Nunc Dimittis

Donald Trowbridge Bryant, age 95, died on April 11. Born in Chesterville, Ohio, he began piano study at age 8, and received bachelor’s degrees in music education and composition at Capital University in Columbus, Ohio. After four years of service in the Army during World War II, he entered the Juilliard School of Music in 1946; he earned a master’s degree in piano, studied singing with Mack Harrell, and served as Harrell’s studio accompanist.

During the next 20 years, Donald Bryant served as director/pianist of the Columbus Boychoir, now known as the American Boychoir. The choir toured Japan, Italy, and South America, recorded ten albums for RCA and Columbia, and appeared many times on NBC-TV. The Columbus Boychoir was involved in such performances in New York as the official opening of Lincoln Center, the American premieres of Leonard Bernstein’s Symphony No. 3 (“Kaddish”) and Britten’s War Requiem, and numerous concerts under Arturo Toscanini.  

In 1969, Bryant moved to Michigan to become the music director of the University Musical Society (UMS) Choral Union and director of music at First Presbyterian Church in Ann Arbor. At the church, he established the annual Boar’s Head Festival and Festival Sundays, which featured larger choral works.

Bryant’s compositions included anthems and responses, and an opera, The Tower of Babel. Commissions included settings for the poems of Hungarian poet Sandor Weores and Polish-American Nobel Laureate Ciesław Miłosz; a choral work, Death’s Echo, set to poetry of W. H. Auden for performance at the 1984 Ann Arbor Summer Festival; and a Missa Brevis, premiered at First Presbyterian in 1988. In honor of his retirement as director of the Choral Union, the UMS commissioned the three-act oratorio Genesis, given its world premiere in a special tribute concert to Bryant on January 14, 1990. In 1992, the U of M’s Museum of Art commissioned him to compose a choral work on the biblical Esther, which was premiered in conjunction with an exhibit featuring the museum’s painting by Guercino of Esther before Ahasuerus. 

After his retirement from First Presbyterian Church, Bryant continued to compose: A Requiem for Our Mothers (premiered at the Chapel of the Holy Trinity at Concordia University in Ann Arbor on June 5, 1999); a set of piano miniatures, Pictures from Childhood; and several songs based on texts by his ancestor, William Cullen Bryant. He also continued to conduct a small choir that performed several times a year, and to practice piano every day, performing a recital as recently as February 27, 2014, for his friends and new acquaintances at Chelsea Retirement Community. 

Bryant was awarded an honorary doctorate by Westminster Choir College in Princeton, New Jersey; an Annie Award by the Washtenaw Council of the Arts in Ann Arbor; and was named a Paul Harris Fellow by the Rotary Club of Ann Arbor. 

Donald Trowbridge Bryant was preceded in death by his wife of 62 years, Lela Neoma Cultice Bryant. He is survived by his sister, Doris (Theodore) Bruckner; his son, Milton Travis Bryant of New York City; son and daughter-in-law, Stephen Lee Bryant and Caryl Heaton Bryant of Montclair, New Jersey; grandsons David and Andrew Bryant; and friends and former students.

James K. Hill, age 72, died on April 16 in Bay City, Michigan. He received a bachelor’s degree in music education and a master’s degree in organ performance from Central Michigan University, and a master’s degree in education from Michigan State University. He was a music and elementary teacher in the Essexville-Hampton Public Schools, and a member of the Saginaw Valley AGO chapter. Hill played organ at several regional churches, sang with the Bay Chorale, and played with the Saginaw Valley State University Collegium. 

James K. Hill is survived by his wife Rosemary, a son, a daughter, a granddaughter, a brother, a sister, a niece, and a nephew. 

Frances Kelly Holland died in Charlotte, North Carolina, on April 3; she was 92. Born in Mount Holly, North Carolina, she received a bachelor of music degree from Greensboro College in 1938. She served as organist and choir director at the First United Methodist Church, and the First Presbyterian Church, both in Mount Holly, for many years, until her retirement in 1984. Holland was an officer of the Charlotte AGO chapter for 22 years, and was certified as an organist by the Presbyterian Association of Musicians. Frances Kelly Holland is survived by her husband of 69 years, Thomas Marshall Holland, two children, five grandchildren, and six great-grandchildren. 

Ronald A. Nelson died April 18 at the age of 86. Born in Rockford, Illinois, he received a B.Mus. from St. Olaf College in Northfield, Minnesota, and an M.Mus. from the University of Wisconsin, Madison. In 1955 he became music minister at Westwood Lutheran Church in suburban Minneapolis, serving for 37 years; he directed nine choirs and a resident orchestra and founded a children’s choir school. His compositions were published by Augsburg Fortress, GIA, Santa Barbara, and Selah; he is well known as the composer of Setting 2 of the Communion Service in the Lutheran Book of Worship. Nelson received the Distinguished Alumnus Award from St. Olaf College and the F. Melius Christiansen Award from Minnesota American Choral Directors Association.

Ronald A. Nelson is survived by his wife, Betty Lou, daughter Rachel, sons Peter and Paul, and
a grandson.

Robert J. Schaffer died on May 20 at the age of 92 in Edgewood, Kentucky. Born in 1921 in St. Bernard, Ohio, he received his early education in Cincinnati. During World War II, he served in England in a U.S. Army band, which played the national anthem for Gen. Dwight D. Eisenhower during the embarkation ceremony for troops heading to fight on Normandy’s beaches. After the war, he returned to Cincinnati, serving as an organist, freelance trombonist, and pianist, while studying Gregorian chant at the Athenaeum of Ohio and earning a bachelor’s degree in music from the Cincinnati Conservatory of Music. He moved to New York and earned a master’s degree in musicology from New York University. 

In 1949 Schaffer was hired as organist by the Cathedral Basilica of the Assumption in Covington, Kentucky, beginning an association that would endure for more than sixty years. After a short break to conclude his doctoral studies, he returned in 1952, and was named director of music in 1958. In 1953, Schaffer married his wife of 55 years, Rita, former organist at Cincinnati’s Christ Church Cathedral and Church of the Redeemer. She died in 2009. Schaffer composed several Masses and other compositions, which were published by World Library Publications. He taught music in the parish elementary school, in high schools, at Villa Madonna College (later Thomas More College) in Covington, and at St. Pius X Seminary, and served as an organist for the Cincinnati Symphony Orchestra. In 1975, to celebrate the addition of the Matthias Schwab Organ to what were eventually the three organs of the basilica (the pipes and other parts were dismantled and carried two blocks from Old St. Joseph Church, which had formerly housed the instrument), Schaffer began the Cathedral Concert Series. Robert J. Schaffer is survived by his son Gregory Schaffer, daughter Rebecca Wells, and four grandchildren. 

James Leslie Boeringer, born March 4, 1930, in Pittsburgh, Pennsylvania, died January 12 of pancreatic cancer. He earned a BA in organ performance from the College of Wooster (Ohio) in 1952, an MA in musicology from Columbia University in 1954, a doctorate in sacred music from the former Union Theological Seminary in New York, New York, in 1964, and completed post-doctoral studies at New York University. Boeringer received associate certification from the American Guild of Organists in 1953. He presented recitals in organ and harpsichord in 20 of the United States, and in England and France.

Beginning with his first church position, as organist of Homewood Baptist Church in Pittsburgh in November 1947, he served churches in Ohio, New Jersey, New York City, South Dakota, Oklahoma, Pennsylvania, North Carolina, and London, England. He moved to the Washington, D.C., area in 1992 and served as organist at Church of the Pilgrims (Presbyterian) Washington, Messiah Lutheran Church in Germantown, and Fifth Church of Christ, Scientist, in Georgetown, playing his last service December 29, 2013, just two weeks before his death.  

Boeringer served as executive director of the Moravian Music Foundation in Winston-Salem, North Carolina, as university organist and on the faculty at the University of South Dakota in Vermillion, Oklahoma Baptist University in Shawnee; at Susquehanna University in Selinsgrove, Pennsylvania, he was a professor and chair of the music department. A Phillips Distinguished Visitor at Haverford College, he founded the Krisheim Church Music Conference in Philadelphia, and directed the Creative Arts Festival at Susquehanna University from 1972 to 1975, and the Moravian Music Festival in 1981 and 1984.  

As a composer Boeringer wrote 23 published original works for chorus and organ, organ solo, chamber ensemble, and other combinations, including a cantata and a song cycle; and about 50 unpublished pieces, including an oratorio with full orchestra. He wrote more than 25 hymn tunes and hymn texts, some of which appear in Baptist, Lutheran, Mennonite, Moravian, and ecumenical hymnals. Selected works are available through the International Music Score Library Project (IMSLP) website (imslp.org).  

He authored the three-volume Organa Britannica: Organs in Great Britain, 1660–1860, as well as other books on hymnody and biographies of organists and composers of church music. His essays were published in periodicals and books. 

A widely published arts critic and scholar, he wrote numerous articles and reviews, which appeared in the Journal of Church Music; Moravian Music Journal; Music, the A.G.O. Magazine; The Organ Yearbook (Netherlands); The Musical Times (London); The New York Times; The American Organist; The Diapason; and The Tracker. He was the editor for the Society for Organ History and Preservation.  

Boeringer published fiction under a pseudonym. A member of Equity, he has a long list of theater credits in a variety of roles including actor, singer, director, music director, composer, narrator, and chorus arranger. He had an abiding interest in historic buildings and moved and restored two log cabins in his lifetime, and was an avid gardener.  

James Leslie Boeringer is survived by his wife of 58 years, Grace, and children Lisa Stocker, Greta, and Daniel, and a brother David.  

Peter Rasmussen Hallock died April 27, 2014, in Fall City, Washington; he was 89. A composer, organist, liturgist, and countertenor, among other activities, he was long associated with St. Mark’s Episcopal Cathedral of Seattle. Hallock began organ study with Clayton Johnson of Tacoma. He enrolled at the University of Washington, but was drafted into the United States Army, serving from June 1943 until February 1946 as chaplain’s assistant and sharpshooter in the Pacific theater during World War II. Returning to the University of Washington, he studied organ with Walter Eichinger and composition with George McKay, then studied at the College of St. Nicholas at the Royal School of Church Music (RSCM) in Canterbury, England, becoming the first American choral scholar at Canterbury Cathedral, under the direction of Gerald Knight. He completed the RSCM program and received a bachelor of arts degree in music from the University of Washington in 1951 and master of arts degree in music from the same institution in 1958.

Peter Hallock became organist/choirmaster of St. Mark’s Episcopal Cathedral, Seattle, on October 28, 1951, a position he held until retirement in 1991. At St. Mark’s, he founded a chant study group in the mid 1950s that became known as the Compline Choir, which remains in the forefront of the resurgence of interest in the Office of Compline. He was instrumental in the cathedral’s acquisition of a four-manual Flentrop mechanical-action organ in 1965. At the cathedral, Hallock also introduced Advent and Good Friday processions as well as liturgical drama. He was named Canon Precentor, the first lay person in the Episcopal Church to hold this title, named an associate of the RSCM, and was honored with an honorary doctor of music degree by the Church Divinity School of the Pacific. In 1992, he became organist at St. Clement of Rome Episcopal Church, Seattle, remaining until March 2013. Hallock was also well known and respected for his countertenor concerts, with performances throughout the United States. As a composer, Peter Hallock created more than 250 works, from occasional church music to extended anthems, dramatic works (sacred and secular) to music specifically written for the Compline Choir. Among his many publications was The Ionian Psalter.

Peter Rasmussen Hallock is survived by his sisters, Matilda Ann Milbank of Los Altos, California, and Barbara Hallock of Kent, Washington, as well as several nieces, nephews, grandnieces, and grandnephews. Memorial gifts may be made to the Compline Choir of St. Mark’s Cathedral or to the Cathedral Foundation of the Diocese of Olympia, Seattle.

Robert Burgess Lynn, 83 years old, passed away February 11 in Houston, Texas. A native of Colorado Springs, he studied organ and piano with Roy Harris, Frederick Boothroyd, and Joanna Harris while in high school. In 1952, he earned a BA at Colorado College (where he studied with Frederick Boothroyd and Max Lanner, and was chapel organist), and a master’s in organ from the Juilliard School of Music, received Honorable Mention in the AGO Young Artists’ Contest in Organ Playing in San Francisco, and married Elaine Steele, also a musician. In 1956, Lynn received a Fulbright Scholarship to study organ playing and construction with Finn Viderø under the auspices of the University of Copenhagen. His studies were briefly delayed when the family’s ship, the Stockholm, collided with the Andrea Doria, which subsequently sank. During his time in Copenhagen, he saw and played several great organs, including the organ at Sweden’s Malmö Museum, built in 1520, and at the Royal Chapel in Copenhagen, built in 1827. Lynn became a Fellow of the AGO in 1964, receiving the highest marks of any candidate in Section I of the FAGO examinations. 

Robert Lynn taught from 1954 to 1971 at Allegheny College as an assistant professor of music. In 1973, he received his PhD in musicology from Indiana University; his dissertation was entitled “Renaissance Organ Music for the Proper of the Mass in Continental Sources.” From 1971 to 1997, he served as professor of musicology at the University of Houston where he also directed the Collegium Musicum and the graduate studies program. His monograph, Valentin Haussmann (1565/70–Ca. 1614): A Thematic-Documentary Catalogue of His Works, was published by Pendragon Press. In 1997, he was named professor emeritus. 

Lynn also enjoyed visiting professorships at Rice University, Indiana University, and the University of Siegen. While a resident of Houston, Lynn was well known for his organ recitals in addition to his role as harpsichord soloist, playing in many concerts associated with the Houston Harpsichord Society (now Houston Early Music). From 1982 to 2004, he was the founding director of the Houston Bach Choir and Orchestra at Christ the King Lutheran Church. Lynn served as director of music and organist at St. Francis Episcopal Church for 25 years, and also as long-term interim organist at St. Christopher’s Episcopal Church. Memorial contributions may be made to the Bach Society Houston, 2353 Rice Blvd, Houston, TX 77005, or to the Christ Church Cathedral Music Program, 1117 Texas Ave., Houston, TX 77002.

Fred S. Mauk died on April 7, two weeks before his 83rd birthday, after a short illness. Mauk did his undergraduate study at Stetson University and Rollins College, where he earned a degree in music, and received his master’s degree in 1958 from the School of Sacred Music at Union Theological Seminary in New York City. He held church music positions in Missouri, South Carolina, North Carolina, and Florida, his last position being director of music for 33 years at St. Mark’s Presbyterian Church in Altamonte Springs, Florida, where he retired in 2011; at St. Mark’s he installed a pipe organ (purchased from a church in North Carolina) in the sanctuary.

An active member of the Central Florida AGO chapter, Mauk served in many chapter positions, including dean, and was instrumental in coordinating the 1993 regional AGO convention in Orlando. He was also known for his encouragement of young musicians, his sense of humor, his organizational skills, his many interests, including old cars and antique car shows, and his ability to work well with everyone. 

Mary Lou McCarthy-Artz, age 78, died at her home in Plymouth, Indiana, on May 7. Born November 18, 1935, Mary Lou Smith graduated from high school in 1953, marrying her first husband, Joseph L. Merkel, two years later. She studied piano at the Jordan Conservatory of Music, Butler University, in Indianapolis. After her husband’s death, she married Rodney Evans and moved to Covington, Indiana, where they lived for more than twenty years. It was there, while holding down a full-time job as an executive secretary, that she began working part-time as organist at nearby Catholic parishes: St. Joseph, Covington; St. Bernard, Crawfordsville; and Holy Family, Danville, Illinois. In 1993, she began full-time ministry as organist and choir director for the motherhouse of the Poor Handmaids of Jesus Christ, Ancilla Domini, in Donaldson, Indiana. A long-time member of the American Guild of Organists, she had served as chapter dean and had recently earned her CAGO certificate. Mary Lou McCarthy-Artz is survived by her husband, Donald Artz, two daughters, Nancy Merkel Starkey of Jacksonville, Florida, and Janet Evans Snyder of Georgetown, Illinois, as well as two grandchildren. ν

John Hubert Corina, 86, of Athens, Georgia, died December 13, 2014. Born in Cleveland, Ohio, he studied piano and organ with his father. As a young oboist, he taught in the Cleveland Music Settlement, performed with the Cleveland Philharmonic Orchestra, and was a bandsman in the Army at Fort Meade and West Point. Corina earned bachelor’s and master’s degrees from Case Western Reserve University and a doctoral degree in composition from Florida State University. He taught composition, oboe, and theory at the University of Georgia, where he performed with the UGA Baroque Ensemble and the Georgia Woodwind Quintet and established the New Music Center and the Electronic Music Studio. In 1985, he was awarded the university’s teaching excellence professorship; he was named Professor Emeritus of Music and retired in 1991.

As composer of over 130 works, Corina received 14 awards from ASCAP and other organizations. He was an organist/choirmaster for 50 years, serving at Young Harris Memorial UMC and Emmanuel Episcopal Church. He also conducted the University of Georgia Symphony Orchestra and the Athens Choral Society, among other choruses, orchestras, and bands, and became the founding board chairman of the Athens Civic Ballet and founding director of the Classic City Band.  

John Hubert Corina is survived by his wife of 54 years, Carol; son and daughter-in-law, Robert and Sandra Corina; son, Donald Corina; daughter and son-in-law, Susan and Michael Mears; daughters and son, Mary Ellen Gurbacs, Gail Brant, and John L. Corina; granddaughter and grandson, Laura and Michael Johnson; granddaughters and grandson, Jordan, Sydney, and Brendan Corina; brother and sister-in-law, Lawrence and Jacqueline Corina, and other family members.

Myles J. Criss died on January 12 of melanoma, his cat Gracie at his side. He was born on April 7, 1933, in Winterset, Iowa. He attended Drake University in Des Moines, Iowa, and the Kansas City Conservatory. In 1952 he joined the U.S. Navy; his naval career included service on the hospital ship USS Haven, where he worked for the chaplain, played the ship’s organ, and had his first choir. The USS Haven sailed throughout the Pacific during the Korean War. He also served aboard the supply ship USS Alludra and the destroyer USS Dixie.

Honorably discharged from the Navy in 1956, Criss returned to Kansas where he enrolled at Washburn University in Topeka, studying organ with Jerald Hamilton. He transferred to Kansas University, studying organ with Laurel Everette Anderson and conducting with Clayton Krehbiel. He earned his bachelor’s degree in 1960 and master’s degree in 1963. 

Criss served in organist and choirmaster positions at many churches, including at All Souls’ Episcopal Church in Oklahoma City, where he subsequently designed the organ, developed choir programs, and founded the Canterbury Choral Society, at Grace Episcopal Cathedral in Topeka, Kansas, where he established a full choir program, and at Good Samaritan Episcopal Church in Corvallis, Oregon. Semi-retiring from Good Samaritan in 2002, he accepted the position of organist at the Congregational Church of Corvallis. 

He founded the Topeka Festival Singers in 1984 and conducted them until 1987. He was made an honorary Canon and retired from Grace Cathedral in 1997. In December of 2013, Canon Criss moved to Fayetteville, Arkansas, where he assisted with the music program at St. Paul’s Episcopal Church.

Criss was a member of the Association of Anglican Musicians and the American Guild of Organists, which he served as dean three different times. He traveled extensively and knew by heart the stop lists of pipe organs around the world, many of which he played. He also played concerts and recitals throughout the U.S. Myles J. Criss is survived by nieces and nephews Sandra Bentley, Linda Mosteller, Marjorie Ross, Larry Kuhn, Anita Luce, Lynn Ellen Morman, David Morman, Debi Foster, and Steve Criss, and by a stepsister, Sharon Boatwright.

Bertram Schoenstein, 97 years old, died January 8, 2015, in San Rafael, California. Born September 11, 1917, Bert was the eldest remaining third-generation member of the pioneer San Francisco organbuilding family. As a youngster he helped his father, Louis, in the organ business, but coming of age in the depth of the Great Depression when there was little prospect for the organ business, he began a 40-year career as a master painter and decorator. During World War II, he served in the Army Air Corps. After retiring, he achieved his dream of a second career in organbuilding with Schoenstein & Co. from 1978 to 1995. Bert was a natural mechanic and practical problem solver. In addition to running the paint and finish department, he devised many clever fixtures and tools for the other departments and maintained plant equipment. Also a natural musician, as was the family tradition, he played the violin in several orchestras and ensembles including the Deutscher Musik Verein. Among his many mechanical interests was antique car restoration, specializing in Model T Fords. Bertram Schoenstein is survived by children Karl and Heidi, five grandchildren, and three great grandchildren.

Charles Dodsley Walker, 94, died in New York City on January 17. At the time of his death he was the conductor of the Canterbury Choral Society and organist and choirmaster emeritus of the Church of the Heavenly Rest in New York City, and the artist-in-residence of St. Luke’s Parish, Darien, Connecticut. During his career Walker held numerous positions, including at the American Cathedral in Paris, St. Thomas Chapel, and the Church of the Heavenly Rest in New York City, the Berkshire Choral Institute, Union Theological Seminary School of Sacred Music, Manhattan School of Music, and New York University. A Fellow of the American Guild of Organists, he also served as president of the AGO from 1971–75.

An article in memoriam will follow in the April issue of The Diapason.

Harry Wilkinson, 92, of Philadelphia, Pennsylvania, died January 15 of congestive heart failure. Born in Saginaw, Michigan, in 1922, he spent most of his life in the Philadelphia area. He began his study of the organ at the age of twelve with Harry C. Banks of Girard College. The Girard College organ remained his favorite throughout his life. He studied organ with Harold Gleason and David Craighead at the Eastman School of Music, University of Rochester, New York, earning a doctorate degree in music theory there in 1958. In 1995, Wilkinson was named honorary college organist and honorary lifetime member of the Girard College Alumni Association. A lifelong member of the Philadelphia Chapter of the American Guild of Organists, he was a Fellow of the AGO and served on a national level as councilor for conventions. Wilkinson was professor emeritus of music theory and composition and taught organ students at West Chester University, serving there for over 35 years. He also served on the faculties of Chestnut Hill College, Beaver College, and Arcadia University. As a church musician, he served as director of music and organist for St. Martin-in-the Fields Episcopal Church, Chestnut Hill. Wilkinson recorded several discs with the Pro Organo label. Memorial gifts may be made to the Organ Restoration Fund, St. Francis de Sales Catholic Church, 4625 Springfield Avenue, Philadelphia, Pennsylvania 19143. 

Organist and musicologist Walker Evans Cunningham died unexpectedly at his home in San Francisco on May 14. He was 65. Cunningham grew up in Blackstone, Virginia, where his mother encouraged him to pursue his love of music. He won a scholarship to Oberlin, where in 1970 he earned a Bachelor of Music degree in organ performance from the Conservatory and a Bachelor of Arts degree in music and German from the College. 

Cunningham then taught at Emma Willard School in Troy, New York, where he was awarded an Andrew Mellon Foundation faculty grant to study with Marie-Claire Alain at the Haarlem Summer Organ Academy, and to do research in France. He spent 1973–74 as a research and performance fellow at the Institut de Musicologie, University of Fribourg, Switzerland, where he studied organ with Luigi Tagliavini. He earned both an M.A. and Ph.D. in musicology at the University of California, Berkeley, where he was awarded multiple fellowships. 

Walker Cunningham performed many organ concerts in the United States, including a keynote concert for the Columbia Bach Symposium in New York City, and in Spain, Germany, Switzerland, Sweden, Norway, and Austria. He took second prize at the Hofhaimer Competition in Innsbruck, Austria. Also a harpsichordist, he was a continuo player and accompanist with chamber, choral, and symphonic organizations such as the Berkeley Pro Musica Chorus, California Bach Society, and San Francisco Symphony. He served as organist and music director for St. Mark’s Episcopal Church in Berkeley, organist and choirmaster for St. John the Evangelist Episcopal in San Francisco, and at other churches in the U.S. and Europe. He authored The Keyboard Music of John Bull (UMI Research Press, 1984). In 1992, he co-edited with Charles McDermott Canzoni d’intavolatura d’organo, a collection of Claudio Merulo organ intabulations. He recorded and produced the CD The Historic San Francisco Organ of the Church of St. John the Evangelist (Arkay Records, 1993), and was a reviewer for The Diapason.

Thanks to his own research and the help of his doctors, he survived two bouts with AIDS and 29 years of HIV. When AIDS brought an end to his performing career, Cunningham became a technical editor and writer at Cisco Systems, and later a consultant. Walker Evans Cunningham is survived by his sister Joy Cunningham of Austin, Texas.

Contributions in Walker Cunningham’s memory may be made to the Oberlin Conservatory of Music Scholarship Fund, either online at https://new.oberlin.edu/office/development/donate or by check to Oberlin College, Department of Development, Room 005, 50 West Lorain Street, Oberlin, OH 44074. 

Carol Newton Hawk died March 5 at age 64. Born into a family of teachers and musicians, she began piano study at age five, and organ study, with her older brother, the late Robert Newton, at age 12. She later studied with Roger Nyquist. After attending DeAnza College in Cupertino, California, she married John Hawk and they moved to the Sacramento area. She served as organist at Fair Oaks Presbyterian Church in Fair Oaks, California for 29 years, and as an accompanist for music programs of local elementary schools. Carol Hawk served the Sacramento AGO chapter in many capacities, including as dean for six years, and was a member of Mu Phi Epsilon International Music Fraternity and the Sacramento Choral Society. Carol Newton Hawk is survived by her husband, two daughters, four grandchildren, her mother, and a brother.

Douglas L. Rafter, Portland’s longest-lived municipal organist, died July 3 in Portland, Maine. He was 97. A native of Wilmington, Vermont, Rafter moved to Portland in 1971. A concert organist, he had a repertoire of about 275 pieces of organ music memorized. He also taught music at St. Paul’s School in Concord, New Hampshire, at the University of Southern Maine, and privately. Rafter served as organist and choir director at Immanuel Baptist Church for 13 years, and then worked at other Portland-area churches until his retirement in 2005.

Over the years, he gave 1,700 concerts throughout the United States, playing his first concert in Portland in 1936, right after earning his associate’s certification from the American Guild of Organists. In March 2010, he was honored by the AGO for 75 years of consecutive membership, all but the last five of which had been in uninterrupted service as a church organist and concert performer.

Douglas Rafter was Portland’s municipal organist from 1976 until 1981, playing both classical and popular works. He played summer series concerts for 68 years, and was also noted for  his Christmas preludes before the annual Magic of Christmas concert.

Musician and organbuilder John A. Schantz, 93 years old, passed away at his home in Orrville, Ohio, on July 4. Born on June 14, 1920, he was the youngest child of Victor and Bess Schantz. His studies in piano and organ at the Oberlin Conservatory of Music were interrupted by service in the U. S. Army during World War II. Upon completion of his undergraduate degree in 1947, he joined the staff of Schantz Organ Company. With his brother Bruce and cousin Paul, John Schantz was part of the third generation of the family business. During his tenure, the Schantz Organ Company rose in prominence from a regional concern to an organbuilding firm of national (and later international) standing. He served as tonal director of the firm for many years, and as corporate secretary/treasurer, and chairman of the board of directors. 

Beyond work with the organ company, he was a lifelong, active member of Christ United Church of Christ in Orrville, an officer with the Orrville Chamber of Commerce, Orrville United Way, and the Orrville Public Library Board. He was a long-time member and officer of the MacDowell Club of Wooster, Ohio. John A. Schantz is survived by his spouse of 60 years, Marilyn, a son Timothy, daughters Molly, Melanie, and Suzanne, and ten grandchildren.

Warren L. Berryman, age 91, died January 18, 2014, in Morrison, Colorado, where he had resided since 1991. Born February 24, 1922, in Omaha, Nebraska, Berryman was a graduate of the University of Nebraska at Omaha and the University of Minnesota; he received the Doctor of Sacred Music degree from Union Theological Seminary in New York City in 1958. He attended the Biarritz American University in Biarritz, France, in 1946 and received a Fulbright grant for study with Flor Peeters at the Royal Flemish Conservatory in Antwerp, Belgium, in 1956–57; other organ study was with Robert Baker, Vernon DeTar, and Arthur Jennings. 

Dr. Berryman taught at Hastings College (Nebraska), West Virginia University, the University of Minnesota, and the College of St. Thomas in St. Paul, Minnesota. Professor of organ at Baldwin-Wallace College in Berea, Ohio, from 1957–86 (named emeritus in 1986), he was chairman of the organ and church music department and continued to teach organ there until moving to Colorado in 1992. He was organist-choirmaster at several churches in Minnesota and Ohio, and organist at the chapel of Rutgers University (1953–54). In 1992, after serving nineteen years, he retired as organist of the United Methodist Church in Berea, Ohio. Dr. Berryman served the American Guild of Organists as dean of the Central Nebraska and Cleveland chapters, on the program committee for the AGO national convention in Cleveland in 1974, and was a recitalist at the regional AGO convention in Akron, Ohio, in 1965.

He was preceded in death by his parents, Cecil and Alice Berryman from Omaha, Nebraska, well-known pianists and teachers, an older brother Edward, a well-known organist in Minnesota, and younger brother Rudolph, also a pianist and teacher.

Warren L. Berryman is survived by his wife of 65 years, Mary Anne Whatley Berryman, his son Warren Davis Berryman of Oklahoma City, Oklahoma, daughter Anne Berryman Hutt of Evergreen, Colorado, son Emmett Whatley Berryman of Dallas, Texas, nine grandchildren, and three great-grandchildren.

Albert Frederick Fahrner, Jr. died June 20, 2013, in Tucson, Arizona. He was 82. Born in Detroit, Fahrner served as music director-organist at Christ Episcopal Church in Dearborn, Michigan, and staff organist at Greenfield Village, where he and his wife, Anne, were married in the Martha-Mary Chapel. He also served at Detroit’s Redford Theatre, and as accompanist in the Detroit public school system. After retiring, he and Anne divided their time between homes in Tucson and Michigan. Fahrner was a longtime member of the Guild of Carillonneurs in North America; he had advanced to carillonneur member in 1955.

Patrick Quigley, 63, of Wirtz, Virginia, died on January 14. Born on December 29, 1950, in Esh Winning, England, Quigley served as apprentice and journeyman with Harrison & Harrison where he perfected his skills in fine English cabinetmaking and earned Master Organ Builder’s credentials. Quigley also worked for Gabriel Kney in London, Ontario, Canada, for six years. In 1979 he and his family moved to Houston, Texas, where he joined Visser-Rowland and Associates and spent 17 years building over 80 organs. 

In 1993, he ventured off to start his own supply company to the organ industry. After two years under the name Quigley Designs, he met with Mark Lively and Paul Fulcher to build a two-manual organ for Lively-Fulcher Organ Builders. After this first venture they decided to join forces and build a new 10,000-square-foot workshop in Rocky Mount, Virginia, under the now current name of QLF Custom Pipe Organ Components. 

Patrick Quigley is survived by his wife of 43 years, Irene Quigley of Wirtz, Virginia; son, Jeremy Quigley of Rocky Mount, Virginia; daughter Jennifer Wilson, son-in-law David Wilson, grandson Charlie Wilson, and granddaughter Casey Wilson of Hardy, Virginia; brothers William (Billy) Quigley, John Quigley, J. Michael Quigley, and Kevin Quigley, and sisters Winfred, Mary, and Angela.

Johannes (John) Wessel of Brattleboro, Vermont, died January 7, 2014, at age 91. He was born in Zoeterwoude, Holland on November 15, 1922, to Willem and Aagje (van Vliet) Wessel. At age 13, he started working for van Leeuwen Pipe Organ Company in Leiden, a profession that he stayed with throughout his life until his retirement in 2002. Wessel was well known throughout New England for his voicing skills.

During World War II, he spent years successfully evading the occupying German troops who were actively searching for young Dutch men to work in their factories. In 1946, he married Sophia A. van Hoeven. The family emigrated to Brattleboro in 1954 after he was invited to work for the Estey Organ Company. After Estey closed in 1960, he continued building, restoring, repairing, and maintaining pipe organs throughout Vermont and much of New England. In addition to maintaining most of the organs in Brattleboro, he moved Estey Opus #1 from its original home in the former Methodist Church on Elliott Street to the new church on Putney Road, and built the organ in St. Michael’s Catholic Church on Walnut Street.

Johannes (John) Wessel is survived by his wife Sophia, son Willem Wessel of West Chesterfield, New Hampshire; daughters Nellie Hamilton of Hinsdale, New Hampshire, Trixie Stinebring of Spofford, New Hampshire, Joy Trigg of Williston, Vermont, and Rose Wessel of Cummington, Massachusetts, and nine grandchildren, three great grandchildren, and one great-great grandchild.