Nunc Dimittis

David Albert John Broome, Linda Lanier-Keosaian, Donald G. Larson, Elizabeth “Betty” Lankford Peek, Jane Elizabeth Sawyer

David Albert John Broome, 81, of Windsor Locks, Connecticut, died March 17 after a long illness. He is remembered as one of the world’s foremost reed voicers. Born in Leicester, England on February 21, 1932, he served two years in the Royal Air Force. In 1948, David began his career in organbuilding at J.W. Walker Sons, Ltd in London, England and immigrated to the United States after marrying Caroline Mason in Leicester on October 27, 1956. The Broomes settled in Windsor Locks, Connecticut in 1958 after moving from Hartford, where David had been recruited to join Austin Organs. 

By 1978, he had risen to the executive post of vice president and tonal director at Austin, a position he held until his retirement in 1999. Broome was responsible for the finishing and tonal design of more than 150 organs worldwide, including those at Brompton Oratory, London; Nassau Cathedral, Bahamas; Adelaide Cathedral, Australia; Riverside Church Chapel and First Presbyterian Church, New York City; Czestochowa National Shrine, Doylestown, Pennsylvania; St. John’s Episcopal Church, West Hartford, and Trinity College Chapel, Hartford. 

Since his retirement from Austin, David and his son Christopher operated Broome and Company, voicing reeds for restorations and new installations, including those at Longwood Gardens, Pennsylvania; Woolsey Hall, Yale University, and the Duke University Chapel. David Broome is survived by his wife of 56 years, Caroline (Mason) Broome, four children, ten grandchildren, and nieces and nephews. 

Linda Lanier-Keosaian died January 28; she was 72. She received her BMus degree in organ from Westminster Choir College, and her MSM degree from Union Theological Seminary. At the time of her death, Lanier-Keosaian was working on her Ph.D. in music education at New York University; her doctoral dissertation concerned different interpretive approaches to Franck’s Choral No. 3 in A Minor. As a church organist and choir director, she served numerous churches, include Connecticut Farms Presbyterian in Union, New Jersey, First Congregational in Chatham, Massachusetts, Wilton Congregational in Wilton, Connecticut, and most recently, the Church of the Annunciation in Oradell, New Jersey. 

She and her husband, Rev. Gregory Keosaian, served for 20 years as musician and pastor, respectively, for several Presbyterian churches in New Jersey, including Second Presbyterian in Rahway and Trinity in Paramus. A longtime AGO member, Lanier-Keosaian was a music teacher and choral conductor in the New Jersey public school system for more than 25 years. She founded the New Jersey High School Women’s Choir Festival and was co-founder of the Essex County Choral Festival. Linda Lanier-Keosaian is survived by her husband of 30 years, Gregory Keosaian, two children, and five grandchildren.

Donald G. Larson died February 26 in Decatur, Georgia.  Born in Fargo, North Dakota, he was raised on a farm near Moorhead, Minnesota. He received his bachelor’s degree in music from the University of Minnesota and his master’s degree in church music from Northwestern University, where he was a student of Thomas Matthews. He served as a chaplain’s assistant in the U.S. Army and as organist at Wheaton College in Illinois. He moved to Atlanta in 1960.

Larson spent more than 30 years as music teacher and counselor at Georgia Perimeter College and was awarded professor emeritus status in 1995. He also served as minister of music at three Atlanta-area churches. A long-time member of the Atlanta AGO chapter, he served on the executive committee several times and for 32 years offered monthly classes in training for the Guild exams. Donald G. Larson is survived by his wife of 61 years, Jacqueline, a son, a daughter Marcia, and grandchildren.

Elizabeth “Betty” Lankford Peek died March 24. She had served as associate minister of music at Covenant Presbyterian Church for more than 47 years. Born June 10, 1929, in Spartanburg, South Carolina, she graduated from Mary Baldwin College in Staunton, Virginia, in 1950, and earned the MSM degree from Union Theological Seminary, where she studied organ and composition with M. Searle Wright.

On June 6, 1952, she married Richard Maurice Peek, whom she met at Union. The Peeks were invited to interview for positions at Charlotte’s new Covenant Presbyterian Church. They began their ministry at Covenant July 1, 1952. Over the next 47 years, the Peeks developed and led a music ministry that became one of the most renowned church music programs in the nation.

Arriving long before the city had a full-time symphony orchestra or a performing arts center, the Peeks introduced Charlotte to world-class music by producing free concerts and sponsoring visits by choirs and organists from around the world. There are three pipe organs in the sanctuary building, and the bell tower houses Charlotte’s first cast-bronze carillon.  

Mrs. Peek directed the children’s choirs at Covenant, and also directed the handbell choirs, the first in Charlotte. During worship services and also during special performances she often served as organist while Dr. Peek conducted. She led and participated in numerous music and worship conferences, and served as president of the Presbyterian Association of Musicians from 1978 to 1980. In the mid-eighties she was appointed to the committee to develop a new hymnal for the Presbyterian Church (U.S.A.). 

In 1991 the Peeks led Covenant’s adult choir on the first of several concert tours in Great Britain and Europe, with programs in St. Paul’s Cathedral, York Minster, St. Giles Cathedral, Durham Cathedral, and other well-known churches. When Mrs. Peek and her husband retired in December 1999, Covenant published a 164-page book about the couple. Dr. Peek died in 2005. Mrs. Peek is survived by two sons and two grandchildren.  

Jane Elizabeth Sawyer died July 12, 2012 in Boulder, Colorado; she was 60 years old. The longtime director of music at the First Congregational Church in Boulder, she played the organ, directed vocal and handbell choirs, and was instrumental in rebuilding the church’s organ and in bringing in noted organists for recitals. Sawyer earned bachelor’s degrees in math and music at the University of Wyoming, earned a master’s degree in organ at Southern Methodist University, and did doctoral work in music theory at the Eastman School of Music, where she also was an instructor. In Rochester, New York, she served as director of music and organist at Irondequoit United Church of Christ from 1988 to 1997; she held other church positions in Boulder, Rochester, Dallas, and Laramie, Wyoming. Sawyer served on the executive board of the Denver AGO chapter and was a member of the American Guild of English Handbell Ringers and the Choristers Guild. Jane Elizabeth Sawyer is survived by her brother.

Noel Goemanne, Catholic Church musician and composer, died January 12 in Dallas. He was 83. Born in 1926 in Poperinge, Belgium, Goemanne was a graduate of the Lemmens Institute of Belgium, and studied organ and improvisation with Flor Peeters, and at the Royal Conservatory of Liege. During World War II, he refused an offer from the Nazis to become a composer for the Third Reich; he was later arrested for playing the music of Mendelssohn during the Nazi occupation of Belgium.
In 1952 he and his wife Janine immigrated to the United States, settling in Victoria, Texas, where he was organist at St. Mary’s Catholic Church. In response to the liturgical changes brought about in the 1960s by the Second Vatican Council, he composed the first Vatican II-approved Masses in English. During that time he gave sacred music workshops on college campuses; he also established the sacred music program at St. Joseph College in Rensselaer, Indiana.
Goemanne held organist and choirmaster positions in the Detroit area, at St. Rita’s Catholic Church and Our Lady Queen of Martyrs Church, and in Dallas, at St. Monica’s Catholic Church, Holy Trinity Seminary, and Christ the King Church, where he served from 1972 until this past summer.
His compositional output includes over 200 sacred compositions, with over 20 Masses. His organ work Trilogy for Dallas was the first work commissioned for the Lay Family Organ at the Morton H. Meyerson Symphony Center.
Goemanne’s many honors include an award from the Institute of Sacred Music in Manila, Philippines in 1974; the Pro Ecclesia et Pontifice Cross from Pope Paul VI in 1977; honorary doctorates from St. Joseph College in Rensselaer in 1980 and Madonna University in Livonia, Michigan in 1999; and numerous ASCAP awards. Goemanne was a member of the American Society of Composers, Authors and Publishers, the American Guild of Organists, the American Choral Directors Association, and the National Association of Pastoral Musicians. He is survived by his wife Janine, daughter Claire Page and husband Mike, son Luc and wife Candy, and three grandchildren.

John B. Haney, longtime Canon Organist and Choirmaster of Trinity Episcopal Cathedral, Columbia, South Carolina, died February 13 at age 77. Born in Illinois, he earned bachelor’s and master’s degrees in organ from the University of Illinois, and received the Master of Sacred Music degree from Union Theological Seminary in New York City.
In 1970 he moved to Columbia, South Carolina, to become organist and choirmaster at what was then Trinity Episcopal Church, where he served for the next 33 years. Prior to that, he held positions at Reveille United Methodist Church, Richmond, Virginia; Central Presbyterian Church, Montclair, New Jersey; and Temple Emanu-El, New York City.
While at Trinity, he began the cathedral choir’s periodic residencies at English cathedrals and developed the Wednesdays at Trinity concert series. Haney was a member of the American Guild of Organists and the Association of Anglican Musicians.

John Wright Harvey died December 31, 2009. “Organ—my hobby, my work, my play, my vocation, my recreation. Recital work a specialty.” So wrote Professor Harvey on a faculty information sheet dated October 26, 1961. He went on to list “Carillon—(and bells of all sorts)—a lifelong interest.” These dual interests defined John’s 24 years as professor of music at the University of Wisconsin-Madison, a career which began in September 1960, and ended with his retirement in June 1984. In 1962 the UW Memorial Carillon received 27 new bells and two claviers, enlarging it to a total of 51 bells. On February 2, 3, and 4, 1970, John gave identical recitals initiating the Austin Organ Company’s Opus 2498 in the University’s Eastman Recital Hall. John taught organ and carillon to students from freshman level to doctoral candidates. Announcements of his carillon recitals appeared regularly and often.
John Harvey was born in Marion, Indiana, on June 15, 1919. He began piano study at age 8, trombone at age 14, and organ at 15. He completed a Bachelor of Music degree in organ from Oberlin Conservatory in 1941. The degree was awarded in absentia since John was by then stationed aboard a destroyer participating in the Battle of Midway. While in the Navy, John served as a musician, a signalman, and a quartermaster. He survived the loss of the USS Atlanta, sunk off Guadalcanal in November 1942. Following the war, John received a bachelor’s degree in music education from Oberlin in 1946 and a master’s degree from the School of Sacred Music at Union Theological Seminary in 1952. His master’s thesis was on the history and development of the organ in the chapel at West Point. Before coming to Madison, he served the First Presbyterian Church in Englewood, New Jersey; Webb Horton Memorial Presbyterian Church in Middletown, New York; Central Union Church in Honolulu, and National City Christian Church in Washington, D.C.
Beginning in 1947, John was active in the American Guild of Organists. In 1952 he organized the Northern Valley chapter in Englewood, serving as dean for its first three years and scholarship chairman for two years. In 1958 he was secretary of the Washington, D.C. chapter. In Madison he was dean of the AGO chapter from 1964–66. In 1953–56 John contributed to The American Organist, including a three-issue story on the West Point organ.
In Madison and beyond the university, John was active as well. He was organist at First Congregational Church. He also served as organ consultant and advisor to many congregations, including St. John’s Lutheran, Luther Memorial, Bethany Methodist, and Mt. Olive Lutheran. He was particularly involved with the design of the Austin organ at First United Methodist. An instrument of interest was the Hinners organ at St. Mary’s in Pine Bluff. John gave recitals statewide, in venues large and small, including several on the Casavant organ at St. Norbert’s Abbey in DePere.
John Harvey’s interests extended well beyond music. Pictures of Clarissa, his 1932 Chevy roadster, appeared in the newspaper, as did pictures of his model railroad. He also collected disc recordings from the early 1900s.
John married Jean Cochran on May 25, 1945, and was the father of three daughters, Ann, Carol, and Jane. John suffered from Alzheimer’s and died on December 31, 2009. Survivors include his wife, Jean, his daughters, and a brother.
—John R. Krueger
Madison, Wisconsin

August “Ed” Linzel, Jr., died January 19 in Arlington, Texas, at the age of 84. Born in Little Rock, Arkansas, he attended the Princeton School of Music, and served as organist and choirmaster at St. Mary the Virgin Episcopal Church in New York City for 16 years. He was active in the American Guild of Organists, performing as organist, harpsichordist, and conductor at national (1948, 1950, 1952) and regional conventions. Linzel also served as dean of the New York City AGO chapter from 1956–59. In 1964 he served as organist-choirmaster at St. Paul’s Episcopal Church in Indianapolis, Indiana, and in 1972 he served in that same capacity at St. Boniface Episcopal Church in Sarasota, Florida. He later returned to Little Rock, where he was organist at Pulaski Heights Presbyterian Church, Christ Episcopal Church, and First Presbyterian Church in Jacksonville, Arkansas. August Linzel, Jr. is survived by his sons Ted and John, daughters Patricia and Jennifer, and brothers Milton and Jesse.

William Bernard MacGowan, concert organist, choir director, and college professor, died December 15, 2009 in Gainesville, Florida. He began organ study with Nelson Brett in Jacksonville, and during the 1940s studied organ with Robert Baker and piano with Percy Grainger at the Interlochen Center for the Arts in Michigan. He earned bachelor’s and master’s degrees from the University of Michigan, where he studied with Palmer Christian, Robert Noehren, and Maynard Klein. A naval communications officer during the Korean War, MacGowan established choirs and singing groups on the ships where he served. When in port, he studied choral conducting with Robert Shaw and musicology with Julius Herford.
His many positions included those at St. Philip’s Church in Durham, North Carolina; Old North Church in Boston, Maple Street Congregational Church, Trinity Episcopal Church, and the Tanglewood Music Center, in Massachusetts; All Saints Episcopal Church in Pasadena, California; and Bethesda by the Sea Episcopal Church in Palm Beach, St. Bartholomew’s Episcopal Church in High Springs, and St. Michael’s Episcopal Church in Gainesville, in Florida. As a recitalist, he performed at important venues in New York City, Washington, D.C., San Francisco, and in Assisi, Italy, and in Germany. MacGowan was a member of the American Guild of Organists, Society of St. Hubert, Phi Gamma Delta, and Phi Mu Alpha Sinfonia; his hobbies included scuba diving and snorkeling.
William Bernard MacGowan is survived by brothers Bradford and John and their wives, two nephews, and two nieces.

Richard Thornton White died on December 8, 2009, in Memphis, Tennessee, in his home across the street from St. John’s Episcopal Church, where he served for 36 years. He was 95. His first organ study was with Adolph Steuterman; in 1935, he was awarded the William C. Carl Scholarship to the Guilmant Organ School in New York City. In 1937, he won a gold medal in performance from that school. The Diapason (July 1, 1937), in reporting the event, noted that “Guilmant graduates have built up an enviable reputation for brilliancy, interpretative power, and poise in their playing, and the class of this year sustained that reputation.” White also studied with Frank Wright and Frederick Schlieder. He held organist-choirmaster positions in New York City and New Jersey, served in the U.S. Army in the South Pacific during World War II, and in 1950 returned to Memphis to serve at St. John’s Episcopal Church, where he led the music program until his retirement in 1986. White was also active in the Sewanee Church Music Conference, which he served as a faculty member and secretary/registrar.
He earned Associate (1938) and Fellow (1940) certifications with the American Guild of Organists, of which he was a member for 74 years, serving the Memphis chapter as dean several times, and also as chapter examination coordinator.
Richard Thornton White is survived by his wife Anna, whom he married in 1938, sons Richard White, Albert White and his wife Betsy, two grandchildren, and nieces and nephews.

Kent S. Dennis died January 1 at the age of 78 in Midland, Michigan. Trained as a chemist, Dr. Dennis had a long career at Dow Chemical Co. in Midland; he retired in 1986 after 32 years as a senior research associate. He served as organist at Memorial Presbyterian Church in Midland for 47 years, and was named organist emeritus in 2003. There he performed annual organ recitals for 46 years; he also taught organ students for many years. A charter member of the Saginaw Valley AGO chapter, serving as dean for three terms, he also served on the board of managers of the Midland Center for the Arts and as president of the Midland Symphony Orchestra, which, with the Music Society, honored him as Musician of the Year in 1987.
In 2002 Steven Egler commissioned an organ piece, Fantasia on Dennis, by David Gillingham in honor of Dr. Dennis. With his technical background, he built a pipe organ in his home, and when his health declined, he donated the instrument to St. Joseph the Worker Church in Beal City, Michigan. He was predeceased by his parents, a sister, and a brother. Memorials may be made to the Kent S. Dennis AGO Scholarship Fund, Saginaw Valley AGO Chapter, Gregory Largent, Dean, 121 South Harrison St., Saginaw, MI 48602.

August Humer died January 17 in Linz, Austria, at the age of 59. He had studied organ and harpsichord with Anton Heiller and Isolde Ahlgrimm in Vienna; after finishing his diploma, he traveled to the U.S., where he began an active career as a recitalist under the management of Phillip Truckenbrod Concert Artists. In 1972–74 he won prizes at the international competitions in Innsbruck and Nuremberg, and subsequently performed in Europe and in North America.
In 1972 he was appointed head of the organ and historical keyboard instruments department at the Bruckner Konservatorium in Linz, Austria. He became organist at Linz Old Cathedral in 1975, and made numerous recordings on its organ, a three-manual instrument by Franz Xavier Chrismann (1768) and Josef Breinbauer (1867). Professor Humer was a frequent visiting lecturer in Europe and the U.S., and served as an adviser to the historical instrument collection of the Upper Austria Regional Museum.

Herbert James Keeler died September 6, 2006, in Greensboro, North Carolina, at the age of 67. He began piano studies at age six, and in his teens began playing the organ in his father’s church. In 1961 he graduated from Eastern Nazarene College in Quincy, Massachusetts, where he earned two music degrees, one in organ. In 1966 he moved to New York City and began a 29-year career with Western Electric, retiring as a computer systems analyst. Mr. Keeler served as organist for numerous churches and was an active member of the AGO. He was preceded in death by his parents and is survived by his wife of 40 years, Carole. A memorial service was held September 17, 2006, at St. Andrew’s Episcopal Church in Greensboro.

Paul S. Robinson died February 15 in Winston-Salem, North Carolina, at the age of 99. Born March 8, 1907, in New Wilmington, Pennsylvania, he graduated from Westminster College in 1929 and began study at the Curtis Institute of Music in Philadelphia that same year. His first venture into North Carolina was in 1932 as the summer organist at Duke University where he continued for 10 years. After obtaining a master’s degree from Union Theological Seminary in New York City, he became a year-round North Carolina resident in 1938 as organist for Centenary United Methodist Church in downtown Winston-Salem. There he started his long association as organist and accompanist for the Mozart Club’s annual presentation of Handel’s Messiah.
The 1941 presentation was December 7, during which the Messiah radio broadcast was interrupted by the news of the Pearl Harbor attack. Two months later, Paul was inducted into the Army’s Third Armored Division as a chaplain’s assistant. He traveled with them in England, France and Germany, where he played a folding reed organ for services.
Discharged in 1945, he returned to Centenary United Methodist staying until he started doctoral studies, also at Union Theological Seminary, where he received a Doctor of Sacred Music degree in 1951. In 1952, he came to Wake Forest College for a temporary position at about the same time as another temporary instructor, Mary Frances McFeeters. Within a few years, they became indispensable both to Wake Forest and to each other. Paul and Mary Frances were married in 1955, and they moved with the college to the new Winston-Salem campus in 1956. He served as professor of music and university organist until his retirement in 1977, and was the organist for Wake Forest Baptist Church from 1956 to 1993. He continued accompanying Messiah until 1997.
He is survived by his wife, Mary Frances Robinson; two daughters, and two grandchildren. Donations in his memory may be made to Wake Forest Baptist Church, P.O. Box 7326, Winston-Salem, NC 27109. —Scott Carpenter

William E. Seifert died December 26, 2006 in Campobello, South Carolina, at the age of 71. A graduate of Wofford College, he later earned a master of divinity degree from Duke University and a master of education degree from Western Carolina University; he was a United Methodist minister for many years and also taught in South Carolina public schools. After retirement he worked for the Dower Organ Building Co., builders of the organ at Episcopal Church of the Holy Cross in Tryon, North Carolina, where he was a member. Mr. Seifert was dean of the Spartanburg AGO chapter from 1988 to 1989, and at the time of his death was the chapter’s chaplain. He is survived by his wife, two sons, two daughters, three sisters, and seven grandchildren.
John Edward Williams died on March 16 at his home in Spartanburg, South Carolina, after a bout with esophageal cancer. He was 87. For 43 years he had served First Presbyterian Church as organist/choirmaster and was elected an elder of the congregation. On his retirement in 1991, Converse College conferred on him the honorary degree Doctor of Music in recognition of his significant contribution to the cultural life of the community. The church further honored him in 1995 by dedicating a new Schoenstein organ, named for him, in their chapel. He had supervised the installation of the church’s large Aeolian-Skinner sanctuary organ in 1968. Recognized as a leader in church music circles, he was widely known and highly esteemed throughout his denomination and the whole region. He was especially helpful to fellow musicians of all denominations.
Dr. Williams graduated in music from Illinois Wesleyan College in 1941, joined the U.S. Navy, and served throughout World War II in London, where he played for American servicemen and, on occasion, for Queen Elizabeth and her father, King George VI. He also performed at the Glasgow Cathedral. After the war he entered the School of Sacred Music at Union Theological Seminary in New York, graduating in 1948 with an MSM degree. There he studied organ with Robert Baker and Hugh Porter, composition with Harold Friedell, and the history of music with Clarence and Helen Dickinson.
From Union he came directly to Spartanburg and set about mustering support for the founding of a local chapter of the American Guild of Organists. Success came in 1954 when he became a charter member of the new chapter and, at the same time, inaugurated the Spartanburg Oratorio Society, directing for several years its performances of major choral and orchestral masterpieces. He was known and loved for his lively sense of humor, witty repartee, and buoyant personality. He maintained high artistic standards and refined taste. He enjoyed popular music and jazz, but he never allowed these secular elements to intrude into his music for worship.
He was married to Patricia Gilmore Williams, a distinguished local artist and portraitist who predeceased him by several years. He is survived by a sister in Illinois, two married daughters, a married son, five grandchildren, and a great-grandson. A memorial service was held at First Presbyterian Church on March 20. Donations in his memory may be sent to the Dr. John E. Williams Music Scholarship Fund in care of First Presbyterian Church, 393 E. Main St., Spartanburg, SC 29302.
—John M. Bullard

William Ernest Baker died August 31, 2007 in Tucson, Arizona. Born in 1938 in Denver, he had enlisted in the United States Air Force as an in-flight computer technician. During this time, he studied organ at the University of the Pacific, and later studied at the University of Colorado. While in Denver, he worked with Fred H. Meunier & Associates. Mr. Baker’s early work took place in California and Nevada; in 1963, he rebuilt the 1877 Johnson organ at St. Paul Episcopal Church in Sacramento. He relocated to New York City in 1968, serving as organist-choirmaster at St. Savior’s Roman Catholic Church in Brooklyn, where he further rebuilt and enlarged the 1911 Reuben Midmer & Sons organ. He eventually settled in Hatfield, Massachusetts, living on the top floor of the wooden-frame building that housed his shop. Mr. Baker would take on difficult projects, such as improving the actions for the slider windchests at St. Thomas Church in New York, and restoring the high-pressure Solo chests of the Skinner organ at Mt. Holyoke College following water damage. Upon retirement, Mr. Baker moved to Mexico. His remains were inurned October 29 at St. John’s Cathedral in Denver.

William Dinneen died July 26, 2007 in Greenville, Rhode Island. He was 91. Mr. Dinneen, a graduate of Harvard University, served as organist for over 60 years, including positions at the chapel of Brown University (where he taught) and First Baptist Church in America, both in Providence. He also directed the University Glee Club and the Rhode Island Civic Chorale, and served as keyboardist for the Rhode Island Philharmonic Orchestra and as music critic for The Providence Journal. A member of the Rhode Island AGO chapter, he served as dean in the 1950s, was a recitalist and accompanist for many Guild programs, and for years offered Sunday afternoon coaching sessions for groups of organists. He was awarded the chapter’s Anna Fiore-Smith Award in 2005. He is survived by Frances, his wife of 64 years, two sons, and two grandsons.

Noel E. Heinze, of Riceville, North Carolina, died on December 14, 2007, of a massive heart attack. He was 67. Born in Cincinnati, Ohio, he graduated from Michigan State University with a master’s degree in English and music. During the Viet Nam War, he served as a captain in the U.S. Army Adj. Corps. He worked in contact administration with various firms in Washington, D.C., and most recently with Palmer, Wahl in Weaverville.
He began playing the organ in church at age 11, while attending Cranbrook Academy in Michigan. He served as an organist while in the Army, and held church positions in Michigan, Maryland, Massachusetts, and New York, before moving to North Carolina. Most recently he served as organist at St. Giles Chapel, Deerfield Retirement Community in Asheville. A member of the American Guild of Organists and the Organ Historical Society, he performed in concerts with the Detroit Symphony Orchestra as well as at the Kennedy Center in Washington, D.C., and at St. Peter’s Basilica in Rome. Noel Heinze is survived by his wife of 37 years, Kathryn Heinze, a daughter, a sister, and many nieces and nephews.

Herbert A. Severtsen died at age 77 on October 1, 2007, in Spokane, Washington. Born March 4, 1930, he attended the New York Institute for Blind and Bard College, and received a master’s degree and professional diploma in music from Columbia University. He met his wife when she joined the choir at St. Peter’s Episcopal Church in New York City, where he was organist-choirmaster for 25 years. In Spokane, he was employed by the Cathedral of St. John the Evangelist, and the Unitarian Universalist Church, and by Davis & Hosch Music. He served as dean of the Spokane AGO chapter 1978–80 and was awarded a lifetime membership in 2004. He is survived by Billie Marie, his wife of 41 years, five children, and two grandchildren.

Craig Smith died November 14, 2007 in Boston. He was 60 years old. He was the founder and artistic director of Emmanuel Music, the resident ensemble at Emmanuel Episcopal Church in Boston. Over the years he built Emmanuel into a major musical center that presented works of Schütz, Handel, Schubert, Schumann, Brahms, Debussy, Ravel, and contemporary composers, especially John Harbison. Between 1970–77, Smith conducted the complete cycle of Bach cantatas, the first time all these works had been performed in America. Mr. Smith studied at Washington State University and the New England Conservatory. He collaborated with the stage director Peter Sellars on Mozart and Handel operas, and works by Bach, Weill, Gershwin, and Gilbert and Sullivan; the productions were seen in both American and European venues, and on DVD. Mr. Smith was principal conductor of the Théâtre Royal de la Monnaie in Brussels from 1988–91 and had taught at the Juilliard School, MIT, the New England Conservatory, Pepperdine University, and the Tanglewood Music Center.

James Gary Stuart, age 72 and formerly of Lake Bluff, Illinois and Santa Fe, New Mexico, died on January 17, from complications due to cancer. He was preceded in death by his wife Nancy Anderson Stuart, an accomplished singer and music teacher, in 2006. Gary is survived by a sister, a brother, nieces, a grandniece, and a grandnephew. Born on January 28, 1935 in Jacksonville, Illinois, he earned B.Mus. and M.M. degrees from Northwestern University and began a career as a church organist-choirmaster for several churches on the North Shore of Chicago, including St. James the Less (Episcopal) in Northfield, and Church of the Holy Spirit (Episcopal) in Lake Forest, before beginning a music ministry at the Church of the Holy Comforter (Episcopal) in Kenilworth in 1990.
Gary married Nancy Elizabeth Stuart on March 29, 1970 in Lake Forest, Illinois. Together Nancy and Gary spent a lifetime devoted “first and foremost” to church and choral music. In addition to private teaching, he had also served as accompanist for the Chicago Symphony Chorus, the North Shore Choral Society, and the Lake Forest Camerata Singers. Mr. Stuart led two singing tours to England and was the visiting accompanist for a third. He retired as director of music at the Church of the Holy Comforter in Kenilworth in 2002 after establishing a music ministry of quality music and an Evensong series that included performances of Requiem settings by Duruflé, Fauré, and Rutter, and Masses by Gounod and Schubert. A celebration of the Holy Eucharist in thanksgiving for his life was celebrated at the Church of the Holy Comforter on January 23. A choir composed of current and former choir members and colleagues led by current music director Derek E. Nickels sang anthems by Lutkin, Mozart, and Vaughan Williams. The family asks that donations be made to the American Cancer Society, 820 Davis Street, Evanston, IL 60201.
—Derek E. Nickels

Susanne L. Taylor died September 10, 2007, in Mount Pleasant, South Carolina, at the age of 89. A graduate of Smith College, Mrs. Taylor also attended the College of Charleston. She served as assistant organist at St. Philip’s Episcopal Church in Charleston, and in Mount Pleasant served as organist at St. Paul’s Lutheran Church and Christ Episcopal Church, and as junior choir director at St. Andrew’s Episcopal Church. She also spearheaded the restoration of the Henry Erben organ at the Huguenot Church in Charleston. A member of the Charleston AGO chapter, Mrs. Taylor served as dean from 1965–67. Preceded in death by her husband, Francis Bergh Taylor, she is survived by her four children and eight grandchildren.

Lukas Foss, composer, performer, and teacher, died in New York on February 2. He was 86. German-born, Foss was trained in Germany, in Paris, and at the Curtis Institute in Philadelphia; he had studied composition with Randall Thompson and Paul Hindemith, and conducting with Fritz Reiner and Serge Koussevitzky. Known for composing in different musical styles, he often combined past and present influences and techniques. He served as the pianist of the Boston Symphony Orchestra from 1944–50, and he conducted numerous orchestras including the Brooklyn Philharmonic, the Jerusalem Symphony, and the Milwaukee Symphony. He taught composition and conducting at UCLA from 1953–62 and had served as composer-in-residence at Carnegie-Mellon University, Harvard University, the Manhattan School of Music, Yale University, and Boston University. Foss’s compositional output included many orchestral, chamber, and choral works, as well as several works for piano, and two organ compositions, Four Etudes (1967) and War and Peace (1995). Lukas Foss is survived by his wife Cornelia.

James Barclay Hartman died on January 23 at the age of 84. He was predeceased by his wife Pamela in 1983. Born in Winnipeg, Manitoba, Canada on January 12, 1925, he was educated at the University of Manitoba (BA 1948, MA 1951), Brown University, Providence, Rhode Island, and Northwestern University, Evanston, Illinois (Ph.D.). He began a teaching career at Iowa State University, Ames, Iowa, returning to Canada in 1967 to teach at Scarborough College, University of Toronto. In 1974 he was appointed director of development and external affairs at Algoma University College, Laurentian University in Sault Ste. Marie, Ontario, and in 1980 joined the Continuing Education Division at the University of Manitoba as associate professor and director, humanities and professional studies. At the time of his retirement he held the position of senior academic editor.
A skilled photographer, he did commercial photography to help finance his university education. His great passion was music, especially the music of J. S. Bach, and in particular the works for organ and for harpsichord, both of which he played. He served for many years as book reviewer for The Diapason, and authored reviews and articles for numerous academic journals. His chief publication was the book The Organ in Manitoba, published by the University of Manitoba Press in 1997.
Dr. Hartman’s articles published in The Diapason include: “The World of the Organ on the Internet” (February 2005); “Alternative Organists” (July 2004); “Seven Outstanding Canadian Organists of the Past” (September 2002); “Families of Professional Organists in Canada” (May 2002); “Organ Recital Repertoire: Now and Then” (November 2001); “Prodigy Organists of the Past” (December 2000); “Canadian Organbuilding” (Part 1, May 1999; Part 2, June 1999); “Purcell’s Tercentenary in Print: Recent Books” (Part I, November 1997; Part II, December 1997); “The Golden Age of the Organ in Manitoba: 1875–1919” (Part 1, May 1997; Part 2, June 1997); “The Organ: An American Journal, 1892–1894” (December 1995); and “The Search for Authenticity in Music—An Elusive Ideal?” (June 1993).

Thomas A. Klug, age 61, died suddenly at his home in Minneapolis on January 8. He received his bachelor’s degree in music from Lawrence University in Appleton, Wisconsin, and his master’s degree from Northwestern University, Evanston, Illinois. An accomplished organist for 44 years, he began his musical career at St. Michael’s United Church of Christ in West Chicago, Illinois. He went on to serve the First United Methodist Church in Elgin, Illinois, Olivet Congregational Church in St. Paul, Minnesota, and most recently was the organist for 20 years at St. Michael’s Lutheran Church in Roseville, Minnesota. Tom was a member of the American Guild of Organists and the Organ Historical Society, an outdoor enthusiast, gardener, and an accomplished cook. He will be deeply missed by his family and friends. A memorial service was held January 13 at St. Michael’s Lutheran Church, Roseville. He is survived by his parents, Armin and Marjorie Klug, brothers Kenneth (Cindy) and James (Diane Donahue), five nieces and nephews, one great-niece, and special friend Doug Erickson.
—Frank Rippl

Dutch organist and musicologist Ewald Kooiman died on January 25, on vacation in Egypt. He died in his sleep; the cause was heart failure.
Ewald Kooiman was born on June 14, 1938 in Wormer, just north of Amsterdam. He studied French at the VU University in Amsterdam and at the University of Poitiers, taking the doctorate in 1975 with a dissertation on the Tombel de Chartrose, a medieval collection of saints’ lives. He then taught Old French at the VU University, where he was appointed Professor of Organ Art in 1988.
As a teenager, Kooiman studied organ with Klaas Bakker. After passing the State Examination and encouraged by members of the committee to pursue music studies at a higher level, he continued with Piet Kee at the Conservatory of Amsterdam, earning a Prix d’Excellence—the equivalent of a doctorate—in 1969. While studying French at Poitiers, he simultaneously studied organ with Jean Langlais at the Paris Schola Cantorum, taking the Prix de Virtuosité in 1963.
Kooiman had a long and impressive international career as a concert organist. He twice recorded the complete organ works of Bach—first on LP, then on CD—and was awarded the Prize of German Record Critics in 2003. He was in the midst of recording his third complete Bach set—on SACD, using Silbermann organs in Alsace—which was scheduled to come out in late 2009 or early 2010.
Although Bach was at the heart of his musical activities, Kooiman took an interest in many other parts of the organ repertoire, for example the French Baroque. His study of this repertoire and the relevant treatises was, of course, greatly facilitated by his knowledge of the French language. His interest in the French Baroque organ also led to the construction of the so-called Couperin Organ (Koenig/Fontijn & Gaal, 1973) in the auditorium of the VU University.
But he also loved playing—and teaching—Reger and Reubke; he very much enjoyed learning Widor’s Symphonie gothique when he was asked to play the work as part of a complete Widor series in Germany; and he admitted to having “a weak spot” for Guilmant’s Variations on “Was Gott tut das ist wohlgetan.”
As a scholar, Kooiman edited some 50 volumes of mostly unknown organ music in the series Incognita Organo (published by the Dutch publisher Harmonia). Much of the series was devoted to organ music of the second half of the eighteenth and of the early nineteenth century, traditionally considered a low point in history of organ music. He also published widely on eighteenth- and nineteenth-century performance practice, mainly in the Dutch journal Het Orgel. His inaugural address as Professor of Organ Art was about the nineteenth-century roots of the French Bach tradition.
Besides teaching at the famous International Summer Academy for Organists at Haarlem—at first French Baroque repertoire, later Bach—Ewald Kooiman was for many years chairman of the jury for the improvisation competition in the same city. His fluency—besides French—in English and German and his ability to listen critically to the opinions of his colleagues made him the ideal person for such a job.
Although he was never the titulaire of one of the major historical Dutch organs, Kooiman served as University Organist of the VU University, playing the Couperin Organ in recitals and for university functions. But he also played organ for the Sunday morning services in the chapel of the university hospital.
In 1986, Kooiman succeeded Piet Kee as Professor of Organ at the Conservatory of Amsterdam, mostly teaching international students at the graduate level. I had the pleasure of studying with him for three years before graduating with a BM in 1989, having previously studied with Piet Kee for two years. Although much time was naturally spent with Bach—I learned at least two trio sonatas with him—he also taught later repertoire very well: Mozart, Mendelssohn, Reubke, Reger, Hindemith, Franck, and Alain come to mind. From time to time, I had to play a little recital, and he personally took care of “organizing” an audience by inviting his family.
As Professor Ars Organi at the VU University, Ewald was the adviser for three Ph.D. dissertations, all dealing with organ art at the dawn of Modernism: Hans Fidom’s “Diversity in Unity: Discussions on Organ Building in Germany 1880–1918” (2002); David Adams’s “‘Modern’ Organ Style in Karl Straube’s Reger Editions” (2007); and most recently René Verwer’s “Cavaillé-Coll and The Netherlands 1875–1924” (2008).
Ewald Kooiman was a Knight in the Order of the Dutch Lion; an honorary member of the Royal Dutch Society of Organists; and a bearer of the Medal of Merit of the City of Haarlem. For his 70th birthday, the VU University organized a conference in his honor and a group of prominent colleagues—including American Bach scholars Christoph Wolff and George Stauffer—offered him a collection of essays entitled Pro Organo Pleno (Veenhuizen: Boeijenga, 2008). Piet Kee’s contribution was the organ work Seventy Chords (and Some More) for Ewald. Earlier, Cor Kee (Piet’s father, the famous improviser and improvisation teacher) had dedicated his Couperin Suite (1980) as well as several short pieces to Ewald.
Though clearly part of a tradition and full of respect for his teachers, Kooiman was in many ways an individualist. He enjoyed frequent work-outs at the gym, not only because it kept him physically fit and helped him deal with the ergonomic challenges of playing historic organs, but also because he liked talking with “regular” people. Among colleagues—particularly in Germany—he was famous for wearing sneakers instead of more orthodox organ shoes. One of his favorite stories about his studies with Langlais was that the latter was keen on teaching him how to improvise a toccata à la française, a genre that Kooiman described as “knockabout-at-the-organ”—not exactly his cup of tea. “Non maître, je n’aime pas tellement ça,” he claimed to have answered: “No professor, I don’t like that too much.”
Ewald Kooiman is survived by his wife Truus, their children Peter and Mirjam, and two grandchildren. The funeral service took place at the Westerkerk in Amsterdam on February 4.
—Jan-Piet Knijff

Joseph F. MacFarland, 86, died on December 29, 2008, at the Westport Health Care Center in Westport, Connecticut. A native and lifelong resident of Norwalk, Connecticut, he was born on February 14, 1922. He earned bachelor’s and master’s degrees from the Juilliard School in New York, and studied organ with David McK. Williams and Jack Ossewarde at St. Bartholomew’s Church. For 56 years MacFarland served as organist-choirmaster at the First Congregational Church on the Green in Norwalk. He also was the accompanist for the Wilton Playshop, Staples High School, and Norwalk High School. He was a lifelong member of First United Methodist Church, Norwalk, Connecticut, and a member of the Bridgeport AGO chapter. He was a veteran of World War II, having served in the U.S. Army Air Corps.

Richard H. (Dick) Peterson died at age 83 on January 29, fourteen years after suffering a debilitating stroke. Besides spending time with Carol, his devoted wife of 53 years, and with his other family members, Richard’s greatest passion in life was applying modern technology to pipe organ building. His goal was always to make organs better, more affordable, and consequently more available for people to enjoy. During his long and prolific career, he was awarded over 70 U.S. and foreign patents.
Dick Peterson was born on February 26, 1925 in Chicago. He served in the U.S. Army as a radio engineer from 1943 until 1946 and studied electronics at the City College of New York. While stationed in New York City, he often visited Radio City Music Hall and loved the room-filling sound of the organ there while also being fascinated by the mechanics of pipe organs. It was during that time that he told his parents his goal in life was to “perfect the organ.”
Mr. Peterson soon co-founded the Haygren Church Organ Company in Chicago, which built 50 electronic organs for churches all around the Midwest. Soon thereafter, he founded Peterson Electro-Musical Products, currently in Alsip, Illinois. In 1952, he presented a prototype spinet electronic organ to the Gulbransen Piano Company. Gulbransen’s president was thrilled with the sound of the instrument, and they soon negotiated an arrangement where Richard would help the piano company get into the organ business and, as an independent contractor, he would develop and license technology to be used in building a line of classical and theatre-style home organs for Gulbransen to sell. One particularly notable accomplishment was Gulbransen’s introduction of the world’s first fully transistorized organ at a trade show in 1957. Gulbransen would ultimately sell well over 100,000 organs based on Peterson inventions.
Meanwhile, many of Peterson’s developments for electronic organs evolved into applications for real pipe organs. Especially notable among over 50 of Dick’s innovative products for the pipe organ are the first digital record/playback system; the first widely used modular solid state switching system; the DuoSet solid state combination action; a line of “pedal extension” 16-foot and 32-foot voices; and the first commercially available electronic swell shade operator. Many thousands of pipe organs worldwide utilize control equipment that is the direct result of Richard’s pioneering efforts. Also carrying his name is a family of musical instrument tuners familiar to countless thousands of school band students and widely respected by professional musicians, recording artists, musical instrument manufacturers and technicians.
In the 1950s, Dick Peterson enjoyed learning to fly a Piper Cub airplane, and in more recent times preceding his illness enjoyed ham radio, boating, and restoring and driving his collection of vintage Volkswagens. He was a longtime member of Palos Park Presbyterian Community Church in his home town of Palos Park, Illinois.
Memorial donations may be made to the American Guild of Organists “New Organist Fund,” where a scholarship is being established in Richard Peterson’s name.
—Scott Peterson

William J. (Bill) Stephens, 84, of Lawrence, Kansas, died suddenly at home of heart failure on December 19, 2008. Born in Jacksonville, Texas on June 28, 1924, his organ playing career began at the Episcopal Church in Jacksonville while in his early teens. He later studied organ with Roy Perry in Kilgore, Texas, and became interested in organ building at the workshop of William Redmond in Dallas. He graduated from the University of North Texas in 1949 with a bachelor’s degree in organ, where he was a pupil of Helen Hewitt. Stephens served in the Navy during WWII as a gunner’s mate 2nd class in the Pacific theater. He subsequently studied organ at the University of Colorado, Boulder, where he was a teaching assistant in organ and a pupil of Everett Jay Hilty in organ and Cecil Effinger in theory.
Stephens taught public school music in south Texas, was the organist-choirmaster of Trinity Episcopal and Trinity Lutheran Churches in Victoria, Texas, and was south Texas representative for the Reuter Organ Company, Lawrence, Kansas. He married Mary Elizabeth Durett of Memphis, Tennessee, in Denton on November 19, 1946. In 1968 Bill moved his family to Lawrence, Kansas, and installed Reuter pipe organs in all of the 50 states except Alaska. He operated an organ building and maintenance service business, covering most of the Midwest. He was also organist-choirmaster at Grace Episcopal Church, Ottawa, Kansas, for three years.
During his years at Reuter he taught many young men the mechanics, care and feeding of pipe organs and was very proud of their work when they became full-fledged “Organ Men.” For 40 years he was curator of organs at Christ Church Cathedral, Houston, and was proud of the recognition he received upon retiring. He also took special pride in rebuilding the organ at Trinity Episcopal Church, Aurora, Illinois. It had been water-soaked and inoperable for 25 years. Kristopher Harris assisted, and Christopher Hathaway played the dedication recital November 11, 2001.
Bill Stephens was a member of the Organ Historical Society. He is survived by his wife, Mary Elizabeth Durett Stephens, five children, four grandchildren, and two great-grandchildren.
—Rumsey-Yost Funeral Home
Lawrence, Kansas

Marguerite Long Thal died December 5, 2008, in Sylvania, Ohio. She was 73. Born January 27, 1935, in Quinter, Kansas, she studied organ with Marilyn Mason at the University of Michigan, where she earned bachelor’s and master’s degrees in music. After graduation, she received a Fulbright grant to study in Paris, France for two years, where she attended the American University and studied with Jean Langlais and Nadia Boulanger. Returning to the U.S., she was appointed minister of music at the First Congregational Church in Toledo, Ohio, and taught organ at Bowling Green State University. In 1961, she married Roy Thal Jr., and they moved to Sylvania, where they remained for more than 40 years.
Active in the AGO, Mrs. Thal was a past dean of the Toledo chapter and served as Ohio district convener. She served as minister of music at Sylvania United Church of Christ for 18 years, gave many solo performances, and appeared with Prinzipal VI, a group of six organists who performed regionally. She is survived by her husband, Norman, two daughters, and three grandchildren.

Martha Novak Clinkscale, American musicologist and researcher in the history of the early piano, died in Dallas on April 24 from injuries sustained in an automobile accident. Born in Akron, Ohio (June 16, 1933), Dr. Clinkscale held piano performance degrees from the University of Louisville (Kentucky) and Yale University, and the PhD in musicology from the University of Minnesota. Her two-volume study Makers of the Piano 1700–1820 and Makers of the Piano 1820–1860 (both published by Oxford University Press) comprises nearly a thousand pages of carefully detailed information about extant instruments: an invaluable and oft-quoted source.
The introductory essays to these books immediately reveal both a mastery of vocabulary and the wide-ranging extent and geographical distribution of the many colleagues who contributed information about the instruments listed. Two short examples from the second volume: “Those musicians who preferred the caress of the clavichord’s tangent found in the early square pianoforte a felicitous addition to their musical experience” (p. ix); “[This book] is not intended to be a frivolous addition to its owners’ libraries. It seeks to inform . . .” (p. x).
Precise and carefully crafted prose as well as the avowed intent to maintain a consistency of style were also hallmarks of the author’s approach to life. John Watson, creator of the technical drawings accompanying the second volume and primary collaborator in a related online database Early Pianos 1720–1860, summed it up succinctly: “She was an elegant woman.”
Martha Clinkscale served the American musical community in many capacities, including as editor of the Journal of the American Musical Instrument Society (1993–6) and as treasurer of the Southeastern Historical Keyboard Society (2004–8). She taught at the University of California, Riverside (1979–96) and the Meadows School of the Arts at Southern Methodist University (1998–2004), where she was also a member of the organ department’s examining juries each semester of her years in Dallas.
Survivors include daughter Lise Loeffler-Welton and son Thor Loeffler, as well as professional colleagues and friends on both sides of the Atlantic Ocean.
—Larry Palmer

Anna G. Fiore-Smith died in Fall River, Rhode Island, on November 11, 2009, at the age of 81. She studied piano at the New England Conservatory and the Juilliard School, and studied organ with Homer Humphrey and later with George Faxon at the New England Conservatory; she also studied with Nadia Boulanger at Fontainebleau, France, winning first prizes in piano, organ, chamber music, and solfège. Fiore-Smith served as organist and choir director at St. Stephen’s Church, the Church of the Ascension, and Temple Beth El, all in Providence, R.I., and later at the Barrington Congregational Church; she also taught organ at Barrington College. A former dean of the Rhode Island AGO chapter, her name was given to a chapter award that is bestowed on a member organist who typifies her devotion to the organ. She was also active in the Greater Fall River Symphony Society, and was a member of its first executive board. Anna G. Fiore-Smith was preceded in death by her husband, Harold N. Smith; she is survived by her brother and sister-in-law, Faust D. and Susanne Fiore, and many nieces and nephews.

Martin Owen Gemoets died on February 3 in Galveston, Texas. He was 42. He earned a bachelor’s degree at the University of Houston, and a master’s degree in organ from the University of North Texas at Denton in 1996. A member of the Dallas and later Fort Worth AGO chapter, Gemoets held the AAGO and ChM certifications and promoted interest in the certification exams, writing articles on music history for the Fort Worth chapter’s newsletter. He was working toward his FAGO certification. He had recently relocated to Galveston. Martin Owen Gemoets was interred next to his father in Houston during a private graveside service.

Donald M. Gillett died April 3 in Hagerstown, Maryland, at the age of 90. He was the last president of the Aeolian-Skinner Organ Company of Boston, Massachusetts, which closed in 1972. Born April 8, 1919, in Southwick, Massachusetts, he earned a degree in business administration from the University of Maryland. He served four years in the Army Air Corps, stationed in Midland, Texas, as a chaplain’s assistant.
Don’s musical interest started when he was four years old, his parents having taken him to a number of organ recitals at the Municipal Auditorium in Springfield, Massachusetts. He started piano lessons at age six with Dorothy Mulroney, the Municipal Auditorium organist. After moving to Washington, D.C., he studied piano and organ with Lewis Atwater, organist at All Souls Unitarian Church and also Washington Hebrew Congregation. Don’s interest in organbuilding also started with the study of the organ.
His first organbuilding job was with Lewis & Hitchcock in Washington, D.C. Four years later in 1951, with a desire to learn voicing and tonal finishing, he was hired at Aeolian-Skinner, working under G. Donald Harrison and reed voicer Herbert Pratt. In later years, Don became a vice president and head tonal finisher. Upon the retirement of Joseph Whiteford in 1968, Don was offered the opportunity to buy up controlling interest in Aeolian-Skinner, and then became president and tonal director.
In the early 1970s, Aeolian-Skinner was building its last three instruments: St. Bartholomew’s NYC, Trinity Wall Street, and the Kennedy Center in Washington, D.C. The company was in the final stages of Chapter 11 and eventual closing. Don’s last finishing for Aeolian-Skinner was the Kennedy Center.
In March 1972, Riley Daniels, president of the M. P. Möller Organ Company in Hagerstown, offered Don a job at Möller as head flue pipe voicer. After the death of John Hose, Möller’s tonal director, Don became tonal director, and eventually vice president. He retired from Möller in 1991.
Also an avid art collector, he served on the Board of Directors of the Washington County (Maryland) Museum of Fine Arts. Donald M. Gillett is survived by his companion of 40 years, Warren S. Goding of Hagerstown; sister-in-law, Jane Mace of Palm City, Florida; and cousin, Mary Davis of Fort Lee, New Jersey.
—Irv Lawless
Hagerstown, Maryland

Frances M. Heusinkveld, 83 years old, died February 22 in Forest City, Iowa. She attended Northwestern Junior College in Orange City, Iowa, and Central College in Pella, where she studied piano and began organ lessons. She pursued a master’s degree in piano at the University of Iowa and later eared a Ph.D. in organ literature there. Heusinkveld taught in various schools in Iowa, including Upper Iowa University and for 33 years at Buena Vista College in Storm Lake, where she taught theory, music appreciation, piano, and organ. She was also organist of the United Methodist Church in Storm Lake, where she helped the church install a Bedient organ in 2002. Heusinkveld earned the Service Playing, Colleague, and AAGO certifications, and served as dean of the Buena Vista AGO chapter; she also played the cello and was a member of the Cherokee Symphony Orchestra. She enjoyed the study of foreign languages and traveled extensively. Frances M. Heusinkveld is survived by two brothers and many nieces and nephews.

Richard Dunn Howell died January 26 in Dallas. He was 78. Born in Great Bend, Kansas, he began playing for church services at Grace Presbyterian Church in Wichita at the age of 13. He graduated from Wichita University in 1954 and Perkins School of Theology at Southern Methodist University in 1957; he received a master of sacred music degree from Southern Methodist University in 1966. Howell taught elementary music in Richardson and Dallas, and played for many children’s, youth, and adult choirs. He also directed various handbell ensembles. In the course of his activities, he worked with Austin Lovelace and Lloyd Pfautsch. Richard Dunn Howell is survived by his wife of 52 years, Bradley Sue, three children, and three grandchildren.

Austin C. Lovelace, composer and church organist, and Minister of Music, Emeritus, at Wellshire Presbyterian Church in Denver, died April 25 at the age of 91. Born March 26, 1919, in Rutherfordton, North Carolina, he began serving as a church organist when he was 15 and went on to do workshops and recitals in 45 states and six countries. He earned his bachelor’s degree in music at High Point College in North Carolina in 1939 and his master’s (1941) and doctorate (1950) in sacred music from Union Theological Seminary in New York City.
Lovelace was a chaplain’s assistant in the Navy and served as minister of music at a number of churches, including First Baptist Church and First Methodist in High Point, North Carolina; Holy Trinity Episcopal, Lincoln, Nebraska; Myers Park Presbyterian Church and Myers Park Baptist, Charlotte, North Carolina; First Presbyterian Church, Greensboro; First Methodist, Evanston, Illinois; Christ Methodist, New York City; Lover’s Lane Methodist in Dallas, and Montview Boulevard Presbyterian Church and Wellshire Presbyterian in Denver.
He was still filling in as organist at area churches when he was 87. He taught at several colleges, including Queen’s College and Davidson College in North Carolina, Union Theological Seminary, Iliff School of Theology in Denver, and Garrett Theological Seminary in Evanston, Illinois.
Lovelace was fond of jazz. Twice, he had Dave Brubeck and Duke Ellington, both with their bands, join the choir at Montview Boulevard Presbyterian Church for performances. Lovelace, known for his sense of humor, wrote five books, including “Hymns That Jesus Would Not Have Liked.” A prolific writer and composer, Lovelace has several hundred compositions in print, as well as numerous articles and books on church hymnody; he was involved with twenty denominations in the development of their hymnals. A past president and Fellow of the Hymn Society of America, Lovelace was also active in the American Guild of Organists, including serving as dean of the North Shore chapter. In 2009 he received the American Music Research Center’s Distinguished Achievement Award, and was honored by the Denver Chapter of the American Guild of Organists with a hymn festival.
Austin Lovelace is survived by his wife of 69 years, Pauline Palmer (“Polly”) Lovelace, daughter Barbara Lovelace Williams, and a grandson.