Nunc Dimittis

Nunc Dimittis

Wilbur R. Dodge, 83, died November 20, 2017, in Binghamton, New York, an engineer, physicist, professional photographer, English country dancer, organist, organbuilder, and organ technician. He graduated from Clarkson University and Harpur College (now Binghamton University) with degrees in electrical engineering and physics and followed in his father’s footsteps working at Ansco Film Company.  With Norman Smith, he started their company, R D & D before he moved on to Link Aviation where he worked on simulators for the Gemini and Apollo missions.

Dodge was a member of the choir and guest organist for various churches in the community including Trinity Memorial and Christ Churches. He also maintained and tuned pipe organs in churches throughout the region. He was dean of the Binghamton Chapter of the American Guild of Organists, 1999–2001. 

Wilbur R. Dodge is survived by his partner, Anneliese Heurich; children: Glenn Burch (Bellefonte, Pennsylvania), Michael and Tammy Burch (Deland, Florida), Barbara Burch (Paisley, Florida), and Laura Appleton (Binghamton); several grandchildren and great-grandchildren. A memorial service was held at Christ Episcopal Church in Binghamton on January 20.

Mark Coan Jones died December 24, 2017. Born February 25, 1957, in Asheville, North Carolina, he studied organ with Marilyn Keiser and with Donna Robertson at nearby Mars Hill College. For the past 22 years, Jones was director of music and organist for The Pink Church (First Presbyterian Church), Pompano Beach, Florida. He previously served St. Nicholas Episcopal Church, Pompano Beach; First Presbyterian Church, Newton, North Carolina; and Trinity Episcopal Church, Asheville.

Jones appeared with the Florida Philharmonic, New World Symphony, Lynn University Conservatory Orchestra, Young Artists Chamber Orchestra, Palm Beach Atlantic Symphony, and Miami Bach Society, and in collaborations with chamber groups and area choruses, including the Nova Singers, Florida Philharmonic Chorus, Master Chorale of South Florida, Masterworks Chorus of the Palm Beaches, Fort Lauderdale Christian Chorale, and Gay Men’s Chorus of South Florida. He arranged music for organ and brass and performed with the Dallas Brass, Avatar Brass, Empire Brass, Lynn Conservatory Brass, and Eastman Brass. He performed extensively across Europe, Scandinavia, and Russia, in collaborations and solo recitals. 

Jones’s organ compositions have been performed in venues across the United States and in Europe, and have been broadcast nationally. His Three Lenten Hymn Meditations, Trumpet Tune in D, and Lenten Hymntunes have been recorded and performed by various organists.

From 2006 through 2014, Mark was principal accompanist for the von Trapp Children, the great-grandchildren of the singing family made famous by the Rodgers & Hammerstein movie The Sound of Music. His solo appearances and concerts with the von Trapps included performances around the world.

Mark Coan Jones is survived by his parents Hubert Mack and Shirley Williams Jones of Asheville, his sister Suzanne Jones Hamel and husband Richard Anson Hamel of Covington, Kentucky, and his partner Hilarion (Kiko) Suarez Moreno of Deerfield Beach, Florida.

Yuko Hayashi died January 7 in Salem, New Hampshire, at the age of 88. She was born in Hiratsuka, Japan, on November 2, 1929. For more than 40 years she was professor of organ at the New England Conservatory and department chair for 30 years. As a performer, she concertized extensively on three continents—Asia, North America, and Europe—giving recitals and masterclasses in Japan, South Korea, the United States, Holland, Germany, Belgium, Austria, Switzerland, Denmark, Italy, Spain, and Portugal. She was the recipient of the coveted Arion Award from the Cambridge Society for Early Music as an “outstanding performer and master teacher of the historical organ.” She was also awarded the Distinguished Alumni Award from the New England Conservatory.

Hayashi graduated with a degree in organ performance from Tokyo University of the Arts in 1948 and for five years was organist for the symphony orchestra of NHK, the Japanese national broadcasting company. She came to the United States in 1953 on scholarship, sponsored by Philanthropic Educational Organization and studied for one year at Cottey College in Nevada, Missouri. She then transferred to the New England Conservatory in Boston where she was awarded three degrees in organ performance: Bachelor of Music, Master of Music, and Artist Diploma. In 1960 she began teaching at the conservatory and was appointed chair of the department in 1969 by then president Gunther Schuller. Her primary teachers were George Faxon, Donald Willing, Anton Heiller, and Gustav Leonhardt (harpsichord).

Her frequent travels to Europe began in 1966 when she went to the Haarlem Organ Academy in the Netherlands and began life-long associations with Anton Heiller, Luigi Tagliavini, and Marie-Claire Alain. In 1971, she studied with Michel Chapuis in France and was introduced to many historic organs in North Germany and Holland by Harald Vogel and Klaas Bolt. This was the beginning of many exchanges of concerts and masterclasses across the Atlantic Ocean between Boston and Europe. It was during this time that Hayashi became organist of Old West Church in Boston, performing on a new mechanical-action organ built by Charles B. Fisk. She served as organist there for nearly 40 years and was the founder and executive director of the Old West Organ Society until her retirement in 2010.

Beginning in 1970, Hayashi crossed the Pacific Ocean yearly to give recitals and masterclasses in Japan. With Italian organist Umberto Pineschi and the assistance of Japanese organ builder Hiroshi Tsuji and his wife Toshiko Tsuji, she founded the Italian Organ Academy in Shirakawa. She was influential in persuading organ committees from universities, churches, and concert halls to commission mechanical-action organs from organbuilders from around the world. Most noteworthy are the instruments for International Christian University (Rieger), Toyota City Concert Hall (Brombaugh), Minato Mirai Concert Hall, Yokohama (C. B. Fisk, Inc.), and Ferris University, Yokohama (Taylor & Boody, Noack Organ Company, and J. F. Nordlie Pipe Organ Company organs).

In 1989, Yuko Hayashi took a leave of absence from the New England Conservatory to accept a position as professor of organ at Ferris University, Yokohama. She taught there for six years before returning to Boston. She also became titular organist at St. Luke’s International Hospital Chapel, which houses an organ built by Marc Garnier of France. She was responsible for relocating a historic 1889 organ built by Hook & Hastings to St. Andrew’s Episcopal Cathedral in Yokohama where her father served as priest for many years.

Yuko Hayashi is survived by two brothers, Makoto Hayashi and Satoru Hayashi, and several nieces and nephews, all residing in Japan. A memorial service for Yuko Hayashi will be held at Christ Church, Andover, Massachusetts, April 28, at 11:00 a.m. Memorial contributions may be directed to: Old West Organ Society, c/o Jeffrey Mead, Treasurer, 72 Trenton Street, Melrose, Massachusetts 02176;  St. Andrew’s Cathedral, 14-57 Mitsuzawa-shimo-cho, Kanagawa-ku, Yokohama City, Kanagawa, 221-0852, Japan; or St. Luke’s International Hospital Chapel, c/o Organ Committee, 9-1 Akashi-cho, Chuo-ku, Tokyo, 140-8560, Japan.

Pierre Pincemaille, 61, died, January 12, an international concert organist, church organist, music professor, and composer. Born in Paris, France, December 8, 1956, Pincemaille was awarded five first prizes at the Conservatoire National Supérieur de Musique de Paris (harmony, counterpoint, fugue, organ interpretation, and organ improvisation) and won five international improvisation competitions: Lyon (1978), Beauvais (1987), Strasbourg (1989), Montbrison (1989), and Chartres (1990).

In 1987, Pierre Pincemaille was appointed titular organist of the prestigious 1841 Cavaillé-Coll at the Gothic Saint-Denis Cathedral-Basilica. He loved accompanying beautiful liturgy there, amidst the tombs of the Kings of France. Highly inspired by Pierre Cochereau, Pincemaille founded a concert series there, from 1989 to 1994. For his 30th anniversary there, he performed his last concert on November 5, 2017, programming choral works he cherished, conducted by Pierre Calmelet: Louis Vierne’s Messe Solennelle and three of his own recently composed vocal motets (to be published), as well as J. S.
Bach’s Pièce d’Orgue, BWV 572, symbolizing for him the three periods of life.

Pierre Pincemaille also performed with orchestras under the direction of conductors such as Mstislav Rostropovitch, Myung-Whun Chung, Riccardo Muti, Charles Dutoit, and John Nelson. His recordings include the complete organ works of Maurice Duruflé and César Franck, Charles-Marie Widor’s ten symphonies, selected pieces by Jehan Alain, Pierre Cochereau, Olivier Messiaen, and Louis Vierne, his own improvisations and transcriptions of Stravinsky’s The Firebird and Petrushka, as well as works with orchestra by Camille Saint-Saëns, Hector Berlioz, Joseph Jongen, and Aaron Copland. Several of Pierre Pincemaille’s compositions were published: Prologue et Noël varié [Prologue and Variations on a Noel] (Sampzon, Delatour France, 2007), a 4-voice a cappella Ave Maria (Lyon, À Coeur Joie, 2013), and En Louisiane for trombone and piano (Delatour France, 2017).

Recently, Pierre Pincemaille taught counterpoint at the Conservatoire National Supérieur de Musique de Paris, harmony at the Conservatory in Saint-Germain-en-Laye, and organ improvisation at the Conservatory in Saint-Maur-des-Fossés for the past 17 years. For the past 14 years, he formed a generation of French and foreign organ improvisers, many who have won prizes in international competitions: among them, six Parisian organists: David Cassan (at the Oratoire du Louvre), Thomas Lacôte (La Trinité), Samuel Liégeon (St.-Pierre-du-Chaillot), Hampus Lindwall (St.-Esprit), Baptiste-Florian Marle-Ouvrard (St.-Eustache), and Olivier Périn (St.-Paul-St.-Louis).

Among his honors and distinctions, Pierre Pincemaille was a Knight in the following three orders: the Academic Palms, Arts and Letters, and St. Gregory the Great. 

Pierre Pincemaille is survived by his wife, Anne-France, and their three children, Claire, Marc, and Éric.

—Carolyn Shuster Fournier, Paris, France

Leonard Edwin Bearse Sr. died in Amesbury, Massachusetts on May 4, at the age of 73. Born in Hyannis, Bearse had his first church job at age 14, at the First Baptist Church there. He studied the organ in Germany while serving with the Armed Forces there, and studied choral conducting with Robert Shaw. He earned a master of music degree from the New England Conservatory of Music in Boston, studying organ with Donald Willing. He was a public school teacher in various eastern Massachusetts towns, and held music positions in various churches, most recently as minister of music at the Congregational Church in Kensington, New Hampshire, where he played his last service on March 16. Leonard Bearse is survived by his wife, Ellen, and his children Leonard E. Jr., Bruce, and Stephanie.

Michael Cohen, age 69, died June 21 in Asheville, North Carolina. A native of Tampa, Florida, he earned bachelor’s and master’s degrees in music from Florida State University–Tallahassee. He taught music in the Florida public schools for 39 years, and was organist-music director for the Church of the Holy Spirit in Apopka, Florida, for the past 17 years. A past dean of the Central Florida AGO chapter, he was a member of the Winter Park Bach Festival Choir. Michael Cohen is survived by his partner, Carl Brown; his brother Paul (and wife Donna), and brother Joel (and partner Barry Dingman).

Robert E. Glasgow, Professor Emeritus at the University of Michigan School of Music, noted concert organist, and one of the most widely respected artists in the field of organ performance and pedagogy, died on September 10 in Ann Arbor, Michigan. He was 83.
Professor Glasgow taught organ at the University of Michigan School of Music for 44 years. He received his B.M. and M.M. degrees from the Eastman School of Music in 1950 and 1951, respectively, earning Eastman’s Performer’s Certificate as well. At Eastman, he studied with Harold Gleason. From 1951 to 1962, he was associate professor of organ and college organist at MacMurray College in Jacksonville, Illinois. He joined the University of Michigan School of Music in 1962 as assistant professor, and was promoted to associate professor in 1964, full professor in 1973, and professor emeritus in 2006.
In 1973, Glasgow was awarded the Doctor of Musical Arts degree, honoris causa, by MacMurray College in Jacksonville, Illinois. The New York Chapter of the American Guild of Organists named him International Performer of the Year for 1997. Glasgow returned to his alma mater in January 2002, where he was given the school’s Alumni Achievement Award. On the same occasion, he taught a masterclass, influencing yet another generation of Eastman students. Glasgow’s faculty colleagues at the University of Michigan also recognized his pedagogical efforts by awarding him the Harold Haugh Award for excellence in the teaching of performance.
For over 50 years, he successfully combined a brilliant teaching career with an impressive career as a concert organist, both in the United States and abroad. He was best known for his stirring performances of the organ literature of the 19th century, and was regarded by some as the greatest living interpreter of Romantic organ music. He was a regularly featured performer for national and regional conventions of the American Guild of Organists as well as the International Congress of Organists. He was selected to perform and teach at the American Classic Organ Symposium on the occasion of the completion of the renovation of the great Tabernacle Organ at the Church of Jesus Christ of Latter-day Saints in Salt Lake City, Utah.
Dr. Glasgow’s performances of the music of Liszt, Mendelssohn, Schumann, Widor, Vierne, and especially César Franck were legendary; in one review he was given the appropriate nickname “the Philadelphia Orchestra of Organists.” In addition to a number of broadcast recordings for the BBC, Glasgow made one commercial recording for Prestant Records in 1987, Robert Glasgow plays César Franck, recorded on the Aeolian-Skinner organ in All Saints Church, Worcester, Massachusetts.
A leading educator of uncompromising standards, Robert Glasgow helped to form some of the most gifted organists in the world. His students are to be found in important church and academic positions throughout the United States. He was an artist in the truest sense, and a teacher who constantly reminded his students that they must not strive merely to be organists, but always musicians— communicating musical ideas in spite of the inherent difficulty of the instrument.
Robert Ellison Glasgow was born on May 30, 1925 in Oklahoma City, Oklahoma, the son of Floyd Lafayette Glasgow and Elizabeth Mary Jenkins. His death is mourned by his many devoted students, friends, and colleagues. (See the interview with Stephen Egler, “Robert Glasgow at 80,” The Diapason, May 2005.)
—Ray Henry
Rochester, Michigan

Walter A. Guzowski died September 17 in Fort Lauderdale, Florida. He was 68. Born and raised in Buffalo, New York, his career had a dramatic beginning. While still a high school student, he observed an organ technician tuning the Schlicker organ at his church, and informed the pastor that he could do what the technician had done, and save the church some money. Later, while doing some tuning, Guzowski slipped off the walkboard onto the chest below, crushing numerous pipes; to rectify this, his father brought him to Herman Schlicker, and Guzowski began working at the Schlicker Organ Company, where he worked (except for two years serving in the Army) until 1979. While at Schlicker he became head voicer and tonal finisher, working on a range of instruments, from two-rank residence organs to the large organ at First Congregational Church in Los Angeles. After moving to Fort Lauderdale in 1979, he founded a service business, which with John A. Steppe and Christopher B. Kane, became Guzowski & Steppe Organbuilders, Inc. in 1983. Walter Guzowski is survived by his sister Margaret, her husband Walter, and cousins and friends.

Gerhard Krapf died in Edmonton, Alberta, Canada, on July 2. He was 83. Krapf was renowned for his organ, choral, and vocal compositions, his scholarly writings on the organ, his teaching at the University of Alberta (1977–87, for which he was named professor emeritus), and for designing the 1978 Casavant organ there. He contributed significantly to the development of graduate programs in keyboard and library resources at the University of Alberta; in the 1960s, he had established and built the undergraduate and graduate organ programs at the University of Iowa’s School of Music. Gerhard Krapf is survived by his wife, Trudl, three daughters, a son, a brother, sister, and four grandchildren.

John S. Peragallo, Jr. died Friday, September 12 at the Hospice of New Jersey, Wayne, New Jersey, at age 76. Born in New York City and a lifelong resident of Paterson, he took several classes at the Newark College of Engineering, and served in the U.S. Army during the Korean Conflict as a chaplain’s assistant and in the honor guard.
As a boy he helped his father in the family business, the Peragallo Pipe Organ Company, founded by his father, John Peragallo, Sr., in 1918. John Jr. joined the company in 1949. He was responsible for the construction and care of many of the pipe organs of New Jersey and the complete renovation of the organs at St. Patrick’s Cathedral, New York City. John Jr.’s sons, John III and Frank, have been actively involved in the family business since the 1980s and now have a fourth generation of Peragallos, Janine, Anthony and John IV, to work alongside them. The company has installed almost 700 new instruments and currently maintains approximately 400 instruments, up and down the East Coast of the United States, including the organs of St. Patrick’s Cathedral in New York.

Raymond J. Barnes, 73, founding dean of the Southern Nevada AGO Chapter, died suddenly of a heart attack the afternoon of May 21, after having played for the morning worship service. On April 30, 2006, the chapter presented him with an Honorary Lifetime Membership in the guild. Born in 1933 in Adrian, Michigan, he began piano lessons at age five with his aunt, Ella Kafer, later studying with Myria Fox, whose piano studio was on the campus of Adrian College, where he saw the college’s four-manual Hutchings-Votey organ. He entered Adrian College in 1951 and began organ study with James Houston Spencer, graduating in 1955.
Barnes’s career in music education included teaching in Pensacola, Florida; Biloxi, Mississippi; and in Las Vegas, Nevada, where he was influential in developing and implementing a music curriculum for the Clark County schools. His teaching career in Clark County, Nevada spanned 25 years, during which time he earned a master’s degree from University of Nevada, Las Vegas.
In addition to his activities in the AGO and in music education organizations, he was a member of the Fellowship of Methodist Musicians, and with his wife was active in the Swedish American Fraternal Organization, the VASA Order of America. He is survived by his wife Inga-Britt of Las Vegas and by two brothers. A memorial service was held on the campus of UNLV on June 11.
The Southern Nevada AGO Chapter has established the Raymond J. Barnes Memorial Scholarship Fund to assist young students interested in the organ with lesson scholarships, and to help underwrite attendance at Pipe Organ Encounters. Contributions to the fund may be sent to: Raymond J. Barnes Memorial Scholarship Fund, Joan Winter—Treasurer, HCR 38—Box 559, Las Vegas, NV 89124.

Charles M. Eve, 72, died of cancer at his residence on February 10. He was a retired assistant professor of music at the University of Louisiana at Monroe and organist at the First Presbyterian Church of Monroe, Louisiana. A graduate of Central High School in Pueblo, Colorado, he earned the bachelor of music and master of music degrees from University of Colorado, where he also did additional study. His teachers included Arthur Poister, Claire Coci, and Vernon DeTar. He served as an organist and chaplain’s assistant in the U.S. Army.
Before coming to Monroe, he taught at Temple Buell College and the University of Colorado, and served as organist and choir director at Christ Methodist Church in Denver. In 1956, he placed second in the AGO playing competition. While studying in New York City, he served as organist at All Angels Church, St. Mark’s Episcopal Church, and Interchurch Center.
After coming to NLU in Monroe, Louisiana, he served as organist at St. Paul’s United Methodist Church, Grace Episcopal Church, and the First Presbyterian Church. He had given recitals at the Kennedy Center in Washington, D.C., New York’s Riverside and Trinity churches, and at the U.S. Air Force Academy. He was the former dean and founder of the Ouachita Valley AGO Chapter, a member of the American Musicological Society, and the National Association of Presbyterian Musicians.
Mr. Eve is survived by his sister and her husband, as well as by a nephew and two nieces, and a host of friends and former students. A memorial concert was held February 25 at the First Presbyterian Church in Monroe. A series of memorial concerts is planned.

Rolande Falcinelli died in Pau, France, on June 11, at the age of 86. She was one of the leading exponents of the modern French school of organists-improvisers-composers and taught organ and improvisation at the Paris Conservatoire National Supérieur de Musique from 1954 to 1986. Among her pupils are some of the greatest French virtuosos and improvisers of our time.
A favorite disciple of Marcel Dupré, she was the most authorized performer of his works, as the composer himself asserted. She reached the highest level of virtuosic skill, as testified by her own Poèmes-études, the most difficult pieces ever written for the organ, which she played and recorded in the U.S.A. during her legendary 1950 tour.
As a composer, she leaves a catalog of 74 opus numbers that includes organ, piano and harpsichord works, chamber music, vocal music and orchestral works. Her writing is characterized by tormented chromatic harmonic progressions, by explorations of tone color, and by the new perspectives of extra-European music (she integrated Persian and Indian modes and rhythms into her works). She pursued and extended Marcel Dupré’s ideals, associating the organ with other instruments: she composed works for organ and violin, organ and violoncello, organ and viola, organ and two violas, organ and flute, organ and piano, organ and voice, organ and orchestra.
Today, her artistic legacy (as a performer, an improviser and a composer) is inspiring an awakening interest in her works, sustained by a progressive series of CDs and numerous publications. —Sylviane Falcinelli

A mass was held at Saint-Eustache Church in Paris, France, on June 30 in remembrance of Rolande Falcinelli. The titular organist Jean Guillou, who was one of her first disciples (he began to take private lessons from her in 1947), improvised with an unforgettable and moving intensity at the beginning and at the end of this ceremony. Philippe Brandeis (the last of her 65 students awarded the First Prize in Organ at the Paris Conservatory) interpreted her works: Offertory for the Feast of Christ the King (op. 38), Prayer to the Holy Spirit (op. 24, no. 4), and Antiphon of the Salve Regina (op. 43). Her colleague Jason Meyer, the American violinist from Boston, performed his own special arrangement for violin solo of the cadences and solos in her work for organ and violin, Song of Sorrow and Struggle (op. 53). Gregorian chants were sung by a men’s choir from the Paris Conservatory, directed by Louis-Marie Vigne. The Belgian Stéphane Detournay, a specialist of her works, also rendered homage to her high spiritual ideals and her constant devotion to her art.
—Carolyn Shuster Fournier
Paris, France

John Anthony Steppe lost a year-long battle with cancer at the age of 51 on October 14, 2005. He was a native of New Jersey, born in Jersey City on February 3, 1954. He studied voice at Westminster Choir College. A man of many talents, he was an artist, a gourmet cook, and a consummate vocalist. His rich bass/baritone voice was heard in many venues around south Florida, most notably in the church choirs of St. John the Evangelist, Lighthouse Point; St. Martin in the Fields, Pompano Beach; and finally at St. Gregory’s in Boca Raton. He sang with the Florida Philharmonic Chorus and was featured bass soloist in Handel’s Messiah in a community-wide production at First Presbyterian Church, Fort Lauderdale. But his true passion and dream was to be an organbuilder. The dream became a reality when he, Walter Guzowski, and Christopher Kane established Guzowski and Steppe Organ Builders, Inc., in 1983. His passion and love of the instrument was evident in the craftsmanship in every instrument he designed or enhanced. John’s graceful, lyric visual designs were inspirational. He was a master in woodworking as well. He is survived by his mother, Sonia Bobo, of Neptune, New Jersey. Innumerable friends will miss his exuberant personality, acutely wry sense of humor, and delight in all things musical. Memorials may be made to St. Gregory’s Music Ministry, 100 Northeast Mizner Boulevard, Boca Raton, FL 33429.
—Paul Aldridge

Henry VanSeters, curator of the organs at the United States Military Academy, West Point, New York, for 42 years, died in September 2005 in Cornwall-on-Hudson, New York. He began playing the organ at age 10, apprenticing in his teens and later becoming an organbuilder, technician and installer for M. P. Möller. He served in the U.S. Coast Guard in World War II, and after the war was appointed curator of organs at West Point.
He guided the rebuilding and expansion of the Cadet Chapel organ from 211 ranks to more than 334 ranks. In addition to the chapel organ, he maintained, tuned, and rebuilt the Post Chapel, Catholic Chapel, Old Cadet Chapel, and St. Martin’s Chapel organs all on the USMA post.
In addition to maintaining and rebuilding numerous organs in the Hudson River Valley, he built five pipe organs for various churches, including his home church, The Netherlands Reformed Congregation of Clifton, New Jersey. He was a frequent consultant to churches and attended conventions of the American Guild of Organists, American Institute of Organbuilders, and Associated Pipe Organ Builders of America.
Mr. VanSeters is survived by Teresa, his wife of 54 years, a son and daughter, granddaughters, and many friends. A memorial service was held at the Cadet Chapel with organists Lee Dettra and A. Robert Chapman.

Nancy Jane Blair died November 6, 2010. A native of Knoxville, Tennessee, she graduated from Carson-Newman College in Jefferson City, and earned a master’s degree in church music from Southwestern Baptist Theological Seminary in Fort Worth, Texas, where she also received a distinguished service award. Blair served as minister of music at the First Baptist Church of Osceola, Arkansas, from 1961–76, and organist-music associate at Briarlake Baptist Church in Decatur, Georgia, from 1976 until her retirement in 2002. A member of the Atlanta AGO chapter, she prepared the handbell group for the premiere of Alice Parker’s The Wells of Salvation during the 1992 AGO national convention.

Rodney Alan Giles died December 4 at age 63. Born in Kansas City, Missouri, he earned a BMus in organ at the University of Missouri, Kansas City, studying with Bethel Knoche, and an MA in organ from Ohio State University, studying with Gordon Wilson. Giles served as minister of music and organist at the First Baptist Church of Kansas City from 1973–89; as college organist and adjunct instructor at Park College (now University) in Parkville, Missouri; university organist and instructor at Ottawa University in Ottawa, Kansas; as a staff organist at the RLDS (now Community of Christ) Auditorium in Independence, Missouri (1967, and 1973–85); and at the American Institute of Musical Studies in Graz, Austria, for five summers in the 1980s.
A member of the Greater Kansas City AGO chapter since 1962, he served as chapter dean in 1978–79. Giles moved to New York City in 1989 and served as organist-director of music at Hansen Place Central United Methodist Church in Brooklyn and later at West Park Presbyterian Church in Manhattan. From 2001 he spent winters in Florida, where he served as minister of music at First Congregational Church of Fort Lauderdale. Rodney Alan Giles is survived by his mother, two sisters, a brother, and nieces and nephews.

James Noel Grenhart died January 13 in King of Prussia, Pennsylvania. He was 69 years old. A gifted pianist-accompanist, organist, and choir director, Grenhart made his living as a financial analyst. He had played at Holy Comforter Church in Drexel Hill beginning in 2003, and then at the Church of the Redeemer in Springfield. Grenhart was a member of the Philadelphia AGO chapter. James Noel Grenhart is survived by a sister, a brother, and several nieces and nephews.

Hugh Allen Wilson died on December 18 in Lake George, Bolton Landing, New York. He was 85 years old. An organist, harpsichordist, and conductor, his first professional position was at the age of 14, as choir director-organist for St. James’ Episcopal Church in Lake George. He taught at Union College in Schenectady from 1962–96; in 1977, he conducted the glee club in a performance at the White House for Jimmy Carter’s first state dinner. Wilson attended Yale College, where he studied organ with H. Frank Bozyan, theory with Paul Hindemith, and musicology with Leo Schrade, graduating in 1946. He studied musicology from 1947–49 at Yale University, and studied organ with Marcel Dupré in France and harpsichord with Gustav Leonhardt in Holland.
Wilson was founder and co-conductor of the Bolton Festival of Music in 1948, founder and first dean of the Adirondack AGO chapter, and cofounder of what would become the Lake George Opera Festival. During his career, he gave more than 1,000 public performances; they included a performance of Honegger’s King David at Alice Tully Hall with narrator John Houseman in 1975 and at the National Cathedral in Washington in 1983, and the debut of an organ concerto written for him by Union College professor Edgar Curtis in 1966. Hugh Allen Wilson is survived by his longtime companion, Marshall Ford, and many friends and colleagues.