Nunc dimittis: Barbara Benefiel Elder

James Sands “Jock” Darling, Jr.

James Sands “Jock” Darling, Jr., organist, choirmaster, and music director, died January 26, 2021, in Williamsburg, Virginia. Born May 29, 1929, in Hampton, Virginia, he attended Christchurch School, Middlesex County, Virginia, and graduated from Phillips Academy, Andover, Massachusetts, in 1946. He attended Yale University, New Haven, Connecticut, where he earned undergraduate degrees in music theory and piano in 1950 and 1951, and in 1954 he completed a master’s degree in organ at University of Michigan, Ann Arbor. On January 31, 1953, he married Mary Lee Oliver of Gloucester, Virginia.

From 1954 to 1961 he was organist and choir director at Plymouth Church, Shaker Heights, Ohio, and from 1961 to 2006, he held the position of organist and choirmaster at Bruton Parish Church, Williamsburg. At Bruton Parish Church, Darling directed an active program in music for all ages, including offerings for adult, boys, and girls choirs, as well as approximately 125 candlelight concerts annually, which were performed by himself, Bruton Parish associates, local musicians, and visiting artists. He taught organ and harpsichord at the College of William and Mary, Williamsburg, and as music consultant for Colonial Williamsburg Foundation, he presented many concerts in the Governor’s Palace and other historic buildings, often playing and conducting in colonial costume. Among the dignitaries who attended his recitals were four United States presidents and several heads of state. As a guest artist, he also performed throughout the United States and in Europe. Darling published numerous recordings of colonial period music and edited four publications of keyboard music for the Colonial Williamsburg Foundation. In 2003, he authored Let the Anthems Swell, a monograph on the history of music at Bruton Parish Church. He especially enjoyed offering the Saturday morning recitals in William and Mary’s historic Wren Chapel on an 18th-century English chamber organ. This concert series, which he initiated in 1971, continues to this day.

The Darling residence was a musical center, where the family hosted gatherings of visiting musicians, instrument makers, choirs, and for a time, the Wednesday morning meetings of the Williamsburg Music Club, which he helped found in 1964.

James S. Darling is survived by his sister Sarah Winfree “Sally” Darling; children Elizabeth Ann Darling, Russell Christian Darling, James Andrew Darling, Jonathan Lee Darling, Sarah Trevilian Darling, and their spouses and partners; four grandchildren and two great-grandchildren. His wife of 67 years, Mary Lee Oliver Darling, preceded him in death on January 13 of this year.

A memorial service will be held at Bruton Parish Church at a future date. Donations in James S. Darling’s memory may be made to Bruton Parish Church or the Organ Historical Society .

Walter Joseph Gundling

Walter Joseph Gundling, 82, of Mountville, Pennsylvania, died February 17. A native of Lancaster, Pennsylvania, he was active at Sacred Heart Catholic Church in his youth and a member of a family of pipe organ builders. His father, Walter Sebastian Gundling, grandfather, Sebastian, and families came to the United States in 1926 after leaving a family pipe organ building business in Laudenbach, Germany. They settled in Erie, Pennsylvania, working for the Tellers Organ Company, where Walter Sebastian completed his apprenticeship. In 1929, the family settled in Lancaster and founded the Sebastian Gundling & Son Co., which was engaged in maintaining and rebuilding pipe organs as well as building new instruments. In 1953, the firm, now including the teenaged Walter Joseph Gundling, installed the organ in Sacred Heart Church.

After graduation from Lancaster Catholic High School in 1956, Walter Joseph began full-time work for the family business, having completed his apprenticeship. He was the third generation to carry on the business, with clients in 225 churches in Pennsylvania and Maryland. In 1981, Walter Joseph Gundling’s son, Daniel Walter, joined the firm.

On April 28, 1962, Walter Joseph Gundling married Kathleen Ann Wiegand in Lancaster, and they were married for nearly 59 years. Together they raised five children.

Walter Joseph Gundling retired from the business in 2005, at which time the firm closed. The Moravian Church of Lancaster hosted a retirement concert and reception on June 12, 2005, Walter Joseph’s birthday.

Walter Joseph Gundling is survived by his children Daniel Gundling (Patricia) of Emmaus, Pennsylvania; Joseph Anthony Gundling (Janet) of Lebanon, Pennsylvania; Mary Ellen Gundling Koval (Mark) of Wilmington, Delaware; Anne Marie Gundling Williams (Andy) of Lancaster; and Barbara Kathleen Gundling Raihall (James) of Glen Mills, Pennsylvania; as well as ten grandchildren and three great-grandchildren. A funeral Mass was celebrated at Sacred Heart Catholic Church, Lancaster, on February 25. Memorial gifts may be made to the Dominican Nuns of the Perpetual Rosary, 1834 Lititz Pike, Lancaster, Pennsylvania 17601.

J. Samuel Hammond

J. Samuel Hammond, 73, longtime carillonneur at Duke Chapel, Duke University, Durham, North Carolina, died February 25. Hammond retired from the university in December 2018 after 53 years of service spanning six university presidents. He performed daily carillon recitals at 5:00 p.m. on weekdays and on Sundays after chapel services and at university ceremonies. Upon his retirement the university board of trustees dedicated the 50-bell carillon in his honor.

Born August 22, 1947, Hammond came to Duke as an undergraduate student in 1964 from Americus, Georgia, and began playing the chapel carillon shortly after his arrival. He graduated with a Bachelor of Arts degree in history in 1968 and later earned a master’s degree in theological studies, both at Duke, as well as a master’s degree in library science from University of North Carolina-Chapel Hill. Hammond was promoted to chapel carillonneur upon graduation in 1968 and was named university carillonneur in 1986, becoming only the second person to hold the title. In 2018, he was named university carillonneur emeritus. For 41 years, he was a librarian in the university’s rare book room, music library, and other library departments. Upon retirement from the library in 2012, he was honored through the collection’s acquisition of a rare first edition of the illustrated 1612 book, De campanis commentarius (“A Commentary on Bells”). Hammond performed recitals in bell towers of churches and universities across the United States. In addition, for more than 50 years he volunteered as accompanist for young musicians in the Duke String School, playing piano in rehearsals and performances. During his lifetime, Hammond served as organist at Methodist, Episcopal, and Catholic churches, substitute organist at Duke Chapel, and accompanist for the Triangle Jewish Chorale, Durham Savoyards, Longleaf Opera Company, and other groups.

J. Samuel Hammond is survived by his wife Marie, son Christopher and his wife Kelli, son John, and four grandchildren. A memorial service will be held at a later date. Memorial gifts may be made to Urban Ministries of Durham, Triangle Land Conservancy, or a charity of your choice.

Edward Brewer, 82, died April 3 in Leonia, New Jersey. Born in 1938 in Erie, Pennsylvania, his talent for music was revealed at an early age.

Brewer majored in organ at Oberlin Conservatory of Music, Oberlin, Ohio. As a graduate student at University of Illinois Urbana-Champaign, Brewer received a Fulbright Fellowship to continue his studies with organist Helmut Walcha in Frankfurt, Germany. His harpsichord studies continued with Maria Jaeger.

Edward Brewer’s school days ended in New York City in 1963 where he served in the Domestic Peace Corps until 1964, when he became organist and choir director at Judson Memorial Church in Greenwich Village. As a continuo player he served Amor Artis, Oratorio Society of New York, and New York Choral Society, as well as New York Philharmonic, New York Collegium, Orpheus, Orchestra of St. Luke’s, and Philharmonia Virtuosi. He participated in the Madeira Bach Festival, Mostly Mozart Festival, and North Country Chamber Players summer festival. He was founding director of the Soclair Music Festival, a role he filled for 30 years. As founder and director of the Brewer Chamber Orchestra, he participated in a series of first-time recordings of operas by George Frederick Handel for MMG, Nonesuch, Delos, and ESS.A.Y.

Edward Brewer also provided portable pipe organs and harpsichords in European styles of the 18th century for New York musical organizations involved in the performance of Baroque music. This service continues as Baroque Keyboards, LLC, under the management of his son and daughter.

Edward Brewer is survived by his wife of 51 years, oboist Virginia Brewer; his son Barry and wife Tomoko and their daughters Miako and Emiko; and daughter Hazzan Diana Brewer and wife Sara Brewer and their daughter Camilla.

Kenneth Gilbert, 88, harpsichordist, organist, musicologist, and teacher, died April 16. He was born December 16, 1931, in Montreal, Quebec, Canada. He studied organ with Conrad Letendre, piano with Yvonne Hubert, and harmony and counterpoint with Gabriel Cusson. Gilbert won the Prix d’Europe for organ in 1953 and studied for two years with Nadia Boulanger (composition), Gaston Litaize and Maurice Duruflé (organ), and Sylvie Spicket and Ruggero Gerlin (harpsichord). While he was on leave for these studies, he remained the organist and music director at Queen Mary Road United Church, Montreal, between 1952 and 1967. In 1959, he designed and oversaw the installation at Queen Mary Road Church of the first major modern mechanical-action organ in Canada, an instrument built by Rudolf von Beckerath of Hamburg, Germany. Gilbert was a leader in the formation of the Ars Organi society, which influenced organ performance standards in eastern Canada. He received an honorary doctorate degree in music from McGill University in 1981.

While in Paris in 1965 on a Quebec government grant doing research on Couperin in preparation for a CBC series of performances of the composer’s complete works for harpsichord, Gilbert undertook work for a new edition for the Couperin tercentenary in 1968. (He subsequently recorded the Couperin works for RCI, released on Harmonia Mundi in France, RCA in England, Musical Heritage Society in the United States, and other labels in Italy and Japan.) Heugel would publish Gilbert’s four volumes of Couperin works as part of its early-music series, Le Pupitre, between 1969 and 1972. Gilbert prepared a new edition from existing editions of the 555 sonatas of Domenico Scarlatti; eleven volumes were published by Heugel between 1971 and 1984. He prepared a facsimile edition of the complete harpsichord works of Couperin, published by Broude in 1973, and edited the complete harpsichord works of d’Anglebert, printed by Heugel in 1975. He also prepared new editions of Bach’s Goldberg Variations for Salabert in 1979, Frescobaldi’s first and second books of toccatas for Zanibon in 1979 and 1980, and Rameau’s complete harpsichord works for Heugel 1979. In 1980, he began to prepare a reissue of Couperin’s complete works for L’Oiseau-Lyre of Monaco. With Élizabeth Gallat-Morin, he produced an annotated edition of Livre d’orgue de Montréal, published in three volumes by Éditions Jacques Ostiguy in 1985, 1987, and 1988.

Gilbert’s performances were devoted primarily to the harpsichord. In 1968, he gave his first recital in London and commenced an international career of concerts, broadcasts, and recordings. He was a soloist with several Canadian and American orchestras.

Gilbert taught at the Conservatoire de musique du Québec à Montréal 1957–1974, at McGill University 1964–1972, at Laval University 1969–1976, and at the Royal Flemish Conservatory, Antwerp, Belgium, 1971–1974. In 1988, he began to teach at the Mozarteum in Salzburg, Austria, and he became professor of harpsichord at the Conservatoire de Paris. For some years, he taught at Accademia Chigiana, Siena, Italy. Furthermore, he presented masterclasses throughout North America and Europe.

In 1978, the Canadian Music Council named Gilbert Artist of the Year. He was honored with the Prix de musique Calixa-Lavallée in 1981. In 1986, he was named an officer of the Order of Canada and in 1988 was elected to the Royal Society of Canada. He was an honorary member of the Royal Academy of Music and Officier de l’Ordre des arts et lettres de France.

John Benjamin Hadley, 92, died January 5 in Hendersonville, North Carolina. Born July 1, 1927, in Iowa Falls, Iowa, he began playing organ in local churches at age 13 and received a Bachelor of Music degree from Iowa Falls Conservatory of Music in 1946.

After additional study in boy choir training and organ under John Dexter in Grand Rapids, Michigan, he entered the London School of Church Music, London, Ontario, where he spent three years under the tutelage of Ernest White and Raymond Wicher. While in London, he met and married Dorothy Helen Gallop with whom he would spend 52 years, while raising two daughters, Vicki and Kim.

The Hadleys moved to Chicago, Illinois, in 1951 where they would remain until the late 1980s. His first position was at St. Clement’s Catholic Church, Chicago, as organist and choirmaster, followed by Grace Episcopal Church, Hinsdale, and then Church of the Ascension, Episcopal, Chicago. In 1955, Hadley began assisting S. E. Gruenstein in his duties as editorial director and publisher of The Diapason. Upon the death of Gruenstein in December 1958, Hadley and Frank Cunkle were named associate editors of the journal. Hadley became publisher in August 1958 and left the staff of The Diapason September 1, 1959, for his duties at the Church of the Ascension. During his time in Chicago, he was a sales representative for the Schlicker Organ Company and held several positions with the Associated Pipe Organ Builders of America.

Hadley became an editor at Encyclopaedia Britannica. He made several trips to China in the 1980s as the editorial liaison for the Chinese edition of the encyclopaedia. Additionally, he was a senior editor of Compton’s Encyclopedia and executive editor for The Britannica Book of Music as well as The Britannica Book of English Usage. It was during this time that he became an entrepreneur, and along with the vision of wife Dorothy, they opened a British import store in Door County, Wisconsin, where they had a second home.

In 1993 the Hadleys moved to Hendersonville, North Carolina, to be closer to the Brevard Music Festival. He became passionate about the program, choosing to bequeath the majority of his estate for the continuing funding of its work. In his retirement he served as organist of Hendersonville’s First United Methodist Church and finally St. Mary’s Episcopal Church, Asheville, North Carolina.

John Benjamin Hadley was preceded in death by his wife Dorothy, his partner Phyllis Hansen, and daughter Vicki Anderson. He is survived by son-in-law John Anderson, grandson Matt Anderson, and daughter Kim Parr.

Edmund Shay died April 21 in Woodbury, New Jersey. He was born in the Bronx, New York City, and attended the High School for Music and Art in Manhattan, followed by The Juilliard School, New York City, where he received his bachelor’s and master’s degrees. In 1962 he was awarded a Fulbright fellowship allowing him to study in Germany with Helmut Walcha. He later earned his Doctor of Musical Arts degree in performance and music theory from the University of Cincinnati.

Shay’s career as concert organist, teacher, and composer included teaching at the University of the Pacific, Beloit College, Pembroke State University, Madison College (now known as James Madison University), and Columbia College, Columbia, South Carolina. He maintained an active recital schedule while teaching and wrote articles for The American Organist and The Diapason. From 1986 through 1991 he wrote organ music reviews for The Diapason. For fourteen years, Shay directed a summer seminar for organists called “Bach Week,” sponsored by Columbia College. Upon his retirement in 2003, Shay relocated to a winter home in Washington, D.C., with a summer home in Vermont. In 2014 he began to battle dementia, and in 2017, he moved to Friends Village in Woodstown, New Jersey, and subsequently to Merion Gardens Assisted Living in Carney’s Point, New Jersey.

Edmund Shay was predeceased by his life partner of over 35 years, Raymond Harris; he is survived by his adopted nephew and niece, Dale and DeeAnn Harris of Salem, New Jersey. Memorial gifts in Shay’s name may be given Alzheimer’s research or your local animal shelter.

Nicholas Temperley, professor emeritus of the School of Music, University of Illinois, Urbana-Champaign, died April 8. Born and educated in England, Temperley came to the University of Illinois in 1959 as a postdoctoral fellow, and he joined the faculty in 1967. He taught classes in the School of Music, supervised over fifty dissertations and theses, and served on dozens of doctoral committees. His publications include The Music of the English Parish Church (1979), Hymn Tune Index (1998), editions of music (including volumes for the Musica Britannica series and an edition of Berlioz’s Symphonie fantastique), and Bound for America: Three British Composers (2003), as well as several edited essay collections and scores of book chapters and journal articles.

After retiring in 1996, Temperley continued to be a researcher, writer, and editor. He also went on to guide the establishment of the North American British Music Studies Association [NABMSA] (2003) and serve as its first president, and he endowed prizes for student research: the Nicholas Temperley Dissertation Prize (later the Nicholas Temperley Musicology Research Scholarship, University of Illinois) and the Nicholas Temperley Student Paper Prize (NABMSA). In 1977, he was one of the co-founders of the Midwest Victorian Studies Association [MSVA], a group that sought to promote the interdisciplinary study of Victorian culture.

In 2012, a festschrift in his honor (Music and Performance Culture in Nineteenth-Century Britain, ed. Bennett Zon) was published. In April 2019, MVSA presented him with its Lifetime Achievement Award for his work in bringing music into the purview of Victorianists.

A memorial service will be planned for a later date. Memorial gifts may be sent to the Evelyn Burnett Underwood fund at the Urbana School District, which provides musical instruments to students who cannot afford them (contact Stacey Peterik at [email protected]).

James Merle Weaver, 82, died April 16 in Rochester, New York. Born in Danville, Illinois, he began piano and organ studies there. He attended the University of Illinois, Champaign-Urbana, during which time he gave piano and organ demonstrations and private lessons at a local music store and played Sunday church services. While on a high school field trip to Washington, D.C., Weaver saw his first harpsichords, displayed at the Smithsonian Institution’s National Museum of Natural History. During his sophomore year at the U of I, he went to Amsterdam to study harpsichord and historical performance practice with Gustav Leonhardt.

Returning to Illinois, Weaver completed his bachelor’s (1961) and master’s (1963) degrees. Weaver and his young family then moved to Boston’s North End. His facility as a continuo player developed, both as a concert artist and for recordings. While in Boston, he befriended the music director of Old North Church, John T. Fesperman, who had been Leonhardt’s first American student (1955–1956). Fesperman left Boston in 1965 to take a position at the collection of musical instruments in the Smithsonian’s newly opened National Museum of History and Technology; Weaver followed him to the Smithsonian the next year, where he began a diverse career producing concert programs and exhibits, among other activities. In 1971, he worked to found the Friends of Music at the Smithsonian, which continues to support the Smithsonian Chamber Music Society.

Weaver pursued his exploration of newly restored harpsichords and forte-pianos in the Smithsonian’s collection, producing recordings. He established an ensemble in residence at the museum in 1976, the Smithsonian Chamber Players, which produced recordings through the Smithsonian Collection of Recordings, an arm of the institution’s Division of Performing Arts (DPA), which Weaver joined in the late 1970s.

In 1983, DPA’s functions were absorbed by other portions of the institution, and Weaver returned to the Division of Musical Instruments at the National Museum of American History (NMAH), as the National Museum of History and Technology had been renamed in 1980.

In addition to his Smithsonian activities, Weaver occasionally appeared with the National Symphony Orchestra and various professional choruses of the area. With the Smithsonian Chamber Players, he had a presence in the inaugural festivities for Jimmy Carter and later performed twice, including once as harpsichord soloist, at the Carter White House. He was subsequently invited to play at five inaugural luncheons, from Ronald Reagan’s second inaugural to George W. Bush’s first. Weaver taught at various times at American University, the University of Maryland, Cornell University, the Aston Magna Academy, and the Baroque Performance Institute at Oberlin Conservatory of Music.

Following his move to Washington, D.C., in the 1960s, Weaver served as organist or organist/choirmaster at several churches, including Baltimore’s Mount Calvary Church, Washington’s St. Columba’s Episcopal Church and All Souls Episcopal Church, and finally at All Hallows Episcopal Church, Davidsonville, Maryland.

Following retirement from the Smithsonian, Weaver was appointed executive director (later chief executive officer) of the Organ Historical Society. During the last years of his tenure at the OHS, he supervised the relocation of its headquarters and archives to “Stoneleigh” in Villanova, Pennsylvania. He also expanded the E. Power Biggs Fellowship program.

James Merle Weaver is survived by husband/partner Samuel Baker; son Evan (Jill), three grandchildren, and two great-grandchildren. He was predeceased by wife Patricia Estell and long-time former partner Eugene Behlen. Memorial gifts may be given to the Biggs Fellowship Program of the Organ Historical Society, 330 N. Spring Mill Road, Villanova, PA 19085; or the Friends of Music at the Smithsonian, P. O.
Box 37012, Washington, DC 20013-7012 (https://www.smithsonianchambermusic.org/donate).

Nunc Dimittis

Murray Albert Burfeind, 89, died December 16 in Red Wing, Minnesota. Born May 8, 1931, in Belvidere Township, rural Lake City, Minnesota, he grew up on the family farm. As a young boy he learned to play piano. By age 12 he started to play the pipe organ, and soon began playing for various churches. Burfeind graduated from Lake City High School in 1949. He went on to study at Bethany College, Mankato, Minnesota, and Concordia College, St. Paul, Minnesota. He graduated as a parochial school teacher and taught elementary school in Fond du Lac and Appleton, Wisconsin. At Fond du Lac, St. Peter’s Lutheran Church was buying a new organ, and as the church organist he served on the selection committee. After visiting Wicks Organ Company in Highland, Illinois, and recommending purchase of a pipe organ from that firm, he found his lifelong interest in organ construction. After one last year of teaching, he moved to Milwaukee, Wisconsin, to apprentice for United Organ Company, representative for Wicks in that region. He always referred to that day at the organ factory as the single day that changed his life.

In Milwaukee, he met and married his wife of more than sixty years, Flora Olm, a teacher and later a newspaper reporter and librarian. Together they followed the lure of building and designing new pipe organs, completing installations and providing service and tuning to organs in churches throughout the country with the Murray Burfeind Pipe Organ Company. From Milwaukee they moved first to Louisville, Kentucky, where their two oldest sons, Philip and Andrew, were born. They relocated to Arlington Heights, Illinois, to serve churches in Illinois and Indiana. Their third son, Steven, and daughter, Ann, were born while in Illinois.

After 15 years of travel and nights away from home, the family relocated to Minnesota near his family, living in the country near Goodhue, where Burfeind had his shop and continued his organ work, completing installations across the country.

Burfeind achieved his most satisfying goal of designing and completing the reinstallation of the Kilgen pipe organ at the Sheldon Theatre in Red Wing. He installed bird calls, truck horns, and bass drums in the upper reaches of the theatre above the proscenium arch.

His last installation was the Burfeind-designed and built organ at St. Norbert College in DePere, Wisconsin. That organ featured Subczyk and Meyer pipes built to order in Milwaukee. Originally it was installed in the La Crosse home of Betty Mittlestadt and later purchased and moved to St. Norbert College in 2012 and 2013.

Murray Albert Burfeind is survived by his wife Flora of rural Goodhue. He is also survived by his children Philip (Kimberly) of New Brighton, Minnesota; Andrew (Jacqueline) of St. Paul, Minnesota; Steven (Brenda) of Sioux Falls, South Dakota; and the Rev. Ann Burfeind (Florian) of Vancouver, British Columbia, Canada; as well as six grandchildren and several great-grandchildren. A celebration of his life will be held at a later date.

Catherine Ennis, organist and director of music since 1985 at the Church of St. Lawrence Jewry, London, UK, died December 24, 2020. Born in 1955, she was an organ scholar at St. Hugh’s College, Oxford, before serving as assistant organist of Christ Church Cathedral. Ennis joined the Royal College of Organists in 1978. She was a trustee of the RCO from 2012 to 2016 and vice president from 2015, and was also a diploma examiner. She served as artistic director of the RCO Summer Course for Organists in 2017.

Ennis served as consultant for four new organs in London, including organs by Rieger in St. Marylebone Parish Church (1987), Klais in St. Lawrence Jewry (2001), William Drake for Trinity College of Music (2003), and the Queen’s Organ in the Lady Chapel of Westminster Abbey, built by Mander. She also founded the London Organ Concerts Guide and was president of the Incorporated Association of Organists from 2003 to 2005.

In 2006 Ennis initiated (with Barbara Hill) the John Hill Organ Series, which showcased emerging young talented organists in a series of recitals in London each May. Most recently she became a patron of the Society of Women Organists.

Concert engagements in recent years included Christ Church Spitalfields, Westminster Cathedral, and Royal Festival Hall. Ennis recorded works by Bach, Reubke, Guilmant, and English romantic composers, among others; her latest CD for Priory Records of works by various composers on the Peter Collins organ in St. Bartholomew’s Church, Orford, was released in October 2020 (The Organs of St. Bartholomew’s Orford, Priory PRCD 1235).

Catherine Ennis was awarded the Medal of the Royal College of Organists in 2018. The citation for the medal details her contribution to the planning and execution of the college’s 150th anniversary celebrations in 2014.

An online musical remembrance occurred January 11.

Elizabeth P. Farris, 86, of Edmond, Oklahoma, died December 1, 2020. Born February 28, 1934, she was organist for First United Methodist Church of Edmond and taught at Central State University (now University of Central Oklahoma). Farris earned her Bachelor of Music and Master of Music degrees summa cum laude in organ performance from University of Arkansas, Fayetteville. She then began teaching organ and piano at what was then Southern State College, Magnolia, Arkansas. Later she met Howard Farris, who taught art at the college in Magnolia, and they were married in 1961. The couple had two children, Lisa in 1963, and Karl in 1965.

In 1966 the Farris family moved to Norman, Oklahoma, where Howard earned his Ph.D. degree at University of Oklahoma. Then the next year Howard was offered a teaching position at Central State College in the School of Education. In 1967, Elizabeth was appointed organist of First United Methodist Church of Edmond, serving the church until her retirement in 1999. As the longest serving staff member in the church’s history, she was named organist emeritus on her retirement. She also spent many years of substituting, playing the organ and piano during and following her years as First Church. Elizabeth Farris was active in the Oklahoma City Chapter of the American Guild of Organists for over thirty years and served in various capacities, including several terms as chapter dean. 

Elizabeth P. Farris is survived by her children Lisa and Karl, and her older sister, Drusilla Appleyard and family in Fort Smith, Arkansas.

John Allen Ditto

John Allen Ditto died March 9. He was born February 12, 1945, in Kansas City, Missouri. At the age three he showed great interest in the piano and was taught by Pauline Chaney and Lucille Hoover of Plattsburg. Beginning at age nine and continuing through high school years, he studied piano at the University of Missouri-Kansas City Conservatory of Music, with organ lessons beginning in 1961.

After graduating from Plattsburg High School in 1963, Ditto went on to earn a Bachelor of Music degree in organ and church music from Drake University, Des Moines, Iowa. In 1969 he earned his Master of Music degree in organ and sacred music from the University of Michigan, Ann Arbor. From 1969 until 1972 he was director of music for First Presbyterian Church, Evansville, Indiana. In 1972 he began his Doctoral of Musical Arts degree studies at Eastman School of Music, Rochester, New York. 

After completing his doctorate, he returned to Missouri as assistant professor of organ, piano, and music history at Central Methodist University, Fayette, and organist at Linn Memorial United Methodist Church on campus from 1975 to 1982. He then began teaching at the University of Missouri Kansas City Conservatory of Music, a position he held until his retirement in 2015. During this time Ditto served as organist/music director at St. Paul’s Episcopal Church, Kansas City. He was a member of St. Paul’s Church and continued to be involved after his retirement.

Throughout his career Ditto played numerous recitals throughout the country and was an artist with Phyllis Stringham Concert Management. He was an active member of the Kansas City chapter of the American Guild of Organists, attending and performing at conventions and pedagogy conferences. During summer months, Ditto spent time on Lopez Island, Washington, where he was organist at Grace Episcopal Church. 

Upon retirement Ditto volunteered at the Kansas City Free Health Clinic and St. Luke’s Hospital. He also served as chairman of the program committee on the UMKC Retirees Association Board. He was a lector and chalice bearer at Bishop Spencer Place, where he resided the final year of his life.

John Allen Ditto is survived by his sister Mary Alice (Larry) Roberts, nephew Zach (Ashley) Nelson, and his great-nieces, Lilly and Sylvie Nelson, all of Plattsburg, Missouri. Services were held April 16 at St. Paul’s Episcopal Church, Kansas City. Former students Shelly Moorman-Stahlman and Robert L. Bozeman played prelude and postlude, all pieces learned as students with Ditto. St. Paul’s Choir sang movements from Durufle’s Requiem at the Holy Eucharist service. Memorial contributions may be made to St. Paul’s Episcopal Church for the music program (stpaulskcmo.org), to the American Guild of Organists, New Organist Scholarship Fund in memory of John Ditto (agohq.org), or to John A. Ditto Memorial Music Scholarship, P. O. Box 136, Plattsburg, Missouri 64477.

—Robert L. Bozeman and Shelly Moorman-Stahlman

Paul S. Hesselink

Paul S. Hesselink, 82, died May 1. Born June 6, 1940, in Mitchell, South Dakota, he had been a resident of Las Vegas, Nevada, since 1993. He had previously lived in Iowa, Nebraska, Washington, Michigan, Ohio, Colorado, and Virginia.

Hesselink was a graduate of Lynden (Washington) High School and earned his Bachelor of Arts degree in music in 1962 from Hope College, Holland, Michigan, where he majored in organ. He studied musicology at the University of Michigan, Ann Arbor, under a Woodrow Wilson National Fellowship; earned a Master of Arts degree in organ pedagogy from Ohio State University, Columbus; and received his Doctor of Musical Arts degree in organ performance from University of Colorado, Boulder. His organ teachers included Roger J. Rietberg, Wilbur C. Held, Arthur Poister, Everett J. Hilty, and Don A. Vollstedt. He studied harpsichord in Paris, France, with Davitt Moroney.

In 1966 Hesselink joined the faculty at Longwood College (now University), Farmville, Virginia, where for twenty-six years he taught organ, harpsichord, music theory, music form and analysis, church music, handbells, and music appreciation. He was named a recipient of the college’s Maria Bristow Starke Award for Excellence in Teaching, and he chaired the Longwood department of music for three years. During the 1978–1979 academic year he was a guest faculty member at the University of Colorado in the department of organ and church music. Upon early retirement from Longwood, he was named Professor Emeritus. He relocated to Las Vegas, Nevada, to become dean and chief executive officer at Nevada School of the Arts, a private, non-profit community arts school, holding that position for twelve years. He also taught organ as adjunct faculty at University of Nevada, Las Vegas, beginning in 1993.

As a church musician, Hesselink served as the director of music (organ, choir, and handbells) at Farmville Presbyterian Church, Virginia, for twelve years and as organist at Christ Church Episcopal in Las Vegas for six years. He was an active member of the Southern Nevada Chapter of the American Guild of Organists, and he served as program chair of the AGO Region IX Midwinter Conclave, hosted by the Southern Nevada Chapter in January 2006. From 2005 to 2019 he managed the chapter’s organ recital series bringing nationally and internationally known organists to perform in Las Vegas. Upon his retirement from that responsibility, the chapter honored him by naming the recital series the Paul S. Hesselink Organ Recital Series. Hesselink also held memberships in the Organ Historical Society, the College Music Society, the American Musicological Society, and the Southeastern Historical Keyboard Society.

Active during his entire professional life as an organ and harpsichord recitalist, lecturer, and workshop leader, he also performed as a duo-piano team member with Longwood colleague Frieda Myers. He was harpsichordist-in-residence with the Roxbury Chamber Players of New York for “Music in Historic Places” during the summers of 1984 and 1985. In 1996 he was harpsichord soloist for the world premiere performance of the Nevett Bartow Concerto for Harpsichord with the Nevada Chamber Orchestra; he later recorded the work with the Slovak Radio Symphony Orchestra in Bratislava for the MMC Recordings label. Hesselink was the recipient of two National Endowment for the Humanities Summer Seminar awards—at Yale University and later at the Arnold Schoenberg Institute at the University of Southern California. The seminars resulted in a ten-year research project regarding the commissioning, composition, and publication of Schoenberg’s only work for organ, Variations on a Recitative, opus 40. At the end of the second summer seminar, he was invited to publish his research in the Journal of the Arnold Schoenberg Institute. On the occasion of the 50th anniversary of the composition of the Schoenberg organ work, his article, “Variations on a Recitative for Organ, Op. 40: Correspondence from the Schoenberg Legacy,” was republished in The American Organist (October and December 1991).

Hesselink was a force in the acquisition of the Maurine Jackson Smith Memorial Organ installed in 2004 in Dr. Rando-Grillot Recital Hall, Beam Music Center, University of Nevada, Las Vegas. This instrument, which was designed, fabricated, and installed by Rudolf von Beckerath Orgelbau, Hamburg, Germany, is the largest mechanical-action organ in Nevada. In 2013 he published “As I Recall: A History of the Maurine Jackson Smith Organ at UNLV.”

Paul S. Hesselink is survived by a brother, Philip Hesselink of Omaha, Nebraska; two sisters, Elaine Helmus of Jefferson, Iowa, and Ardys Hansum of Omaha. Also surviving is his former student, longtime friend, and partner of more than fifty years, Linda Parker. His ashes were interred in the family plot in the Gibbsville, Wisconsin, cemetery. Memorial contributions may be made to the American Guild of Organists, the Southern Nevada Chapter of the AGO, or the Organ Historical Society.

Jennifer Lucy Bate, 75, born in London, UK, November 11, 1944, died March 25. She was the daughter of H. A. Bate, organist of St James’s Muswell Hill from 1924 to 1978. An international concert organist, she was considered an authority on the organ music of Olivier Messiaen, having befriended him within the last twenty years of his life as his organist of choice. In 1986, she gave the first British performance of his Livre du Saint-Sacrement at Westminster Cathedral and later made the world premiere recording of the work under the personal supervision of the composer, winning the Grand Prix du Disque. He also endorsed her earlier recordings of all of his other organ works. Bate owned scores that contain many personal markings and references made by Messiaen. In 1995, Bate opened the Messiaen Festival at l’Église de la Sainte Trinité, Paris, France, where his complete organ works were performed and recorded. Among numerous awards for her CD were the Diapason d’Or (France) and Preis der Deutschen Schallplattenkritik (Germany).

Bate performed and recorded a broad repertoire spanning several centuries, including English organ music, the complete organ works of César Franck, and the complete organ music of Felix Mendelssohn. A frequent performer at organ festivals, she often played works written for her. She also presented numerous masterclasses and lectures. She was instrumental in the formation of the annual Jennifer Bate Organ Academy, a course for young female organists, and she was the lead patron of the Society of Women Organists.

Bate was briefly married (as his second wife) to George Thalben-Ball. She received an honorary doctorate from the University of Bristol in 2007. In 1990, Bate was recognized with the Personnalité de l’Année award by the French-based jury, only the third British artist to achieve this distinction, after Georg Solti and Yehudi Menuhin. In 1996, Bate was granted honorary citizenship of the Italian province of Alessandria for her services to music in Northern Italy over 20 years. In 2002, she was elected a Fellow of the Royal Society of Arts, and in 2008 was appointed Officer of the Order of the British Empire.

In 2011, M. Frédéric Mitterand, minister of culture and communication, awarded Jennifer Bate the rank of Officier de l’ordre des Arts et des Lettres, stating that this honor is awarded to renowned artists and writers who have promoted French culture throughout the world. Subsequently, President Sarkozy appointed Jennifer Bate to the rank of Chevalier in the Ordre National de la Légion d’Honneur, stating that this honor was awarded in recognition of her skill as an organist and her contribution to making Olivier Messiaen’s organ works more widely known throughout the world. She received both awards in 2012.

Marillyn Ila Freeman, 85, musician and teacher, died March 24. Born in Marion, Wisconsin, February 23, 1935, she grew up in New London and Appleton, where she began playing the organ for local church services at the age of twelve. She graduated from Appleton High School in 1953 and the Lawrence College Conservatory of Music, Appleton, earning a degree in music performance in 1957. While at Lawrence, she met her future husband Ralph Freeman, and they were married in 1958. Following graduation Freeman taught music at Lawrence and worked in the president’s office at Princeton University, eventually returning to Wisconsin and settling in Green Bay, where she taught piano and played organ in the Moravian church.

In 1965 the Freemans moved to Neenah where a year later she began a 54-year career as organist for St. Paul Lutheran Church. In addition to playing organ and piano, as director of music ministries she planned worship services, directed youth choirs, accompanied the adult Sanctuary Choir, presented church musicals, and guided the church in purchasing a new Dobson organ in 1986. She earned an associate certificate of the American Guild of Organists in 1995 and an associate in music ministry certificate in 2000.

Throughout her career Freeman continued to teach piano and organ, organizing piano recitals, judging piano competitions, and mentoring young musicians in the Fox Valley. She was a member of the Fox Valley Music Teachers, a member of the Sigma Alpha Iota International Music Fraternity, served as treasurer of the North Eastern Wisconsin chapter of the American Guild of Organists, and was active in the Hymn Society of the United States and Canada. For many years she and her husband Ralph, a pianist, violinist, and published author of hymn texts, performed organ and piano duets each August as part of the Lunchtime Organ Recital Series in the Fox Valley region.

Marillyn Ila Freeman is survived by her husband Ralph Freeman, five children: Rebecca Freeman (Stephen Fusfeld) of Neenah; Jennifer Timm (Terry) of Neenah; Robert Freeman (Robin) of Darien, Illinois; Jon Freeman of Whitefish Bay; and Paul Freeman (Nicole Berman) of Stow, Massachusetts; twelve grandchildren, and several great grandchildren.

Memorial gifts may be made to the music ministry program at St. Paul Lutheran Church, 200 N. Commercial Street, Neenah, WI 54956, or to either the Melanoma Research Fund or the Surgical Oncology Outcomes Research and Awareness Fund at the University of Wisconsin (supportuw.org/give).

Josephine Lenola Bailey Freund, 90, died February 8 in Carlisle, Pennsylvania. A lifelong musician, she was a professional organist for almost 70 years and taught piano and organ. She performed organ recitals and directed choirs throughout the United States, as well as in Swaziland and Papua New Guinea.

Josephine Bailey was born April 8, 1929, in Indianapolis, Indiana. She began piano lessons at age six and started studying organ at age thirteen. Among her first professional jobs were playing the organ to accompany silent movies and substituting as an accompanist and organist in local churches.

Following graduation from high school in 1946, Bailey attended Wittenberg College, Springfield Ohio, later transferring to Peabody Conservatory of Johns Hopkins University, Baltimore, Maryland. There she earned a teaching certificate in organ and bachelor’s and master’s degrees. In 1952, she was the first female graduate of Peabody to earn a master’s degree in organ performance.

During the 1950s Bailey played at various churches in Maryland, Virginia, and the District of Columbia, including serving as music director for First Baptist, Washington, D.C., which President Truman attended; and St. Anne’s Episcopal Church, Annapolis, Maryland, where she was honored to play for a royal visit by Elizabeth, the Queen Mother. From 1956 until 1961, she was associate professor of music at Longwood College, Farmville, Virginia. She was also organist of First Presbyterian Church, Farmville, and taught music in local public high schools.

In 1963, Bailey became the first full-time director of music at Trinity Lutheran Church, Camp Hill, Pennsylvania. She later returned to Indianapolis to teach in public schools and was the organist and assistant choir director at First Presbyterian Church. In the early 1970s, she moved to East Lansing, Michigan, to work on her doctorate in music theory at Michigan State University. She also was associate professor of music and organist and choir director of Martin Luther Chapel at Michigan State. It was there that she met her future husband Roland Freund who was an Australian agricultural missionary working on his master’s degree. They married in July 1971 and moved to the Highlands of Papua New Guinea.

In 1976, the family moved to Carlisle, Pennsylvania, where Josephine taught piano and was organist at Grace United Methodist Church. The family spent 1982–1984 working on a U.S. AID and Penn State University project in Swaziland, Africa. There she taught music in several schools and directed the largest choir in the country for a performance of Brahms’s Requiem.

Upon returning to Carlisle, Josephine Freund served as organist and choir director at St. John’s Episcopal Church and Gettysburg College Chapel. She was adjunct professor of organ for Dickinson College and an active member and officer of the Harrisburg Chapter of the American Guild of Organists. Freund played her final organ recital in 2010, but continued to teach piano and organ and to substitute and support church services, weddings, and funerals for a few more years. She was a lifetime member of the national honors fraternity for women in music, Sigma Alpha Iota.

Josephine Lenola Bailey Freund is survived by her husband, Roland Paul Freund of Carlisle; her nephew, Matthew Freund of South Australia; and her son, Colonel Ernie Freund, daughter-in-law Megan Sayler Freund, and granddaughters, Amelia Rose and Adelaide Pearl, all from Burke, Virginia.

Funeral services were held February 15 at Trinity Lutheran Church, Camp Hill, Pennsylvania. Memorial contributions may be made to Residential Hospice, 100 Sterling Pkwy #110, Mechanicsburg, PA 17050 or the Traditional Music Fund at Trinity Lutheran Church, 2000 Market Street, Camp Hill, PA 17011.

Eleanor Marie Fulton, organist and music educator, died February 23 in New Haven, Connecticut. Born August 9, 1939, in Morristown, Tennessee, she earned her Bachelor of Arts degree from Bennett College, Greensboro, North Carolina, in 1961, and continued her education at the Manhattan School of Music, New York City; the Haydn Conservatory, Eisenstadt, Austria; and the University of Ghana’s International Center for African Music and Dance.

She served as the longtime organist and director of music for Center Church on the Green, New Haven, and was a music teacher for New Haven Public Schools, director of the New Haven Children’s Chorus, assistant organist and director of Christian education for Battell Chapel, Yale University, New Haven, consultant to the New Haven Symphony Orchestra, and a private piano and music instructor. She was the featured performer on a CD released by Raven, performing on the 1971 Beckerath organ of Dwight Chapel, Yale University, with works of Bach, de Grigny, and Mendelssohn (Eleanor Fulton, Organist: Dwight Chapel, Yale University, OAR-810).

Odile Pierre, French liturgical and international concert organist, professor, and composer, died in Paris, France, on February 29, shortly before her 87th birthday. Born in Pont-Audemer (in Normandy) on March 12, 1932, she decided to become an organist at age seven, inspired by a recital by Marcel Dupré on the Cavaillé-Coll organ at St. Ouen Abbey in Rouen. After taking lessons with Madeleine Lecoeur, organist at St. Nicaise Church in Rouen at age fifteen, she served as organist and choir director at the St. Martin Church in Barentin (in the Seine-Maritime region of Normandy). From 1950 to 1952, she studied harmony with Albert Beaucamp and organ with Marcel Lanquetuit at the Rouen Conservatory. She then entered the Paris Conservatory, where she was awarded first prizes in the classes of Maurice Duruflé (harmony), Noël Gallon (fugue), Norbert Dufourcq (music history), as well as organ and improvisation with Marcel Dupré and Rolande Falcinelli. At the age of 23, Odile Pierre became the youngest Marcel Dupré student to win a first prize in organ and improvisation at the Paris Conservatory. She won this prestigious prize the same year as Éliane Lejeune-Bonnier (1921–2015), with the unanimous approval of the jury, which included Jeanne Demessieux.

From 1955 to 1957, Odile Pierre officially substituted for Jean-Jacques Grunenwald, then organist at Saint-Pierre de Montrouge Church in Paris. She then studied organ performance with Fernando Germani at Saint-Cecilia Academy in Rome and at Chigiana Music Academy in Sienne, and with Franz Sauer at the Mozarteum in Salzburg. In 1969, she succeeded Jeanne Demessieux as titular organist of the gallery organ of the Madeleine Church and remained in this post until 1979. By coincidence, on the day after she died, Olivier Périn began his functions as the official assistant to François-Henri Houbart, her successor at the Madeleine.

Well known for her mastery of organ repertoire from early to contemporary masters, Odile Pierre performed at least 2,000 concerts throughout the world, including appearances in Japan, Korea, the Philippines, Canada, Iceland, Russia, Germany, Turkey, Italy, Spain, Austria, and the former Czechoslovakia, including twelve tours in the United States and six in Asia. In 1977, she represented France at the Third International Organ Congress in Washington and Philadelphia. She performed organ concertos under the direction of conductors such as Lorin Maazel, Pierre Dervaux, Antoine de Bavier, and Georges Prêtre.

Odile Pierre recorded for RCA, Mitra, Motette, Festivo, Editions Lade, and IFO. At least two of the recordings were made at the Madeleine Church in Paris: Camille Saint-Saëns’ Preludes and Fugues (1972, RCA LSB 4088) and The Great Romantic Toccatas (1978, RCA/RC 8108). In 1991, she recorded (for SCD 814) Jean-François Muno’s reconstitution of Jean de Joyeuse’s 1694 organ at the Auch Cathedral, which she had inaugurated in 1988 with André Isoir. Her Poetic Symphonic Organ Music (Vierne, Debussy, Duruflé, and Odile Pierre) on the Cavaillé-Coll of the Trinity Church in Fécamp and at St. Godard in Rouen (1988, MP/FR 51190 C) calls upon her Normand origins; her record of Widor, Vierne, and Guilmant at the Orléans Cathedral (1993, Motette 11251), reminds us that she lived nearby, in Tigy, in the Loiret department, at the end of her life.

As professor, Odile Pierre taught organ and music history at the Rouen Conservatoire from 1959 until 1969 and then organ and improvisation at the Paris Regional Conservatoire from 1981 until 1992. Among her students were Michael Matthes, Léon Kerremans, D’Arcy Trinkwon, Kristiyan Seynhave, David Di Fiore, and Lionel Coulon (titular organist at the Rouen Cathedral since 1992, he substituted for her at the Madeleine for four years). In 1991, she gave organ classes at the Scuola Internationale d’Alto Perfezionmento Musicale in Perugia, Italy, and gave masterclasses in numerous colleges and universities. She also served on the juries of international organ competitions. In 1977, she was appointed as a member of the Commission on Organs in Paris.

Her organ works were published as early as 1955: Chorale and Fugue on the first antiphon of the Second Vespers for Christmas (1955, Procure du Clergé), and Chorale and Four-Voiced Fugue (1955, republished by Europart-Music in 1988), Four Pilgrimages at the Virgin Mary for four hands, opus 1 (Leduc, 1988), Variations and Fugue on three Christmas Carols (Leduc, 1990), The Martyr of St. Thomas Becket, op. 4 (Bergamo, Carrara 1994), Chorale and Fugue on the Name of Charles-Marie Widor, op. 5 (Mayence, Schott, 1994), and Canonic Variations and Fugue on Two Christmas Carols from Naples, op. 6 (1955). Her edition of some of Alexandre Guilmant’s organ works was printed by Bornemann in 1983 and 1984. In addition, she wrote about Marcel Dupré’s improvisation exams in 1953 and 1954 (Leduc, undated). Odile Pierre received three awards for her contributions to French culture: Officer in the French Legion of Honor, Commander in the French Order of Merit, and the Silver Medal of the City of Paris.

Odile Pierre is survived by her husband, the historian Pierre Aubé.

—Carolyn Shuster Fournier

Philip Astor Prince, 89, of New Haven, Connecticut, died February 5. Born January 5, 1931, in Evanston, Illinois, Prince attended the Taft School before entering Yale University with the Class of 1952. He earned his Bachelor of Arts degree in Latin, subsequently studied musicology in the Yale Graduate School, but completed a Master of Music degree from the Yale School of Music in organ performance under H. Frank Bozyan in 1959. Prince was drawn to the Anglo-Catholic liturgy celebrated at Christ Church, New Haven, and became associated with the music program there, succeeding Richard Donovan as organist and choirmaster in 1966. He became respected among colleagues for his English-language arrangements of Gregorian chants and psalmody and for his hymn accompaniments.

Prince published scholarly articles on Max Reger’s organ music (see “Reger and the Organ,” The Diapason, March 1973) and a performing edition of a sonata da chiesa of Johann Gottfried Walther. He also taught organ students at Wesleyan University, Middletown, Connecticut, where he served as university organist for nearly 30 years and played annual recitals. In 1988, he joined the choirs of St. Mary Church, New Haven, and the St. Gregory Society and continued singing with them well into his 80s. Prince became an associate fellow of Ezra Stiles College in 1974. He was a longtime member of both Mory’s and the Elizabethan Club in New Haven, and the American Guild of Organists and Association of Anglican Musicians. Prince was a supporter of the Yale swimming team, and for many years he refereed at swimming matches and tournaments.

Richard T. Bouchette

Richard T. Bouchett, 85, of New York, New York, died in Fort Lauderdale, Florida, on April 17. He was born March 6, 1937, in Seymour, Texas, attended Texas Christian University, and earned a Bachelor of Music degree from the University of Oklahoma, an artist’s diploma from the Curtis Institute of Music, and Master and Doctor of Sacred Music degrees from the Union Theological Seminary, New York City, with the dissertation “The Organ Music of Jehan Alain.” His organ teachers included Emmet Smith, Adrienne Reisner, Mildred Andrews, Alexander McCurdy, Robert Baker, Marie-Claire Alain, and Anton Heiller. He was the 1966 winner of the Young Artists’ Competition sponsored by the Boston Symphony and the Boston Chapter of the American Guild of Organists and was presented in recital at Symphony Hall in Boston. He taught organ at Westminster Choir College, Princeton, New Jersey, and Indiana University, Bloomington, and presented recitals across the United States, including performances at several AGO regional conventions.

For ten years Bouchett was organist at Fifth Avenue Presbyterian Church in New York City where he recorded an LP entitled The Organs of Fifth Avenue Presbyterian Church Played by Richard Bouchett, presently available on YouTube and Amazon. In 1972 he was named director of music and organist for First Presbyterian Church, Greenwich, Connecticut. He conducted a semi-professional choir that performed cantatas and oratorios with orchestra in addition to singing at regular services, and developed a concert series, “Music from the Top.” Bouchett supervised the installation of a 66-rank M. P. Möller organ in the church’s sanctuary, where he premiered a commissioned work of Ruth Schonthal, The Temptation of St. Anthony.

Before moving to New York City, he held positions at the Church of the Good Samaritan (Episcopal) in Paoli, Pennsylvania, and the Episcopal Academy in Overbrook, Pennsylvania. After his retirement from First Presbyterian Church, Greenwich, in 2002, he played for several years at First Church of Christ, Scientist, Greenwich, and was a substitute musician for churches in and around New York City, including Madison Avenue Presbyterian Church.

Richard T. Bouchett is survived by his brother Frank and sister-in-law Betty, three nephews, and numerous grandnephews and grandnieces.

Diana Lee Lucker

Diana Lee Lucker, 89, was born Diana Lee Kennelly, July 9, 1932, in Seattle, Washington, and died January 15, 2022, in Minneapolis, Minnesota. Her first piano lessons were given by her mother; she later attended the Juilliard School of Music. Her first organ teachers included Ronald Hooper and Rupert Sircom. She earned her Bachelor of Arts, Master of Arts, and Doctor of Musical Arts degrees from the University of Minnesota and studied there with Heinrich Fleischer and Dean Billmeyer.

Lucker was assistant professor of music at Augsburg College and Bethel College and taught privately. She served as organist at Mount Olivet Lutheran Church for 16 years, as interim organist at Westminster Presbyterian Church (1994–1995), and as organist for Wayzata Community Church from 1995 until 2016. The four-manual Hendrickson organ was installed shortly after her arrival; she performed its dedication recital in September 1998.

While at Wayzata she directed an annual summer organ recital series as well as a concert series of over 40 events each year including orchestral, choral, piano, small ensemble, and organ programs. Lucker was active in several capacities for the Twin Cities Chapter of the American Guild of Organists. As a recitalist, she performed throughout the United States and in Scandinavia and Italy.

Diana Lee Lucker is survived by three daughters, five stepchildren, and 16 great-grandchildren. Memorial gifts may be made to: Des Moines Metro Opera, 106 West Boston Avenue, Indianola, Iowa 50125; or Pipedreams, MPR, 480 Cedar Street, Saint Paul, Minnesota 55101.

Thomas H. Troeger

Thomas H. Troeger, hymn writer, preacher, homiletics professor, theologian, poet, musician, columnist, and author, died April 3. Born in 1945, he grew up in New Jersey and upstate New York. After graduating from Yale University cum laude in 1967, he attended Colgate Rochester Divinity School, Rochester, New York, where he earned his Bachelor of Divinity degree (now designated as Master of Divinity). He later received an S.T.D. degree from Dickinson College, Carlisle, Pennsylvania, an honorary Doctor of Divinity degree from Virginia Theological Seminary, Alexandria, and, most recently, an honorary doctorate from the University of Basel, Switzerland, in 2014.

Following graduation from Colgate Rochester Divinity School, Troeger was ordained a Presbyterian minister and served as associate pastor for the Presbyterian Church of New Hartford, New York (1970–1977). (He was later ordained an Episcopal priest.) He returned to (now) Colgate Rochester Divinity School/Bexley Hall, Crozer Theological Seminary as a professor of preaching and parish ministry (1977–1991) before moving to Iliff School of Theology, Denver, Colorado, where he was the Ralph E. and Norman E. Peck Professor of Preaching and Communications (1991–2005). In addition to his professorial duties, Troeger began serving in administrative posts as the director of the Doctor of Ministry program (2000–2005) and the senior vice president and dean of academic affairs (2002–2005). At that time, Troeger moved to Yale as the J. Edward and Ruth Cox Lantz Professor of Christian Communication (2005–2015).

Troeger was a prolific author and hymnist. He authored more than a dozen books on homiletics, essays for Feasting on the Word, a monthly column for Lectionary Homiletics over a period of years, and articles and chapters that appeared in scholarly venues. He served as president of the Academy of Homiletics (1987) and co-president of Societas Homiletica, the international guild (2008–2010). The Hymn Society in the United States and Canada named him a Fellow of the society, and he received a lifetime achievement award from the North American Academy of Homiletics.

Troeger also published books in the areas of liturgy and spirituality. He served as chaplain to the American Guild of Organists and wrote a monthly column for The American Organist for four years. He became affiliated with the Yale Institute of Sacred Music, where he had standing during his tenure at Yale. As a poet and a hymnist, Troeger composed more than 400 hymn texts and poems, many of which are now in current hymnals of most denominations.

Thomas H. Troeger is survived by his wife of 54 years, Merle Marie Troeger; his brother, Don, and his brother-in-law and sister-in-law, Crawford and Julie Butler of Conway, New Hampshire. A memorial service was held on May 3 at the Episcopal Church of St. Mary, Falmouth, Maine.