe Organs has built and rebuilt many organs. Major rebuilds and new organs include the Cathedral-Basilica of St. James, Brooklyn, NY; Church of Our Lady of Grace, Hoboken, NJ; Church of the Heavenly Rest, NYC; Second Presbyterian Church, NYC; Blessed Sacrament Church, NYC; Union Congregational Church, Upper Montclair, NJ (chapel organ); Nativity Lutheran Church, East Brunswick, NJ; Newark Abbey, Newark, NJ; Emmanuel Lutheran Church, New Brunswick, NJ; St. Anne Church, Rochester, NY; St. Henry’s Church, Bayonne, NJ; St. Vincent’s Church, Bayonne, NJ; Mount Carmel Church, Bayonne, NJ; Grace Lutheran Church, River Edge, NJ; and Larchmont Avenue Presbyterian Church, Larchmont, NY.
The assistance of John A. Stokes, Louis Scarpa, David Fedor and Paul-Martin Maki is gratefully acknowledged by the builder. The organ at St. Francis Episcopal Church has two manuals and pedal, 18 voices, 24 ranks, and 1519 pipes.
Photo credit: Helen Neafsey

GREAT (expressive)
16′ Viola (Swell)
8′ Principal 61 pipes
8′ Rohrflöte 61 pipes
8′ Viola (Swell)
8′ Viola Celeste TC (Swell)
4′ Octave 61 pipes
4′ Koppelflöte 61 pipes
2′ Super Octave 61 pipes
11⁄3′ Mixture IV 244 pipes
8′ Trompette (Swell)
8′ Hautbois (Swell)
8′ Krummhorn 61 pipes
Tremulant
Chimes prepared for
Great to Great 16, UO, 4
Swell to Great 16, 8, 4
Antiphonal to Great

SWELL (expressive)
16′ Viola 73 pipes
8′ Gedeckt 61 pipes
8′ Viola (ext)
8′ Viola Celeste TC 49 pipes
4′ Principal 73 pipes
4′ Nachthorn 73 pipes
22⁄3′ Nasat 61 pipes
2′ Octave (ext)
2′ Nachthorn (ext)
13⁄5′ Terz 61 pipes
2′ Plein Jeu IV 244 pipes
16′ Basson (1–12 half length) 73 pipes
8′ Trompette 73 pipes
8′ Hautbois (ext)
4′ Clairon (ext)
Tremulant
Swell to Swell 16, UO, 4
Great to Swell
Antiphonal to Swell

ANTIPHONAL
16′ Festival Trumpet prepared for
8′ Festival Trumpet prepared for
4′ Festival Trumpet prepared for

PEDAL
32′ Resultant (from Subbass 16 and
Swell Gedeckt 8)
16′ Subbass 56 pipes
16′ Rohrgedeckt (Great, ext)
16′ Viola (Swell)
8′ Principal (Great)
8′ Bourdon (ext)
8′ Rohrflöte (Great)
8′ Viola (Swell)
51⁄3′ Quint (Great)
4′ Choral Bass (Great)
4′ Bourdon (ext)
32′ Bombarde (Sw ext, 1–12 electronic)
16′ Bombarde (Swell, ext)
16′ Basson (Swell)
8′ Trompette (Swell)
8′ Hautbois (Swell)
4′ Krummhorn (Great)
Great to Pedal 8, 4
Swell to Pedal 8, 4
Antiphonal to Pedal

Solid-State capture combination action with 25 levels of memory, 12 general pistons, 8 pistons per division, general pistons and pedal pistons are duplicated by toe pistons. Reversibles for: Great to Pedal, Swell to Pedal, Swell to Great, Tutti. Set and General Cancel, and Scope pistons. Crescendo pedal with one standard and three settable crescendos. Two-manual and pedal drawknob console with bone naturals, ebony sharps, and tracker touch.

Lewis & Hitchcock, Inc.,
Beltsville, Maryland
Wesley United Methodist Church, Vienna, Virginia
Wesley United Methodist Church of Vienna, Virginia, has a Wicks organ that was installed in 1966 and enlarged in 1971. The organ had begun to have problems in the switching system and combination action. Working with trustees Harvey Bowles and Dick Takamatsu and organist Jason Bowles, we developed a plan to rebuild the organ, including replacing the switching system and relays with a new multiplex system that would provide a large combination action, with accessories such as a transposer as well as a piston sequencer. New keyboards were recommended, for a better feel as well as reliable contact systems.
We also recommended the replacement of one rank of pipes that would not hold voicing. As plans went forward, the desire was expressed to add some digital stops, and eventually a full complement of digital stops was designed to complete the organ tonally. These were provided by the Walker Technical Company of Zionsville, Pennsylvania. As there was no space in the chambers for a large bass speaker, they provided a cabinet finished to match the organ grillework, which sits directly in front of it.
Besides all the standard accessories, there is a piston sequencer with Next and Previous pistons and toe studs, and a MIDI data file record and playback system. The result is a versatile instrument that easily provides the right sound for the music.
—Gerald Piercy

GREAT
16′ Violone (Walker Paradox System)
8′ Principal 61 pipes
8′ Bourdon 61 pipes
4′ Octave 61 pipes
4′ Spillpfeife 61 pipes
new pipes on existing chest
22⁄3′ Twelfth 61 pipes
2′ Fifteenth 61 pipes
8′ Trumpet (Walker)
Chimes (Walker)
Great to Great 16–UO–4
Swell to Great 16–8–4
Choir to Great 16–8–4

SWELL
16′ Rohr Gedeckt 61 pipes
8′ Geigen Diapason (Walker)
8′ Rohrflute (ext)
8′ Viole d’Gambe 61 pipes
8′ Viole Celeste (tc) 49 pipes
4′ Geigen Principal 61 pipes
4′ Nachthorn 61 pipes
2′ Piccolo 61 pipes
11⁄3′ Plein Jeu III 183 pipes
16′ Contre Trompette (ext)
8′ Trompette 61 pipes
8′ Vox Humana (Walker)
8′ Hautbois 61 pipes
4′ Clarion (ext)
Tremolo
Swell to Swell 16–UO–4

CHOIR
8′ Nason Gedeckt 61 pipes
8′ Erzahler 61 pipes
8′ Erzahler Celeste (tc) 49 pipes
4′ Koppelflute 61 pipes
22⁄3′ Nazard 61 pipes
2′ Blockflute 61 pipes
13⁄5′ Tierce 61 pipes
8′ Krummhorn 61 pipes
Tremolo
8′ Harp (Walker)
4′ Celesta (Walker)
8′ Festival Trumpet (Walker)
Choir to Choir 16–UO–4
Swell to Choir 16–8–4

PEDAL
32′ Untersatz (Walker)
16′ Principal (Walker)
16′ Bourdon 32 pipes
16′ Rohr Gedeckt (Sw)
8′ Spitz Principal 32 pipes
8′ Bourdon (ext)
8′ Rohrflute (Sw)
4′ Spitz Principal (ext)
4′ Bourdon (ext)
2′ Octave (Gt 8′ Principal)
16′ Trombone (Walker)
4′ Hautbois (Sw)
Great to Pedal 8–4
Swell to Pedal 8–4
Choir to Pedal 8–4

25 registers, 27 ranks, 12 Walker voices

Eyeline console, white knobs for stops and division couplers, black knobs for intermanual couplers.
The existing console shell was retained. The manual keys, pistons, drawknobs, toe studs and all internal works are new. The pedalboard was rebuilt to new standards. The relay system was replaced with multiplex units.

Lewis & Hitchcock, Inc.
www.lhorgans.com

Christ the King Lutheran Church, Walnut, California
Knight Organ Company, builder, San Diego, California
Manuel Rosales Organ Builders, voicer, Los Angeles, California
The congregation received the gift of its first and only organ from First Lutheran Church in Monrovia, California at the end of 1968. This three-rank Möller Artiste was purchased by First in 1950 and used in their small chapel. When the large sanctuary was built in 1968, First Lutheran gave Christ the King their 28-year-old pipe organ for their new building. The Möller opus 4300-13 comprised three ranks of pipes—8′ Diapason (76 pipes), 8′ Viole (72 pipes), 8′ Gedeckt (97 pipes), 16′ Bourdon (12 pipes)—and Schulmerich electronic chimes.
When the small Möller arrived at Christ the King, the console, pipes, and pipe case were placed in an open room west of the chancel. In 1981 when Paul Schuricht became organist, it was decided to move both the choir and organ to the rear of the nave. The wood chamber that contained the pipes was modified and placed above the Mother’s Room. A 4′9″ by 4′3″ opening was cut in the wall over the Mother’s Room for the sound of the organ to egress, with 15 new Principal pipes installed in the façade.
Because the 8′ Viole and 8′ Diapason were not conducive to leading the choir and the congregation, Paul Schuricht purchased an 8′ Principal (73 pipes) and a 4′ Gemshorn (73 pipes) along with a new set of 24 Gedeckt treble pipes to replace damaged ones; the new pipework was built by A. R. Schopp’s and Sons, Inc., of Alliance, Ohio. The renovation of the organ—including galvanized pipe for the wind duct, organ cable, chime relay, and the metal enclosure for the blower that would sit outside on the east side of the church—was to cost $3,500. On Sunday morning, June 13, 1982, the dedication service of the rebuilt pipe organ installed by Paul Schuricht, the organist, took place.
By December 2007 when the present organist, Michael Doyle, arrived, the organ had many problems: the wooden Gedeckt pipes’ stoppers needed to be releathered as they wouldn’t stay in tune; because the blower sat outside the church drawing in either hot or cold air, it was difficult to keep the organ in tune; the leather on the reservoir and chests needed to be replaced because it was 57 years old; the stop tabs were breaking off; and the organ had so few stops that it lacked tonal color. In April 2008, the blower was moved into the Mother’s Room, encasing it in a new cabinet that helped to keep the organ in tune.
Bids were submitted at the end of 2008 to enlarge and rebuild the Möller organ for $36,000; Manuel Rosales’s bid to rebuild the organ and add nine ranks of pipe was accepted. Mr. Rosales suggested that Robert Knight of Knight Organ Company in San Diego do the work, and Rosales would do the final voicing and tonal regulation. The specification was designed by the church organist, Michael Doyle, in consultation with Robert Knight and Manuel Rosales.
The rebuilding of the console and chests, and the new chests, woodwork around the façade, new pipe tower, and the new electronics were done by Mr. Knight, with the tonal voicing and tonal finishing by Mr. Rosales. The preparations started on January 19, 2009, when Bob Knight and his crew came to dismantle the Möller organ. The pipes were packed in crates, the chests were removed, the wood chamber walls were dismantled, and the organ was taken to San Diego to be rebuilt and enlarged in the Knight Organ Company shop. On Saturday, January 31, a crew of men from the congregation began work building the new organ chamber walls. Over the next six weeks, men and women of the congregation worked during the week and on Saturdays to complete the chamber walls, install insulation, double wallboard the interior walls, paint the walls with high-gloss enamel, enlarge the front opening of the chamber, and install lighting and a door to the chamber. The organ console platform was rebuilt with hardwood flooring.
The organ has 12 ranks of pipes and 38 stops. The oldest pipework in the organ is the three-rank Mixture that was produced by W. D. B. Simmons in 1863 and voiced during Abraham Lincoln’s first presidential term. The 8′ Salicional and 8′ Voix Celeste came from the 1913 Estey organ at Our Lady of Angels Catholic Church in San Diego, along with the 8′ Principal, a set of gold façade pipes that never spoke. The 8′ Trumpet came from the 1960 rebuild of the organ at First Baptist Church in San Diego, and was built by Durst Organ Supply of Erie, Pennsylvania. The 13⁄5′ Terz was made by Estey–Aeoline. The large swell shutters were from a 1920 Kimball organ, and the swell motor is from First Baptist Church in San Diego. A newer 1-hp blower was used to replace the old, inadequate Möller blower. The 16′ Subbass was built for a large college organ in Cedar Rapids, Iowa, by M. P. Möller in 1950. The 16′ Trumpet 12-pipe extension is new and was made by Organ Supply of Erie, Pennsylvania. The original 8′ Principal was rescaled to become the 4′ Octave, and the 4′ Gemshorn was rescaled to become the 4′ Spitzflöte. On the back wall of the nave are the 8′ Principal pipes in the original case, along with a three-pipe Principal tower that is new. There are a total of 787 pipes in the organ.
The rebuilt Möller organ console has been rewired with a new Opus-Two relay system, new keyboard and pedal contacts, and has a new tilting tablet assembly. There are now 41 tilting stop tablets, 5 pistons on Manual I, 5 pistons on Manual II, 10 general combination pistons, 10 general toe studs, setter piston, general cancel piston, and one toe stud for the 11-bell Zimbelstern. The organ also has a set of Maas-Rowe chimes that were given by Trinity Lutheran Church, Montclair, California. A family in the congregation gave funds for the Zimbelstern, Voix Celeste, and 16′ Trumpet extension. With the gift of the aforementioned items, the total cost of the organ was $45,050.
The organ was dedicated on Sunday, August 23, 2009, at the 9:00 a.m. service. Michael Doyle, the church organist, played music of Armsdorf, Bach, Buxtehude, Burkhardt, Cherwien, Manz, and Walther at the dedication hymn festival at 4:00 p.m.
—Michael Doyle

Christ the King Lutheran Church,
Walnut, California
GREAT—Manual I
16′ Lieblich Gedeckt
8′ Principal
8′ Gedecktflöte
8′ Salicional
4′ Octave
4′ Gedecktflöte
2′ Octave
III Mixture
8′ Trumpet
4′ Trumpet
Chimes
Positive to Great

POSITIVE—Manual II
8′ Gedecktflöte
8′ Salicional
8′ Voix Celeste
4′ Principal
4′ Spitzflöte
4 Salicet
22⁄3′ Nasat
2′ Spitzflöte
2′ Octave
13⁄5′ Terz
11⁄3′ Quint
1′ Sifflöte
8′ Trumpet
Tremulant

PEDAL
32′ Resultant
16′ Subbass
16′ Lieblich Gedeckt
8′ Principal
8′ Flöte
8′ Salicional
51⁄3′ Quint
4′ Choralbass
4′ Flöte
2′ Spitzflöte
II Mixture
16′ Trumpet
8′ Trumpet
4′ Trumpet
Great to Pedal
Positive to Pedal

Summary of Pipes
16′ Subbass 44 pipes
16′ Lieblich Gedeckt 12 pipes
8′ Principal 61 pipes
8′ Gedecktflöte 73 pipes
8′ Salicional 61 pipes
8′ Voix Celeste 49 pipes
4′ Principal 61 pipes
4′ Spitzflöte 73 pipes
13⁄5′ Terz 49 pipes
III Mixture 183 pipes
16′ Trumpet 12 pipes
8′ Trumpet 73 pipes

_______________________________________________

Lewis & Hitchcock, Beltsville, Maryland
Christus Victor Lutheran Church, Baltimore, Maryland
Christus Victor Lutheran Church has a Wicks organ. The pipe cabinet is on the left side of the chancel, and the console is on the right side. The console had no combination action, and the only accessory was the crescendo shoe. The desire was to add a combination action, and to reunify the five ranks to make a more flexible specification. Working with director of music Dr. Joseph Birdwell, we planned and installed a multiplex relay in the organ cabinet and a combination action with multiple layers of memory in the console, controlled by a full set of pistons and toe studs. The result is a much more flexible instrument, easily able to provide the right sound for the music.
—Gerald Piercy

GREAT
8′ Principal
8′ Rohr Gedeckt
8′ Gemshorn
8′ Gemshorn Celeste TC
4′ Principal
4′ Copula
2′ Octave
2′ Gemshorn
III Mixture
8′ Trumpet
Swell to Great

SWELL
8′ Rohr Flute
8′ Gemshorn
8′ Gemshorn Celeste TC
4′ Flute
4′ Gemshorn
22⁄3′ Quint
2′ Block Flute
13⁄5′ Tierce
11⁄3′ Larigot
1′ Gemshorn
8′ Trumpet
Tremolo

PEDAL
16′ Subbass
16′ Lieblich Bourdon
8′ Principal
8′ Rohr Gedeckt
4′ Choral Bass
2′ Flute
8′ Trumpet
4′ Clarion
Great to Pedal
Swell to Pedal
2 manuals, 5 registers, 5 ranks

Wicks Organ Company,
Highland, Illinois
All Saints Catholic Church,
Manassas, Virginia
All Saints Catholic Church in Manassas, Virginia, is privileged and blessed to have a new church building and a newly renovated pipe organ. Approximately thirteen years ago, our original Opus 6376 was purchased by All Saints from the Wicks Organ Company of Highland, Illinois, with the intention of one day moving it into a new church. The organ is a “hybrid” instrument, comprising pipework and digital voices. The pipework and console were built by Wicks, and the digital voices are a product of the Walker Technical Company of Zionsville, Pennsylvania.
During the design period for our new church, every attempt was made to ensure that we retained as much of the current organ as possible. In the fall of 2008, All Saints entered into a contract with the Wicks Organ Company for a redesign and expansion of the current instrument for the new church. All of the pipework in the previous organ was retained. The console was renovated and enlarged. Because the wood case of the original organ did not match the woodwork of the new church and did not fit into the new space, two new identical pipe towers were built (matching the wood stain of the altar area) to fit into the space on either side of the new altar. These towers contain the revoiced pipework, ten additional ranks of pipes, upgraded digital voices, and an array of new digital voices.
The enlarged stoplist features a wide range of voices in different tonal colors that are used to accompany the choir and the congregation, as well as to play solo organ literature. Full MIDI features, solid-state memory, and a playback system are also included. Mounted high above the baptismal font on the back wall of the sanctuary is a horizontal Fanfare Trumpet. Additionally, the bell tower carillon, by the Verdin Bell Company, is also controlled from the organ console.
The renovated organ was delivered by Wicks in July 2010, and it was completely installed in time for the dedication Mass on August 14. This updated and expanded version of our organ gloriously adorns the liturgical life of our vibrant parish community.
In addition to the rebuilt main organ, a Wicks digital organ was acquired by All Saints. The two-manual organ was installed in our Blessed Sacrament Chapel, where it is used for smaller liturgies.
—William H. Atwood
Director of Music, and Coordinator of Liturgical Ministries
All Saints Catholic Church
Manassas, Virginia

GREAT
16′ Violone* (D)
8′ Open Diapason 61 pipes
8′ Hohlflöte 61 pipes
8′ Gemshorn* (D)
8′ Bourdon* 61 pipes
4′ Octave 61 pipes
4′ Spillpfeife* 61 pipes
22⁄3′ Octave Quinte* 61 pipes
2′ Super Octave* 61 pipes
IV Fourniture 244 pipes
8′ Trumpet 61 pipes
(formerly in Swell)
8′ Tuba Mirabilis* (D)
8′ Fanfare Trumpet* 61 pipes
Tremolo
Chimes* (D)
Harp* (Ch) (D)
Cymbelstern 9 bells
Carillon (existing)
MIDI

SWELL
16′ Rohrbourdon* (1–12 D)
8′ Geigen Diapason* 61 pipes
8′ Rohrflöte 61 pipes
8′ Viole de Gambe 49 pipes
(1–12 D*)
8′ Voix Celeste TC 49 pipes
4′ Principal 61 pipes
4′ Flauto Cantabile* 61 pipes
4′ Violina*
4′ Voix Celeste*
22⁄3′ Nazard (1–12 D*) 49 pipes
2′ Octavin* 61 pipes
2′ Flageolet* (50–61 D)
13⁄5′ Tierce TC 49 pipes
V Plein Jeu* (D)
16′ Contra Fagotto* (D)
8′ Trompette* (D)
8′ Oboe* (D)
8′ Vox Humana* (D)
4′ Clarion* (D)
8′ Fanfare Trumpet (Gt)
Tremolo
MIDI

CHOIR
8′ English Diapason* (D)
8′ Harmonic Flute* (D)
8′ Viola* (D)
8′ Erzähler* (D)
8′ Erzähler Celeste* (D)
4′ Lieblichflöte* (D)
4′ Gemshorn* (D)
2′ Piccolo* (D)
11⁄3′ Quinte (D)
III Mixture* (D)
8′ Cornopean* (D)
8′ French Horn* (D)
8′ English Horn* (D)
8′ Clarinet* (D)
8′ Fanfare Trumpet (Gt)
Tremolo
Chimes
Harp* (D)
MIDI

ANTIPHONAL
8′ Open Diapason* (D)
8′ Chimney Flute* (D)
8′ Flute Celeste II* (D)
4′ Octave* (D)
4′ Flauto Traverso* (D)
2′ Gemshorn* (D)
III Mixture* (D)
Tremolo*
16′ Antiphonal Pedal Subbass* (D)
8′ Antiphonal Pedal Flute* (D)

PEDAL
32′ Contra Violone (D)
16′ Open Diapason (D)
16′ Violone* (Gt) (D)
16′ Bourdon (D)
16′ Rohrbourdon* (Sw) (1–12 D)
8′ Octave (D)
8′ Bassflute* (D)
8′ Gemshorn* (Gt) (D)
8′ Rohrflöte* (Sw)
4′ Choral Bass (D)
4′ Kleinflöte* (Sw)
III Mixture* (D)
32′ Double Fagotto* (D)
16′ Trombone* (D)
16′ Contra Fagotto* (Sw) (D)
8′ Trumpet* (Gt)
8′ Fagotto* (Sw) (D)
4′ Clarion* (Sw) (D)
8′ Tuba Mirabilis* (Gt) (D)
8′ Fanfare Trumpet (Gt)
MIDI
* = New
D = digital voice

83 stops, including six percussions,
22 pipe ranks, 42 digital voices

===========================================================================

Lewis & Hitchcock,
Beltsville, Maryland
Christ Ascension Episcopal Church, Richmond, Virginia
Christ Ascension Episcopal Church of Richmond, Virginia, has a 1978 Schantz organ. Organist/choirmaster Ed Schutt wanted the organ to be made as flexible as possible. There was a desire for several additions, and there was no space for them in the organ chamber, which is directly behind the altar and speaks clearly down the length of the reverberant nave. Lewis & Hitchcock worked out a plan to use the unit stops as much as possible, and then fill out what was missing with digital stops from the Walker Technical firm.
The console now has a full complement of pistons and toe studs, and a multiple-memory combination action. The multiplex relay system allows the unit stops to play on all divisions. The result is a reliable, flexible instrument that can easily provide the right sound for the music.
—Gerald L. Piercey

GREAT
16′ Rohr Gedeckt (Sw)
8′ Principal 61 pipes
8′ Bourdon (Ped Bourdon/Sw Röhrfl)
8′ Gedeckt 61 pipes
4′ Octave 61 pipes
4′ Koppelflöte 61 pipes
2′ Waldflöte 61 pipes
IV Fourniture 244 pipes
16′ Contre Trompette (Sw)
8′ Trompette (Sw)
Great to Great 16-UO-4
Swell to Great 16-8-4
Positiv to Great 16-8-4
8′ Festival Trumpet (Walker digital)

SWELL
16′ Rohr Gedeckt (ext)
8′ Rohrflöte 61 pipes
8′ Viole 61 pipes
8′ Viole Celeste TC 49 pipes
4′ Spitz Principal 61 pipes
4′ Hohlflöte 61 pipes
22⁄3′ Nazard 61 pipes
2 Blockflöte (ext 4′ Hohlflöte) 12 pipes
13⁄5′ Tierce 61 pipes
III Scharff 183 pipes
16′ Contre Trompette (ext)
16′ Bassoon 61 pipes
8′ Trompette 61 pipes
Tremolo
Swell to Swell 16-UO-4
8′ Festival Trumpet (Gt)

POSITIV
16′ Rohr Gedeckt (Sw)
8′ Rohrflöte (Sw)
8′ Nason Gedeckt 61 pipes
8′ Gemshorn 61 pipes
8′ Gemshorn Celeste TC 49 pipes
4′ Nachthorn 61 pipes
2′ Principal 61 pipes
11⁄3′ Larigot 61 pipes
III Zimbel 183 pipes
16′ Contre Trompette (Sw)
8′ Trompette (Sw)
8′ Krummhorn 61 pipes
Tremolo
Positiv to Positiv 16-UO-4
Swell to Positiv 16-8-4
8′ Festival Trumpet (Gt)

PEDAL
32′ Untersatz (Walker digital)
16′ Principal 32 pipes
16′ Bourdon 32 pipes
16′ Rohr Gedeckt (Sw) 12 pipes
8′ Octave (ext) 12 pipes
8′ Bourdon (ext) 12 pipes
8′ Rohrflöte (Sw)
4′ Choral Bass 32 pipes
4′ Bourdon (ext) 12 pipes
2′ Choral Bass (ext) 12 pipes
22⁄3′ Mixture III (Walker digital)
32′ Bombarde (Walker digital)
16′ Contre Trompette (Sw) 12 pipes
8′ Trompette (Sw)
4′ Clarion (Sw)
Great to Pedal 8-4
Swell to Pedal 8-4
Positiv to Pedal 8-4
8′ Festival Trumpet (Gt)

27 registers, 34 ranks, 4 Walker digital voices

Glück New York,
New York, New York
Leon Lowenstein Memorial Auditorium, Congregation Emanu-El, New York, New York
The Fox Memorial Pipe Organ began its career as M. P. Möller’s Opus 9718 of 1962, designed by Dr. Robert S. Baker in collaboration with John H. Hose, tonal director of the Möller firm. The instrument was installed behind draperies in the amphitheatre choir loft of the 1,100-seat auditorium, which is designed to transform from a concert and lecture venue into a fully equipped summer sanctuary. Only the 16' Contrebasse and 16' Hélicon are partially visible from the auditorium. The placement of the instrument near the choir’s microphones (also used for radio broadcasts) forced an unhappy situation of under-scaled and feebly winded pipes, with closed toe holes and mouth heights as low as 1/6 cut-ups.
After 45 years, the temple contracted with Glück New York to tonally redesign the instrument and replace its mechanical systems. The solid-state drawknob console retains the original ivory keyboards and tiger maple pedalboard. The organ’s remote pneumatic relays and combination stacks were replaced with solid-state equipment.
The new tonal design moved from a typical American church organ of the period toward a warmer, fuller, rounder sound. Some of the mid-century tonal concepts that were of no use in the synagogue service (such as the two pseudo-baroque 4' reeds) were replaced by voices more essential to the liturgy. Many of the flue pipes had been left with untreated languids and were cut up only high enough to get them to speak. Furthermore, they had not had their toe holes opened, and could be considered essentially new and unvoiced, an added bonus in the context of the project. The unusual Shofar stop was designed by W. Adolph Zajic (1909–1987) and built with only six pipes; the organ’s new relay is prepared to fill out the stop in the future.
The new specifications were drawn up by Sebastian M. Glück, artistic and tonal director of the firm, who also carried out the voicing and tonal finishing. Albert Jensen-Moulton, general manager, was responsible for all technical aspects of the project. The three other pipe organs in the temple complex include a IV/135 in the sanctuary and a III/35 in Beth-El Chapel, both by the Glück firm. A fourth pipe organ, a II/7 Wilfred Lavalée in Greenwald Hall, was removed in the 1990s.
—Sebastian M. Glück

Fox Memorial Pipe Organ
Leon Lowenstein Memorial Auditorium, Congregation Emanu-El, New York, New York

GRAND-ORGUE
Manual II, unenclosed, 31'4' wind
16' Bourdon
8' Montre
8' Bois ouverte
8' Violon sourdine
4' Prestant
2' Doublette
Plein jeu IV
8' Shofar
Tremblant
Jeux empruntés:
8' Bourdon (Pos)
8' Voix angélique (Pos)
8' Voix mystique (Pos)
4' Flûte (Pos)
8' Hautbois (Réc)

RÉCIT-EXPRESSIF
Manual III, enclosed, 4' wind
8' Viole de gambe
8' Voix céleste
8' Flûte à cheminée
4' Prestant
4' Flûte harmonique
2' Flûte à bec
Fourniture III
16' Basson
8' Trompette
8' Hautbois
Tremblant
8' Trompette de fête (Pos)

POSITIF-EXPRESSIF
Manual I, enclosed, 4' & 6' wind
8' Violon sourdine (G-O)
8' Voix angélique
8' Voix mystique
8' Bourdon
4' Prestant (prep)
4' Flûte
22'3' Nazard
2' Quart de nazard
13'5' Tierce
8' Clarinette
Tremblant
8' Trompette de fête

PÉDALE
Unenclosed, 4' wind
16' Contrebasse
16' Sous basse
16' Violoncelle sourdine (ext G-O)
16' Bourdon (G-O)
8' Octavebasse
8' Flûte
8' Bourdon (Pos)
8' Violon sourdine (G-O)
4' Quinzième
4' Cor de nuit
Mixture II
32' Aliquots graves
16' Hélicon
16' Basson (Réc)
8' Trombone
8' Basson (Réc)

Fabry, Inc., Antioch, Illinois
Immanuel Presbyterian Church, Milwaukee, Wisconsin
Located in one of the oldest neighborhoods in Milwaukee, Immanuel Presbyterian Church has held a place of honor on Yankee Hill, overlooking Lake Michigan. In 1881 the church purchased what is now the core of the present instrument. Nearly all of the unison voices and lower are from the original instrument, including the 16' Double Open Diapason and 16' Principal, both of which are wood. During the next 120 years, additions and rebuilds occurred, bringing the instrument to its current state, still preserving over 75% of the original instrument. In 1965, the organ was fitted with a used Austin three-manual console. While the console worked well for a time, it was clear a new console was needed. When Fabry, Inc. was contacted to do the work, the previous curator had left many parts, tools and pipes in the organ area. Among these items was an 8' French Horn, purchased by the church and awaiting installation.
Fabry, Inc. undertook the following to improve the usability and tonal palette of the organ. An all-new three-manual drawknob console was custom crafted by David G. Fabry to control the 67-rank, 71-stop instrument. Utilizing the ICS-4000 combination action and relay system, this console and interface brings the 1881 Hook & Hastings into the 21st century. The aforementioned French Horn received a new chest built by David G. Fabry, and was installed in the String division with its own dedicated electric tremolo. A new electric extension of the 16' Bassoon in the Swell was installed, fully utilizing this rescaled 8' stop to a greater degree. Other smaller jobs, such as bracing and reworking the ventilation system were also completed at this time. While one half of the organ had been re-wired with PVC-coated wiring, the other half was brought up to standard.
Fabry, Inc. would like to thank the Rev. Deborah A. Block, pastor; Steven J. Jensen, organist; and John S. Komasa, director of music.
—Phil Spressart

GREAT
16' Open Diapason
16' Bourdon
8' Open Diapason
8' Chimney Flute
8' Doppel Flute
8' Aeoline (TC)
8' Gamba
8' Gemshorn
4' Octave
4' Harmonic Flute
22'3' Twelfth
2' Fifteenth
2' Waldflöte
2' Mixture IV
16' Double Trumpet
8' Trumpet
8' Tuba Mirabilis (Ped)
4' Clarion
Cathedral Chimes
Great 4
Great Unison Off
Great 16

SWELL
16' Lieblich Gedeckt
8' Open Diapason
8' Stopped Diapason
8' Viole d’Gambe
8' Viole Celeste
4' Octave
4' Flute Traverso
22'3' Nazard
2' Flautino
13'5' Tierce
11'3' Plein Jeu III
16' Bassoon (1–12 elec.)
8' Hautbois
8' Trumpet
8' Vox Humana
4' Clarion
Tremolo
Swell 4
Swell Unison Off
Swell 16

CHOIR
8' Geigen Principal
8' Melodia
8' Viol d’Amour
8' Viol Celeste
4' Octave
4' Stopped Flute
2' Piccolo
11'3' Larigot
22'3' Mixture II
8' Clarinet
8' Tuba Mirabilis (Ped)
8' Harp Celeste
Mockingbird
Cymbelstern
Tremolo
Choir 4
Choir Unison Off
Choir 16

STRING
8' Dulciana
8' Violon Cello
8' Cello Celeste
8' Violin Sordo
8' Violin Celeste
8' French Horn
Tremolo

PEDAL
32' Violone (1–12 elec.)
32' Contra Bourdon (1–12 elec.)
16' Double Open Diapason
16' Principal
16' Bourdon
16' Lieblich Gedeckt (Sw)
16' Violone (Gt)
8' Octave
8' Bass Flute
8' Holzgedeckt
8' Violin Cello
4' Fifteenth
2' Mixture III
32' Bombarde (1–12 elec.)
32' Contra Trombone
16' Bassoon (Sw)
16' Double Trumpet (Gt)
16' Trombone
8' Tromba
4' Tromba