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Andrew Henderson featured on new recording

THE DIAPASON

Andrew Henderson is featured on a new recording, Andrew Henderson at St. John’s, Elora.



Recorded in June, the CD is Henderson’s debut solo organ CD and the first solo recording of the Casavant organ at St. John’s Church, Elora, Ontario. He launched the CD with a recital November 7. The recital featured works from the recording, including the artist’s arrangement of Handel’s Organ Concerto in F Major (op. 4, no. 4), Elgar’s Imperial March, and Barrie Cabena’s five-movement Eine kleine Morgenmusik, op. 631 (2010), composed for Andrew Henderson and premiered this past July at the Elora Festival. In acknowledgment of the week following Halloween, Henderson also played Bach’s Toccata and Fugue in D Minor, Bonnet’s Elves, and Gounod’s Funeral March of a Marionette.



Canadian organist Andrew Henderson is director of music and organist at New York’s Madison Avenue Presbyterian Church, teaches on the faculties of Westminster Choir College and Columbia University’s Teachers College, and performs recitals throughout the USA and Canada.



Copies of the CD are available in the USA at www.andrewhenderson.net, and in Canada via the Elora Festival office (519/846-0331; www.elorafestival.com).



Further information about the recording’s contents and the instrument may be found at www.andrewhenderson.net/cd.html.

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Gerald Albert Bales died on July 4 at University Hospital, London, Ontario, Canada, at the age of 83 after a heart attack. Born in Toronto in 1919, Bales was first taught by his mother. He gave a piano recital at age seven and an organ recital at age 13. His teachers in Toronto included Healey Willan. He served as organist and choirmaster at St. Anne's Anglican Church, Toronto; Rosedale United Church, Toronto; St. Andrew's Presbyterian Church, Toronto; the Cathedral Church of the Redeemer, Calgary; and the Cathedral Church of St. Mark, Minneapolis. He was professor of organ, choral and orchestral conducting, organ literature, and orchestration at the University of Ottawa from 1971-1984. He formed the St. Andrew's Singers and the Calgary Orchestra and Chorus Association and gave regular performances for the CBC. In 1957 he was chosen as recitalist for the First International Congress of Organists in London, England. In 1974 he was made an Honorary Fellow of the Royal Canadian College of Organists, and was honored for his contributions to music by being named to the Order of Canada in 1996. He composed music for organ, choir, and liturgy, in addition to scores for film and radio. Funeral services were held on July 10 at St. Paul's Anglican Cathedral, London, Ontario.

 

Lewis C. Bruun, of Williamsport, Maryland, and formerly of Eureka, California, died on August 2, 2002. He was 67. Born on August 29, 1934 in San Francisco, he was a graduate of Westminster Choir College in Princeton, New Jersey, and also studied at Peabody Conservatory of Music, Baltimore, and the Royal School of Church Music in England. He served as organist and choir director at numerous churches on the East Coast, including Old First Church, Newark, New Jersey; John Wesley United Methodist Church, Hagerstown, Maryland; and most recently during his semi-retirement at St. Augustine's Roman Catholic Church in Williamsport, Maryland. Mr. Bruun had played numerous concerts including programs at Washington National Cathedral and National City Christian Church in Washington, DC; the Cadet Chapel at U.S. Military Academy, West Point, New York; Academy of Music in Philadelphia; St. Thomas Church, Madison Avenue Presbyterian Church, Fifth Avenue Presbyterian Church, and St. Paul's Chapel at Columbia University, all in New York City; St. Mary's Cathedral in Edinburgh, Scotland; and Westminster Abbey in London. He served on the faculties of Westminster Choir College and Hagerstown Junior College, and was a member of the American Guild of Organists. A memorial service was held on September 7 at St. John's Episcopal Church in Hagerstown, with former choir members and 11 organists participating.

Sewanee Church Music Conference July 12–18, 2010

Jane Scharding Smedley

Jane Scharding Smedley has served as organist-choirmaster at St. Peter Roman Catholic Church in Memphis, Tennessee since 1980. She earned bachelor’s (Rhodes College) and master’s (Wittenberg University) degrees in sacred music, and holds the Colleague and Choirmaster certificates from the American Guild of Organists. She currently serves as secretary of the Sewanee Church Music Conference board of directors.

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In its sixtieth year, the Sewanee Church Music Conference continues to offer a well-planned week of choral rehearsals, organ repertoire and anthem reading sessions, worship—and fun social events! Regular attendees know to reserve the second week of July for their annual pilgrimage to the ‘holy mountain’ in East Tennessee, home of the gathering since its founding in 1951. This year’s faculty presented a triple encore: Malcolm Archer, Peter Conte, and Bishop Joe Burnett.
One of the strengths of this conference is the sensitivity of its leadership to the needs and requests of participants as revealed in an annual survey, and the attention to detail shown by the board of directors. Choral repertoire for the two major liturgies—Friday Evensong and Sunday Eucharist—is carefully selected to provide teachable opportunities during the week, but also quality literature accessible to most choirs back home. This emphasis on quality as well as usefulness is apparent in the commissioned works. This year’s anthem, penned by Malcolm Archer himself, was premiered during the Sunday Eucharist at All Saints Chapel, University of the South at Sewanee. Using a text from Colossians, Archer’s setting of “We Give Thanks to God” was an excellent example of new music sought by this conference.
On the organ bench, Peter Conte displayed his phenomenal improvisational skills and fondness for transcriptions. Opening a solo recital with his arrangement of Arthur Sullivan’s overture to the Yeomen of the Guard, even more of his touch was shown in selections from Elgar’s Enigma Variations. The silent film The Kid allowed Conte ample opportunity to explore the tonal possibilities of the chapel’s Casavant—all to the delight of his audience.
Archer and Conte were a superb team leading the 150 singers through daily rehearsals of anthems by Stanford, Stainer, and Holst for Evensong and Eucharist, demonstrating techniques and sharing their expertise along the way. As chaplain, Bishop Burnett offered a profound look at the “liturgical logics of Rubrics,” using titles known to many organists via Dan Locklair’s suite. One of the strong points of the week is the integration of musical and liturgical issues. Bishop Burnett’s thoughtful words resonated deeply with his listeners.
The week also featured Marty Wheeler Burnett and Mark Schweizer in anthem reading sessions, Bradley Almquist in choral voice training techniques, and Susan Rupert in the ever-popular “Episcopal Basics.” Lois Fyfe’s music display was open around the clock for browsing. Numerous opportunities for interaction with the faculty exist—a strength of this conference. Rehearsals, lectures, worship, and fellowship were complemented by delicious meals prepared by the competent and friendly staff of the DuBose Conference Center. The annual formal banquet gave all a chance to dress up—then let their hair down at the hilarious “Frolic”!
Next year’s conference will include Dale Adelmann and Todd Wilson, with the Reverend Barbara Cawthorne Crafton as chaplain. For more information: www.sewaneeconf.com■

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